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    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/production-stills</loc>
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    <lastmod>2019-01-17</lastmod>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills poster Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills poster Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills press release Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Production Stills Thomas Dane Gallery London United Kingdom 2009  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 104 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 108 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C)  2009 Color photographic paper 101 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 105 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 103 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C)  2009 Color photographic paper 109 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 102 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–London trk#868587728072, October 02–05, 2009 2009– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007–</image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–London trk#868587728050, October 02–05, 2009 2009– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches FedEx Glass Works, 2007–</image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#868587728040, October 02–05, 2009, International Priority, London–New York trk#863822956489, November 18–20, 2009, International Priority, New York–London trk#795200981790, September 19–21, 2011 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009–</image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles-London trk#868587725897, October 02-05, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009–</image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#868587728061, October 2–5, 2009, International Priority, London–Zurich trk#863822956490, November 26–December 2, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009–</image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#868587728083, October 02–05, 2009, International Priority, London–Los Angeles trk#862012042283, December 08–09, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009–</image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#868587728028, October 02–05, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009–</image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#868587728006, October 2–5, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009–</image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008–  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008–  </image:caption>
    </image:image>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008–  </image:caption>
    </image:image>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008–  </image:caption>
    </image:image>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008–  </image:caption>
    </image:image>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Installation View (MacBook Pro, iPhone and Ellsworth Kelly, 'Red White', 1961), Washington, District of Columbia, April 27, 2009 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Darkroom Assistant (EC-H), Irvine, California, July 18, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>College Dormitory (Bard College), Annandale-on-Hudson, New York, July 11, 2009 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
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      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Master Framer (RR), Los Angeles, California, June 20, 2009 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458606167420-FCYXHTBGEDRTTIUUWO6A/WB327508.jpg</image:loc>
      <image:title>Production Stills, Thomas Dane Gallery, 2009</image:title>
      <image:caption>Color Photographic Processor (Hope RA4), Chicago, Illinois, August 21, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/whitney-biennial-2008</loc>
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    <lastmod>2019-01-17</lastmod>
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      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Biennial Exhibition Curated by Henriette Huldisch and Shamim M. Momin Whitney Museum of American Art New York New York 2008  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908466560-U49OPBUHAI0VB30ZRV9D/Biennial-07.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Biennial Exhibition Curated by Henriette Huldisch and Shamim M. Momin Whitney Museum of American Art New York New York 2008  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908466493-XAJZ2TAYUPW6ELWI0J46/Biennial-08.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Biennial Exhibition Curated by Henriette Huldisch and Shamim M. Momin Whitney Museum of American Art New York New York 2008  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908467459-9IP43FAMP23MXA579CRR/DSC_4607.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Biennial Exhibition Curated by Henriette Huldisch and Shamim M. Momin Whitney Museum of American Art New York New York 2008  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908467421-VOCY0TJGWGN1MIR6Z7HD/DSC_4616.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Biennial Exhibition Curated by Henriette Huldisch and Shamim M. Momin Whitney Museum of American Art New York New York 2008  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908468580-572FOWBKDL4YAGGUIFS1/DSC_4635.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Biennial Exhibition Curated by Henriette Huldisch and Shamim M. Momin Whitney Museum of American Art New York New York 2008  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908468457-DE6C8PNC0FEUW8PF6SHY/DSC_4655.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Biennial Exhibition Curated by Henriette Huldisch and Shamim M. Momin Whitney Museum of American Art New York New York 2008  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908470249-HWG5DSP6EHYENSC50G08/DSC_4665.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Biennial Exhibition Curated by Henriette Huldisch and Shamim M. Momin Whitney Museum of American Art New York New York 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908470453-ZHS5DJNRHZN7WE7GVXUO/DSC_4673.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Biennial Exhibition Curated by Henriette Huldisch and Shamim M. Momin Whitney Museum of American Art New York New York 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908471933-B7BMMI7ZI9YPSU5XBS7S/DSC_4688.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Standard Overnight, Los Angeles–New York trk#791849413177, February 15–18, 2008 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 40 x 6 x 6 inches, each FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908498613-O3CD0BLYLOTXWBOYW72H/WB13906.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Travel Picture Fog [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908498510-1MOJMQEUA1LXVR1DJIT6/WB14006.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Travel Picture Granite [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908499843-56ICHWOHEC6TZ2Z69LA0/WB14206.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Travel Picture Meadow [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908499485-G3W1XXO2736MRDFK3469/WB14406.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Travel Picture Rose [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908500231-REOQA0SHWTWAI7XX232J/WB14506.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Travel Picture Sunset [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455908500980-V5UQ5E75AG9DRS1ADGQL/WB14606.jpg</image:loc>
      <image:title>Biennial Exhibition, Whitney Museum, 2008</image:title>
      <image:caption>Travel Picture Violet [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/industrial-pictures</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-17</lastmod>
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      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Industrial Pictures poster Galerie Rodolphe Janssen Brussels Belgium 2008  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458157450836-Q7P84UULEFKANLNCM1WQ/IndustrialPictures_poster_edit.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Industrial Pictures poster Galerie Rodolphe Janssen Brussels Belgium 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506119793494-NU4NMRZLKQ28XDHHM3E3/PictureIndustry_PR_editcrop.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Industrial Pictures press release Galerie Rodolphe Janssen Brussels Belgium 2008   READ IN FULL HERE  </image:caption>
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      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Industrial Pictures Galerie Rodolphe Janssen Brussels Belgium 2008  </image:caption>
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      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Industrial Pictures Galerie Rodolphe Janssen Brussels Belgium 2008  </image:caption>
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      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Industrial Pictures Galerie Rodolphe Janssen Brussels Belgium 2008  </image:caption>
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    <image:image>
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      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Industrial Pictures Galerie Rodolphe Janssen Brussels Belgium 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455759588089-84G4E5V6AS2JZ0E1W3PG/05.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Industrial Pictures Galerie Rodolphe Janssen Brussels Belgium 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455759765368-PB1GBVKSPCS6X5W7EY1L/WB38708.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Brussels trk#865282057953, October 27–30, 2008, International Priority, Brussels–Los Angeles trk#866071746385, December 8–9, 2008 2008– Laminated mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 20 x 20 x 20 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455759765514-2HZO6YUVCN7A2FRB2EU7/WB38808.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Brussels trk#865282057975, October 27–30, 2008, International Priority, Brussels–Los Angeles trk#866071746396, December 8–9, 2008, Standard Overnight, Los Angeles–New York trk#774901659423, November 4–5, 2015, Standard Overnight, New York–Los Angeles trk#775241449093, December 21–22, 2015 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 20 x 20 x 20 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455759767025-P4TI0XMRJ61W0TZRR8EL/WB42908.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Brussels trk#865282057942, October 27–30, 2008 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 20 x 20 x 20 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455759768344-751CXJPRWXMUP1M2RZM5/WB43008.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Brussels trk#865282057964, October 27–30, 2008, International Priority, Brussels–Los Angeles trk#866071746385, Janurary 8–9, 2009, Standard Overnight, Los Angeles–New York trk#872632033108, April 29–30, 2010, Standard Overnight, New York–Los Angeles trk#796210730703, September 2–3, 2010, Priority Overnight, Los Angeles–New York trk#794583197877, March 28–29, 2011, Priority Overnight, New York–Los Angeles trk#611849858596, January 13–14, 2015 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 20 x 20 x 20 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459361647553-KK9OYPD5JT1YZYYR1JRZ/WB41508.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Fabricator (JD), Glendale, California, July 9, 2008 2008 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458606497674-1XI3EXHZRXOCZAERT20U/WB37408.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Darkroom Assistant (DE), Chicago, Illinois, August 21, 2008 2008 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458606509560-ZGDQ5IAXLDJ2N6MB4109/WB41308.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Gallerists (JF/JH), New York, New York, February 19, 2008 2008 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458606497938-T5SWJ6KFJA9TJ68NKNN7/WB37708.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Gallerist (RJ), New York, New York, September 28, 2008 2008 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458606510179-JTAL9FGH7QX30B5919MZ/WB41408.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Claire Trevor School of the Arts (University of California Irvine), Irvine, California, July 17, 2008 2008 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458606499812-NZMLTWPS3675QJX4NL8A/WB37808.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Art Fair Director (DH), Los Angeles, California, July 20, 2008 2008 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458606515722-W29J9IC4XMM8B1KQU0CX/WB41608.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Darkroom Assistant (DW), Irvine, California, July 18, 2008 2008 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458606516928-W4EQEPVJGNNRFIP2DU1J/WB41708.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Artist (KFH), Los Angeles, California, July 9, 2008 2008 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458606518047-U9UL5UIILBOFGP7QGCOH/WB41808.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>8 x 10 Horizontal Enlarger (Fotar), Irvine, California, July 18, 2008 2008 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460679390058-PK2AZE0XNP3JU91BSDKU/WB28808.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Six-Sided Picture A (CMMYYC: Irvine, California, July 16, 2008, Fuji Crystal Archive type C) 2008 Color photographic paper 100 x 50 inches Color Loops, 2008–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460679390094-7I0038QFBSITYWUQ6FFQ/WB29208.jpg</image:loc>
      <image:title>Industrial Pictures, Galerie Rodolphe Janssen, 2008</image:title>
      <image:caption>Six-Sided Picture D (CMMYYC: Irvine, California, July 16, 2008, Fuji Crystal Archive type C) 2008 Color photographic paper 100 x 50 inches Color Loops, 2008–2011  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/transparencies</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462321025547-1VVA6HUUL7SHQCH603G8/WB14609.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: August 20–23, 2009 LAX/CMH CMH/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462321025547-1VVA6HUUL7SHQCH603G8/WB14609.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: August 20–23, 2009 LAX/CMH CMH/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462321025574-6A1EY91T4GZP7IV6Z5VR/WB15009.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: October 5–13, 2009 LAX/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462321026719-MST4OTD6DULBNDPZKTR9/WB15109.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: October 5–13, 2009 LAX/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462321027080-LV73KLZVB5P531D6H0RO/WB87010.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: July 3–7, 2010 LAX/IAD/FRA/BLQ BLQ/BRU/ORD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462321028124-YBGCUIQ2MY48RDC9N6LA/WB87110.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: July 3–7, 2010 LAX/IAD/FRA/BLQ BLQ/BRU/ORD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462321027871-4A2M8640300Z7HOMS5XV/WB87310.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: May 10–16, 2010 LAX/LHR/CPH CPH/LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462321028809-UOKP69W6P4UADTU370BV/WB87410.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: May 10–16, 2010 LAX/LHR/CPH CPH/LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462321029472-3OF64ZHTWZE39EHRGR5X/WB87710.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: October 15–24, 2010 LAX/CDG/CPH CPH/CDG/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462321030341-06HDLQ9QSN7OE2KMX795/WB87810.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: October 15–24, 2010 LAX/CDG/CPH CPH/CDG/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319916705-1C07TUW9O6KQHVY5108F/WB01209.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: November 4–November 10, 2008 LAX/IAD IAD/BRU BRU/IAD IAD/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches FIVE, 2009 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319916842-HS8KVB5G3LRGB8JOHS3C/WB01409.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: April 7–April 13, 2008 ORD/LAX LAX/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Passages, 2009 Altermodern, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319919088-ERHQXBGMM3E1Z3QIIWT1/WB01509.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: March 24–March 29, 2008 ORD/LGA LGA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319918096-90UU47EGEKO4T6TFH5EA/WB01609.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 1601: October 19–October 21, 2007 ORD/LAX LAX/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Passages, 2009 Altermodern, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319920670-0F026NG9P87VSOWUZ12F/WB01709.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: May 8–July 18, 2007 LAX/FRA FRA/JFK LGA/IAD IAD/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319922238-C4Z01KWK31HYO5BQOFE3/WB02309.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: August 17–August 24, 2008 LAX/IAD DCA/ORD ORD/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319922419-6SDL5TUFU1FNOM5U19Y6/WB02509.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 1501: April 10–April 16, 2007 LAX/ORD ORD/EWR EWR/ORD ORD/SNA SNA/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319923058-0TLK4C1PJ820H9Z17SMZ/WB02709.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: March 12–March 16, 2008 ORD/LGA EWR/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319925342-JLYWOO3V7286PZ3IJRI7/WB03409.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: December 5–December 9, 2007 ORD/MIA MIA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Passages, 2009 Altermodern, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319923779-R33J3CKUZMNX3RNRH5V0/WB14209.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160VC Em. No. 4071: January 28–February 3, 2009 LAX/LHR LHR/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462323173162-HSWH5GALN0V6VEP4WGOG/WB03509.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 51341: May 28–June 29, 2008 ORD/LAX LAX/JFK JFK/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches FIVE, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462323170464-STZ2SJTGLGM6Q8CXFK0M/WB01509.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: March 24–March 29, 2008 ORD/LGA LGA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches FIVE, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462323171902-WY3V02ADTJSB4I1P27ZO/WB01709.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: May 8–July 18, 2007 LAX/FRA FRA/JFK LGA/IAD IAD/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches FIVE, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462323171758-MOH5VH8LXK075FUAHOUR/WB02509.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 1501: April 10–April 16, 2007 LAX/ORD ORD/EWR EWR/ORD ORD/SNA SNA/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches FIVE, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462323172525-EJ1VA7YPUPZBHW7YHZZI/WB02709.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: March 12–March 16, 2008 ORD/LGA EWR/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches FIVE, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462387365037-93P0LPQAGMS7IEC3J4DH/WB01309.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: October 15–October 19, 2008 LAX/LHR LHR/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Altermodern, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462387381759-Y0IN9V2YRD06T6OIUUM4/WB01909.jpg</image:loc>
      <image:title>Transparencies, 2008–2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 51341: May 8–May 18, 2008 ORD/LHR LHR/IAD IAD/JFK LGA/DCA DCA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Altermodern, 2009  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/the-endless-renaissance</loc>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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    <image:image>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453753741463-7QD28KAAX6E2PED0HH9L/HESHTY_Bass-72.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453753741814-V3QDY3JH6IQWTCGT62CN/HESHTY_Bass-73.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453753742314-G6O69E95VTVEH1FNQKTZ/HESHTY_Bass-74.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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    <image:image>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
    </image:image>
    <image:image>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
    </image:image>
    <image:image>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>The Endless Renaissance Bass Museum of Art Miami Beach Florida 2012  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453753726735-H5EA9L1IGYCBWW4G5AD2/HESHTY_Bass-56.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Mural (Bass Museum of Art, Miami, Florida: 2001–2012) 2012 Sanded wall Dimensions variable  </image:caption>
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    <image:image>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Mural (Bass Museum of Art, Miami, Florida: 2001–2012) 2012 Sanded wall Dimensions variable  </image:caption>
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    <image:image>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Mural (Bass Museum of Art, Miami, Florida: 2001–2012) 2012 Sanded wall Dimensions variable  </image:caption>
    </image:image>
    <image:image>
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      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Copper Surrogates (September 20–23/November 21–23, 2011, Beijing, China, June 13–18/November 21, 2012Los Angeles, California, November 29–December 3, 2012, Miami Beach, Florida) 2011 Polished copper 35 1/2 x 74 3/4 x 1 1/2 inches each Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754048486-9DPIO861SW09SRKF8RWZ/WB22312-22812.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) 2012 Petroleum wax and wood strainer 50 x 90 inches, each Soft Pictures, 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459188230941-N3LKIEU0Q076BET1B32Y/WB_02212.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981299, October 29–30, 2008, Priority Overnight, Miami–Ann Arbor trk#861049125115, March 3–4, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625749, July 9–10, 2009, Standard Overnight, Los Angeles–San Francisco trk#878069766471, August 27–28, 2009, Standard Overnight, San Francisco–Los Angeles trk#870342520145, November 12–13, 2009 (conserved by Zoltan Papp, Artisan Restoration and Antique Interior Creations, Los Angeles, California, November 9–19, 2012) 2008–2012 Laminated glass, silicone, Castin'Craft polyester casting resin, and Castin'Craft transparent dye 16 x 16 x 16 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459188230763-QD716V8QXAACEP21PRNA/wb02712.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Standard Overnight, Los Angeles–New York trk#791849413166, February 15–18, 2008, International Economy, New York–Basel trk#862119054799, June 5–11, 2008, International Priority, Basel-Los Angeles trk#791973695386, October 20–22, 2008 (conserved by Zoltan Papp, Artisan Restoration and Antique Interior Creations, Los Angeles, California, November 9–19, 2012) 2008–2012 Laminated glass, silicone, Castin'Craft polyester casting resin, and Castin'Craft transparent dye 6 x 6 x 40 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453753725804-80S61UV4OPBS1KI4LLJM/HESHTY_Bass-54.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453753725763-49O48FN03QMIGE1XDVPR/HESHTY_Bass-53.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754082133-76N7D1983X5460SCFKFK/HESHTY_Bass-2.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754084546-NLF1RDDKKOWYMTN44A51/HESHTY_Bass-4.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754085066-JT06DCYX2ZTJV7Y5FO4I/HESHTY_Bass-5.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754085721-8JIIHCMEH78P6P87CZP9/HESHTY_Bass-6.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754087080-O02RNQQSQIT292AJRMOV/HESHTY_Bass-7.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754086625-B2RV5AXM5L1R2Y7EZMZJ/HESHTY_Bass-8.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754087809-RS0F1PBH3EVOAEP8JZL2/HESHTY_Bass-9.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754089195-FXK3QZKAOUNPLY5OCMYH/HESHTY_Bass-11.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754093052-VS5XR2YZPBE1KYCQQNSG/HESHTY_Bass-13.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754094411-4LGAZRJ141BPPSF1J5QK/HESHTY_Bass-15.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754095567-4NPQIFZU719KFR1VH68E/HESHTY_Bass-16.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453754099355-S6D00S1P6F0QN9ZAGA0O/HESHTY_Bass-17.jpg</image:loc>
      <image:title>The Endless Renaissance, Bass Museum of Art, 2012</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012–2013  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/walead-beshty-pulleys-cogwheels-mirrors-and-windows</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458241536256-JEZVILV38TGFQHOUVP4P/Pulleys-Cogwheels-Mirrors-and-Windows_HE7A9926_edit.jpg</image:loc>
      <image:title>Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows</image:title>
      <image:caption>Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows, ex. cat. (Ann Arbor: University of Michigan Museum of Art, 2009).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458241536256-JEZVILV38TGFQHOUVP4P/Pulleys-Cogwheels-Mirrors-and-Windows_HE7A9926_edit.jpg</image:loc>
      <image:title>Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows</image:title>
      <image:caption>Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows, ex. cat. (Ann Arbor: University of Michigan Museum of Art, 2009).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458241534789-LP5U59YRDQ9HOBJ030BQ/Pulleys-Cogwheels-Mirrors-and-Windows_HE7A0338_edit.jpg</image:loc>
      <image:title>Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows</image:title>
      <image:caption>Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows, ex. cat. (Ann Arbor: University of Michigan Museum of Art, 2009).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458241533746-GR2ITIWXIM8H269AHWBA/Pulleys-Cogwheels-Mirrors-and-Windows_HE7A0340_edit.jpg</image:loc>
      <image:title>Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows</image:title>
      <image:caption>Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows, ex. cat. (Ann Arbor: University of Michigan Museum of Art, 2009).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458241534863-YG8YGKAEO8C2PCK4LAHQ/Pulleys-Cogwheels-Mirrors-and-Windows_HE7A0344_edit.jpg</image:loc>
      <image:title>Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows</image:title>
      <image:caption>Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows, ex. cat. (Ann Arbor: University of Michigan Museum of Art, 2009).  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/ethics</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458174093695-DK6FO96EYN18NCQG146U/Ethics_HE7A9929_edit.jpg</image:loc>
      <image:title>Ethics: Documents of Contemporary Art</image:title>
      <image:caption>Walead Beshty, ed., Ethics, Documents of Contemporary Art (Cambridge, MA and London: MIT Press and Whitechapel Gallery, 2015).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458174093695-DK6FO96EYN18NCQG146U/Ethics_HE7A9929_edit.jpg</image:loc>
      <image:title>Ethics: Documents of Contemporary Art</image:title>
      <image:caption>Walead Beshty, ed., Ethics, Documents of Contemporary Art (Cambridge, MA and London: MIT Press and Whitechapel Gallery, 2015).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458174092222-13DFQUCI6P73YJ560M7K/Ethics_HE7A1422_edit.jpg</image:loc>
      <image:title>Ethics: Documents of Contemporary Art</image:title>
      <image:caption>Walead Beshty, ed., Ethics, Documents of Contemporary Art (Cambridge, MA and London: MIT Press and Whitechapel Gallery, 2015).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458174091639-NN1EMUB698OHKHPW2Z2R/Ethics_HE7A1425_edit.jpg</image:loc>
      <image:title>Ethics: Documents of Contemporary Art</image:title>
      <image:caption>Walead Beshty, ed., Ethics, Documents of Contemporary Art (Cambridge, MA and London: MIT Press and Whitechapel Gallery, 2015).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458174092864-4TGB6AVCZ5K24K02B80H/Ethics_HE7A1427_edit.jpg</image:loc>
      <image:title>Ethics: Documents of Contemporary Art</image:title>
      <image:caption>Walead Beshty, ed., Ethics, Documents of Contemporary Art (Cambridge, MA and London: MIT Press and Whitechapel Gallery, 2015).  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/repetition-and-difference-the-jewish-museum-2015</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450814220154-HF9Z15M8IJ88PFRZEIBG/20150309_tjm_653RepetitionandDifference_055.jpg</image:loc>
      <image:title>Repetition and Difference, The Jewish Museum, 2015</image:title>
      <image:caption>Repetition and Difference The Jewish Museum New York New York 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450814220154-HF9Z15M8IJ88PFRZEIBG/20150309_tjm_653RepetitionandDifference_055.jpg</image:loc>
      <image:title>Repetition and Difference, The Jewish Museum, 2015</image:title>
      <image:caption>Repetition and Difference The Jewish Museum New York New York 2015  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815084628-WDJ91TR0Z60L9RZ0SN4N/Beshty-Install-62.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815084613-YRN7VAO1A8IY2DGX4X9T/Beshty-Install-63.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Selected Bodies of Work Regen Projects Los Angeles California 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815085379-VFPKFD2EZANA9Y5TK9PJ/Beshty-Install-64.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XXX (August 19th–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2014 Ceramica Suro slip cast remnants, glaze, and firing plate 45 x 91 x 43 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815409332-32GSEV7XV5MQCPJ4K31L/WB27913_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate VIII (August 19th—21st, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2014 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 20 1/2 x 13 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815408830-5AMRYR6IFI692V99XU4E/WB27913_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate VIII (August 19th—21st, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2014 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 20 1/2 x 13 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815410251-NGDUSR2A39SIMEUIHQVT/WB28513_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XIII (August 20–22, 2013, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 24 1/2 x 17 inches Ceramics, 2013–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815411670-SDKV5HA8NDA5XURI13R6/WB28513_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XIII (August 20–22, 2013, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 24 1/2 x 17 inches Ceramics, 2013–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815411857-0LL3Y4JZXGE3X5U632KX/WB29013_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XVIII (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 23 1/2 x 20 1/2 x11 inches Ceramics, 2013–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815414250-MOIGNE1R3YBHMMPTSMEV/WB29013_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XVIII (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 23 1/2 x 20 1/2 x11 inches Ceramics, 2013–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815416866-KIOSLTIJ9LAWYOC5GG98/WB29313_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XIX (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 38 x 20 1/2x 20 inches Ceramics, 2013–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815417287-SD4XIU1C63OV60VVYCPD/WB29313_B.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XIX (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 38 x 20 1/2x 20 inches Ceramics, 2013–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815419254-PZYQ521M3YSGVOC79OF2/WB29513_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XXI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 24 1/2 x 19 inches Ceramics, 2013–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815418625-5I2VM0WRUTVU7HX68TYC/WB29513_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XXI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 24 1/2 x 19 inches Ceramics, 2013–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815420824-9B70Y04I92VTHFRN3D1D/WB30213_c.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XXVIII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 67 1/2 x 22 1/2 x 21 1/4 inches Ceramics, 2013–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815419864-49H101WFLU1RBDD2E8DR/WB30213_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XXVIII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 67 1/2 x 22 1/2 x 21 1/4 inches Ceramics, 2013–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815423780-OMIAM1I6NXWNP7QLM70I/WB30613_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XXVI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 102 x 33 1/4 x 23 inches Ceramics, 2013–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815423452-YVLQPSGN9VAKFISFIYCY/WB30613_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XXVI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 102 x 33 1/4 x 23 inches Ceramics, 2013–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815425204-CI1SAGNXLGYGAILQKI70/WB30713_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XXVII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 77 3/4 x 35 1/2 x 22 inches Ceramics, 2013–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815425997-4TL03HVL5BZ59YFBHPDM/WB30713_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aggregate XXVII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 77 3/4 x 35 1/2 x 22 inches Ceramics, 2013–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815710429-E30IP91QG58D1LFDMQSC/WB02714.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall (MYC/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02714) 2014 Color photographic paper 50 x 120 inches RA4 Contact Prints, 2014–</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815710403-TUL7KNTK78HEVRCC3SK6/WB02814.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CMY/Six Magnet: Los Angeles, California, January 8th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02814), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174] 2014 Color photographic paper 50 x 105 7/8 inches RA4 Contact Prints, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815716361-NYDH7EYALAHGLPAVQ5GL/WB02914.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (YCM/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02914) 2014 Color photographic paper 50 x 107 3/8 inches RA4 Contact Prints, 2014–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815714040-7G1XWZTQ56LU10HWTIEB/WB03914.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, January 14, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 03914) 2014 Color photographic paper 50 x 116 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815715793-UZCLLK3FLOBGVLGKSEE4/WB20813.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>RA4 Contact Print (YMC/Six Magnet: Los Angeles, California, August 14, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 20813) 2014 Color photographic paper 50 x 107 7/8 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815718438-SLDQVM12ZVAXVFD88DUJ/WB21013.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>RA4 Contact Print (YMC/Six Magnet: Los Angeles, California, August 22, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21013) 2014 Color photographic paper 50 x 111 1/8 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815718624-A94TU98IWA6Z1SXC3M7E/WB21513.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, August 29, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21513) 2014 Color photographic paper 50 x 107 3/4 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815722774-ZWAIIUP5NFJ592EDWKSM/WB21613.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, August 29, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21613) 2014 Color photographic paper 50 x 113 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815722041-V08CRU3KFMGASTV7ZDTA/WB40013.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>RA4 Contact Print (CYM: Los Angeles, California, November 20, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 101-007; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 40013) 2014 Color photographic paper 50 x 109 5/8 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815457883-ZWOC4024FP0DB78CFWVW/WB00114_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection: February 20/April 5, 2014, Los Angeles, California) 2014– Polished copper 60 x 60 x 60 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815458033-SCKJCJDD1LONKYAL4EV2/WB00114_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection: February 20/April 5, 2014, Los Angeles, California) 2014– Polished copper 60 x 60 x 60 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815459357-JA44X0964J5HGPCSPS2E/WB00214_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection: February 19-24/April 5, 2014, Los Angeles, California) 2014 Polished copper 120 x 30 x 30 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815459144-THWQ4J8NVH5S9642NGSM/WB00214_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection: February 19-24/April 5, 2014, Los Angeles, California) 2014 Polished copper 120 x 30 x 30 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815461771-SMMUQ5G1M9NNHHOR6TE8/WB00414_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2” 30º Diagonal / 150º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California) 2014 Polished copper 120 x 60 x 50 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815461043-PZ5YROTQLB1EQID1LHZC/WB00414_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2” 30º Diagonal / 150º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California) 2014 Polished copper 120 x 60 x 50 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815460087-EMFVYRCRNUY4T4BPHVQ7/WB00314.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2” 30º Diagonal / 150º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California) 2014 Polished copper 120 x 60 x 50 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815462203-T82JYN60APEY673NRTEX/WB00514_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 45º Diagonal / 135º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California) 2014 Polished copper 110 x 60 x 50 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815462833-TUOXGOJKSYSNA4D73OLY/WB00514_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 45º Diagonal / 135º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California) 2014 Polished copper 110 x 60 x 50 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815463545-GZEZ57ZHKCENKDTILBZ0/WB00614_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 135º Antidiagonal / 45º Diagonal Bisection: February 19-21/April 5, 2014, Los Angeles, California) 2014 Polished copper 110 x 60 x 50 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815463773-DX9KEY11U9B80L8A9V5D/WB00614_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 135º Antidiagonal / 45º Diagonal Bisection: February 19-21/April 5, 2014, Los Angeles, California) 2014 Polished copper 110 x 60 x 50 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450815067637-QLPPU83XMM76J5IWTNPM/Beshty-Install-27.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Aluminum Remnants [Copper Surrogate (90˚ Bend, 30˚/60˚, Antidiagonal Bisection: February 21, 2014, Los Angeles, California)] 2014 Polished aluminum Dimensions variable, 80 parts Remnants, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816146853-GQ1EJPLS9GVJ8QQ011I5/WB31214.jpeg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014 - Schreibmachine &lt;del&gt;(Canon MX310 Multifunction Printer)&lt;/del&gt;</image:title>
      <image:caption>2014 Aluminum, steel, Canon MX310 Multifunction Printer, and timer Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816146521-3Y0SPH5VVEXOA5QBM0KA/WB31314.jpeg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014 - Royal &lt;del&gt;(Apple Power Mac G5 A1047)&lt;/del&gt;</image:title>
      <image:caption>2014 Aluminum, steel, and Apple Power Mac G5 A1047 Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816151067-QAQKPATVUC1XSEYEXZNQ/WB31414.jpeg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014 - Die gekränkte Braut &lt;del&gt;(Epson Perfection 4990 Pro J131B)&lt;/del&gt;</image:title>
      <image:caption>2014 Aluminum, steel, and Epson Perfection 4990 Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816149500-6TZ13BFG0I02TUZ3A6UI/WB31514.jpeg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014 - Meine vier kleinen Untugenden &lt;del&gt;(Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector)&lt;/del&gt;</image:title>
      <image:caption>2014 Aluminum, steel, Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector, and timer Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816154049-VXDY4LKR2F2HQDR3FDYR/WB32214_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014 - Der Wille zur Macht &lt;del&gt;(Apple MacBook Pro)&lt;/del&gt;</image:title>
      <image:caption>2014 Macbook Pro Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816154110-J1JGBZCJFNI6FVHWYDP7/WB32214_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014 - Der Wille zur Macht &lt;del&gt;(Apple MacBook Pro)&lt;/del&gt;</image:title>
      <image:caption>2014 Macbook Pro Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467147820386-1WFGQ7JFVVEKJHMXS9LK/WB_48413.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Der Hausdrachen (Waltham, Massachusetts, February 4, 2013) 2014 Black and white digital fiber print 20 x 13 1/2 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467147817342-LPPHM964W35AE18LD5A0/WB_30914.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Das Gesicht des Terrors (Los Angeles, California, February 20, 2014) 2014 Chromogenic print 20 x 13 1/2 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467147817343-AT4Q3NPUWMJ3V81AKNCW/WB_31014.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Die Technik der Eroberung (Los Angeles, California, January 14, 2014) 2014 Chromogenic print 20 x 13 1/2 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467147818773-2209ZCIZ6RIDOZG9SLGF/WB_40612.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Liberté, Amour, Art (Vienna, Austria, November 22, 2012) 2014 Black and white digital fiber print 20 x 13 1/2 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467147818640-3DD4I1WPTL4Z2652QQAM/WB_41212.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Die Erotische (Vienna, Austria, November 22, 2012)  2014 Black and white digital fiber print 13 1/2 x 20 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467147820129-BX53LI4W5RUMJG93KE0N/WB_48113.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Die Mütter (Waltham, Massachusetts, February 4, 2013) 2014 Black and white digital fiber print 20 x 13 1/2 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467147821294-OMDV0YFC8S1RCLCLDSPE/WB_49213.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Der Herrscher (Paris, France, March 12, 2013) 2014 Chromogenic print 13 1/2 x 20 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467147821677-EXSHCJWB8VGFXU6Z0LU5/WB_49613.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Die Ideale der Väter (Paris, France, March 12, 2013) 2014 Chromogenic print 13 1/2 x 20 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467147822753-5HZXF3AX9KHGMDMSUZPT/WB_51613.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Alphabet der Leidenschaft (Beirut, Lebanon, June 1, 2013) 2014 Chromogenic print 20 x 13 1/2 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467147822751-1W6YAJXKM0ZX39MYDTKD/WB_54513.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Die Qual der Lust (Los Angeles, California, August 15, 2013), Frame No. 14 2014 Black and white digital fiber print 20 x 13 1/2 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467147823816-1NV33STIBFBOIQLAF6GJ/WB_72411.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>Die Qual der Lust (Los Angeles, California, August 15, 2013) 2014 Black and white digital fiber print 13 1/2 x 20 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816418345-AN5MSMCQD1WB7L8MIKZC/WB32013_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Jueves, 1 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816418661-ZEXZHRMJDT8A1MUSAI9P/WB32013_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Jueves, 1 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816422641-56R2B25GQGIKLEKGUC0P/WB32213_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Lunes, 5 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816422247-CANJ9JTD8X6NY11PR3LZ/WB32213_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Lunes, 5 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816424436-JI99973GGTX46XN5I8BM/WB32413_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Miércoles, 7 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816425278-HBQ0GC8MGCZ8RJG6TJJQ/WB32413_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Miércoles, 7 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816427285-PWIHQD9S1QBF5EO0N051/WB32713_a.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Sábado, 10 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450816429526-A9JIXO73BAA5WBAVQ98G/WB32713_b.jpg</image:loc>
      <image:title>Selected Bodies of Work, Regen Projects, 2014</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Sábado, 10 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/later-layer-johnston-marklee-and-walead-beshty</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458241222249-9MVC2HY7ZY9T9F10NXJM/Later-Layer_HE7A9927_edit.jpg</image:loc>
      <image:title>Later Layer: Johnston Marklee and Walead Beshty</image:title>
      <image:caption>Later Layer: Johnston Marklee and Walead Beshty, ex. cat. (Grottaferrata, Italy: Depart Foundation, 2010).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458241222249-9MVC2HY7ZY9T9F10NXJM/Later-Layer_HE7A9927_edit.jpg</image:loc>
      <image:title>Later Layer: Johnston Marklee and Walead Beshty</image:title>
      <image:caption>Later Layer: Johnston Marklee and Walead Beshty, ex. cat. (Grottaferrata, Italy: Depart Foundation, 2010).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458241220676-CQUV7PHF5TTUY0YTZ89Q/Later-Layer_HE7A0350_edit.jpg</image:loc>
      <image:title>Later Layer: Johnston Marklee and Walead Beshty</image:title>
      <image:caption>Later Layer: Johnston Marklee and Walead Beshty, ex. cat. (Grottaferrata, Italy: Depart Foundation, 2010).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458241221524-Q2CMW2D618CLG3B0HA0V/Later-Layer_HE7A0352_edit.jpg</image:loc>
      <image:title>Later Layer: Johnston Marklee and Walead Beshty</image:title>
      <image:caption>Later Layer: Johnston Marklee and Walead Beshty, ex. cat. (Grottaferrata, Italy: Depart Foundation, 2010).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458241221372-HP9KL0OM3I2PARMPF20I/Later-Layer_HE7A0351_edit.jpg</image:loc>
      <image:title>Later Layer: Johnston Marklee and Walead Beshty</image:title>
      <image:caption>Later Layer: Johnston Marklee and Walead Beshty, ex. cat. (Grottaferrata, Italy: Depart Foundation, 2010).  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/dust-2005-2009</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459374062293-5N22P58X4DEI78TFX7MV/IMG_0074.jpg</image:loc>
      <image:title>Dust, 2005–2009</image:title>
      <image:caption>Dust (2007–2008) 2009 Stretched vinyl on billboard 12 feet, 3 inches x 24 feet, 6 inches Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459374062293-5N22P58X4DEI78TFX7MV/IMG_0074.jpg</image:loc>
      <image:title>Dust, 2005–2009</image:title>
      <image:caption>Dust (2007–2008) 2009 Stretched vinyl on billboard 12 feet, 3 inches x 24 feet, 6 inches Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459974257580-NHKJ26MOOEO91F4DU6AS/WB-123.jpg</image:loc>
      <image:title>Dust, 2005–2009</image:title>
      <image:caption>Dust (2007) 2007 Chromogenic print 87 x 55 inches  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/crystal-voyager</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2017-09-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458247800927-ZNUMKEF26TTAGB5WMKIO/CrystalVoyager_poster_edit.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager poster With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458247800927-ZNUMKEF26TTAGB5WMKIO/CrystalVoyager_poster_edit.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager poster With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506447486239-0UJM5W40M6DCMELPKY1X/WBKW1_HE7A4142_EDIT_crop01.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager press release With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506447486670-351CBW4VMFI14PG33Z5V/WBKW1_HE7A4142_EDIT_crop02.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager press release With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506447490505-BDTO03G0B9PQG3RQMEA5/WBKW2_HE7A4143_EDIT_crop03.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager press release With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506447490201-UFD2KSKE5DFNH8RO32G1/WBKW2_HE7A4143_EDIT_crop04.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager press release With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452112902966-3CS9M8HVDNFJ8TR6Z1IT/WB%2BKW-2014-PCG-529_1_SP.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452112903173-22A0QSKDZ7GYZL6XYASR/WB%2BKW-2014-PCG-529_2_SP.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452112904638-ABHPF7KBRZCN5M2T0DZV/WB%2BKW-2014-PCG-529_3_SP.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452112906146-4V7NRIV0GDOB4L2NM205/WB%2BKW-2014-PCG-529_5_SP.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452112906541-KID6CETOYGXAYIB4J2MC/WB%2BKW-2014-PCG-529_6_SP.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452112907780-VB7XHXAKRFXVWL91B6ZZ/WB%2BKW-2014-PCG-529_7_SP.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452112904901-OXBF27UMN3QPXU331T3B/WB%2BKW-2014-PCG-529_4_SP.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Crystal Voyager With Kelley Walker Paula Cooper Gallery New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452113591504-0M0O5VIPX2TPXDG935WC/WB%2BKW-2014-PCG-529_1_SP.jpg</image:loc>
      <image:title>Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014</image:title>
      <image:caption>Walead Beshty and Kelley Walker Crystal Voyagers [October 28/December 7, 2014, New York, New York: 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (International Surfing Photo Annual, 1973)] 2014– Four color process silkscreen with acrylic on canvas; Surfer, September 1973, Surfer, September 1973, International Surfing Photo Annual, 1973, polished copper 96 x 5 x 1 inches each  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/altermodern-the-tate-triennial</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455236631862-EJVXG80FYJX87P0PMDWV/Tate-Triennial-083.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Altermodern: The Tate Triennial Curated by Nicolas Bourriaud The Tate Britain London United Kingdom 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455236631862-EJVXG80FYJX87P0PMDWV/Tate-Triennial-083.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Altermodern: The Tate Triennial Curated by Nicolas Bourriaud The Tate Britain London United Kingdom 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455236632989-ABROXBRZGFG5HA37C7G6/Tate-Triennial-084.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Altermodern: The Tate Triennial Curated by Nicolas Bourriaud The Tate Britain London United Kingdom 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455236634045-27Y622YZTEOWLP9YOEWC/Tate-Triennial-157.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Altermodern: The Tate Triennial Curated by Nicolas Bourriaud The Tate Britain London United Kingdom 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455236634229-P9Y8N012KH3C13RDGCNV/Tate-Triennial-158.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Altermodern: The Tate Triennial Curated by Nicolas Bourriaud The Tate Britain London United Kingdom 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455236635167-2TR9S7B759SF00FEADEB/Tate-Triennial-159.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Altermodern: The Tate Triennial Curated by Nicolas Bourriaud The Tate Britain London United Kingdom 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455236635642-Z848IGP3BTM58B9GA1K0/Tate-Triennial-160.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Altermodern: The Tate Triennial Curated by Nicolas Bourriaud The Tate Britain London United Kingdom 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462387003088-UF26G9LJ94Y85JBK72G1/WB03409.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: December 5–9, 2007 ORD/MIA MIA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462387000991-DUVJRJ6P5JEEHYN66SB8/WB01309.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: October 15–October 19, 2008 LAX/LHR LHR/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462387002124-R264YHM01OC0RSD5N7CU/WB01609.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 1601: October 19–October 21, 2007 ORD/LAX LAX/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462387003904-SUN3IN5I68TV9RKJ9EJ2/WB01909.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 51341: May 8–May 18, 2008 ORD/LHR LHR/IAD IAD/JFK LGA/DCA DCA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462387000950-AXOVZUPXY0WGEO1PGXRH/WB01409.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: April 7–April 13, 2008 ORD/LAX LAX/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1693506558370-NF6PW9NXLZJTRFN2WKIL/35409.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#797283145686, January 26–28, 2009 2009– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1693506558953-XWDDBHWKLZ670FNRWI3E/35509.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#867279774940, January 26–28, 2009 2009– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1693506559960-E3YBLB7FBSH7V58I4BBY/36809.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#867279774930, January 26–28, 2009 2009– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1693506560669-T0C6G4DBAF1B4J7RRJWA/36909.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#796286755436, January 26–28, 2009 2009– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1693506561453-IBI7U4B03WYXYM2B9KMR/43108.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Tijuana trk#865282058022, October 28–November 6, 2008, International Priority, Tijuana–Los Angeles trk#867279774892, January 2–6, 2009, International Priority, Los Angeles–London trk#867279774860, January 14–16, 2009 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1693506562257-928Z7523OUNE0PD5397A/43208.jpg</image:loc>
      <image:title>Altermodern: Tate Triennial, Tate Britain, 2009</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Tijuana trk#865282057997, October 29–November 6, 2008, International Priority, Tijuana–Los Angeles trk#867279774918, January 2–6, 2009, International Priority, Los Angeles–London trk#867279774870, January 14–17, 2009 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/science-concrete</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506117813936-8EWREYVB9FEYAVHPAU0B/Science+Concrete_HE7A1485_edit_crop.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète Redling Fine Art Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506117813936-8EWREYVB9FEYAVHPAU0B/Science+Concrete_HE7A1485_edit_crop.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète Redling Fine Art Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455752302698-QJPJF371N8TPFNF43CZD/01-EricaRedling-0122%231D19DF.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète Redling Fine Art Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète Redling Fine Art Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455752304600-NRTWZTKDHX9UQYBJY197/04-EricaRedling-0122%231D19D9.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète Redling Fine Art Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455752305493-QFT32KAISJRGK3OCKKC5/05-EricaRedling-0122%231D19DB.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète Redling Fine Art Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455752306387-NU9STRBM1XSG89VS61HU/06-EricaRedling-0122%231D19DA.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète Redling Fine Art Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455752307278-9AOCE2JXWL9XHZHM1XN2/07-EricaRedling-0122%231D19D8.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète Redling Fine Art Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455752308457-67D0MPPLI4ZLKJ0TF5GH/08-EricaRedling-0122%231D19DD.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète Redling Fine Art Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455752309312-VY44BGY258WU3FDD4C8D/09-EricaRedling-0122%231D19DE.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète Redling Fine Art Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455755907128-5NT0L3GJURTD7Z8Y0VQQ/WB85207.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Four-Sided Pull (RGBY), May 18, 2007, Valencia, California, Kodak Supra 2008 Color photographic paper 82 x 50 inches Color Pulls, 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482260956981-6R44OTJAY33BWXZX3232/WB_76307.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Five-Sided Pull (RGBYM), May 19, 2007, Valencia, California, Kodak Supra 2007 Color photographic paper 50 x 40 inches Color Pulls, 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455755908504-IYK2Q131SBRMUYC7XGAE/WB332208.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 14 x 16 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455755909086-3QNA3WL1NS605Y0CX6M8/WB332308.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 12 x 12 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455755910009-6LMVLJZ0ZG6V671ZOC4O/WB332408.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 26 x 26 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459379907639-MNPULHKO8BOOBTE4C42G/WB332108.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 18 x 15 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753185587-A6SGFQ8X80IOM7MCKWFA/17-ChinaArtObjects-01D19BE.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète China Art Objects Galleries Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753181696-MTSRZP1YI8HQ0WE8YWOV/08-ChinaArtObjects-01D19CB.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète China Art Objects Galleries Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753181841-K4OSHJBWTND3Y27SRPN0/09-ChinaArtObjects-0%231D19CE_1.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète China Art Objects Galleries Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753186361-9AK2UOZ6CEWBRIT3OW6J/19-ChinaArtObjects-01D19C2.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète China Art Objects Galleries Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753186522-04FF6K0BOK1ORGMIX8OI/20-ChinaArtObjects-01D19C4.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète China Art Objects Galleries Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753187170-1G4O3X8AYISMGHQW7WEG/21-ChinaArtObjects-01D19BF.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Science Concrète China Art Objects Galleries Los Angeles California 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753187931-TYZ8V4B7LFGG83MUK824/23-ChinaArtObjects-01D19C3.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Gallerist (SH), Los Angeles, California, 2007 2008 Hand-processed color photograph 50 x 48 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455756562341-GY22VQ2DAPJHVV9ZVMIL/WB86407.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Fedex® Medium Kraft Boxes, Priority Overnight, Los Angeles–New York trk#864049582968 &amp; trk#867525901423, December 7–10, Priority Overnight, New York–Los Angeles trk#863133194810 &amp; trk#863133194800, December 10–12, 2007, International Priority, Los Angeles–Oostende trk#867279774962 &amp; trk#867279774973, February 9–12, 2009, International Priority, Oostende–Paris trk#803074770903 2007– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20x 48 x 20 inches FedEx Glass Works, 2007–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753180966-3AXLKOG6N7W6KZ0V7HSI/01-ChinaArtObjects-01D19BD.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Selected Works (2005–2008), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and MDF 46 x 20 x 12 1/2 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753181113-RHBU30CQUPR55PYWWMLV/02-ChinaArtObjects-01D19C1.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Selected Works (2005–2008), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and MDF 46 x 20 x 12 1/2 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753182567-WPMA4PCECL3NOM3MXQ3Q/10-ChinaArtObjects-01D19BC.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Selected Works (2002–2004), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and MDF 52 1/2 x 12 1/2 x 11 1/2 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753183283-IJWK7SA1EAMWP113HVKI/12-ChinaArtObjects-01D19CF.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Selected Works (2002–2004), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and MDF 52 1/2 x 12 1/2 x 11 1/2 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753184582-2JRGXLZWO8BLMYBCSODJ/13-ChinaArtObjects-01D19CA.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Selected Works (2002–2004), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and MDF 52 1/2 x 12 1/2 x 11 1/2 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455753185487-IFRUHTQ0443QSVSOJ93U/15-ChinaArtObjects-01D19C6.jpg</image:loc>
      <image:title>Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008</image:title>
      <image:caption>Selected Works (1998–2002), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and MDF 52 1/2 x 17 x13 inches Selected Works, 2008–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/weastern-archive-one</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458167105008-R1NQMXXVGND56PAOJTE2/Weastern-Archive_HE7A9932_edit.jpg</image:loc>
      <image:title>Weastern Archive One</image:title>
      <image:caption>Weastern Archive One 2012– Bound laserjet prints 14 x 8 1/2 inches   1:1 images of every airline ticket from 2008 to present (ongoing).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458167105008-R1NQMXXVGND56PAOJTE2/Weastern-Archive_HE7A9932_edit.jpg</image:loc>
      <image:title>Weastern Archive One</image:title>
      <image:caption>Weastern Archive One 2012– Bound laserjet prints 14 x 8 1/2 inches   1:1 images of every airline ticket from 2008 to present (ongoing).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458167103595-GROJD84Z8VCERE0OF6IP/Weastern-Archive_HE7A0362_edit.jpg</image:loc>
      <image:title>Weastern Archive One</image:title>
      <image:caption>Weastern Archive One 2012– Bound laserjet prints 14 x 8 1/2 inches   1:1 images of every airline ticket from 2008 to present (ongoing).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458167103241-N7YFT0JAMBJ20EZ3WM70/Weastern-Archive_HE7A0363_edit.jpg</image:loc>
      <image:title>Weastern Archive One</image:title>
      <image:caption>Weastern Archive One 2012– Bound laserjet prints 14 x 8 1/2 inches   1:1 images of every airline ticket from 2008 to present (ongoing).  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/natural-histories</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458174269619-S8H1HZD3TH31QMSU9L6Z/Natural-Histories-2ndED_HE7A9922_edit.jpg</image:loc>
      <image:title>Walead Beshty: Natural Histories</image:title>
      <image:caption>Walead Beshty: Natural Histories, 2nd ed. (Zurich, Switzerland: JRP|Ringier, 2014).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458174269619-S8H1HZD3TH31QMSU9L6Z/Natural-Histories-2ndED_HE7A9922_edit.jpg</image:loc>
      <image:title>Walead Beshty: Natural Histories</image:title>
      <image:caption>Walead Beshty: Natural Histories, 2nd ed. (Zurich, Switzerland: JRP|Ringier, 2014).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458174268127-QKQZNCOMMFZJFIB5J3KI/Natural-Histories-2ndED_HE7A0185_edit.jpg</image:loc>
      <image:title>Walead Beshty: Natural Histories</image:title>
      <image:caption>Walead Beshty: Natural Histories, 2nd ed. (Zurich, Switzerland: JRP|Ringier, 2014).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458174268196-FWWK3VZBWXHRIMV8KKP1/Natural-Histories-2ndED_HE7A0189_edit.jpg</image:loc>
      <image:title>Walead Beshty: Natural Histories</image:title>
      <image:caption>Walead Beshty: Natural Histories, 2nd ed. (Zurich, Switzerland: JRP|Ringier, 2014).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458174269255-IKMJC2DU4RIV683QW9O5/Natural-Histories-2ndED_HE7A0194_edit.jpg</image:loc>
      <image:title>Walead Beshty: Natural Histories</image:title>
      <image:caption>Walead Beshty: Natural Histories, 2nd ed. (Zurich, Switzerland: JRP|Ringier, 2014).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458175155248-0TCZKEY2E4G534QL4MXZ/Natural-Histories_HE7A9920_edit.jpg</image:loc>
      <image:title>Walead Beshty: Natural Histories</image:title>
      <image:caption>Walead Beshty: Natural Histories, Zurich, Switzerland: JRP|Ringier, 2011).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458175154285-5CSHYD8YC59SK814YL9H/Natural-Histories_HE7A0157_edit.jpg</image:loc>
      <image:title>Walead Beshty: Natural Histories</image:title>
      <image:caption>Walead Beshty: Natural Histories, Zurich, Switzerland: JRP|Ringier, 2011).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458175153939-6HKH7DARGYWDDWWGL6W4/Natural-Histories_HE7A0154_edit.jpg</image:loc>
      <image:title>Walead Beshty: Natural Histories</image:title>
      <image:caption>Walead Beshty: Natural Histories, Zurich, Switzerland: JRP|Ringier, 2011).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458175155149-10Y0A3B9MHV6OH2FG9HI/Natural-Histories_HE7A0162_edit.jpg</image:loc>
      <image:title>Walead Beshty: Natural Histories</image:title>
      <image:caption>Walead Beshty: Natural Histories, Zurich, Switzerland: JRP|Ringier, 2011).  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/drawings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459989537128-XIZZYA1IC708NDKGHUB0/_X4A3871.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Sábado 29 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459989537128-XIZZYA1IC708NDKGHUB0/_X4A3871.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Sábado 29 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459989536961-S4SE9RN7MBPSALW0I810/_X4A3872.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Jueves 27 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459989537960-GUVS1UK5JLD0PZBZJ49R/_X4A3873.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Viernes 28 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459989538316-27G3EC4ZS70LOYOJRIFE/_X4A3874.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Miércoles 26 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459989538967-CLYYSCHN1I9NQ983NOBY/_X4A3875.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Martes 25 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459989540326-03H6PMYTXMAAN7B046OZ/_X4A3877.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Martes 18 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459989540158-YIUS9QBVH25RLNGCG491/_X4A3878.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Lunes 17 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459989541233-RT5XBT5Z32AI3LUU2MM5/_X4A3879.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Sábado 15 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459989541504-8FQXEEWCWR3JXQ06CG76/_X4A3880.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Martes 4 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459989583791-4EP4LL61MNUJPAAXO6TW/_X4A3876.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Lunes 24 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459990151241-DZPIULJDVPN3G9BUCTA1/WB121614.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, October 5, 2014 2015 Ink on letterhead 9 1/2 x 12 7/8 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459990033719-ROUYCT3P2EHXY2UNY8VM/WB121714.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, September 28, 2014 2015 Ink on letterhead 9 1/2 x 12 7/8 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459990035411-JUGIF7RZ4OO978AZLMXZ/WB121814.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>iPhone 5 A1429: Barbican Centre, London, United Kingdom, October 6, 2014 2015 Ink on letterhead 12 7/8 x 9 1/2 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459990035608-M7ZN9TA6DIM72MSSHMUA/WB121914.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Thomas Dane Gallery, London, United Kingdom, September 27, 2014 2015 Ink on letterhead 12 7/8 x 9 1/2 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459990036740-XC7S10VNDQIPE2ADHWHV/WB122014.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Ace Hotel, London, United Kingdom, October 11, 2014 2015 Ink on letterhead 9 1/2 x 12 7/8 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459990036712-09DF17VX6AMLRRK001LI/WB122114.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, October 10, 2014 2015 Ink on letterhead 12 7/8 x 9 1/2 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459990038040-F7TJ11BLJQ5BHW3BPSU0/WB122214.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, October 4, 2014 2015 Ink on letterhead 9 1/2 x 12 7/8 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459990057380-EO87NY1A97EE7Z2OIFG4/WB02315.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Fluticasone Propionate, 50 mcg, Spray, Boehringer Ingelheim, Roxane Laboratories, Inc.: Regen Projects, Los Angeles, California, Febraury 7, 2015 2015 Ink on letterhead, newspaper, ink on paper 15 x 11 1/2 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459990057402-TABTNKZIW59HNHLTHRRE/WB02415.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Ketoconazole 2%, 60 g, Cream, Taro Pharmaceutical Industries, Ltd.: Regen Projects, Los Angeles, California, January 12, 2015 2015 Ink on letterhead, newspaper, ink on paper 15 x 11 1/2 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460057199648-WYD5Y7NBXC2LWFJDVPYH/WB118314.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 18, 2014 2014 Ink on paper 12 1/2 x 10 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460057262143-DHKCZFVVLM6D5Z4M6VFG/WB118114.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 17, 2014 2014 Ink on paper 12 1/2 x 10 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1445469326181-A6CPE6MPQL7GE90BXW7Q/Gastarbeiten_Installation+view_13.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Ativan, Lorazepam 1 mg, V 4008, Round, Scored, Qualitest Pharmaceuticals; Polychromos, Faber Castell, White, 9201 - 101 (November 4–5, 2014) /  Xanax, Alprazolam 0.5 mg, GG257, Elliptical/Oval, Scored, Sandoz Pharmaceuticals, Inc.; Polychromos, Faber Castell, Light Flesh, 9201 - 132 (November 4–5, 2014) /  Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.; Polychromos, Faber Castell, Sky Blue, 9201 - 146 (November 4–5, 2014) /  Aderall, Amphetamine and Dextroamphetamine 10 mg, b 972 1 0, Elliptical/Oval, Scored, Teva Pharmaceuticals USA; Polychromos, Faber Castell, Light Phitalo Blue, 9201 - 145 (November 4–5, 2014) /  Propecia, Finasteride 1 mg, H 36, Round, Camber Pharmaceuticals, Inc.; Polychromos, Faber Castell, Pompeian Red, 9201 - 191 (November 4–5, 2014) /  Diovan, Valsartan 160 mg, RX 125, Elliptical/Oval, Ohm Laboratories, Inc.; Polychromos, Faber Castell, Cinnamon, 9201 - 189 (November 4–5, 2014) /  Celexa, Citalopram 20 mg, I G 207, Round, Scored, InvaGen Pharmaceuticals, Inc.; Polychromos, Faber Castell, Medium Flesh, 9201 - 131 (November 4–5, 2014) /  Wellbutrin SR, Bupropion Extended Release 150 mg, 681, Elliptical/Oval, Global Pharmaceuticals; Polychromos, Faber Castell, Cream, 9201 - 102 (November 4–5, 2014) /  Extra Strength Vitamin D3 2000 I.U., Elliptical, Transparent, Kirkland Signature; Polychromos, Faber Castell, Ivory, 9201 - 103 (November 4–5, 2014) /  Formula Multinutrient System VM-2000 Tablets, Elliptical, Senape with Brown Spots, Solgar; Polychromos, Faber Castell, Naples Yellow, 9201 - 185, Brown Ochre, 9201 - 182, Yellow Ochre, 9201 - 183 (November 4–5, 2014) 2014 Ink and oil pastel on letterhead 9 1/2 x 12 3/4 inches each Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467156085084-9S2EFL8ZE48T9XI696WR/WB100714.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Picasso and Truth: From Cubism to Guernica I 2014 Ink on paper, receipt, dried flower, newspaper 11 3/4 x 17 3/8 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467156083702-4FRXZKDL865OS5P4U155/WB100914.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Century 21; Cherie Pioneertown Realty; Joshua Tree Realty; 29 Palms Realty; Dilbeck Real Estate, 83º, 5:15pm, 22-4-14 2014 Ink on paper, receipt, dried flower, newspaper 11 x 22 1/2 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467156085226-T93W3P5QROVJG5R394IE/WB101014.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Picasso and Truth: From Cubism to Guernica II 2014 Ink on paper, dried flower, paper 12 x 18 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467156086271-3CWTQNMJ6NCCKU4WNS6W/WB101214.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Corn Hustlers Nabbed; Ad Agency Blues: Pay Play in binge lawsuit, 86º, 2:45pm, 22-4-14 2014 Ink on paper, envelope, dried flower, newspaper 12 x 22 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467156086981-OGCXAIA9GX0I7QCNBOP7/WB101114.jpg</image:loc>
      <image:title>Drawings, 2014–</image:title>
      <image:caption>Corn Hustlers Nabbed; Ad Agency Blues: Pay Play in binge lawsuit, 86º, 2:45pm, 22-4-14 2014 Ink on paper, envelope, dried flower, newspaper 12 x 22 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/cyanotype-paintings-2013-2015</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212635850-ZWLAILFEY05FCU4DYGFW/WB73714.jpg</image:loc>
      <image:title>Marginalia Paintings, 2013–2015</image:title>
      <image:caption>Marginalis (Los Angeles, California, February 1–April 30, 2014) 2014 Cyanotype chemistry on canvas 127 3/4 x 55 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212635850-ZWLAILFEY05FCU4DYGFW/WB73714.jpg</image:loc>
      <image:title>Marginalia Paintings, 2013–2015</image:title>
      <image:caption>Marginalis (Los Angeles, California, February 1–April 30, 2014) 2014 Cyanotype chemistry on canvas 127 3/4 x 55 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212636804-X2NLG6WORNZ80D2LAH50/WB73914.jpg</image:loc>
      <image:title>Marginalia Paintings, 2013–2015</image:title>
      <image:caption>Marginalis (Los Angeles, California, February 1–April 30, 2014) 2014 Cyanotype chemistry on canvas 98 1/2 x 55 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212637478-1DCCJUBEFWXC4OEARCEP/WB74014.jpg</image:loc>
      <image:title>Marginalia Paintings, 2013–2015</image:title>
      <image:caption>Marginalis (Los Angeles, California, February 1–April 30, 2014) 2014 Cyanotype chemistry on canvas 80 x 55 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212638209-9TCUM4IKNQWY4DMSNCSK/WB99214.jpg</image:loc>
      <image:title>Marginalia Paintings, 2013–2015</image:title>
      <image:caption>Marginalis (Los Angeles, California, May 1–August 1, 2014) 2014 Cyanotype chemistry on canvas 89 x 55 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212638852-Y6ATWKCS2NZS8U4G70ST/WB99314.jpg</image:loc>
      <image:title>Marginalia Paintings, 2013–2015</image:title>
      <image:caption>Marginalis (Los Angeles, California, May 1–August 1, 2014) 2014 Cyanotype chemistry on canvas 90 1/2 x 55 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212880953-RTRUPNEAZGJ2X9TYTA7X/WB35514.jpg</image:loc>
      <image:title>Marginalia Paintings, 2013–2015</image:title>
      <image:caption>Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014) 2014 Cyanotype chemistry on canvas 96 x 55 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212881475-703T6JV2GJCBB2I5WLEQ/WB35614.jpg</image:loc>
      <image:title>Marginalia Paintings, 2013–2015</image:title>
      <image:caption>Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014) 2014 Cyanotype chemistry on canvas 104 x 55 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212889515-PQAXK0GZ2B3NC0MOOXKF/WB39313.jpg</image:loc>
      <image:title>Marginalia Paintings, 2013–2015</image:title>
      <image:caption>Marginalis (Los Angeles, California, August 1–October 20, 2013) 2013 Cyanotype chemistry on canvas 57 x 74 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212889496-4YA41AB2CTW5GU01668S/WB39213.jpg</image:loc>
      <image:title>Marginalia Paintings, 2013–2015</image:title>
      <image:caption>Marginalis (Los Angeles, California, August 1–October 20, 2013) 2014 Cyanotype chemistry on canvas 57 x 69 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507150732318-JXPEAZCLB7NE6W8YELG2/101614.jpg</image:loc>
      <image:title>Marginalia Paintings, 2013–2015</image:title>
      <image:caption>Marginalis (Los Angeles, California, August 1–30, 2014) 2014 Cyanotype chemistry on canvas 55 x 84 1/2 inches Progressive Praxis, 2016  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/black-and-white-directional-folds-2006-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465506182810-FZMPCF9NLP6TAQ8WAHZQ/WB-860.jpg</image:loc>
      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (45º/135º/225º/315º directional light sources), December 31, 2012, Los Angeles, California, Ilford Multigrade IV MGF.1K 2012 Black and white fiber based photographic paper 56 x 109 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465506182810-FZMPCF9NLP6TAQ8WAHZQ/WB-860.jpg</image:loc>
      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (45º/135º/225º/315º directional light sources), December 31, 2012, Los Angeles, California, Ilford Multigrade IV MGF.1K 2012 Black and white fiber based photographic paper 56 x 109 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465506182578-WIPEI9061RZBF1INUKAV/WB-901.jpg</image:loc>
      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (30º/90º/150º/210º directional light sources), December 31, 2012, Los Angeles, California, Ilford Multigrade IV MGF.1K 2012 Black and white fiber based photographic paper 56 x 107 1/2 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465506183927-NCQU10MKGKOW2VK5FRYR/WB-902.jpg</image:loc>
      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (45º/135º/225º/315º directional light sources), December 31, 2012, Los Angeles, California, Ilford Multigrade IV MGF.1K 2012 Black and white fiber based photographic paper 56 x 111 3/4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465506185160-DG8ZJAQJCBFYNUDR7USJ/WB-938.jpg</image:loc>
      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (45º/60º/120º/270º directional light sources), December 31, 2012, Los Angeles, California, Ilford Multigrade IV MGF.1K 2012 Black and white fiber based photographic paper 56 x 119 3/4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465506186530-C3CGU3SROI45AFZG0V3O/WB-1070.jpg</image:loc>
      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (60º/90º/120º/160º directional light sources), December 31st 2012, Los Angeles, California, Ilford Multigrade IV MGF.1K 2012 Black and white fiber based photographic paper 56 x 119 3/4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462491876849-8JIX86S2NFQ3UHDW4WK3/WB23208.jpg</image:loc>
      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (45º/135º/225º/315º directional light sources), June 27, 2008, Annandale-On-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 67 1/2 x 46 3/4 inches Exhibition: Legibility on Color Backgrounds, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462491876976-X56RZ183NPRRICGJ2B7L/WB23308.jpg</image:loc>
      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (0º/90º/180º/270º directional light sources), June 13, 2008, Annandale-On-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 74 x 46 3/4 inches Exhibition: Legibility on Color Backgrounds, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462491878116-MD6ITG81QY6W17IPNY9K/WB23608.jpg</image:loc>
      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (60º/120º/180º/240º/300º/360º directional light sources), June 30, 2008, Annandale-On-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 80 3/4 x 46 3/4 inches Exhibition: Legibility on Color Backgrounds, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462491880372-ES7ZZ7NDUI71YPK6UN1M/WB23808.jpg</image:loc>
      <image:title>Black and White Directional Folds, 2006–2014</image:title>
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      <image:title>Black and White Directional Folds, 2006–2014</image:title>
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      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (45º directional light source), December 22, 2006, Santa Clarita, California, Ilford Multigrade Fiber IV 2008 Black and white fiber based photographic paper 25 3/8 x 21 3/8 inches Exhibition: Musée d'art moderne et contemporain, 2019</image:caption>
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      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (45º directional light source), December 22, 2006, Santa Clarita, California, Ilford Multigrade Fiber IV 2008 Black and white fiber based photographic paper 25 3/8 x 21 3/8 inches Exhibition: Musée d'art moderne et contemporain, 2019</image:caption>
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      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (45º directional light source), December 22, 2006, Santa Clarita, California, Ilford Multigrade Fiber IV 2008 Black and white fiber based photographic paper 25 3/8 x 21 3/8 inches Exhibition: Musée d'art moderne et contemporain, 2019</image:caption>
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      <image:title>Black and White Directional Folds, 2006–2014</image:title>
      <image:caption>Fold (45º/135º directional light sources), June 24, 2008, Annandale-on-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 72 5/8 x 46 3/4 inches Exhibition: Musée d'art moderne et contemporain, 2019</image:caption>
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  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/8-rue-saint-bon-2013</loc>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>8 rue Saint-Bon Paris France 2013  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>8 rue Saint-Bon Paris France 2013  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>8 rue Saint-Bon Paris France 2013  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>8 rue Saint-Bon Paris France 2013  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>8 rue Saint-Bon Paris France 2013  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>8 rue Saint-Bon Paris France 2013  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>8 rue Saint-Bon Paris France 2013  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Unmaskings, 2012  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Unmaskings, 2012  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>FedEx® 10kg Box ©2006 FedEx 149801 REV 9/06 MP, International Priority, Los Angeles-Paris trk#796906988159, October 14-16, 2013 2013– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 10 1/2 x 16 1/4 x 13 1/4 inches FedEx Glass Works, 2007–</image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>FedEx® 10kg Box ©2006 FedEx 149801 REV 9/06 MP, International Priority, Los Angeles-Paris trk#796907687919, Los Angeles-Paris, October 14-16, 2013 2013– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 10 1/2 x 16 1/4 x 13 1/4 inches FedEx Glass Works, 2007–</image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>Unmaskings [1925–2012: Phantom of the Opera (1925), Mission: Impossible (1970), Mission: Impossible (1971) , unknown (1971), Lupin III (1972), Smokey the Bear (1973),  Fantastic Journey (1977), Dominique is Dead (1980), Miller Lite: The Case of the Missing Case (1986), If Tomorrow Comes (1986), Hell Squad (1986), Visionaries: Knights of the Magical Light (1987), Beetlejuice (1988), Naked Gun (1988), American Ninja 3 (1989), Cheers (1989), Ferris Bueller (1990), Popcorn (1991), Steel and Lace (1991), Bill and Ted’s Bogus Journey (1991), Droopy: Master Detective (1993), Droopy: Master Detective (1993), Megaman (1995), Snackwell’s (1996), Waffle Crisp (1996), FX (1996), Fired Up (1997), Outlaw Star (1997), Michael Jackson’s Ghosts (1997), Men in Black (1997), Sony MiniDisc (1998), Omnitel (1998), Subaru (1998), Road to Ruin (2000), Diabolik (2000), La Femme Nikita (2000), Passions (2001), BBC (2001), Monkeybone (2001), Alias (2001), Mutant X (2001), Master of Disguise (2002), Pepsi Twist (2002), Kekkaishi (2003), Average Joe (2003), Britney Spears’s Toxic (2003), Cariot (2004), Bleach (2004), Mission: Impossible III (2006), Red Remo (2006), Pushing Daisies (2007), Carlsberg Commercial (2007), Nogizaka Haruka﻿ no Himitsu (2008), Old Spice (2009), Camaleones (2009), Salt (2010), Days of Our Lives (2011), Toyota Corolla (2011), Players (2012)] 2013 Film clips, color, sound, loop 32 minutes, 30 seconds Unmaskings, 2012–2013  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>Unmaskings [1925–2012: Phantom of the Opera (1925), Mission: Impossible (1970), Mission: Impossible (1971) , unknown (1971), Lupin III (1972), Smokey the Bear (1973),  Fantastic Journey (1977), Dominique is Dead (1980), Miller Lite: The Case of the Missing Case (1986), If Tomorrow Comes (1986), Hell Squad (1986), Visionaries: Knights of the Magical Light (1987), Beetlejuice (1988), Naked Gun (1988), American Ninja 3 (1989), Cheers (1989), Ferris Bueller (1990), Popcorn (1991), Steel and Lace (1991), Bill and Ted’s Bogus Journey (1991), Droopy: Master Detective (1993), Droopy: Master Detective (1993), Megaman (1995), Snackwell’s (1996), Waffle Crisp (1996), FX (1996), Fired Up (1997), Outlaw Star (1997), Michael Jackson’s Ghosts (1997), Men in Black (1997), Sony MiniDisc (1998), Omnitel (1998), Subaru (1998), Road to Ruin (2000), Diabolik (2000), La Femme Nikita (2000), Passions (2001), BBC (2001), Monkeybone (2001), Alias (2001), Mutant X (2001), Master of Disguise (2002), Pepsi Twist (2002), Kekkaishi (2003), Average Joe (2003), Britney Spears’s Toxic (2003), Cariot (2004), Bleach (2004), Mission: Impossible III (2006), Red Remo (2006), Pushing Daisies (2007), Carlsberg Commercial (2007), Nogizaka Haruka﻿ no Himitsu (2008), Old Spice (2009), Camaleones (2009), Salt (2010), Days of Our Lives (2011), Toyota Corolla (2011), Players (2012)] 2013 Film clips, color, sound, loop 32 minutes, 30 seconds Unmaskings, 2012–2013  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>Unmaskings [1925–2012: Phantom of the Opera (1925), Mission: Impossible (1970), Mission: Impossible (1971) , unknown (1971), Lupin III (1972), Smokey the Bear (1973),  Fantastic Journey (1977), Dominique is Dead (1980), Miller Lite: The Case of the Missing Case (1986), If Tomorrow Comes (1986), Hell Squad (1986), Visionaries: Knights of the Magical Light (1987), Beetlejuice (1988), Naked Gun (1988), American Ninja 3 (1989), Cheers (1989), Ferris Bueller (1990), Popcorn (1991), Steel and Lace (1991), Bill and Ted’s Bogus Journey (1991), Droopy: Master Detective (1993), Droopy: Master Detective (1993), Megaman (1995), Snackwell’s (1996), Waffle Crisp (1996), FX (1996), Fired Up (1997), Outlaw Star (1997), Michael Jackson’s Ghosts (1997), Men in Black (1997), Sony MiniDisc (1998), Omnitel (1998), Subaru (1998), Road to Ruin (2000), Diabolik (2000), La Femme Nikita (2000), Passions (2001), BBC (2001), Monkeybone (2001), Alias (2001), Mutant X (2001), Master of Disguise (2002), Pepsi Twist (2002), Kekkaishi (2003), Average Joe (2003), Britney Spears’s Toxic (2003), Cariot (2004), Bleach (2004), Mission: Impossible III (2006), Red Remo (2006), Pushing Daisies (2007), Carlsberg Commercial (2007), Nogizaka Haruka﻿ no Himitsu (2008), Old Spice (2009), Camaleones (2009), Salt (2010), Days of Our Lives (2011), Toyota Corolla (2011), Players (2012)] 2013 Film clips, color, sound, loop 32 minutes, 30 seconds Unmaskings, 2012–2013  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>Unmaskings [1925–2012: Phantom of the Opera (1925), Mission: Impossible (1970), Mission: Impossible (1971) , unknown (1971), Lupin III (1972), Smokey the Bear (1973),  Fantastic Journey (1977), Dominique is Dead (1980), Miller Lite: The Case of the Missing Case (1986), If Tomorrow Comes (1986), Hell Squad (1986), Visionaries: Knights of the Magical Light (1987), Beetlejuice (1988), Naked Gun (1988), American Ninja 3 (1989), Cheers (1989), Ferris Bueller (1990), Popcorn (1991), Steel and Lace (1991), Bill and Ted’s Bogus Journey (1991), Droopy: Master Detective (1993), Droopy: Master Detective (1993), Megaman (1995), Snackwell’s (1996), Waffle Crisp (1996), FX (1996), Fired Up (1997), Outlaw Star (1997), Michael Jackson’s Ghosts (1997), Men in Black (1997), Sony MiniDisc (1998), Omnitel (1998), Subaru (1998), Road to Ruin (2000), Diabolik (2000), La Femme Nikita (2000), Passions (2001), BBC (2001), Monkeybone (2001), Alias (2001), Mutant X (2001), Master of Disguise (2002), Pepsi Twist (2002), Kekkaishi (2003), Average Joe (2003), Britney Spears’s Toxic (2003), Cariot (2004), Bleach (2004), Mission: Impossible III (2006), Red Remo (2006), Pushing Daisies (2007), Carlsberg Commercial (2007), Nogizaka Haruka﻿ no Himitsu (2008), Old Spice (2009), Camaleones (2009), Salt (2010), Days of Our Lives (2011), Toyota Corolla (2011), Players (2012)] 2013 Film clips, color, sound, loop 32 minutes, 30 seconds Unmaskings, 2012–2013  </image:caption>
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      <image:title>8 rue Saint-Bon, 2013</image:title>
      <image:caption>Unmaskings [1925–2012: Phantom of the Opera (1925), Mission: Impossible (1970), Mission: Impossible (1971) , unknown (1971), Lupin III (1972), Smokey the Bear (1973),  Fantastic Journey (1977), Dominique is Dead (1980), Miller Lite: The Case of the Missing Case (1986), If Tomorrow Comes (1986), Hell Squad (1986), Visionaries: Knights of the Magical Light (1987), Beetlejuice (1988), Naked Gun (1988), American Ninja 3 (1989), Cheers (1989), Ferris Bueller (1990), Popcorn (1991), Steel and Lace (1991), Bill and Ted’s Bogus Journey (1991), Droopy: Master Detective (1993), Droopy: Master Detective (1993), Megaman (1995), Snackwell’s (1996), Waffle Crisp (1996), FX (1996), Fired Up (1997), Outlaw Star (1997), Michael Jackson’s Ghosts (1997), Men in Black (1997), Sony MiniDisc (1998), Omnitel (1998), Subaru (1998), Road to Ruin (2000), Diabolik (2000), La Femme Nikita (2000), Passions (2001), BBC (2001), Monkeybone (2001), Alias (2001), Mutant X (2001), Master of Disguise (2002), Pepsi Twist (2002), Kekkaishi (2003), Average Joe (2003), Britney Spears’s Toxic (2003), Cariot (2004), Bleach (2004), Mission: Impossible III (2006), Red Remo (2006), Pushing Daisies (2007), Carlsberg Commercial (2007), Nogizaka Haruka﻿ no Himitsu (2008), Old Spice (2009), Camaleones (2009), Salt (2010), Days of Our Lives (2011), Toyota Corolla (2011), Players (2012)] 2013 Film clips, color, sound, loop 32 minutes, 30 seconds Unmaskings, 2012–2013  </image:caption>
    </image:image>
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      <image:caption>A Partial Disassembling of an Invention without a Future: Helter-Skelter and Random Notes in which the Pulleys and Cogwheels Are Lying around at Random All over the Workbench Curve Gallery Barbican Centre London United Kingdom 2014  </image:caption>
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      <image:caption>A Partial Disassembling of an Invention without a Future: Helter-Skelter and Random Notes in which the Pulleys and Cogwheels Are Lying around at Random All over the Workbench Curve Gallery Barbican Centre London United Kingdom 2014  </image:caption>
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      <image:title>A Partial Disassembling of an Invention without a Future ... , Barbican Centre, 2014</image:title>
      <image:caption>A Partial Disassembling of an Invention without a Future: Helter-Skelter and Random Notes in which the Pulleys and Cogwheels Are Lying around at Random All over the Workbench Curve Gallery Barbican Centre London United Kingdom 2014  </image:caption>
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      <image:caption>A Partial Disassembling of an Invention without a Future: Helter-Skelter and Random Notes in which the Pulleys and Cogwheels Are Lying around at Random All over the Workbench Curve Gallery Barbican Centre London United Kingdom 2014  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:title>A Partial Disassembling of an Invention without a Future ... , Barbican Centre, 2014</image:title>
      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:title>A Partial Disassembling of an Invention without a Future ... , Barbican Centre, 2014</image:title>
      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:title>A Partial Disassembling of an Invention without a Future ... , Barbican Centre, 2014</image:title>
      <image:caption>Detail of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Ammonium iron citrate and potassium ferricyanide on cellulose-based material, bound letterpress and digital offset print volumes Dimensions variable Cyanotypes, 2009–  </image:caption>
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      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench August 2013–October 2014 2014 52 volumes, digital offset prints on newsprint and coated paper, letter press and foil stamp clothbound 27 x 20 inches each. Artist’s books published as part of the work A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014), first installed at Curve Gallery, Barbican Centre, London, United Kingdom, 2014. Volumes act as a chronological record of all cyanotypes produced during the year prior to the show opening.  </image:caption>
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      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench August 2013–October 2014 2014 52 volumes, digital offset prints on newsprint and coated paper, letter press and foil stamp clothbound 27 x 20 inches each. Artist’s books published as part of the work A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014), first installed at Curve Gallery, Barbican Centre, London, United Kingdom, 2014. Volumes act as a chronological record of all cyanotypes produced during the year prior to the show opening.  </image:caption>
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      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench August 2013–October 2014 2014 52 volumes, digital offset prints on newsprint and coated paper, letter press and foil stamp clothbound 27 x 20 inches each. Artist’s books published as part of the work A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014), first installed at Curve Gallery, Barbican Centre, London, United Kingdom, 2014. Volumes act as a chronological record of all cyanotypes produced during the year prior to the show opening.  </image:caption>
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      <image:title>A Partial Disassembling of an Invention without a Future ... , Barbican Centre, 2014</image:title>
      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench August 2013–October 2014 2014 52 volumes, digital offset prints on newsprint and coated paper, letter press and foil stamp clothbound 27 x 20 inches each. Artist’s books published as part of the work A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014), first installed at Curve Gallery, Barbican Centre, London, United Kingdom, 2014. Volumes act as a chronological record of all cyanotypes produced during the year prior to the show opening.  </image:caption>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
      <image:caption>Later Layer with Johnston Marklee Architects Istituto Italiana di Cultura, Los Angeles 2010</image:caption>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
      <image:caption>Later Layer with Johnston Marklee Architects Istituto Italiana di Cultura, Los Angeles 2010</image:caption>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
      <image:caption>Later Layer with Johnston Marklee Architects Istituto Italiana di Cultura, Los Angeles 2010</image:caption>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
      <image:caption>Later Layer with Johnston Marklee Architects Istituto Italiana di Cultura, Los Angeles 2010</image:caption>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
      <image:caption>Later Layer with Johnston Marklee Architects Istituto Italiana di Cultura, Los Angeles 2010</image:caption>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
      <image:caption>Later Layer with Johnston Marklee Architects Istituto Italiana di Cultura, Los Angeles 2010</image:caption>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
      <image:caption>Later Layer with Johnston Marklee Architects Istituto Italiana di Cultura, Los Angeles 2010</image:caption>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
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      <image:title>Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010</image:title>
      <image:caption>Later Layer with Johnston Marklee Architects Istituto Italiana di Cultura, Los Angeles 2010</image:caption>
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  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/diapositives</loc>
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    <lastmod>2019-01-17</lastmod>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Diapositives Galerie Rodolphe Janssen Brussels Belgium 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Copper Remnant (Table: designed by unknown, date unknown; Galerie Rodolphe Janssen, Brussels, Belgium, September 8th, 2011) 2011 Polished copper 36 x 96 x 1/8 inches Remnants, 2011  </image:caption>
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      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>16-inch Copper (FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC), International Priority, Los Angeles–Brussels trk#861718438308, August 31–September 2, 2011 2011– Polished copper, accrued FedEx shipping and tracking labels 16 x 16 x 16 inches FedEx Copper Works, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859051718-CH3A3DJP8GV5EQLYZC76/wb21211.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by unknown, date unknown; Galerie Rodolphe Janssen, Brussels, Belgium, September 7th, 2011), 2011 2011 Polished copper table top and powder-coat steel 55 inches diam. Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859052261-6XTNXDCPEPE8L5CQP4DV/wb21311.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by unknown, date unknown; Galerie Rodolphe Janssen, Brussels, Belgium, September 7th, 2011), 2011 2011 Polished copper table top and powder-coat steel 55 inches diam. Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859052758-4CZCTFC3T32X7WWRAES3/wb21511.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>White Surrogate (Table: designed by unknown, date unknown; Galerie Rodolphe Janssen, Brussels, Belgium, September 8th, 2011) 2011 Wooden top table, gypsum and gallery wall white paint 55 inches diam. Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859053183-6M3JRY1APEME41R11EF3/wb21611.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Charlotte Perriand and Le Corbusier, 1959; Galerie Rodolphe Janssen, Brussels, Belgium, August 10th–September 2nd, 2011) 2011 Polished copper table top and powder-coat steel Table: 33 5/8 x 33 5/8 x 1 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859053502-VTW948S9GBTA59X5LZRX/wb21711.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Willy Van der Meeren, 1958; Galerie Rodolphe Janssen, Brussels, Belgium, August 10th–September 2nd, 2011) 2011 Polished copper table top and powder-coat steel Table: 39 3/4 x 26 1/2 x 1 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859029246-VZJZGEE62R45TBN0PBP7/WB-466.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: November 28–30, 2010 LAX/MIA MIA/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859029501-MBBRHRE248G0TUONWBJ5/WB-467.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 28–30, 2010 LAX/MIA MIA/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859030719-J9AJAFHOUVAA6020CCJ6/WB-469.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: April 25–27, 2010 LAX/JFK BOS/SFO SFO/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859031167-LGWDTAKIQNIE4W6U1IVO/WB-470.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3021: May 10–16, 2010 LAX/DEN/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859032793-QW2YE7J0D4PBKAOJNSW6/WB-473.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: July 3–7, 2010 LAX/IAD/FRA/BLQ BLQ/BRU/ORD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859033930-Q7N5D1EWQNAJPZQ79X0G/WB-475.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: May 17–24, 2009 LAX/IAD/DME DME/IAD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859035536-T5NABUV7U46G4SIDLZ2N/WB-476.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453859035374-I3NMFBGHL23LUDEE0TI9/WB-477.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458343716908-CMTVEESLTK2GENZ4M6K8/WB-472.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05482: July 3–7, 2010 LAX/IAD/FRA/BLQ BLQ/BRU/ORD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458343718230-N5JG28NDRCL53Q15LEK6/WB-474.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: May 17–24, 2009 LAX/IAD/DME DME/IAD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458344089347-WTE01MLDLGHB1K60C2G5/WB-471.jpg</image:loc>
      <image:title>Diapositives, Galerie Rodolphe Janssen, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: May 10–16, 2010 LAX/DEN/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
  </url>
  <url>
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    <lastmod>2017-09-12</lastmod>
    <image:image>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Art Consultant (CS), Dallas, Texas, November 7, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460589037010-JYO195F37KQJ3RQ435TC/WB03609.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Art Consultant (CS), Dallas, Texas, November 7, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456071439-9PHZWSCFCFO6MLDPADSW/WB331408.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery Director, Brussels, Belgium, November 6, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456007971-CMDKZIAMU45XJSH0UF6J/WB37208.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery Director/Partner, London, United Kingdom, October 17, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456064174-Y6DTCXC6IIIRG1ULGC0P/WB326108.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery Owner/Director, Los Angeles, California, July 25, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456054571-IM5KWGDMQ8ESY1O0LL85/WB40608.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Artist Studio, Wide-Format Inkjet Printer, Los Angeles, California, July 25, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456068902-C2MHRI8JESPO51OW5S4C/WB331308.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Collector, Ostend, Belgium, November 9, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456069443-HUFF6I9U4NZ1Z0JMJB3Z/WB329608.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Museum Curator, Washington, District of Columbia, August 13, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456010279-VB7HG9HG03TM4IEQJOKD/WB37608.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>University Museum Associate Curator, Ann Arbor, Michigan, September 19, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456029619-BKWHRPJ0VSWX0JJ9NENH/WB41508.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Fabricator, Glendale, California, July 9, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456015621-G5XGIPM6CV3QXD37F46G/WB39209.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Installation View, Washington, District of Columbia, April 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456066703-13798WTZ0R0QRFZ7C18Y/WB327508.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>College Darkroom, Color Photographic Processor, Chicago, Illinois, August 21, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455967593-2IOGKHYKQC71WW5DI98Q/WB13809.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Master Framer, Los Angeles, California, June 20, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456024056-792T7Z5UEJ2GHPCHN7PD/WB39908.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Darkroom Assistant, Irvine, California, July 18, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455968868-UJHFBUZIXYJJ9962U24M/WB13909.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>College Darkroom Technician, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455956697-13O6CIG3K8QEO2NVTMUZ/WB04009.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Studio Assistant, Los Angeles, California, September 15, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455964862-MIC3BADYNR4KXA3AJTPB/WB13609.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Business Class Cabin, Moscow, Russia, May 17, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456043505-PD4GTI6KKHIJ5KYUR6RL/WB56709.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Installation View, Washington, District of Columbia, April 23, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455959738-ZLMNVZU687TQ5A5XQTHY/WB12909.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Artist/Designer/Editor/Writer, New York, New York, September 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455970635-ZPSFA0G11SYMTXT73KQK/WB14109.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Artist, Los Angeles, California, February 8, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456026761-Z29SN4L9GH47Z7EFWHO5/WB41408.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>University Art School, Irvine, California, July 17, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455959431-V8Y3522CNVSGIIFXC7OY/WB13009.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Museum Curator/Triennial, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456056035-VWIIGKK8L150A7ONBCAN/WB90610.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Kunsthalle Assistant, Malmö, Sweden, October 16, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456012729-O5YQ88583ILKQFRTI0LH/WB37708.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery Owner, New York, New York, September 28, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456013375-1H0PDHIFA2RYXM72WPHY/WB37808.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Art Fair Director, Los Angeles, California, July 20, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455966608-M8WR4N5YLQ9455CX6XVZ/WB13709.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Photographer, Los Angeles, California, June 3, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Art Consultant/Collector, Dallas, Texas, November 7, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Artist, Santa Monica, California, April 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Kunsthalle Chief Technician, Malmö, Sweden, October 16, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Hotel Room, Copenhagen, Denmark, May 15, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Artist, Moscow, Russia, May 22, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Nonprofit Associate Curator, Los Angeles, California, February 16, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Artist, London, United Kingdom, October 9, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery Owner/Director, Brussels, Belgium, November 8, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery President, Los Angeles, California, December 7, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Independent Photography Editor, Garrison, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Designer, Los Angeles, California, December 9, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery Director/Partner, London, United Kingdom, October 12, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Nonprofit Director/Curator with Daughter, Los Angeles, California, March 17, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Styrofoam Replicas (Hirshorn Museum and Sculpture Garden), Washington, District of Columbia, June 15, 1981 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Independent Curator/Critic, Los Angeles, California, July 26, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery Owner with Dog, Los Angeles, California, February 5, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery Director with Dog, Los Angeles, California, December 7, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Artist Studio, Wide-Format Inkjet Printer, Los Angeles, California, December 9, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Studio Production Manager, Los Angeles, California, December 9, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Hotel Room, Washington, District of Columbia, April 24, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456017136-YN4DNIRGVZQU27NS666C/WB39408.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery Operations and Logistics Manager, Brussels, Belgium, November 6, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Installation View, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Outdoor Sculpture Workshop (Claire Trevor School of the Arts, University of California Irvine), September 14, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455979730-JTFS4XWAOONDK86MN9FZ/WB26209.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Photographer, New York, New York, February 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Installation View, Ann Arbor, Michigan, March 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456020170-YKE5G7F85IQTCLZKL63K/WB39608.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Museum Library Stacks, Washington, District of Columbia, August 18, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Museum Preparator, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456007729-JUHON5VHV9QWGVDNHSKG/WB37108.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Museum Curator, London, United Kingdom, October 17, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery Preparator, Los Angeles, California, July 26, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Publisher with Son, Los Angeles, California, April 3, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Darkroom Assistant, Irvine, California, September 14, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Installation View, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455984822-YBVY2SKB2XMJXRS7PROL/WB26509.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>University Museum Preparator, Ann Arbor, Michigan, March 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455998917-6X63O6TWTGHXADUSORX6/WB29409.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Museum Preparator, New York, New York, September 26, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456000501-W6XRK1205DT5QV5VFXMS/WB29509.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Museum Curator, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455977030-SQ86PKONTQGDQN1AHL8K/WB25709.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>College Darkroom, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456001375-6QBM0J2FM0AIP482TRD4/WB29609.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>College Lecture Hall, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>FedEx Courier, Los Angeles, California, September 12, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455964014-N2656STL7DLZDPYE6O1Y/WB13309.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Museum Chief Curator, Washington, District of Columbia, April 29, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Airport Lounge, Belfast, Ireland, September 10, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456002633-4MK16Q55VBIZI6MLNDNN/WB29709.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Museum Associate Curator, New York, New York, September 26, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455984815-3O2UDT0XAG3NLZ46SPUJ/WB26609.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>University Museum Preparator, Ann Arbor, Michigan, March 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455962243-3M7AVSUMA49QKLFVVYSD/WB13109.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>University Museum Director, Ann Arbor, Michigan, March 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455989094-CYLNXSNU96MNKQDHT6UF/WB26709.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Nonprofit Executive Director/Magazine Publisher and Editor, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455974336-AL5FRLGU9C399TANOKG7/WB25509.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>College Darkroom Building, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456005802-L7HROQ8LO21F5GHKA7KQ/WB29909.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Artist/College Professor, Los Angeles, California, February 21, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456018290-95O8NWGMBVD708OVU67W/WB39508.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallery Manager, Brussels, Belgium, November 8, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455989408-O8WBFD74SQWGR5Q42080/WB26809.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Artist, New York, New York, February 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011    </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455976895-IGDAAANED3CER7HLP9BG/WB25809.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Magazine Editor and Contributor, New York, New York, September 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456004959-RCSQEWFMM7839E0M2UTL/WB29809.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Art Consultants, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1505256414250-SQODNAX85SUHB4MF78VA/WB25609.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>Gallerist, New York, New York, February 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1505249877292-QJ2O0PXTMPRKOME4C6ZE/WB41808.jpg</image:loc>
      <image:title>Industrial Portraits, 2008–</image:title>
      <image:caption>University Darkroom, 8 x 10 Horizontal Enlarger, Irvine, California, July 18, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/selected-works-2008</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569276871209-5QZ7OZIYCOBY6YX59ZXU/MAMCO-2019-Walead-Beshty-Annik-Wetter-029-HD.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2012–2013/April 2, 2012–June 3, 2013) 2014 Color photographic paper, black and white photographic paper, archival inkjet papers 90 x 50 inches Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569276871209-5QZ7OZIYCOBY6YX59ZXU/MAMCO-2019-Walead-Beshty-Annik-Wetter-029-HD.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2012–2013/April 2, 2012–June 3, 2013) 2014 Color photographic paper, black and white photographic paper, archival inkjet papers 90 x 50 inches Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569276882649-KK6MX1XH0FW9XNO4MGLI/MAMCO-2019-Walead-Beshty-Annik-Wetter-028-HD.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2012/March 16, 2012–July 10, 2012) 2015 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569276879514-OXK5WG5O0DP9P6D7SSSJ/MAMCO-2019-Walead-Beshty-Annik-Wetter-030-HD.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2012–2013/September 5, 2012–March 12, 2013) 2014 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 40 x 30 inches Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459383967384-XTUHWJGS2QAYQ1PW3FDZ/22413.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2012–2013/September 5, 2012–March 12, 2013) 2013 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 40 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459975681249-NMRYH48A5PFF86OQQX64/Beshty-01.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2012/July 11, 2012–September 5, 2012) 2013 Color photographic paper, black and white photographic paper, archival inkjet papers, sawdust, glass, plaster, and wax 40 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459378989210-NB7TCAFOQJ1PP1IW88QU/WB-404.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16, 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 90 x 50 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459379071382-LFU8MNI0VK1ZDVLT1M6H/WB-403.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2011/November 15th 2010–March 16th 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 90 x 50 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459975696145-1S1CWXX2FH8TXUW334LI/WB-587.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2008–2010/March 20, 2010–November 15, 2010) 2011 Color photographic paper, black and white photographic paper, and archival inkjet papers 90 x 50 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459380355349-E8DQRJ13GF2MKTA1MBQR/WB08310.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2010 / March 20, 2010–November 15, 2010) 2011 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 90 x 50 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459380480213-53K2P9NAH3OJJQZMJ822/WB80910_B.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2010 / March 20, 2010–November 15, 2010) 2011 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 90 x 50 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459380546228-XOSEVVPDD8O9KFQEVCY4/43_CA2M_Waled_Beshty_2011_E_Almagro.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2010 / March 20, 2010–November 15, 2010) 2011 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 90 x 50 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459381463822-BSIHISAZ0IC56TXS6F0Q/WB-395.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16, 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459381464554-L2R18VNS4QM3FQG55QP1/WB-396.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16, 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459381465722-9WPHVGYLB8B6Y7X9IV5H/WB-397.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2011/November 15th 2010–March 16th 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459381466410-IRXHP7A44AQTWTN0UR6S/WB-398.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16, 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459381467546-O8RQYIR1M4KOAYM04Q35/WB-399.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16, 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459381468134-UTF6SLJVMUSSGZUO9SMS/WB-400.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16, 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459381469831-IGI55Q88I24ZSPTV7OJ5/WB-401.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16, 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459381469885-C2KGNYFSOWR4J0B7S3LN/WB-402.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16, 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465862778422-VW16HUYT5SL7LXHOQ3YC/20100324_beshty_017.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2005–2007/February 9th 2008–November 17th 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465862778379-67JSQIVVZV1P9IEMM4F7/20100324_beshty_018.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2005–2007/February 9th 2008–November 17th 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465862779957-FCW06HMF5UWDHST3HUEB/20100324_beshty_019.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2005–2007/February 9th 2008–November 17th 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465862780045-Q27IEDOV3NPR0ON6K852/20100324_beshty_020.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2005–2007/February 9th 2008–November 17th 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465862781376-M9RXN33NLE7JK1QYE7KF/20100324_beshty_021.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465862781548-6XEFJYAG6A0IWT0LMEEZ/20100324_beshty_022.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465862783136-H2DDCK17P7FKWUCCIZPH/20100324_beshty_023.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468010759275-M560YJJJ27011VEM4NNP/WB332108.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 18 x 15 inches Science Concrète, 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468010759267-G1FMTOKRJPD9TQUX0UTH/WB332208.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 14 x 16 inches Science Concrète, 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468010760623-SVWOSVR6GAZ4OSVJ5CLT/WB332308.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 12 x 12 inches Science Concrète, 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468010760891-BJL950YU16ZTGVEJ1HMX/WB332408.jpg</image:loc>
      <image:title>Selected Works, 2008–</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 26 x 26 inches Science Concrète, 2008  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/travel-pictures-thomas-dane-gallery-2012</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452734743838-SRYCJ2UQERBABEIHPOW6/TDA_0412_-006.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures &lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452734743838-SRYCJ2UQERBABEIHPOW6/TDA_0412_-006.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures &lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452734744198-9HDU32PV02ICOLWP70OM/TDA_0412_-007.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452734745187-4TS0M9UB5LEI2S2KUUWD/TDA_0412_-008.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452734747884-LDQV2FW1JSNJLS4L8I1V/TDA_0412_-012.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452734747790-OERMBRX4Y2IK7H4WANCR/TDA_0412_-013.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452734750552-CBL4N2O656NFCHDTT1JK/TDA_0412_-015.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452734750542-WKEU2IQAD49IVTZDVTYX/TDA_0412_-017.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807396609-XJJX3QU1ZAF9U9B6A11W/TDA_0412_-027.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807396654-I8MLG61IO63442KC5NUW/TDA_0412_-030.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
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      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807397502-SFRTIZ497S73WXLJZSDA/TDA_0412_-031.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
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      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807398567-WV5MOW70RSYB9LMDZN3O/TDA_0412_-033.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807400649-17G4ISU4UX7P9O3QHE9D/TDA_0412_-035.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807403172-PZQ6L6C2UFD6W55UKKWS/TDA_0412_-047.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807404142-WIJHCJIJUWUGDFTKQE1S/TDA_0412_-058.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Pictures&lt;/del&gt;</image:title>
      <image:caption>Thomas Dane Gallery London United Kingdom 2012  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807402544-AWOZ4W7URCBCNIHDZ5YG/TDA_0412_-046.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001-2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462490559393-XEPQ18PV5KHOD7B8TDA0/TDA_0412_+017.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>The Continuous Presents of Futures Past (post-apocalypses 1985–1959), )9591–5891 sespylacopa-tsop( tsaP serutuF fo stneserP suounitnoC ehT 2012 Fifteen commercial films from the cold war era, color offset print, Apple Mac Mini, and wireless headphones 48 hours The Continuous Presents of Futures Past, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807537301-50Z03540U33W1F27ZDD9/TDA_0512-037.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>The Continuous Presents of Futures Past (post-apocalypses 1985–1959), )9591-5891 sespylacopa-tsop( tsaP serutuF fo stneserP suounitnoC ehT 2012 Fifteen commercial films from the cold war era, color offset print 48 hours The Continuous Presents of Futures Past, 2012–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807569074-ALOOBZVJA8B8LMWLPNCY/wb14006.1ap.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>Travel Picture Granite [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807562325-0IJ49TDMV45ZDJX34WK1/TPgraniteHP.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Picture Granite [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008/2012 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008/2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807569437-PJBXLG40ICS1B15SAXUN/wb14106.1ap.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>Travel Picture Marshes [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]  *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807561839-RFJGVPHADTVM89UU6XTE/TPmarshesHP.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Picture Marshes [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] &lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008/2012 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008/2012  </image:caption>
    </image:image>
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      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>Travel Picture Meadow [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807563021-P7F9F70ESH15F56NM6IP/TPmeadowHP.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Picture Meadow [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008/2012 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008/2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807570500-W3DSKWA1A1CKIRRDRBCQ/wb14306.1ap.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>Travel Picture Mist [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807563408-7DRXRN46S65HYPD16ZOW/TPmistHP.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Picture Mist [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008/2012 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008/2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807571437-GZXBZVLRMQBATAQXYD3B/wb14606.1AP.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>Travel Picture Violet [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807564028-FQJK5EC381E5BEK7KWED/wb01012.2.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Picture Violet [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008/2012 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008/2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807568212-K8PKF61E3TGKVA1ZPSL9/wb13906.1AP.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>Travel Picture Fog [Tschaikowskistrasse 17 in multiple exposures*(LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807564402-JI4R5CRDYRKFCWDYRBUE/wb01112.2.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Picture Fog [Tschaikowskistrasse 17 in multiple exposures*(LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008/2012 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008/2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807567974-ZX2BQRQ0SJ33Z6YJ0KFB/wb13806.2.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>Travel Picture Fern[Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]  *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807565309-56OL56X4NJ38MMP8VK2Z/WB01212.2.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Picture Fern[Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] &lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008/2012 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008/2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807565259-7KBU2AZXRIYWYEVPSGA1/wb04812.1_a.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>Travel Picture Rose [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807566575-F67W0SF555HX36ID1EO9/wb04812.1_b.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Picture Rose [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008/2012 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008/2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807566161-93P6WJU9Z7X0Q7Q2J6ED/wb04912.1_a.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>Travel Picture Sunset [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]  *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807567220-L9JTRDJKD67EKPHC8H2C/wb04912.1_b.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012 - &lt;del&gt;Travel Picture Sunset [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] &lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008/2012 Chromogenic print 88 5/8 x 50 inches Travel Pictures, 2006/2008/2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452807578718-W4V69RP2J6WMF00XAZY6/WB38408.jpg</image:loc>
      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981347, October 29–30, 2009, Priority Overnight, Miami–Ann Arbor trk#861049125160, March 3–4, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625738, July 9–10, 2009, International Priority, Los Angeles–London trk#798269126180, April 10–12, 2012, International Priority, London–Los Angeles trk#875532113057, May 22–23, 2012, Standard Overnight, Los Angeles–New York trk#774901766211, November 4–5, 2015, Standard Overnight, New York–Los Angeles trk#775241327453, December 21–22, 2015 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches FedEx Glass Works, 2007–</image:caption>
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      <image:title>&lt;del&gt;Travel Pictures&lt;/del&gt;, Thomas Dane Gallery, 2012</image:title>
      <image:caption>&lt;del&gt;FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles-Miami trk#865344981347, October 29-30, 2009, Priority Overnight, Miami-Ann Arbor trk#861049125160, March 03-04, 2009, Standard Overnight, Ann Arbor-Los Angeles trk#868274625738, July 09-10, 2009, International Priority, Los Angeles-London trk#798269126180, April 10-12, 2012&lt;/del&gt; 2012 Laminated glass, silicone, wood, screws 16 x 16 x 16 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/fedex-glass-works-2007</loc>
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      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608512056, March 9–13, 2017 2017– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches Transparencies, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506127914796-EG4ID90BHXKU9PQGPQX1/WB_04417.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608512056, March 9–13, 2017 2017– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches Transparencies, 2017</image:caption>
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      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608484821, March 9–13, 2017, International Priority, Tokyo–Los Angeles trk#805795452126, July 13–14, 2017 2017– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches Transparencies, 2017</image:caption>
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      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608488323, March 9–13, 2017, International Priority, Tokyo–Los Angeles trk#805795452215, July 13–14, 2017 2017– laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches Transparencies, 2017</image:caption>
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      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608492245, March 9–13, 2017, International Priority, Tokyo–Los Angeles trk#805795452137, July 13–14, 2017 2017– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches Transparencies, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459196542417-FWFM6J3Z8T240YROKNDC/WB-15_051-52812.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Standard Overnight, Los Angeles–New York trk#794308263057, December 17–18, 2012, Standard Overnight, New York–Los Angeles trk#794308341331, December 18–19, 2012, Standard Overnight, Los Angeles–New York trk#774901729434, November 4–5, 2015, Standard Overnight, New York–Los Angeles trk#775246303480, December 21–22, 2015 2012– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches Great Hall Exhibition, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485214254522-8XIWI7MM90K7SGSS9KME/WB-15_050-38408.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981347, October 29–30, 2009, Priority Overnight, Miami–Ann Arbor trk#861049125160, March 3–4, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625738, July 9–10, 2009, International Priority, Los Angeles–London trk#798269126180, April 10–12, 2012, International Priority, London–Los Angeles trk#875532113057, May 22–23, 2012, Standard Overnight, Los Angeles–New York trk#774901766211, November 4–5, 2015, Standard Overnight, New York–Los Angeles trk#775241327453, December 21–22, 2015 2009– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches Travel Pictures, 2012 Great Hall Exhibition, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485214104514-35W1G0VLKT499E2C8CUH/WB-15_049-38808.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Brussels trk#865282057975, October 27–30, 2008, International Priority, Brussels–Los Angeles trk#866071746396, December 8–9, 2008, Standard Overnight, Los Angeles–New York trk#774901659423, November 4–5, 2015, Standard Overnight, New York–Los Angeles trk#775241449093, December 21–22, 2015 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches Industrial Pictures, 2008 Great Hall Exhibition, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459197344098-K5LT9PEAQFIVL5GY3D52/WB30013.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® 10kg Box ©2006 FedEx 149801 REV 9/06 MP, International Priority, Los Angeles–Paris trk#796906988159, October 14–16, 2013 2013– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 10 1/2 x 16 1/4 x 13 1/4 inches 8 rue Saint-Bon, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459208018715-SZ74C60ODVV1Y5VG22WA/WB43008.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Brussels trk#865282057964, October 27–30, 2008, International Priority, Brussels–Los Angeles trk#866071746385, Janurary 8–9, 2009, Standard Overnight, Los Angeles–New York trk#872632033108, April 29–30, 2010, Standard Overnight, New York–Los Angeles trk#796210730703, September 2–3, 2010, Priority Overnight, Los Angeles–New York trk#794583197877, March 28–29, 2011, Priority Overnight, New York–Los Angeles trk#611849858596, January 13–14, 2015 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 20 x 20 x 20 inches Industrial Pictures, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486772441680-2BHTL1YGXDCX22GI4965/wb17811.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles-Beijing trk#875468976062, September 9–14, 2011, International Priority, Bejing–London trk#874594463978, March 13–15, 2012 2011– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 23 5/8 x 18 1/2 x 18 1/2 inches Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486772441798-9AUGLCZPIS45LWP5ZE7X/wb18111.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles-Beijing trk#858510689297, September 9–22, 2011, International Priority, Beijing–Paris trk#874594464106, March 13–16, 2012 2011– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 23 5/8 x 18 1/2 x 14 1/2 inches Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459204286796-0IR1S2J137E7V6OGSNIG/WB38108.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles-Miami trk#865344981299, October 29–30, 2008, Priority Overnight, Miami–Ann Arbor trk#861049125115, March 3–4, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625749, July 9–10, 2009, Standard Overnight, Los Angeles–San Francisco trk#878069766471, August 27–28, 2009, Standard Overnight, San Francisco–Los Angeles trk#870342520145, November 12–13, 2009, International Priority, Los Angeles–London trk#798269222978, April 10–12, 2012 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches Pulley, Cogwheels, Mirrors, and Windows, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459205484772-529IDX81V862HSMNB0ZU/WB34709_A.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–London trk#868587728050, October 2–5, 2009 2009– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485213461796-WJO8VSRSUWSZW1H1SAEW/20090113_cao_beshty_165b.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx Medium Kraft Box 2004 FEDEX 155143 REV 10/04 BP, Priority Overnight, Los Angeles–New York trk#864049582968, December 7–10, 2007, FedEx 2Day, New York–Los Angeles trk#863133194810, December 10-12, 2007, International Priority, Los Angeles–Oostende trk#867279774962, February 9–12, 2009 2007– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 12 inches Science Concrète, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459208658481-AL596SQ3PVLVC6W7PABY/DSC_4688.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Standard Overnight, Los Angeles–New York trk#791849413177, February 15–18, 2008 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 40 x 6 x 6 inches, each Whitney Biennial, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485213603357-EEVCN0CKOSMBV5EYUOOR/golf1-shipped.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Golf-Bag Box ©2010 FedEx 163166 REV 10/10 Standard Overnight, Los Angeles–New York trk#798452001632, May 30–31, 2012, Standard Overnight, New York–Los Angeles trk#798452070996, May 31–June 1, 2012 2012– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 48 x 15 x 15 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485213714037-TJZV945RWPAEVOEX5BKD/large-art1-shipped.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Framed Art Box ©2011 FedEx 163098 REV 7/11 Standard Overnight, Los Angeles–New York trk#798451863810, May 30–31, 2012, Standard Overnight, New York–Los Angeles trk#793621370900, May 31–June 1, 2012 2012– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 36 11/16 x 49 3/8 x 4 3/4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485213761896-BJZ3655O44ZX29FW41AK/small-art1-shipped.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Medium Framed Art Box ©2011 FedEx 163095 REV 7/11 Standard Overnight, Los Angeles–New York trk#798452111018, May 30–31, 2012, Standard Overnight, New York–Los Angeles trk#793621540796, May 31–June 1, 2012 2012– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 28 x 33 3/4 x 4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459196542538-O4ERYIE00AS4SWC5ZT9V/WB-15_052-43508.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981303, October 29–30, 2008, Priority Overnight, Miami–Ann Arbor trk#861049125148, March 3–4, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625716, July 9–10, 2009, Standard Overnight, Los Angeles–New York trk# 774901718297, November 4–5, 2015, Standard Overnight, New York–Los Angeles trk#775241156204, December 21–22, 2015 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches Pulleys, Cogwheels, Mirrors, and Windows, 2009 Great Hall Exhibition, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459196543699-HZ9QFWE48BBPXCIKUK19/WB-15_053-43608.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981358, October 29–30, 2008, Priority Overnight, Miami–Ann Arbor trk#861049125126, March 3–4, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625760, July 9–10, 2009, Standard Overnight, Los Angeles–New York trk#774901687401, November 4–5, 2015, Standard Overnight, New York–Los Angeles trk#775241470240, December 21–22, 2015 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches Pulleys, Cogwheels, Mirrors, and Windows, 2009 Great Hall Exhibition, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459196543776-Q3DG8SR63MM7DCTF5CQH/WB-15_062-43308.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, Standard Overnight, Los Angeles–Oak Park trk#865344981196, September 17–18, 2008, Standard Overnight, Oak Park–Los Angeles trk#865326699753, March 12–13, 2009, Standard Overnight, Los Angeles–New York trk#774901624186, November 4–5, 2015, Standard Overnight, New York–Los Angeles trk#775241295627, December 21–22, 2015 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches Great Hall Exhibition, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459197344590-6R7XWHLZ86Y40L8U3WIS/WB30113.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® 10kg Box ©2006 FedEx 149801 REV 9/06 MP, International Priority, Los Angeles–Paris trk#796907687919, October 14–16, 2013 2013– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 10 1/2 x 16 1/4 x 13 1/4 inches 8 rue Saint-Bon, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486772321830-6FI9EL4TIC7AASI69NOL/wb13411.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#875468976073, September 09–14, 2011, International Priority, Beijing–Miami trk#874108926322, November 23–28, 2011, International Priority, Los Angeles–London trk#793287180666, February 29–March 2, 2012 2011– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 23 5/8 x 18 1/2 x 18 1/2 inches Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486772359980-71WV6VRMWUQHK6E6DM4Q/wb16211.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#875468976030, September 9–14, 2011, International Priority, Bejing–Paris trk#874594463967, March 13–15, 2012 2011– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 23 5/8 x 18 1/2 x 18 1/2 inches Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486772389380-6E58NN290RCDDX0MLDYT/wb16311.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#858510689297, September 9–22, 2011, International Priority, Beijing–Los Angeles trk#874594463990, March 13–14, 2012, Standard Overnight, Los Angeles–New Castle trk#800105416382, July 24–31, 2012, Express Saver, New Castle–Los Angeles trk#492446927223, March 26–31, 2013, Standard Overnight, Los Angeles–New Castle trk#800983717990, April 10–11, 2013 2011– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 14 1/2 x 23 5/8 x 18 1/2 x inches Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459204461855-H640KEMXXCHJSIKJBU9U/WB43708.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981314, October 29–30, 2008, Priority Overnight, Miami–Los Angeles trk#861049125089, November 17–18, 2008, Priority Overnight, Los Angeles-Miami Beach trk#860147611241, December 1–2, 2008, Priority Overnight, Miami–Los Angeles trk#867525901310, December 8–9, 2008, Priority Overnight, Los Angeles–Ann Arbor trk#867525901228, March 9–10, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625705, July 9–10, 2009, Standard Overnight, Los Angeles–San Francisco trk#870069766460, August 27–28, 2009, Standard Overnight, San Francisco–Los Angeles trk#870342520112, November 12–13, 2009 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 16 x 16 x 16 inches Pulley, Cogwheels, Mirrors, and Windows, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459205469388-XU1YBHPQNI9A52PWHQ6X/WB34109.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box 2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–London trk#868587728072, October 2–5, 2009 2009– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459207997956-2G5KN31MUI6QASHTDN1E/WB42908.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Brussels trk#865282057942, October 27–30, 2008 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 20 x 20 x 20 inches Industrial Pictures, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485213507064-2AAUGOVGDZGL84N64LFN/20090113_cao_beshty_168b.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx Medium Kraft Box 2004 FEDEX 155143 REV 10/04 BP, Priority Overnight, Los Angeles–New York trk#867525901423, December 7–10, 2007, FedEx 2Day, New York–Los Angeles trk#863133194800, December 10-12, 2007, International Priority, Los Angeles-Oostende trk#867279774973, February 9–12, 2009 2007– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 12 inches Science Concrète, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485213841211-1290O8LNC0CB2P3QPD8Y/WB_08412_v1_2012.7.12.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Large Framed Art Box ©2011 FedEx 163098 REV 7/11 Standard Overnight, Los Angeles–New York trk#793767809895, July 10–11, 2012, Standard Overnight, New York–Los Angeles trk#798598422030, July 11–12, 2012 2012– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 36 11/16 x 49 3/8 x 4 3/4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485213903648-ZE28ICCR1U0N27YTB9LN/WB_08512_v1_2012.7.12.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Medium Framed Art Box ©2011 FedEx 163095 REV 7/11 Standard Overnight, Los Angeles–New York trk#793767890223, July 10–11, 2012, Standard Overnight, New York–Los Angeles trk#875082659097, July 11–12, 2012, FedEx 2Day AM, Los Angeles–New York trk#797413653702, December 16–18, 2013 2012– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 28 x 33 3/4 x 4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485214008598-YQSYB6BNCOYFPV1OE3PP/WB_08612_v1_2012.7.12.jpg</image:loc>
      <image:title>FedEx Glass Works, 2007–</image:title>
      <image:caption>FedEx® Golf-Bag Box ©2010 FedEx 163166 REV 10/10 Standard Overnight, Los Angeles–New York trk#793767865564, July 10–11, 2012, Standard Overnight, New York–Los Angeles trk#793767890360, July 11–12, 2012 2012– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 48 x 15 x 15 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/cyanotypes-2009</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468457797769-LSJVUMZRSX5V09OZTQGZ/WB_09816.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Untitled 2016 Cyanotype on linen Dimensions variable  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468457797769-LSJVUMZRSX5V09OZTQGZ/WB_09816.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Untitled 2016 Cyanotype on linen Dimensions variable  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468604921524-EBXOL0I5AQCIO41AGOZM/WB_09416.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Untitled 2016 Cyanotype on linen Dimensions variable  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465501270226-9KO8NG6QVAXSYQRNH6FW/WB_21715.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465501270287-650XAH8I34RKJU1DDPS6/WB_21815.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465501272611-S878F3VWQFW4ISQ9DFOV/WB_21915.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465501272759-3VRFFN4SVJOD0MXB005I/WB_22015.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465501274697-1TUT5GJV0TNORTPJJ6S4/WB_22215.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465501275140-9F24HM5A9DYGTJ16HU72/WB_22415.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465501277096-ATUIRA58R2K4PZ0OPAZE/WB_22515.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465501277680-K01QOY45PTUL1ZVN5Y9V/WB_22615.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465501279440-WYUFSM6SD2R8ZBU9E3UW/WB_22915.jpg</image:loc>
      <image:title>Cyanotypes, 2009–</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches  </image:caption>
    </image:image>
  </url>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalia Thomas Dane Gallery London United Kingdom 2014  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 17, 2014 2014 Ink on paper 12 1/2 x 10 inches Drawings, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 18, 2014 2014 Ink on paper 12 1/2 x 10 inches Drawings, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Copper Remnant (Reception [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director; Jason Murison, Director; Theodora Gilman, Assistant to the Directors; Nick Bennett, Gallery Assistant), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26 –August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Directors [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner; Kat Parker, Artist Liaison; Samantha Tsao, Partner; Laura Higgins, Gallery Manager; Marco Palumbo and Alexis Diop, Interns), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 201 3/8 x 355 3/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Bookkeeping [Source: wood, laminate, and particleboard bookkeeping desk designed by Project-Space/Jonathan Caplan from the bookkeeping office at Friedrich Petzel Gallery, New York. Surrogate: WB72614A (produced in conjunction with Beverly Banks and Cecilia Roberts, Bookkeepers), Copper Surrogate (designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 68 5/8 x 125 1/8 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $21,080.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Project-Space/Jonathan Caplan desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014.]) 2014 Polished copper 21 x 26 inches Remnants, 2011–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 8, 2011) 2011 Polished copper 36 x 96 x 1/8 inches Remnants, 2011–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 6, 2011) 2011 Polished copper 120 x 60 inches Remnants, 2011–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011) 2011 Polished copper 96 x 48 inches Remnants, 2011–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011) 2011 96 x 48 inches  Remnants, 2011–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections) 2014 Polished copper Dimensions variable, 7 parts Remnants, 2011–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom) 2014– Polished copper 11 x 60 x 60 inches Surrogates (Modular, Art Handling), 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 4: November 25/January 26–27, 2014, London, United Kingdom) 2014 Polished copper 11 x 60 x 60 inches Surrogates (Modular, Art Handling), 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom) 2014 Polished copper 11 x 60 x 60 inches Surrogates (Modular, Art Handling), 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014) 2014 Cyanotype chemistry on canvas 96 x 55 inches Cyanotype Paintings, 2013–2015  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014) 2014 Cyanotype chemistry on canvas 104 x 55 inches Cyanotype Paintings, 2013–2015  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, February 1–April 30, 2014) 2014 Cyanotype chemistry on canvas 127 3/4 x 55 inches Cyanotype Paintings, 2013–2015  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, February 1–April 30, 2014) 2014 Cyanotype chemistry on canvas 98 1/2 x 55 inches Cyanotype Paintings, 2013–2015  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, February 1–April 30, 2014) 2014 Cyanotype chemistry on canvas 80 x 55 inches Cyanotype Paintings, 2013–2015  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, May 1–August 1, 2014) 2014 Cyanotype chemistry on canvas 89 x 55 inches Cyanotype Paintings, 2013–2015  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, May 1–August 1, 2014) 2014 Cyanotype chemistry on canvas 90 1/2 x 55 inches Cyanotype Paintings, 2013–2015  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, August 1–October 20, 2013) 2013 Cyanotype chemistry on canvas 57 x 74 inches Cyanotype Paintings, 2013–2015  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, August 1–October 20, 2013) 2014 Cyanotype chemistry on canvas 57 x 69 inches Cyanotype Paintings, 2013–2015  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Walead Beshty – Marginalia "I think of my work as a kind of ecology in the sense that everything that comes out of it is part of the practice and needs to be accounted for. My practice is really a proposition about a possible arrangement of productive forces, a kind of system of relations. The more well-conceived the system, the more it can fully account for all that it produces, and that includes what might seem like by-products." W. Beshty. In describing the making of his monumental commission at the Barbican Centre in London - thousands of cyanotypes, created over a year, cover the walls of the Curve there -, Walead Beshty virtually revealed the nature of his next show at Thomas Dane Gallery, staged to coincide with his project at the Curve. ‘Marginalia’, taking its name from the comments, scribbles or illuminations in the margins of a book, includes the remnants, props, byproducts, ‘vestiges’ – generally speaking, the works - created through/while/after making other works. Even though this idea is at the very core of his practice: in essence, Beshty always makes art while making art while making art… And even though he often triggers the production of art through infiltrating pre-existing systems, structures, networks and apparatuses (such as X-ray machines at airports, courier companies…etc…), he had never staged an exhibition that illustrated so concisely the virtuous, recycling circle that his artistic production so uniquely embodies. The notion of Hierarchies – whether artistic or economical - is what is fascinatingly at stake here: traditionally, ‘marginalia(s)’ will add or detract the value of a book, according to the author of the notes. Here, the artist himself reveals, as well as upsets, the established values and systems of art-making, with a series of arresting, facetted new paintings realized as a support or background for the multitude of cyanotypes at the Barbican, which cohabit with aluminum and bronze relics, part negative-space, part leftovers, of his metal surrogates and tables, and a series of 104 X-Ray photographs, realized, literally, while traveling over four years (for shows, events…) and displayed for the first time in their original 5x4in. format. 2014 Letterpress 14 x 8 1/2 inches Multiples  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: January 30–February 19, 2011 LAX/LHR/CPH CPH/LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: January 30–February 19, 2011 LAX/LHR/CPH CPH/LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: May 26–30, 2011 LAX/JFK JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: May 26–30, 2011 LAX/JFK JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: June 12–23, 2011 LAX/IAD/MAD MAD/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: June 12–23, 2011 LAX/IAD/MAD MAD/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: July 6–10, 2011 LAX/ORD/PWM PWM/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: July 6–10, 2011 LAX/ORD/PWM PWM/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793029225-6NMGRZ5WP5TVDBDLKODN/WB07211.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: July 30–August 2, 2011 LAX/DEN/RAP RAP/DEN/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793029383-GTIW8ECPIIS8XGG9M4HW/WB07411.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: July 30–August 2, 2011 LAX/DEN/RAP RAP/DEN/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793033100-4XXLWUYAXRAN787UA44W/WB07611.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: August 20–24, 2011 LAX/ORD/MIA MIA/ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793033214-0Q4PFO7XDJ7ZXIT3BCV0/WB07811.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: August 20–24, 2011 LAX/ORD/MIA MIA/ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793036548-7RQ9KUM6T9PS780FJVZP/WB08111.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 1–11, 2011 LAX/IAD/BRU BRU/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793036661-H15JNOSVAQ5ODD2XVTGV/WB08311.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: September 1–11, 2011 LAX/IAD/BRU BRU/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793040054-T5OJGS61EA5LOO6GHADU/WB08411.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 19–28, 2011 LAX/PEK PEK/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793040190-1OYBAW9TYE8KDQG5C08J/WB08611.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: September 19–28, 2011 LAX/PEK PEK/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793043565-SDTAD52RQ9A6OXP79K87/WB08911.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 8–10, 2011 LAX/ORD ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793043703-MPGPIU9DHOQVE2D8UTMK/WB09111.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: October 8–10, 2011 LAX/ORD ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793047389-9PG3ZIHVG49Q4T2KIIPI/WB09311.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 21–24, 2011 LAX/JFK JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793047630-W6CL1U1WECDFDMEV93A3/WB09511.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: October 21–24, 2011 LAX/JFK JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793051080-WJK9GCQZ3OQZL2ZI9EUO/WB10111.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: December 15–17, 2011 LAX/SFO/SEA SEA/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501793051321-AK0J21GQK5DGQMB7HJ4F/WB10411.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: December 15–17, 2011 LAX/SFO/SEA SEA/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801087460-R570SSHRZ4IU3K42BK3J/WB05912.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: February 16–20, 2012 LAX/ORD ORD/LHR LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801087461-PKR3KFUL0SAW4NDUN7X7/WB06012.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: February 16–20, 2012 LAX/ORD ORD/LHR LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801090954-Y0NQL3E1Z4Z2I1IUF8NI/WB06112.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: March 1–2, 2012 LAX/SLC SLC/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801091017-X8MXFNN9UF8NKUHI98IY/WB06212.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: March 1–2, 2012 LAX/SLC SLC/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801094509-119CHQJ13478WITIBYQS/WB06512.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: March 15–19, 2012 LAX/MIA MIA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801094578-O0W7EA73JPHFCIQ5ZNLU/WB06612.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: March 15–19, 2012 LAX/MIA MIA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801098488-H7TGAXSL3VG6IVM0G22W/WB06912.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: April 2–5, 2012 LAX/PVD JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801098498-H6LZ4E7Y0JEVKDK95LC3/WB07012.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: April 2–5, 2012 LAX/PVD JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801104073-H2IK3G9A8VCTMNKWZ00F/WB07312.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: April 13–23, 2012 LAX/SFO/LHR LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801104216-O3H3E2CGAZ23JUUG7MMO/WB07412.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: April 13–23, 2012 LAX/SFO/LHR LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801109393-G3QJ583D1TH34P9TI8G4/WB07712.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: June 5–12, 2012 LAX/SFO/FRA ZHR/FRA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801109483-BZ8Y70FH4XT094C4C3XU/WB07812.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: June 5–12, 2012 LAX/SFO/FRA ZHR/FRA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801113303-MKPG9YN4XYY4JZUC4BGY/WB13312.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: July 20–23, 2012 LAX/JFK JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801113364-KUV5PO48PE472SPV9X5F/WB13412.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: July 20–23, 2012 LAX/JFK JKF/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801117071-1ZGB3BO9E66N9OKKIVKY/WB15712.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: August 2–6, 2012 LAX/SFO/PVG PVG/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801117143-WH8UTY4CNLRD0S290FQO/WB15812.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 2–6, 2012 LAX/SFO/PVG PVG/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801120878-GEKF5EJPR7O88864V7YV/WB21112.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 24–October 2, 2012 LAX/PVG PVG/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801120942-9HGCLUA8G99C8C4EZW3K/WB21212.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 24–October 2, 2012 LAX/PVG PVG/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801124434-OFB3J5QLKBTOTPIISVVY/WB21512.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 3–8, 2012 LAX/JFK IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801124505-EM5M4QDX02TQK7TA0WMU/WB21612.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 3–8, 2012 LAX/JFK IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801128223-6XXRPO2AHQK9K1EFK5S2/WB21912.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: October 11–14, 2012 LAX/ORD ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801128352-QNBYAVDYBWNBP3Z16613/WB22012.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 11–14, 2012 LAX/ORD ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801132551-XBYGLZRTCA3NZF4MF5PY/WB26612.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: November 15–18, 2012 LAX/SFO/BOS BOS/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801132687-0IRQSJ88PYQGJ17EPFQW/WB26712.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: November 15–18, 2012 LAX/SFO/BOS BOS/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801136463-RLVV5VI279FXNL6G78MN/WB31612.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: November 20–December 7, 2012 LAX/IAD/VIE VIE/CDG CDG/DUS/MIA MIA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501801136608-9PCOG61HC68O3J66GRTE/WB31712.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: November 20–December 7, 2012 LAX/IAD/VIE VIE/CDG CDG/DUS/MIA MIA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804935183-IIQ3F4WKCIU4XK3ON0UT/WB16113.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: May 8–13, 2013 LAX/JFK JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804935288-G8S8CQMIOXAA1EMZXX0W/WB16213.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: May 8–13, 2013 LAX/JFK JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804938577-SLKPOH6ZYUP38N9CMOWR/WB16313.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: March 3–5, 2013 LAX/DFW DFW/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804938691-E7HB9VOKS7WGRAS2UPZW/WB16413.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: March 3–5, 2013 LAX/DFW DFW/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804941992-CRAFR3UG9WUGFM576JEF/WB16713.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: April 12–25, 2013 LAX/ORD/CDG CDG/ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804942105-0JN2L5HB956VQTA1JA21/WB16813.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: April 12–25, 2013 LAX/ORD/CDG CDG/ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804946759-P2SCRSAQP3Y1IL6VTQ4H/WB17113.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: January 31–February 17, 2013 LAX/JFK JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804947003-K56P5XOJTUDLZM8QLLZP/WB17213.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: January 31–February 17, 2013 LAX/JFK JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804950277-M5MCZZEJ4AHVN95CZDO3/WB18113.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: May 31–June 11, 2013 LAX/SFO/FRA/BEY BEY/CDG CDG/AMS/ZRH FRA/ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804950400-8WG8XJGP9O1AHVTAIKOR/WB18213.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: May 31–June 11, 2013 LAX/SFO/FRA/BEY BEY/CDG CDG/AMS/ZRH FRA/ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804957572-0H5Y4QV3XPLKWEIQ2DHW/WB18513.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: June 14–18, 2013 LAX/GDL GDL/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804957633-QX12P2CE3T8M84IKWMW2/WB18613.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: June 14–18, 2013 LAX/GDL GDL/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804960968-SVV4RC7E9P2SS6E62CWT/WB19313.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: June 27–July 2, 2013 LAX/ORD/LHR LHR/IAH/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804960977-KP4H6DYZQVQZD6FXK9NE/WB19413.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: June 27–July 2, 2013 LAX/ORD/LHR LHR/IAH/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804965002-JUTGIOI45GJKDTRQCUYV/WB21113.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: July 28–August 10, 2013 LAX/GDL GDL/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804965106-DP5B89SLM5JNR8NGAILC/WB21213.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: July 28–August 10, 2013 LAX/GDL GDL/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804969031-D5KUXB9LK9AK79HG6KQK/WB25413.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: August 18–24, 2013 LAX/GDL GDL/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804969443-FFGYSPRHNOJIECCGL0N7/WB25513.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 18–24, 2013 LAX/GDL GDL/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804972701-HFD8B064QYSERJN7ZET7/WB31213.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 26–29, 2013 LAX/ELP ELP/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804972819-HHJNV3AUIUIIQ3M61FK8/WB31313.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 26–29, 2013 LAX/ELP ELP/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804976084-JPTI5A2UBDXMCU0QDQF0/WB35413.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 13–17, 2013 LAX/DFW DFW/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804976250-48JEI1JIVUV0AE7PXHEK/WB35513.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1021: October 13–17, 2013 LAX/DFW DFW/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804979988-RS837NVSYMD8PQ8J5WGH/WB37013.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: October 18–22, 2013 LAX/SFO/CDG CDG/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804980192-05251PWT7NJ2X04GE0WT/WB37113.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 18–22, 2013 LAX/SFO/CDG CDG/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804984465-XXY4AHGPZIPAVAFBU8PQ/WB37813.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: October 24–27, 2013 LAX/DFW DFW/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804984578-4USHPF2P0QCL1NPZSGE0/WB37913.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 24–27, 2013 LAX/DFW DFW/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804987852-D92KRU2LJWQYKIOG23TS/WB42613.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1022 November 21–December 1, 2013 LAX/EWR/TLV TLV/EWR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804987922-FOVLH5QU8NNUE8ZUMPY5/WB42713.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 21–December 1, 2013 LAX/EWR/TLV TLV/EWR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804991824-A8ZZTEI18PHLA8D0DG3J/WB43013.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1022: December 2–3, 2013 LAX/MIA MIA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501804991978-IZ739JXD2EX9D5T5QC25/WB43113.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: December 2–3, 2013 LAX/MIA MIA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501807286477-DIVCCFPW3QISFLKFD0LV/WB32614.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: February 12–18, 2014 LAX/IAD/LHR LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501807286478-RPA2YAZOYHAKLD9WT4FZ/WB32714.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: February 12–18, 2014 LAX/IAD/LHR LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501807289883-GMXJ0IVZ60G65VU1TWI6/WB56414.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: March 12–17, 2014 LAX/LHR/TXL TXL/MUC MUC/TXL TXL/LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501807289954-31O1CHN2CCI728YNCH73/WB56514.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: March 12–17, 2014 LAX/LHR/TXL TXL/MUC MUC/TXL TXL/LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501807293925-PPEB3C8Y1CW0X9O4SZQ3/WB68114.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 29–May 8, 2014 LAX/JFK LGA/ORD ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501807293925-2X29WN77WC2O7L5AX8CC/WB68214.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: April 29–May 8, 2014 LAX/JFK LGA/ORD ORD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501807297964-9SQLJRLXGBG0RVURKSNR/WB73314.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: May 25–June 8, 2014 LAX/LHR/TXL TXL/FRA/BEY BEY/FRA/TXL TXL/EWR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501807298040-NTP7O40G5Y8HH474X59X/WB73414.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: May 25–June 8, 2014 LAX/LHR/TXL TXL/FRA/BEY BEY/FRA/TXL TXL/EWR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501807301279-8PGBDPH4FWK2HDBCYDUX/WB96114.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: June 26–July 15, 2014 LAX/EWR JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501807301421-4CB6LGWKU37QM1NG0DJK/WB96214.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: June 26–July 15, 2014 LAX/EWR JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501807305120-3KHADSCU4C7ILX5THTU7/WB96514.jpg</image:loc>
      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 6–12, 2014 LAX/MCO/EYW EYW/FLL/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: August 6–12, 2014 LAX/MCO/EYW EYW/FLL/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 6–October 16, 2014 LAX/LHR LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 6–October 16, 2014 LAX/LHR LHR/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 1–5, 2014 LAX/JFK JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 1–5, 2014 LAX/JFK JFK/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 17–September 18, 2014 LHR/TXL/TXL/LHR] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 17–September 18, 2014 LHR/TXL/TXL/LHR] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 20–21, 2014 LCY/ZRH ZRH/LCY] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 20–21, 2014 LCY/ZRH ZRH/LCY] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 1–9, 2014 LAX/EWR EWR/MUC/TXL TXL/MUC/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 NC Em. No. 1022: November 1–9, 2014 LAX/EWR EWR/MUC/TXL TXL/MUC/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 20–27, 2014 LAX/LHR LHR/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:title>Marginalia, Thomas Dane Gallery, 2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: November 20–November 27, 2014 LAX/LHR/LHR/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/surrogates-tabletop-and-desktop-2008</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459275264715-MDLJWLN6J93CSCEKDYWL/B-WBESHTY-14-0004-2.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Desk [Source: chrome-plated steel and wood desk designed by Egon Eiermann from the office of Michael Wiesehöfer at Galerie Capitain Petzel, Berlin. Surrogate: WB97814 (produced in conjunction with Michael Wiesehöfer, Director), Copper Surrogate (Desk: designed by Egon Eiermann, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 78 7/8 x 39 1⁄16 x 29 1/16 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $20,611.99 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Egon Eiermann desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 56 3⁄16 x 32 7⁄16 x 27 9⁄16 inches.] 2014 Polished copper table top and powder-coated steel 78 3/4 x 39 1/4 x 30 inches (1 3/8 inch top) Gastarbeiten, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459275264715-MDLJWLN6J93CSCEKDYWL/B-WBESHTY-14-0004-2.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Desk [Source: chrome-plated steel and wood desk designed by Egon Eiermann from the office of Michael Wiesehöfer at Galerie Capitain Petzel, Berlin. Surrogate: WB97814 (produced in conjunction with Michael Wiesehöfer, Director), Copper Surrogate (Desk: designed by Egon Eiermann, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 78 7/8 x 39 1⁄16 x 29 1/16 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $20,611.99 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Egon Eiermann desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 56 3⁄16 x 32 7⁄16 x 27 9⁄16 inches.] 2014 Polished copper table top and powder-coated steel 78 3/4 x 39 1/4 x 30 inches (1 3/8 inch top) Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459275273348-MMNFD9WXT9KN40PRYDBE/B-WBESHTY-14-0005-2.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Desk [Source: aluminum, steel, and wood desk after a design by Jørgen Kastholm and Preben Fabricius from the office of Gisela Capitain at Galerie Capitain Petzel, Berlin. Surrogate: WB97914 (produced in conjunction with Gisela Capitain, Owner), Copper Surrogate (Desk: designed by Jørgen Kastholm and Preben Fabricius, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 72 23⁄32 x 38 5⁄16 x 28 55/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $34,269.62 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Jørgen Kastholm and Preben Fabricius desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 71 17/64 x 36 13/16 x 27 23/64 inches.] 2014 Polished copper table top and powder-coated steel 72 5/8 x 38 3/8 x 27 inches (3 7/8 inch top) Gastarbeiten, 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459275286705-RUAAMQI8UV7CNDGRDFXP/B-WBESHTY-14-0006-2.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Table [Source: embossed lacquered medium density fiberboard and chrome finish steel conference room desk designed by Lievore Altherr Molina from the TK room at Galerie Capitain Petzel, Berlin. Surrogate: WB98014 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director), Copper Surrogate (Table: designed by Lievore Altherr Molina, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 71 37⁄64 x 39 13⁄32 x 29 31/32 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $26,733.35 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Lievore Altherr Molina desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 27 9⁄16 x 19 7⁄8 x 28 15⁄32 inches.] 2014 Polished copper table top and powder-coated steel 71 1/2 x 39 1/4 x 29 inches (1 3/8 inch top) Gastarbeiten, 2014  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459275299808-GV6I5295X33874SZSBOG/B-WBESHTY-14-0007-2.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Table [Source: carrara glass and brass conference room desk designed by Paul McCobb for Calvin Furniture Company from the presentation room at Galerie Capitain Petzel, Berlin. Surrogate: WB98114 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director; Kathleen Knitter, Gallery Manager; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician), Copper Surrogate (Table: designed by Paul McCobb for Calvin Furniture Company, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 32 31⁄64 x 32 31⁄64 x 16 7/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $9,447.41 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Paul McCobb table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 31 37/64 x 31 29/64 x 14 39/64 inches.] 2014 Polished copper table top and powder-coated steel 32 1/2 x 32 1/2 x 15 3/4 inches (1 3/8 inch top) Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459275310564-UYGCOSS6FLV68JC1UZ3H/B-WBESHTY-14-0008-2.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Table [Source: steel, pigmented epoxy, powder coating, particleboard, melamine foil, foil, and acrylonitrile butadiene styrene plastic work surface table designed by Olle Lundberg for IKEA from the storage room at Galerie Capitain Petzel, Berlin. Surrogate: WB98214 (produced in conjunction with Elisabeth Pallentin, Gallery Assistant/Media Archivist; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician; Adrian Lohmüller, Preparator; Claus Philip Lehmann; Preparator), Copper Surrogate (Table: designed by Olle Lundberg for IKEA, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 62 29⁄32 x 31 29⁄64 x 28 63/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $17,842.86 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Olle Lundberg table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 59 23⁄32 x 28 11⁄32 x 27 31⁄64 inches.] 2014 Polished copper table top and powder-coated steel 63 x 31 1/2 x 27 1/2 inches (1 3/8 inch top) Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459368306154-Y1E910CRNAGLB9A84OTK/WB-14_027.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Table [Source: wood and glass coffee table designed by BassamFellows from the office of Friedrich Petzel at Friedrich Petzel Gallery, New York. Surrogate: WB72514 (produced in conjunction with Friedrich Petzel, Owner), Copper Surrogate (designed by BassamFellows, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 25 1/2 x 55 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $7,527.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of BassamFellows table at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014. Table has one base surrogate with the dimensions 12 1/8 x 55 x 25 1/2 inches.] 2014 Polished copper table top and powder-coated steel Table: 1 1/2 x 55 x 25 1/2 inches; Base: 12 1/8 x 55 x 25 1/2 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459368353347-122URKVRMG12U94P7SKT/WB-14_026a.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Desk [Source: wood and leather desk designed by BassamFellows from the office of Friedrich Petzel at Friedrich Petzel Gallery, New York. Surrogate: WB72414 (produced in conjunction with Friedrich Petzel, Owner), Copper Surrogate (designed by BassamFellows, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 33 1/2 x 72 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $12,076.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of BassamFellows desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014. Desk has one base surrogate with the dimensions 28 1/2 x 71 5/8 x 33 1/2 inches.] 2014 Polished copper table top and powder-coated steel Table: 1 1/2 x 72 x 33 7/16 inches; Base: 28 1/2 x 71 5/8 x 33 1/2 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459368292462-NL57QVUCSS5QNAK7WWD9/WB-14_028-WB-14_045.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Bookkeeping [Source: wood, laminate, and particleboard bookkeeping desk designed by Project-Space/Jonathan Caplan from the bookkeeping office at Friedrich Petzel Gallery, New York. Surrogate: WB72614A (produced in conjunction with Beverly Banks and Cecilia Roberts, Bookkeepers), Copper Surrogate (designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 68 5/8 x 125 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $21,080.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Project-Space/Jonathan Caplan desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014. Due to the length and shape of the surface, copper surrogate portion produced in two sections, section 1 is 80 3/4 x 23 3/8 x 1 1/2 inches and section 2 is 67 x 44 3/16 x 1 1/2 inches. Desk has two cabinet surrogates with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and four small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 68 5/8 x 125 1/8 x 1 1/2 inches, max.  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459368327898-GLVH8AHJNEXK271EX0N0/WB-14_029.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Table [Source: wood and glass viewing room table designed by Jacaranda from the private viewing room at Friedrich Petzel Gallery, New York. Surrogate: WB72914 (produced in conjunction with Friedrich Petzel, Andrea Teschke, Samantha Tsao, Jason Murison, Kat Parker, Matthew Wilkin, Seth Kelly, Daniel Finch, Dorian McKaie, Elliot Wright, Brian Wondergem, Nick Bennett, Theodora Gilman, Ko Sadakuni, Andrew Black, Laura Higgins, Marco Palumbo, and Alexis Diop), Copper Surrogate (designed by Jacaranda, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 36 x 72 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $15,632.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Jacaranda table at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014. Table has one base surrogate with the dimensions 27 3/4 x 51 x 21 1/2 inches.] 2014 Polished copper table top and powder-coated steel Table: 72 x 36 x 1 1/2 inches; Base: 27 3/4 x 51 x 21 1/2 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459276445448-A5OU4UVCCZT1JBSH5KBD/WB-14_030_72814A.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Directors 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions145 3/16 x226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 33 1/2 x 97 7/8 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 97 7/8 x 33 1/2 x 1 1/2 inches Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459276746225-SEJHSTOZBXUIAH05BF1Z/WB-14_031_72814B.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Directors 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814B (produced in conjunction with Kat Parker, Artist Liaison), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 145 3/16 x 226 1/8 x 30 .  inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 5/8 x 95 x 1 1/2 inches. Section 2 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 95 x 33 5/8 x 1 1/2 inches Performances Under Working Conditions, 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459276758656-TOXK0H0YDBI0ULXVHV9Y/WB-14_032_72814C.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Directors 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814C (produced in conjunction with Samantha Tsao, Partner), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 33 5/8 x 94 7/8 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 94 7/8 x 33 5/8 x 1 1/2 inches Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459276758539-42374IHGMNZ28GTJ3UOC/WB-14_033_72814D.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Directors 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814D, titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014 made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 33 5/8 x 67 3/4 x 1 1/2 inches. Section 4 has tone cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and one large drawer surrogate, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 67 3/4 x 33 5/8 x 1 1/2 inches Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459276759962-5WVBJ5Q0BOXQICQT0HCI/WB-14_034_72814E.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Directors 5 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814E(produced in conjunction with Laura Higgins, Gallery Manager), titled Copper Surrogate (Desk, section 5: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 5 is 37 3/8 x 84 x 1 1/2 inches. Section 5 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 84 x 37 3/8 x 1 1/2 inches Performances Under Working Conditions, 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459276761092-3XNP7Y76FA2I8BXSQXSA/WB-14_035_72814F.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Directors 6 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814F (produced in conjunction with Marco Palumbo and Alexis Diop,Interns), titled Copper Surrogate (Desk, section 6: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 6 is 37 3/8 x 83 1/2 x 1 1/2 inches. Section 6 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 83 1/2 x 37 3/8 x 1 1/2 inches Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459276762147-LOUMGIFOLXHMGI1N1N1L/WB-14_036_72714A.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Reception 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 31 x 62 3/4 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 62 3/4 x 31 x 1 1/2 inches Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459276763099-RZJOAVU01YDEXCNAYCSB/WB-14_037_72714B.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Reception 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York.Surrogate: WB72714B (produced in conjunction with Jason Murison, Director), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 x 81 7/8 x 1 1/2 inches. Section 2 has two cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 81 7/8 x 31 x 1 1/2 inches Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459276763242-RI9472FSVISG8HXAY3OB/WB-14_038_72714C.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Reception 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714C (produced in conjunction with Theodora Gilman, Assistant to the Directors), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 31 x 81 1/4 x 1 1/2 inches. Section 3 has three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 81 1/4 x 31 x 1 1/2 inches Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459276764424-9VC0ABDUC0L4UAN8DL65/WB-14_039_72714D.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Reception 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714D (produced in conjunction with Nick Bennett, Gallery Assistant), titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 31 x 62 3/4 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 114 1/8 x 31 x 1 1/2 inches Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284522891-1DDQ08G6EEC1LE05YD4A/WB20611_A.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 30 1/8 x 120 1/4 x 1 1/2 inches; Base: 48 x 26 1/8 x 16 5/8 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284522426-VLHMBNCOGZ5XI74S2TAR/WB20611_B.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 30 1/8 x 120 1/4 x 1 1/2 inches; Base: 48 x 26 1/8 x 16 5/8 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284523828-S1M1S6L6SH824MSSB4KS/WB20711_A.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 28 x 85 x 1 1/2 inches; Base: 47 1/4 x 28 1/8 x 18 3/8 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284524790-NFKBBWBZ340C4IFLAGT9/WB20711_B.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 28 x 85 x 1 1/2 inches; Base: 47 1/4 x 28 1/8 x 18 3/8 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284524890-7NZS3V3EW5XP4WQEXDV3/WB20811_A.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Florence Knoll, 1961; Regen Projects II, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 48 x 81 x 1 1/2 inches; Base: Dimensions variable PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284526218-N7LLX9O83ENSZ3XXCMBJ/WB20811_B.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Florence Knoll, 1961; Regen Projects II, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 48 x 81 x 1 1/2 inches; Base: Dimensions variable PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284526478-2I7952MJHPUV7PNGWG9E/WB20911_A.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table 1: 96 x 30 x 1 1/2 inches; Table 2: 78 x 30 x 1 1/2 inches; Base: 66 7/8 x 60 3/4 x 23 3/4 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284527663-37IHP28LGEX4XHEELYXF/WB20911_B.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table 1: 96 x 30 x 1 1/2 inches; Table 2: 78 x 30 x 1 1/2 inches; Base: 66 7/8 x 60 3/4 x 23 3/4 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284527595-J5LB3AU3IDKDOQGDP5CQ/WB21011_A.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284528969-Q412CQ9NWPLVAL7NUFQJ/WB21011_B.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284530293-TMEDWJL4EWSP0ZZO8256/WB21111_B.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459284530794-546MGPPYTYJHNAKZJORO/WB21111_C.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459286169020-D4COJTP4HOVN66G7HLHF/wb21211.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by unknown, date unknown; Galerie Rodolphe Janssen, Brussels, Belgium, September 7th, 2011), 2011 2011 Polished copper table top and powder-coat steel 55 inches diam. Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459286215223-OTRRZLFI7V7V2GCSW1DA/wb21311.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by unknown, date unknown; Galerie Rodolphe Janssen, Brussels, Belgium, September 7th, 2011), 2011 2011 Polished copper table top and powder-coat steel 55 inches diam. Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459286215271-USNT4FRCIVZPHEB6LCA9/wb21511.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>White Surrogate (Table: designed by unknown, date unknown; Galerie Rodolphe Janssen, Brussels, Belgium, September 8th, 2011) 2011 Wooden top table, gypsum and gallery wall white paint 55 inches diam. Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459286434262-E14IH1BF35G7VGJ1PRJX/wb21611.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Charlotte Perriand and Le Corbusier, 1959; Galerie Rodolphe Janssen, Brussels, Belgium, August 10th–September 2nd, 2011) Polished copper table top and powder-coat steel 2011 Table: 33 5/8 x 33 5/8 x 1 inches Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459286434686-R59E2545OFUH40DYUHCN/wb21711.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Surrogate (Table: designed by Willy Van der Meeren, 1958; Galerie Rodolphe Janssen, Brussels, Belgium, August 10th–September 2nd, 2011) 2011 Polished copper table top and powder-coat steel Table: 39 3/4 x 26 1/2 x 1 inches Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539902093617-QYX93XLCFPRGHPJEIY3O/Besthy_ph+FSqueglia_0697.jpg</image:loc>
      <image:title>Surrogates (Tabletop and Desktop), 2008–</image:title>
      <image:caption>Copper Table (PK 55 designed by Poul Kjœrholm: Miami Beach Convention Center, Miami Beach, Florida, December 3–6, 2009) 2009 Polished copper 26 3/4 x 55 1/2 x 33 1/2 inches (13/16 inch top) Aggregato, 2018</image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>A Diagram of Forces Malmö Konsthall Malmö Sweden 2011  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>A Diagram of Forces Malmö Konsthall Malmö Sweden 2011  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>A Diagram of Forces Malmö Konsthall Malmö Sweden 2011  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>A Diagram of Forces Malmö Konsthall Malmö Sweden 2011  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>A Diagram of Forces Malmö Konsthall Malmö Sweden 2011  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>A Diagram of Forces Malmö Konsthall Malmö Sweden 2011  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>A Diagram of Forces Malmö Konsthall Malmö Sweden 2011  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>A Diagram of Forces Malmö Konsthall Malmö Sweden 2011  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Copper Surrogate (February 10–17/ May 2–6 2011, Malmo, Sweden; June 13–20/ October 31–November 4, 2011, Madrid, Spain; June 8/18, 2012, Basel, Switzerland; October 22, 2015, Beirut Lebanon) 2011– Polished copper 116 x 45 3/4 x 2 inches, each, 9 parts Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453843039475-9UQU59VVFP34QOL0R987/WB34509.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>24-inch Copper (FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP), International Priority, Los Angeles-London trk#868587728017, October 2–5, 2009, International Priority, Sint-Denijis-Westrem-Malmö trk#871388142949, February 11–14, 2011, International Priority, Malmö-Mostolés trk#871976834184, June 10–13, 2011, International Priority, Mostolés-Oostende trk#797697550753, November 3–7, 2011, FedEx Europe First, Sint-Denijs-Westrem-London rek#770729708633, August 1–4, 2014 2011– Polished copper, accrued FedEx shipping and tracking labels 24 x 24 x 24 inches FedEx Copper Works, 2009–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458602466043-IEBU8IN39NGLW3VBA68G/WB95510.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>24-inch Copper (FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP), International Priority, Los Angeles–Malmö trk#794379965566, February 2–4, 2011, International Priority, Malmö–Mostolés trk#871976834313, June 10–13, 2011, International Priority, Mostolés–Los Angeles trk#797697675646, November 3–8, 2011 2011– Polished copper, accrued FedEx shipping, and tracking labels 24 x 24 x 24 inches FedEx Copper Works, 2009–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453839282542-S67UUPBCQ5YHD8H55FZS/42_CA2M_Waled_Beshty_2011_E_Almagro.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Selected Works (2009–2010 / March 20, 2010–November 15, 2010) 2011 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 90 x 50 inches Selected Works, 2008–  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453839284233-27QCBUSSY1CCV9KPAF52/44_CA2M_Waled_Beshty_2011_E_Almagro.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Selected Works (2009–2010 / March 20, 2010–November 15, 2010) 2011 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 90 x 50 inches Selected Works, 2008–  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453839283820-IU17MWAGDII8G8X2MTRJ/43_CA2M_Waled_Beshty_2011_E_Almagro.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Selected Works (2009–2010 / March 20, 2010–November 15, 2010) 2011 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 90 x 50 inches Selected Works, 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453842800026-NDAI2JPMG3WIRTKEV93M/WB07710.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07710) 2011 Color photographic paper 50 x 112 inches Black Curls, 2010–2013  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453842813725-1HQYQCWPAHC36AVPF5EG/WB05410.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25th 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 05410) 2011 Color photographic paper 50 x 110 inches Black Curls, 2010–2013  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453842819722-JPXBZUZ27LU3O772CKOG/WB05610.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25th 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 05610) 2011 Color photographic paper 50 x 111 inches Black Curls, 2010–2013  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25th 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 04910) 2011 Color photographic paper 50 x 112 1/2 inches Black Curls, 2010–2013  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07110) 2011 Color photographic paper 50 x 110 1/4 inches Black Curls, 2010–2013  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453842765935-X1NA0R32SHVP3ILF9KQZ/WB24207.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 55 x 98 1/4 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 55 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460594968179-FXA09Q0F0RCPVBDNC6PK/WB06706.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460594970584-URYNP4E1ORFTPK34QAR6/WB07506.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460594969919-XGKYKGBA9GB10R069MTI/WB07806.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460594972682-RWJVCM2E9Z43RN8CASPA/WB07906.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460594977759-DABNZGD5PJESTAV7R5M2/WB08206.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458602049980-7SFCPILULSZEK2LQ7QDW/WB04907.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Two-Sided Picture (RY), January 12, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches Multi-Sided Pictures, 2007–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458602052759-HBM6FUL4RUVUQD2K6ADH/WB49807.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Four-Sided Picture (GMYR), January 11, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches Multi-Sided Pictures, 2007–</image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Three-Sided Picture (MRY), January 12, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches Multi-Sided Pictures, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458602052284-X49IU02ACO40OBR758D1/WB50807.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Two-Sided Picture (YR), January 10, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches Multi-Sided Pictures, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453838219788-RJWW5QWF08E5VZNZ6U5D/IMG_4180.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Make-Ready 2 (Sheet: Cyan / Magenta / Yellow) (Walead Beshty: Natural Histories, JRP Ringier, Zurich, January 11th–15th, 2011) 2011 Four-color offset on coated paper Dimensions variable Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453839268875-OJKOREWUWS3XGI0AHYGE/19_CA2M_Waled_Beshty_2011_E_Almagro.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2011 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462318726080-U4516TYIB8YPMRVV7XX5/WB15009.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: October 5–13, 2009 LAX/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462318727603-4GIERI2ASVYMY3JHZ457/WB15109.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: October 5–13, 2009 LAX/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462318729250-1S4EYK48X19RG2OKSXUD/WB87310.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: May 10–16, 2010 LAX/LHR/CPH CPH/LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462318730471-6S8YUPY81BIBC7YXXPQ3/WB87710.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: October 15–24, 2010 LAX/CDG/CPH CPH/CDG/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462318731582-XZZC6AUCVD7RBQBR72GJ/WB87810.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: October 15–24, 2010 LAX/CDG/CPH CPH/CDG/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462318728522-GO160XLAIG97I2MKM4I5/WB87010.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: July 3–7, 2010 LAX/IAD/FRA/BLQ BLQ/BRU/ORD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462318729065-HSBDBMF6HHYW95ZB2AUC/WB87110.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: July 3–7, 2010 LAX/IAD/FRA/BLQ BLQ/BRU/ORD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462318730134-9YHEQLWGMNIQM0MEED9O/WB87410.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: May 10–16, 2010 LAX/LHR/CPH CPH/LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462318726866-CR74M94E69I7HBNQ73X2/WB14609.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: August 20–23, 2009 LAX/CMH CMH/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596885990-022NQIPEK9NZK9T0M60B/WB331408.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery Director, Brussels, Belgium, November 6, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596835238-X9GH06MOZZTX5O2JSCQJ/WB37208.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery Director/Partner, London, United Kingdom, October 17, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1504896356489-DBUUHWD4NCDM72MUJKQ2/WB326108.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery Owner/Director, Los Angeles, California, July 25, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596857598-I2PETY6LLHJCZMFYDWW8/WB40608.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Artist Studio, Wide-Format Inkjet Printer, Los Angeles, California, July 25, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596884274-7T7XDJZ3QWNH4C05PIRU/WB331308.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Collector, Ostend, Belgium, November 9, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596886582-YNIJ36M8241UK2UGE0LU/WB329608.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Museum Curator, Washington, District of Columbia, August 13, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596837684-T3NXBGQ6HM1E1PZBXFPO/WB37608.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>University Museum Associate Curator, Ann Arbor, Michigan, September 19, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596851480-O4WJ2GJ2RUHJGW2FGF21/WB41508.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Fabricator, Glendale, California, July 9, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596841153-OYTKJXSKV8FSJOOA3R0V/WB39209.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Installation View, Washington, District of Columbia, April 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596880394-P520WC8Z29AEPOX4WCJD/WB327508.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>College Darkroom, Color Photographic Processor, Chicago, Illinois, August 21, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596806119-SJ3CK2G3JMX32R7W737B/WB13809.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Master Framer, Los Angeles, California, June 20, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596847668-KUYMJ1UHUB4SU2GTF4FT/WB39908.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Darkroom Assistant, Irvine, California, July 18, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596807445-2SKNHMRE219F7WNOONPJ/WB13909.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>College Darkroom Technician, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458688558956-VY7CCYOFSE4N4D9QD12P/WB04009.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Studio Assistant, Los Angeles, California, September 15, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596804938-E5Y8AK80NQ4J42CQEOJZ/WB13609.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Business Class Cabin, Moscow, Russia, May 17, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596861498-O26XPSXP5P6XWBOKEDLA/WB56709.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Installation View, Washington, District of Columbia, April 23, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1504915488148-DN8FYH55H2PZLWWJXROW/WB12909.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Artist/Designer/Editor/Writer, New York, New York, September 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596808754-9DQ5T1MY7I9VK7C6A0EE/WB14109.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Artist, Los Angeles, California, February 8, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596849565-KOVCIF8SA7YZ43I0QE6D/WB41408.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>University Art School, Irvine, California, July 17, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458693014953-VULHPTGK47NQ3XFIUUTY/WB13009.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Museum Curator/Triennial, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596868931-QG09BTIR19KFZUDD1AQC/WB90610.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Kunsthalle Assistant, Malmö, Sweden, October 16, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596838915-T2AGMK4SUEAU9KXY09W5/WB37708.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery Owner, New York, New York, September 28, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596840097-70MRJON1YENVB6OHQM8X/WB37808.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Art Fair Director, Los Angeles, California, July 20, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596805773-GKBZ6WFG8TNEGZH4YW5M/WB13709.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Photographer, Los Angeles, California, June 3, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596796911-S59XFSJCETXDQWPHAUMJ/WB03609.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Art Consultant/Collector, Dallas, Texas, November 7, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458688573497-SCP4H5BR6V8EY1NHDF0Y/WB13209.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Artist, Santa Monica, California, April 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596868179-1ZOH2BMCR3C8EZVYV80E/WB89210.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Kunsthalle Chief Technician, Malmö, Sweden, October 16, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596873012-AUMNAWHZOLTUXXRVNMM3/WB91010.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Hotel Room, Copenhagen, Denmark, May 15, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596821286-1NG66085VNCONGB9J6SZ/WB28709.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Artist, Moscow, Russia, May 22, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596822922-NO9DK3DU99GCYF82FK7N/WB28809.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Nonprofit Associate Curator, Los Angeles, California, February 16, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596822362-G9JA3QGL5XWXINO3FHDK/WB28909.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Artist, London, United Kingdom, October 9, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery Owner/Director, Brussels, Belgium, November 8, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery President, Los Angeles, California, December 7, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Independent Photography Editor, Garrison, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Designer, Los Angeles, California, December 9, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery Director/Partner, London, United Kingdom, October 12, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Nonprofit Director/Curator with Daughter, Los Angeles, California, March 17, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Styrofoam Replicas (Hirshorn Museum and Sculpture Garden), Washington, District of Columbia, June 15, 1981 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Independent Curator/Critic, Los Angeles, California, July 26, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery Owner with Dog, Los Angeles, California, February 5, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery Director with Dog, Los Angeles, California, December 7, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Artist Studio, Wide-Format Inkjet Printer, Los Angeles, California, December 9, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Studio Production Manager, Los Angeles, California, December 9, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Hotel Room, Washington, District of Columbia, April 24, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery Operations and Logistics Manager, Brussels, Belgium, November 6, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Installation View, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Outdoor Sculpture Workshop (Claire Trevor School of the Arts, University of California Irvine), September 14, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Photographer, New York, New York, February 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Installation View, Ann Arbor, Michigan, March 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Museum Library Stacks, Washington, District of Columbia, August 18, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Museum Preparator, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Museum Curator, London, United Kingdom, October 17, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery Preparator, Los Angeles, California, July 26, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Publisher with Son, Los Angeles, California, April 3, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Darkroom Assistant, Irvine, California, September 14, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Installation View, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596817836-LUBRU1SHRLFBBW1XDVYD/WB26509.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>University Museum Preparator, Ann Arbor, Michigan, March 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Museum Preparator, New York, New York, September 26, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Museum Curator, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>College Darkroom, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>College Lecture Hall, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>FedEx Courier, Los Angeles, California, September 12, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Museum Chief Curator, Washington, District of Columbia, April 29, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Airport Lounge, Belfast, Ireland, September 10, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Museum Associate Curator, New York, New York, September 26, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>University Museum Preparator, Ann Arbor, Michigan, March 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Magazine Editor and Contributor, New York, New York, September 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Art Consultants, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>University Museum Director, Ann Arbor, Michigan, March 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Nonprofit Executive Director/Magazine Publisher and Editor, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>College Darkroom Building, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Artist/College Professor, Los Angeles, California, February 21, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallery Manager, Brussels, Belgium, November 8, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458596820238-KXH39BL9228NV6EA1I1O/WB26809.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Artist, New York, New York, February 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1505256416124-B4WM3WS70H4HWAA4SGFL/WB25609.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Gallerist, New York, New York, February 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1505249678968-HHGPC36KZ4MJ89RQ2QNI/WB45909.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>College Dormitories, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1505249874998-2L9NYPZ7167S95OVZN4F/WB41808.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>University Darkroom, 8 x 10 Horizontal Enlarger, Irvine, California, July 18, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635150890-X42L1NG0J6UO1DCA6D00/WB_15511.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Southwyck Mall (View of Fountain), Toledo, OH, Est. 1972, Demo. 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635152453-ABVPS9CTWWVM9RBZZRF7/WB_15611.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Randall Park Mall (View of Interior), North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635152690-DCK1TLYOF6E89NN66XOV/WB_15911.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza Looking East), Rochester, NY. Est. 1962, Demo. 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635154390-609H8T6DNYODSPW7YUBX/WB_16011.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Southwyck Mall, Toledo, OH, Est 1972, Demo 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635157248-SFQIKCBGNE1WOUJ6Y97Y/WB_16111.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Southwyck Mall (View of Food Court), Toledo, OH, Est. 1972, Demo. 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635162727-UZNPBG7Y3THC7CKROIXD/WB_28911.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Southwyck Mall ('Sophisticut'), Toledo, OH, Est. 1972, Demo. 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635160015-P9E8REASLL3OTYAGPYAP/WB_28811.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Summit Park Mall (View of War Mural), Wheatfield, NY, Est. 1972 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635163832-IWV0G4Z7THJXFU56DBQK/WB_29011.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Randall Park Mall (View of Fountain, Seating Area), North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635164106-663OZPPYQGQOW2L8T2BN/WB_29211.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Rolling Acres Mall (View of Customer Service Kiosk), Akron, OH, Est. 1975 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635167050-5J18EQ3RINDKWVMB31PN/WB_29411.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Randall Park Mall ('Electronics') North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635168238-MWFE4KI56C655F63SPKS/WB_29811.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Lockport Mall (View of Interior), Lockport, NY, Est. 1971, Demo. 2011 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635167357-Q71AZUGXV6C5TQQ9I21K/WB_29711.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Lockport Mall (View of Exterior), Lockport, NY, Est. 1971, Demo. 2011 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635168738-0WCZJR862QNLLCQOI9IX/WB_29911.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Midtown Plaza (View of Totem Pole, Back), Rochester, NY, Est. 1962, Demo. 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635172490-3JMQMTXEVKVDEL439TV0/WB_30011.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Randall Park Mall ('Utopia Shoes &amp; Accessories,' 'Le Nails,' 'Macy's'), North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635172234-6BRZPIY98V9V92VRZ7CC/WB_30311.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>'Toys 'R Us' (View of Exterior), North Randall, OH, Est. 1986 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635773989-K6ZI2NV1FWWTREWQPYPV/WB_30411.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza Looking South), Rochester, NY. Est. 1962, Demo. 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635774189-9GDAB2HTCS51HC1CV87F/WB_30511.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Rolling Acres Mall (View of Main Entrance) Akron, OH, Est. 1975 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635775228-ZRNV6L7WLR7EM16TLDZW/WB_30611.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Midway Mall (View of Exterior, 'Sears'), Elyria, OH, Est. 1965 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635775426-XNMFK4S52A2W4G6BBZ0Y/WB_30811.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza Looking South), Rochester, NY. Est. 1962, Demo 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635776426-KLY2AK5YU42CM2EJUCW6/WB_30911.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza), Rochester, NY, Est. 1962, Demo. 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635776590-JPNR95FNSYSRDF2CIJ9W/WB_31011.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Rolling Acres Mall ('Dillards') Akron, OH, Est. 1975 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466635777807-YK1AQJGZVZ7P799MTMBW/WB_31211.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Livonia Mall (View of Community Stage), Livonia, MI. Est. 1964, Demo. 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467156816200-R57KWO8IM1DOH8Q091NP/WB_30711.jpg</image:loc>
      <image:title>A Diagram of Forces, Malmö Konsthall, 2011</image:title>
      <image:caption>Midway Mall (View of Exterior), Elyria, OH, Est. 1965 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011  </image:caption>
    </image:image>
  </url>
  <url>
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    <lastmod>2021-04-07</lastmod>
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      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti poster Regen Projects, Los Angeles 2015</image:caption>
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      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects Los Angeles California 2015  </image:caption>
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      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449103990881-S4H9GLPLQ2O51R1Z36Q2/Beshty-Install-07.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449103991934-3OY2OK9U6SRGBIMRY8T5/Beshty-Install-08.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449103995988-PNEA0PWKAT9IVN1Y2MJN/Beshty-Install-09.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449103997754-1RXMXJJKRPHK91JM2K0V/Beshty-Install-10.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449103999980-CNBBI1HL19DUHQ0S6TU3/Beshty-Install-11.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104009597-F2R0KH73AXQ1CASIO51T/Beshty-Install-14.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104009454-B9T7WSBNPP6MSI9K5KW1/Beshty-Install-15.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104014617-2Y2JTSRO3954XXFB30SR/Beshty-Install-16.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
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    <image:image>
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      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104020574-3B6UK1M1XEL9UFOZJEBR/Beshty-Install-18.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104028919-QBU6ALBI378H7AVBOUA8/Beshty-Install-20.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104027056-6Q9GTOOMTG7Y0ONB0612/Beshty-Install-21.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104035376-3Z3554NNCMRX8B0UA594/Beshty-Install-22.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104041023-JF9I9JBIZG17PBJ1BAQX/Beshty-Install-24.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104044605-P4DHJ31ZHOATWV11BW9B/Beshty-Install-25.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104046803-9IYIDOES5KKVSYY72N0X/Beshty-Install-26.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104052599-25ZADKW9V38NW7J9UQLV/Beshty-Install-28.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104057020-89QVROR80UF014LGM44W/Beshty-Install-29.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104057889-UO4YPGCVO3NZ5ZMNCE44/Beshty-Install-30.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104063982-FFTHDLGZQEV68IY25U5K/Beshty-Install-31.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104065911-VVROKVXRI5GIPGF3FDGT/Beshty-Install-32.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104073471-H7PALU745N9YYXKWU1V9/Beshty-Install-34.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Walid AlBeshti Regen Projects, Los Angeles 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483753128336-KEM27SAJO11IRYUBVAQ5/B-WBESHTY-14-0001-1.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>Copper Surrogates (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections: December 4/December 7, 2014, Miami Beach, Florida, February 10–12, 2015, Los Angeles, California) 2014– Polished copper 11 x 60 x 60 inches each, 5 parts Surrogates (Modular, Art Handling), 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449169266885-94FSTCG7GIF4TSX5A1JP/WB121414.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015 - Shroud Painting (ExxonMobil Mobil 1 10W-30 Synthetic Motor Oil/Castrol Limited Edge Syntec 5W-40 Synthetic Motor Oil: August 14, 2013–August 13, 2014, Los Angeles, California, 121414)</image:title>
      <image:caption>2015 Oil on canvas 66 x 214 inches Oil Paintings, 2013–2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449169261168-8NY8ON28200YY1Y0NYMI/WB55914.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015 - Shroud Painting (ExxonMobil Mobil 1 0W-40 Synthetic Motor Oil: August 14, 2011–August 13, 2012, Los Angeles, California, 55914)</image:title>
      <image:caption>2015 Oil on canvas 66 x 200 inches Oil Paintings, 2013–2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449169262165-6XGPZ7ME8WU8JTIB0F4H/WB56014.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015 - Shroud Painting (ExxonMobil Mobil 1 0W-40 Synthetic Motor Oil/Castrol Limited Edge Syntec SAE 10W-30 Synthetic Motor Oil: August 14, 2012–August 13, 2013, Los Angeles, California, 56014)</image:title>
      <image:caption>2015 Oil on canvas 66 x 202 inches Oil Paintings, 2013–2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449169265772-I3W9EIQRGWA04ZTXF1DV/WB121314.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015 - Shroud Painting (ExxonMobil Mobil 1 0W-40 Synthetic Motor Oil/Castrol Limited Edge Syntec SAE 10W-30 Synthetic Motor Oil: August 14, 2013–August 13, 2014, Los Angeles, California, 121314)</image:title>
      <image:caption>2015 Oil on canvas 66 x 208 inches Oil Paintings, 2013–2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449104074795-ACQ2BH2GI3Z9CNU0ONJU/Beshty-Install-35.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015</image:title>
      <image:caption>iPhone 5 A1429: Hotel Greulich, Zürich, Switzerland, September 26, 2014; iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, September 28, 2014; iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, October 10, 2014; iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, October 5, 2014; iPhone 5 A1429: The Mandala Hotel, Berlin, Germany, September 25, 2014; iPhone 5 A1429: Barbican Centre, London, United Kingdom, October 6, 2014; iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, October 4, 2014; iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Thomas Dane Gallery, London, United Kingdom, September 27, 2014; iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Ace Hotel, London, United Kingdom, October 11, 2014 2015 Ink on letterhead Dimensions variable Drawings, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449169260166-CBR62W5JFB0RFS2JORBQ/WB02315.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015 - Fluticasone Propionate, 50 mcg, Spray, Boehringer Ingelheim, Roxane Laboratories, Inc.: Regen Projects, Los Angeles, California, Febraury 7, 2015</image:title>
      <image:caption>2015 Ink on letterhead, newspaper, ink on paper 15 x 11 1/2 inches Drawings, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1449169261190-LINRXA4QOYESPSS61D8T/WB02415.jpg</image:loc>
      <image:title>Walid AlBeshti, Regen Projects, 2015 - Ketoconazole 2%, 60 g, Cream, Taro Pharmaceutical Industries, Ltd.: Regen Projects, Los Angeles, California, January 12, 2015</image:title>
      <image:caption>2015 Ink on letterhead, newspaper, ink on paper 15 x 11 1/2 inches Drawings, 2014–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/art-handling-2011</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539970357853-P5HM7TBV07M9K9A0XEUY/2017_WB_TDA08512_Turin%2C+Italy%2C+November+3%2C+2011%2C+Frame+No.33.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Turin, Italy, November 3, 2011, Frame No. 33 2017 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539970357853-P5HM7TBV07M9K9A0XEUY/2017_WB_TDA08512_Turin%2C+Italy%2C+November+3%2C+2011%2C+Frame+No.33.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Turin, Italy, November 3, 2011, Frame No. 33 2017 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539970357564-5MKKJY749Z9YCQTMYIBL/2017_WB_TDA08513_Turin%2C+Italy%2C+November+3%2C+2011%2C+Frame+No.4.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Turin, Italy, November 3, 2011, Frame No. 4 2017 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539970361695-GDZ8D33ADE32ME5Y0QYW/2017_WB_TDA08514_Los+Angeles%2C+California%2C+April+4%2C+2014%2C+Frame+No.7.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Los Angeles, California, April 4, 2014, Frame No. 7 2017 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539970365875-OJW3LAGUGHM4W0MKL048/2014_WB_TDA08515_New+York%2C+New+York%2C+July+1%2C+2014%2C+Frame+No.34.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>New York, New York, July 1, 2014, Frame No. 34 2014 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230609917-1JRY19ACA0R0FGQ27XXJ/WB_51413.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Schmerz (Beirut, Lebanon, June 1, 2013), Frame No. 14 2014 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230609811-9RCYIAJ0YMTWNHH6Z1OQ/WB_51513A.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Die Supermutter (Beirut, Lebanon, June 1, 2013), Frame No. 15 2014 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230610802-K8EA68UZFG6DU686DSN3/WB_72511.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Der Spaßvogel (Los Angeles, California, August 30, 2011), Frame No. 18 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Exhibition: Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230610837-R30YWE4NKJU9LQAD3PUF/WB_72611.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Schicksal (Los Angeles, California, August 30, 2011), Frame No. 19 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Exhibition: Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230611655-MR7UB68XA7EQIGQAS7BQ/WB_72711.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Frustration (Los Angeles, California, August 30, 2011), Frame No. 21 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Exhibition: Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230611935-YNDEOCV8P2L42TURW6EL/WB_83913.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Die Abstimmung (Beirut, Lebanon, June 1, 2013), Frame No. 13 2014 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460058391086-85EQ4VGZ29UBP8ZEVRML/WB51413.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Schmerz (Beirut, Lebanon, June 1, 2013), Frame No. 14 2013 Chromogenic print 20 x 13 1/2 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155296809-09Q0F9CDDD89M6TO97QR/WB_30914.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Das Gesicht des Terrors (Los Angeles, California, February 20, 2014) 2014 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155297064-QQUC7WEWZEIXTYJDO3UE/WB_31014.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Die Technik der Eroberung (Los Angeles, California, January 14, 2014) 2014 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155298161-RHBH1WWW6XQ22FYWBLXB/WB_40612.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Liberté, Amour, Art (Vienna, Austria, November 22, 2012) 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155298299-QH4LQVQUV2A33IEHSEPG/WB_41212.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Die Erotische (Vienna, Austria, November 22, 2012)  2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155299602-ZBCARPP0QHE4176KMLAJ/WB_48113.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Die Mütter (Waltham, Massachusetts, February 4, 2013) 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155299662-PGVVCR0U2VKJEZDUQG7M/WB_48413.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Der Hausdrachen (Waltham, Massachusetts, February 4, 2013) 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155300823-2NAHL43Q4WLXMGKM022L/WB_49213.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Der Herrscher (Paris, France, March 12, 2013) 2014 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155300949-G7RKQCHUIPHB3CBN6XF3/WB_49613.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Die Ideale der Väter (Paris, France, March 12, 2013) 2014 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155303402-RMCRIAO2RMEWDXZH2BI7/WB_51613.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Alphabet der Leidenschaft (Beirut, Lebanon, June 1, 2013) 2014 Chromogenic print 35 7/8 x 29 1/2 inches Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155302057-R9L3PZQ4ZKRJJ8NHSOLU/WB_54513.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Die Qual der Lust (Los Angeles, California, August 15, 2013), Frame No. 14 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155306703-YZ4VA530DHG17S1V9A4E/WB_72411.jpg</image:loc>
      <image:title>Art Handling, 2011–</image:title>
      <image:caption>Die Qual der Lust (Los Angeles, California, August 15, 2013) 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/unmaskings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973836368-6WCX47AXAZ15LLF0K3J2/Unmasking_1.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973836368-6WCX47AXAZ15LLF0K3J2/Unmasking_1.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973836546-DGNBT97SCCW1WQABMRAI/Unmasking_2.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973837298-LWZTN99R13SUKBJ3QVYI/Unmasking_3.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973837772-I0OZ4RY4BTCC87OBD05K/Unmasking_4.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973838378-N9MOGF6LKS9EN652TUJL/Unmasking_5.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973839373-VXUQ10UHM8BCH6LB8EU9/Unmasking_6.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973839738-UAX4DL3HGYBUQ6LXSB3N/Unmasking_7.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973840247-7M2JKT480N2G2YCMOA0Q/Unmasking_8.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973840603-659DS95JT72LAA5243OD/Unmasking_9.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973841144-FUYLEGESXJ2R9DPIWD7V/Unmasking_10.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973841512-0TBZPA4W779MPF0AF77M/Unmasking_11.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973842299-0K9DNWIOBFM5LPLHKSFH/Unmasking_12.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973842603-R6EA8LSN1VGQG4UQ8FEN/Unmasking_13.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973843397-FC8HI2G8BJDYI2ZEWAFU/Unmasking_14.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973844485-19BKKDOQU3NFHSFKV66T/Unmasking_15.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973844219-HGTVLTENDMRSBO8FUXO0/Unmasking_16.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973845122-I2CVBZPD0JKQX8BRL37E/Unmasking_17.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973846126-KQEMAO0DCB5X2FST7BWK/Unmasking_18.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973846051-U4TUFINMIKG91XW77C9Y/Unmasking_19.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973847463-MEGZVHPRSI2AT81B7OLF/Unmasking_20.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468973847638-662O2WJF7T6Q0WPO7PI1/Unmasking_21.jpg</image:loc>
      <image:title>Unmaskings, 2012–2013</image:title>
      <image:caption>Detail of Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Atopolis, 2015  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/remnants-2011</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377932745-ZFLW2KY8AS3UNOJ1PYX4/WB111414.jpg</image:loc>
      <image:title>Remnants, 2011–</image:title>
      <image:caption>Copper Remnant (Reception [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director; Jason Murison, Director; Theodora Gilman, Assistant to the Directors; Nick Bennett, Gallery Assistant), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26 –August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Directors [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner; Kat Parker, Artist Liaison; Samantha Tsao, Partner; Laura Higgins, Gallery Manager; Marco Palumbo and Alexis Diop, Interns), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 201 3/8 x 355 3/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Bookkeeping [Source: wood, laminate, and particleboard bookkeeping desk designed by Project-Space/Jonathan Caplan from the bookkeeping office at Friedrich Petzel Gallery, New York. Surrogate: WB72614A (produced in conjunction with Beverly Banks and Cecilia Roberts, Bookkeepers), Copper Surrogate (designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 68 5/8 x 125 1/8 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $21,080.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Project-Space/Jonathan Caplan desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014.]) 2014 Polished copper 21 x 26 inches Marginalia, 2014  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377932745-ZFLW2KY8AS3UNOJ1PYX4/WB111414.jpg</image:loc>
      <image:title>Remnants, 2011–</image:title>
      <image:caption>Copper Remnant (Reception [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director; Jason Murison, Director; Theodora Gilman, Assistant to the Directors; Nick Bennett, Gallery Assistant), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26 –August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Directors [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner; Kat Parker, Artist Liaison; Samantha Tsao, Partner; Laura Higgins, Gallery Manager; Marco Palumbo and Alexis Diop, Interns), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 201 3/8 x 355 3/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Bookkeeping [Source: wood, laminate, and particleboard bookkeeping desk designed by Project-Space/Jonathan Caplan from the bookkeeping office at Friedrich Petzel Gallery, New York. Surrogate: WB72614A (produced in conjunction with Beverly Banks and Cecilia Roberts, Bookkeepers), Copper Surrogate (designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 68 5/8 x 125 1/8 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $21,080.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Project-Space/Jonathan Caplan desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014.]) 2014 Polished copper 21 x 26 inches Marginalia, 2014  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377936217-YARN3F887XJJIDT3LKO1/WB110714---WB111314.jpg</image:loc>
      <image:title>Remnants, 2011–</image:title>
      <image:caption>Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections) 2014 Polished copper Dimensions variable, 7 parts Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377960622-RMDU83KW0ZGNGQ5QKAWX/WB03512a.jpg</image:loc>
      <image:title>Remnants, 2011–</image:title>
      <image:caption>Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 6, 2011) 2014 Polished copper 120 x 60 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377968326-GI7PJ18Q59XR52HOOMK9/WB15211.jpg</image:loc>
      <image:title>Remnants, 2011–</image:title>
      <image:caption>Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 8, 2011) 2011 Polished copper 36 x 96 x 1/8 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459378214245-4G0738W5DOPD99IU9YNM/WB22311a.jpg</image:loc>
      <image:title>Remnants, 2011–</image:title>
      <image:caption>Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011) 2011 Polished copper 96 x 48 inches Marginalia, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377992828-068756I4FNRAVQ0BMOU4/WB22311c.jpg</image:loc>
      <image:title>Remnants, 2011–</image:title>
      <image:caption>Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011) 2011 96 x 48 inches Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459378541153-9TT08IWDU0FZ3VTWM2LA/Beshty-Install-27.jpg</image:loc>
      <image:title>Remnants, 2011–</image:title>
      <image:caption>Aluminum Remnants [Copper Surrogate (90˚ Bend, 30˚/60˚, Antidiagonal Bisection: February 21, 2014, Los Angeles, California)] 2014 Polished aluminum Dimensions variable, 80 parts Selected Bodies of Work, 2014  </image:caption>
    </image:image>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds poster Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds poster Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454628614974-OM9XWHF0LVZAC7S2F3FV/Beshty_Hirshhorn_13.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454628615977-TZWPYHUDVN9OLBQPRWTS/Beshty_Hirshhorn_14.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Legibility on Color Backgrounds Hirshhorn Museum and Sculpture Garden Washington D.C. 2009  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604806965-F31XRB3AV1NQVGTGR86A/WB30009.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Gallerist (JH), New York, New York, February 27, 2009 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604812138-YQKJ4XSO25WA1FMWXRFX/WB37008.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Studio Manager (JRM), Los Angeles, California, July 26, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604808493-MU532D4QK3044FS7GCR0/WB37408.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Darkroom Assistant (DE), Chicago, Illinois, August 21, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604809524-2WQY0F3V1X2RV881QUYS/WB39808.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>FedEx Courier (DE), Los Angeles, California, September 12, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604807139-DL2VVNP7YBFXBJFQ15LJ/WB12909.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Artist/Designer (SB), London, United Kingdom, January 30, 2009 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604810802-PLL5P1PBV0VI5EBJ04CX/WB41408.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Claire Trevor School of the Arts (University of California Irvine), Irvine, California, July 17, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604811971-8E7MW21H4KP2M8F2L3FB/WB41508.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Fabricator (JD), Glendale, California, July 9, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604813458-IL3C7KDQDUYGMJNBVD04/WB322808.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Horitonzal Enlarger (Fotar), Irvine, California, July 18, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604814977-BMP9A9XXHFP10OC55R1P/WB327508.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Color Photographic Processor (Hope RA4), Chicago, Illinois, August 21, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604816541-2020Z15VXYQJX4NZEQ5O/WB329508.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Museum Specialist (JC), Washington, District of Columbia, August 13, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604817711-KCQWG5KOOUR43DYO3HBW/WB329608.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Curator (EH), Washington, District of Columbia, August 13, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Exhibitions Director (AM), Washington, District of Columbia, August 13, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604824979-I0A58TSQG9RXN8YHKWOS/WB330608.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Photographer (LS), Washington, District of Columbia, August 13, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458604875542-JX7K6XBFPNTE4HS4B73V/WB331308.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Collector (MV), Ostend, Belgium, November 9, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459469450257-4YJR84GK6FDLWZ20XVY3/WB27008.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 19, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 89 x 50 inches Six-Color Curls, 2009–2010  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 18, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 90 3/4 x 50 inches Six-Color Curls, 2009–2010  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 17, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 96 1/8 x 50 inches Six-Color Curls, 2009–2010  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 20th 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 86 x 50 inches Six-Color Curls, 2009–2010  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459469452783-2FJAYTZCOKDSP78NCXWR/WB27908.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 17, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 94 x 50 inches Six-Color Curls, 2009–2010  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459469453640-5PE4LKRUXQV7PVR11070/WB28108.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 19, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 94 x 50 inches Six-Color Curls, 2009–2010  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459469454920-Z0K8QJU8X8FLB1O5MTT8/WB31308.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 25, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 102 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459469454291-DS012JZRNPBFAYHAGHTK/WB29708.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 40 x 30 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462322305230-MPD6XZ42KCP6OMIUZ79H/WB23208.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Fold (45º/135º/225º/315º directional light sources), June 27, 2008, Annandale-On-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 67 1/2 x 46 3/4 inches Black and White Directional Folds, 2006–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462322304998-NIZOR44A9DISR4EE7K7B/WB23308.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Fold (0º/90º/180º/270º directional light sources), June 13, 2008, Annandale-On-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 74 x 46 3/4 inches Black and White Directional Folds, 2006–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462322306298-AYT7YCY9LCMO20SSTYPM/WB23608.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Fold (60º/120º/180º/240º/300º/360º directional light sources), June 30, 2008, Annandale-On-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 80 3/4 x 46 3/4 inches Black and White Directional Folds, 2006–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462322308296-MTLU9CG58102CAT6O0EW/WB23808.jpg</image:loc>
      <image:title>Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009</image:title>
      <image:caption>Fold (60º/120º/180º/240º/300º/360º directional light sources), June 5, 2008, Annandale-On-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 72 x 46 3/4 inches Black and White Directional Folds, 2006–2014  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/plug-n-play</loc>
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    <lastmod>2017-08-25</lastmod>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play posters With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play posters With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play press release With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
    </image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454539950994-9OJ4HTGYCW8NENQR2Q55/P1030476.jpg</image:loc>
      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>Plug n Play With Karl Haendel Redling Fine Art Los Angeles California 2009  </image:caption>
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    <image:image>
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      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>W asks K ... 2009 Bound Xerox prints 10 1/2 x 8 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454539941058-3CQ37FGSAOGHDC1BUBY2/P1030462.jpg</image:loc>
      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>W asks K ... 2009 Bound Xerox prints 10 1/2 x 8 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454539941694-TBTLJ6V968Z4HAH9EU7F/P1030463.jpg</image:loc>
      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>W asks K ... 2009 Bound Xerox prints 10 1/2 x 8 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454539942414-C54NU5N0LMI21EBRB7ZX/P1030464.jpg</image:loc>
      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>W asks K ... 2009 Bound Xerox prints 10 1/2 x 8 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454539943050-8L7VUD2LJ2URQ2EIRLXP/P1030465.jpg</image:loc>
      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>W asks K ... 2009 Bound Xerox prints 10 1/2 x 8 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454539943822-XSUNXXLW6I88RGA5WHH7/P1030466.jpg</image:loc>
      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>W asks K ... 2009 Bound Xerox prints 10 1/2 x 8 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454539944208-5QXHN4CE1NVW8GFSY4BU/P1030467.jpg</image:loc>
      <image:title>Plug n Play with Karl Haendel, Redling Fine Art, 2009</image:title>
      <image:caption>W asks K ... 2009 Bound Xerox prints 10 1/2 x 8 inches  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/excursionist-views-2001-2005</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-21</lastmod>
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      <image:title>Excursionist Views, 2001/2005</image:title>
      <image:caption>Excursionist Views (Oriental Gardens 1971, rebuilt 1983, cul-de-sac detail) 2001/2005 Chromogenic print 48 x 96 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468006914964-NQSOQGR0HPDVU2RMKE0P/WB_00505.jpg</image:loc>
      <image:title>Excursionist Views, 2001/2005</image:title>
      <image:caption>Excursionist Views (Oriental Gardens 1971, rebuilt 1983, cul-de-sac detail) 2001/2005 Chromogenic print 48 x 96 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468006915164-MVUC1G2KBKD5LP7ZOUVY/WB_00605.jpg</image:loc>
      <image:title>Excursionist Views, 2001/2005</image:title>
      <image:caption>Excursionist Views (Oriental Gardens 1971, rebuilt 1983, street detail) 2001/2005 Chromogenic print 48 x 96 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468006915766-WB4N50DG030EYP2DWW5A/WB_00705.jpg</image:loc>
      <image:title>Excursionist Views, 2001/2005</image:title>
      <image:caption>Excursionist Views (Church St. Housing, 1969, courtyard detail) 2001/2005 Chromogenic print 48 x 96 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468006915884-JT3RC4KWF7ZU3SHIF2HN/WB_00805.jpg</image:loc>
      <image:title>Excursionist Views, 2001/2005</image:title>
      <image:caption>Excursionist Views (Winter Garden Circle, 1957, courtyard detail) 2001/2005 Chromogenic print 48 x 96 inches  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/a-machinery-for-living-petzel-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-22</lastmod>
    <image:image>
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      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living poster, Petzel, New York, NY, 2014. Participants: Atelier EB, Lewis Baltz, Thomas Barrow, BassamFellows, Maurice Blanchot, Claire Fontaine, Jay DeFeo, Nathalie Du Pasquier, Morgan Fisher, Dan Flavin, Rudi Gernreich, Liam Gillick, Liz Glynn, Eileen Gray, Jan Groover, Rachel Harrison, Larry Johnson, Craig Kauffman, Romain Kremer, Sharon Lockhart, Lee Lozano, Josiah McElheny, Lucy McKenzie, Helen Pashgian, Raymond Pettibon, Francis Picabia, Stephen Prina, Paul Scheerbart, Barbara T. Smith, Dr. Dain L. Tasker, Joaquim Tenreiro, Raoul Veneigem, Kelley Walker, James Welling, Henry Wessel, Franz West, and Christopher Williams.  </image:caption>
    </image:image>
    <image:image>
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      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living poster, Petzel, New York, NY, 2014. Participants: Atelier EB, Lewis Baltz, Thomas Barrow, BassamFellows, Maurice Blanchot, Claire Fontaine, Jay DeFeo, Nathalie Du Pasquier, Morgan Fisher, Dan Flavin, Rudi Gernreich, Liam Gillick, Liz Glynn, Eileen Gray, Jan Groover, Rachel Harrison, Larry Johnson, Craig Kauffman, Romain Kremer, Sharon Lockhart, Lee Lozano, Josiah McElheny, Lucy McKenzie, Helen Pashgian, Raymond Pettibon, Francis Picabia, Stephen Prina, Paul Scheerbart, Barbara T. Smith, Dr. Dain L. Tasker, Joaquim Tenreiro, Raoul Veneigem, Kelley Walker, James Welling, Henry Wessel, Franz West, and Christopher Williams.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506119118428-QF69W2DI9Y6QPNOW6XH0/AMachineryForLiving_PR_edit_crop01.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living press release, Petzel, New York, NY, 2014.  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506119118007-8LP07A5SPF13RRUSHJKQ/AMachineryForLiving_PR_edit_crop02.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living press release, Petzel, New York, NY, 2014.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035585073-L47N5NYIAKHNNSODT99D/FP-14_xxx1.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035584696-DWOB2K5EEFDVZKANFYAP/FP-14_xxx2a.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.    Atelier EB, Joaquim Tenreiro, Franz West, Barbara T. Smith, Jay DeFeo, BassamFellows, Claire Fontaine, Romain Kremer, James Welling, Christopher Williams, and Morgan Fisher  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035586151-N1K3IMT4PX41WA03Y0GC/FP-14_xxx3.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.    Stephen Prina, Josiah McElheny, and Dan Flavin  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035586502-NZRAH6YYWVBWKCI5PQ2V/FP-14_xxx4.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.    Jan Groover, Jay DeFeo, Henry Wessel, Stephen Prina, and Josiah McElheny  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035587165-ZC5Q28MYTUH7O2A7BO9D/FP-14_xxx5.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Larry Johnson, Jan Groover, Jay DeFeo, Henry Wessel, Stephen Prina, and Josiah McElheny Jan Groover, Jay DeFeo, Henry Wessel, Stephen Prina, and Josiah McElheny</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035587461-KS7ZD9RANE4ZY7G0DFFS/FP-14_xxx6.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Joaquim Tenreiro, Francis Picabia, and Morgan Fisher  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035588144-UD2UFBS3B4F13RY5I63S/FP-14_xxx7.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Atelier EB, Joaquim Tenreiro, Franz West, and Barbara T. Smith  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035588484-0VB3GZAMGRCCDSG8AJSN/FP-14_xxx8a.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Rachel Harrison, Dr. Dain L. Tasker, Lewis Baltz, Christopher Williams, BassamFellows, Claire Fontaine, Romain Kremer, Atelier EB, James Welling, Jay DeFeo, Joaquim Tenreiro, Francis Picabia, and Morgan Fisher  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035589555-HU12H41W3DBXA7TXC3ME/FP-14_xxx9.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Rachel Harrison, Dr. Dain L. Tasker, Lewis Baltz, BassamFellows, Claire Fontaine, Romain Kremer, Atelier EB, Christopher Williams, and James Welling  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035590717-3D8TLW98XF3CGP0T4LUC/FP-14_xxx10a.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Rachel Harrison, Dr. Dain L. Tasker, Lewis Baltz,  BassamFellows, Claire Fontaine, Romain Kremer, Atelier EB, Christopher Williams, James Welling, Jay DeFeo, Joaquim Tenreiro, and Francis Picabia  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035591973-4VTKBJGCMNXAQ5NS999L/FP-14_xxx11a.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Jay DeFeo, Joaquim Tenreiro, Francis Picabia, Lee Lozano, Atelier EB, BassamFellows, Claire Fontaine, Romain Kremer, Craig Kauffman, and Rachel Harrison  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035593082-KL2FANBDPUYJ5KCRAGK6/FP-14_xxx12.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Craig Kauffman, Rachel Harrison, and Raymond Pettibon  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035593200-B1C8O7CCEL9VHAWUNLPZ/FP-14_xxx13.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Rachel Harrison, Dr. Dain L. Tasker, BassamFellows, and Claire Fontaine  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035593818-A2QJ0EH40FDVLCF6P9FH/FP-14_xxx14.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Morgan Fisher, Craig Kauffman, Kelley Walker, Liz Glynn, Atelier EB, and Sharon Lockhart  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035594333-VO3JV3VEYMWRJ98Y72RH/FP-14_xxx15.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Claire Fontaine, Craig Kauffman, Atelier EB, Sharon Lockhart, Liz Glynn, Kelley Walker, Jay DeFeo, and Larry Johnson  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035594890-QWWFSU9WY36FYJW3O338/FP-14_xxx16.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   James Welling, Craig Kauffman, Atelier EB, Barbara T. Smith, and Claire Fontaine  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035595290-7RI8FH4E336GHSXMF6TN/FP-14_xxx17.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Lewis Baltz, Jan Groover, Christopher Williams, Rudi Gernreich, Lucy McKenzie, Craig Kauffman, Atelier EB, Claire Fontaine, and James Welling  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035596125-WWPDOJ7S4ZH47Q7ZVDBC/FP-14_xxx18.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Atelier EB, Liam Gillick, Nathalie Du Pasquier, Barbara T. Smith, Josiah McElheny, and Thomas Barrow  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035596345-DKFCS4UR6O8XT9TWH17G/FP-14_xxx19.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Craig Kauffman, Sharon Lockhart, James Welling, Jay DeFeo, Liz Glynn, Larry Johnson, Kelley Walker, Atelier EB, Liam Gillick, Nathalie Du Pasquier, and Barbara T. Smith  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452035597398-XTWWWUI1XX5BTVPPLU8Z/FP-14_xxx20.jpg</image:loc>
      <image:title>A Machinery for Living, Petzel, 2014</image:title>
      <image:caption>A Machinery for Living, Petzel, New York, NY, 2014.   Barbara T. Smith, Josiah McElheny, Thomas Barrow, Jay DeFeo, Atelier EB, Craig Kauffman, Lewis Baltz, Christopher Williams, Claire Fontaine, Barbara T. Smith, Jan Groover  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/three-color-curls-2008-2013</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-16</lastmod>
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      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, April 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 61214), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174] 2014 Color photographic paper 124 1/2 x 50 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459471696567-45MKF2SR3CRAYAKCU456/WB61214.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, April 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 61214), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174] 2014 Color photographic paper 124 1/2 x 50 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459985594879-X9P4PFMJA6BIRTC53UB0/WB31308.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 25, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 102 x 50 inches Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459985490069-Z5AVMUZJFPJTGCZ6WMT2/WB29708.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 40 x 30 inches Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459986487613-SX8PTIVOK4XW9NO4EPNJ/WB30608.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 85 x 50 inches Popular Mechanics, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459986487911-YY4NINXTJTJYATO61ZWN/WB30708.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 100 x 50 inches Popular Mechanics, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459986489414-XFLVML67DKZ62EW5Q9C3/WB31108.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 25, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 93 x 50 inches Popular Mechanics, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459986489600-XOO2LNBQ5M6F6C6WVOBE/WB31408.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 25, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 93 x 50 inches Popular Mechanics, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459986490414-ZYW3D02NP1GU1K93EZIT/WB31608.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 93 x 50 inches Popular Mechanics, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707238163-0G9XYUMKUPWLOITZI4VO/WB06809_cropped.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 104 x 50 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707237120-HNB8IMOD8NK4DLQLZT02/WB06709_cropped.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 108 x 50 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707237200-CY3WYXPU82SX47N8FX4G/WB06609_cropped.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C)  2009 Color photographic paper 101 x 50 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707236060-MYZSS1YIZX73XIC9G064/WB06509_cropped.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 105 x 50 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707239192-XEWBJLDNVBU5VKCJZXM9/WB07309_cropped.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 103 x 50 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707239271-QITA9SZDNJMSZ2S7959Q/WB09509_cropped.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C)  2009 Color photographic paper 109 x 50 inches Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465856771926-YHWAOM83683Y0QL0JM6U/WB-497.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 40 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465850543809-43GMO3GBFIEVKJPBS11G/Beshty_FA_22.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 40 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465856886588-MUQ3S8A6K7OI707WF13I/WB-710.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 40 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465856385807-6STMBIZ5J5Y5O9ZFMKWQ/WB-709.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 40 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465850744442-XVBGJ38004LXP841549N/WB-612-flat.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Combine Prints (CMY/Five Magnet: Irvine, California, March 25, 2010, Fuji Color Crystal Archive Super Type C, Em. No. 148-006, 12410-12810) 2010 Color photographic paper 40 x 30 inches each, 5 parts  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465850826510-M9YF4KR0B5S8E8QPX8QY/WB-506.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Combine Prints (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 148-006, 13710-14110) 2010 Color photographic paper 40 x 30 inches each, 5 parts  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465850826691-P4D61NPBMHN8BM68PRX7/WB-507.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Combine Prints (Single-phase Composition, CMY/Five Magnet: Irvine, California, March 25th 2010, Fujicolor Crystal Archive Super Type C, Em. No. 148-006, 10910–11210) 2010 Color photographic paper 40 x 30 inches each, 5 parts  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465850833170-DYPP5DNU6KHJ9IPH2GSB/WB-739.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Combine Prints (Three-phase Composition, CMY/Five Magnet: Irvine, California, March 25, 2010, Fuji Color Crystal Archive Super Type C, Em. No. 148-006, 18510–18910) 2010 Color photographic paper 40 x 30 inches each, 5 parts  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465850841950-QYQMF31L3SE9YV2AF9A9/WB-977.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Combine Prints (Single Phase Composition: CMY/Five Magnet: Irvine, California, March 25, 2010, Fuji Color Crystal Archive Super Type C, Em. No. 148-006, 19010–19410) 2010 Color photographic paper 40 x 30 inches each, 5 parts  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465850853756-S718YY8R0DAW1UCVV15L/WB-613-comp.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C)) 2009 Color photographic paper Part 1: 110 x 50 inches, Part 2: 40 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465850860146-WSSO9UK2XNOOGRQ5M1VX/WB-659.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C)) 2009 Color photographic paper Part 1: 110 3/4 x 50 inches, Part 2: 40 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465850860419-SXDW1T983FNQ7WFS6HKV/WB-662.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C)) 2009 Color photographic paper Part 1: 105 1/4 x 50 inches, Part 2: 40 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465852201036-XFDLBF0FRGXSXW2BMF46/WB-900.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C)) 2009 Color photographic paper Part 1: 98 x 50 inches, Part 2: 40 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707238191-BYNG2YRD028ZR6DRDQNB/WB07209_cropped.jpg</image:loc>
      <image:title>Three-Color Curls, 2008–2013</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 102 x 50 inches Production Stills, 2009  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/mirrored-floor</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569023879465-7WW3PWENMEY7WH9DDCUZ/MAMCO-2019-Walead-Beshty-Annik-Wetter-041-HD.jpg</image:loc>
      <image:title>Mirrored Floor, 2009–</image:title>
      <image:caption>Untitled (Musée d'Art moderne et contemporain, Geneva, Switzerland, 29 mai–8 septembre, 2019) 2019 Laminated mirror and glass, neoprene Dimensions variable Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569023879465-7WW3PWENMEY7WH9DDCUZ/MAMCO-2019-Walead-Beshty-Annik-Wetter-041-HD.jpg</image:loc>
      <image:title>Mirrored Floor, 2009–</image:title>
      <image:caption>Untitled (Musée d'Art moderne et contemporain, Geneva, Switzerland, 29 mai–8 septembre, 2019) 2019 Laminated mirror and glass, neoprene Dimensions variable Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459298440318-TDG0ORE85T72PQR1K9BT/WaleadBeshty_2948.jpg</image:loc>
      <image:title>Mirrored Floor, 2009–</image:title>
      <image:caption>Untitled (Rose Art Museum, Brandeis University: Waltham, Massachusetts, February 12–June 9, 2013) 2013 Laminated mirror and glass, neoprene Dimensions variable On the Matter of Abstraction (figs. A &amp; B) ... , 2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459359845643-7VWHAX696UIG6SO1H8V6/20090331_lax_beshty_035b.jpg</image:loc>
      <image:title>Mirrored Floor, 2009–</image:title>
      <image:caption>Untitled (LAXART: Los Angeles, CA, March 21–May 2, 2009) 2009 Laminated mirror and glass, neoprene Dimensions variable Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459974555938-CX4IPYVQO2MPHNNMJ9HU/2011-Black-Swan-install-3a.jpg</image:loc>
      <image:title>Mirrored Floor, 2009–</image:title>
      <image:caption>Untitled (Regen Projects, Black Swan: The Exhibition, February 25–April 16, 2011) 2011 Laminated mirror and glass, neoprene Dimensions variable  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/gastarbeiten</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458157028992-DLQNZCT473VFIW2FWEY2/Gastarbeiten_poster_edit.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten poster Capitain Petzel, Berlin 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458157028992-DLQNZCT473VFIW2FWEY2/Gastarbeiten_poster_edit.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten poster Capitain Petzel, Berlin 2014</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506101079222-CMYS61UODD6VZTPN34AH/gastarbeiten_HE7A1476_edit_crop02.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten press release Capitain Petzel, Berlin 2014</image:caption>
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    <image:image>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten press release Capitain Petzel, Berlin 2014</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022411026-W6RK9NC5HC2X8XQ6DG1S/Gastarbeiten_Installation-view_2.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022411375-X8JF0F570730OYFYTZTA/Gastarbeiten_Installation-view_3.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022411974-X3ZNSLH5MAKRDEAYEMKC/Gastarbeiten_Installation-view_4.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022412451-KXPG70E5B8FOYZUZM9SC/Gastarbeiten_Installation-view_5.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022414528-KAYRZ55EXW6VHNWO32D7/Gastarbeiten_Installation-view_9.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022414874-VRT381439GHMQRUMKA4U/Gastarbeiten_Installation-view_10.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022415305-ZG12TDOQBEGIAYY4OLFE/Gastarbeiten_Installation-view_11.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022415700-FU2099I00463ADBNCS10/Gastarbeiten_Installation-view_12.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022416794-UO4OKUG0CT0083LOGEBT/Gastarbeiten_Installation-view_14.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022420018-02JWJY409A0TQ23RSAC5/Gastarbeiten_Installation-view_17.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022419736-0GK5FZOJ6SO9DT7SQSL3/Gastarbeiten_Installation-view_18.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022418662-4ELO8Q9O007AQWGFBON6/Gastarbeiten_Installation-view_16.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022417602-N3D0FA5I6ML9QQJVFY14/Gastarbeiten_Installation-view_15.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Gastarbeiten Capitain Petzel, Berlin 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022924727-22X8LBQNDCL65D7D3GDR/B-WBESHTY-14-0004-2.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Desk [Source: chrome-plated steel and wood desk designed by Egon Eiermann from the office of Michael Wiesehöfer at Galerie Capitain Petzel, Berlin. Surrogate: WB97814 (produced in conjunction with Michael Wiesehöfer, Director), Copper Surrogate (Desk: designed by Egon Eiermann, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 78 7/8 x 39 1⁄16 x 29 1/16 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $20,611.99 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Egon Eiermann desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 56 3⁄16 x 32 7⁄16 x 27 9⁄16 inches.] 2014 Polished copper table top and powder-coated steel 78 3/4 x 39 1/4 x 30 inches (1 3/8 inch top) Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022930669-PPWG8BWB4SIO9C7LE36H/B-WBESHTY-14-0005-2.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Desk [Source: aluminum, steel, and wood desk after a design by Jørgen Kastholm and Preben Fabricius from the office of Gisela Capitain at Galerie Capitain Petzel, Berlin. Surrogate: WB97914 (produced in conjunction with Gisela Capitain, Owner), Copper Surrogate (Desk: designed by Jørgen Kastholm and Preben Fabricius, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 72 23⁄32 x 38 5⁄16 x 28 55/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $34,269.62 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Jørgen Kastholm and Preben Fabricius desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 71 17/64 x 36 13/16 x 27 23/64 inches.] 2014 Polished copper table top and powder-coated steel 72 5/8 x 38 3/8 x 27 inches (3 7/8 inch top) Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022939762-X4TTZC5VW0A5APCARKXC/B-WBESHTY-14-0006-2.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Table [Source: embossed lacquered medium density fiberboard and chrome finish steel conference room desk designed by Lievore Altherr Molina from the TK room at Galerie Capitain Petzel, Berlin. Surrogate: WB98014 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director), Copper Surrogate (Table: designed by Lievore Altherr Molina, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 71 37⁄64 x 39 13⁄32 x 29 31/32 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $26,733.35 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Lievore Altherr Molina desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 27 9⁄16 x 19 7⁄8 x 28 15⁄32 inches.] 2014 Polished copper table top and powder-coated steel 71 1/2 x 39 1/4 x 29 inches (1 3/8 inch top) Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022946435-LAXYH1FFWLN8KOCJ4E0D/B-WBESHTY-14-0007-2.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Table [Source: carrara glass and brass conference room desk designed by Paul McCobb for Calvin Furniture Company from the presentation room at Galerie Capitain Petzel, Berlin. Surrogate: WB98114 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director; Kathleen Knitter, Gallery Manager; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician), Copper Surrogate (Table: designed by Paul McCobb for Calvin Furniture Company, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 32 31⁄64 x 32 31⁄64 x 16 7/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $9,447.41 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Paul McCobb table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 31 37/64 x 31 29/64 x 14 39/64 inches.] 2014 Polished copper table top and powder-coated steel 32 1/2 x 32 1/2 x 15 3/4 inches (1 3/8 inch top) Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Table [Source: steel, pigmented epoxy, powder coating, particleboard, melamine foil, foil, and acrylonitrile butadiene styrene plastic work surface table designed by Olle Lundberg for IKEA from the storage room at Galerie Capitain Petzel, Berlin. Surrogate: WB98214 (produced in conjunction with Elisabeth Pallentin, Gallery Assistant/Media Archivist; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician; Adrian Lohmüller, Preparator; Claus Philip Lehmann; Preparator), Copper Surrogate (Table: designed by Olle Lundberg for IKEA, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 62 29⁄32 x 31 29⁄64 x 28 63/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $17,842.86 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Olle Lundberg table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 59 23⁄32 x 28 11⁄32 x 27 31⁄64 inches.] 2014 Polished copper table top and powder-coated steel 63 x 31 1/2 x 27 1/2 inches (1 3/8 inch top) Surrogates (Tabletop and Desktop), 2008–  </image:caption>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall (MCY/Six Magnet: Los Angeles, California, April 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 61214) 2014 Color photographic paper 124 1/2 x 50 inches RA4 Contact Prints, 2014–</image:caption>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CMY/Six Magnet: Los Angeles, California, May 6, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 64614) 2014 Color photographic paper 131 3/4 x 50 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (YMC/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 81414) 2014 Color photographic paper 116 1/4 x 50 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466634675297-F5YJQWM09HARNWY2GD28/WB81514_shadows.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 81514) 2014 Color photographic paper 120 1/2 x 50 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466634676043-43P9VQ2JHG1XZOZVMYM7/WB95514_shadows.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, August 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 95514) 2014 Color photographic paper 119 1/2 x 50 inches RA4 Contact Prints, 2014–</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452040331405-GRWN6NLWCKNV8BWOZITE/WB79314_b.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014–  </image:caption>
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    <image:image>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014–  </image:caption>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014–  </image:caption>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014–  </image:caption>
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    <image:image>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014–  </image:caption>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452041325613-Q17BSXGEUKSZCGR93XSC/WB79714_a.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014 - &lt;del&gt;HP ScanJet G4050&lt;/del&gt;</image:title>
      <image:caption>2014 HP ScanJet G4050 Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452041335431-X07B6XI63CVHQT8BS7S2/WB79814_b.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014 - &lt;del&gt;HP Photo Smart C6280 ALL-IN-ONE&lt;/del&gt;</image:title>
      <image:caption>2014 HP Photo Smart C6280 ALL-IN-ONE Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452041344408-CEQ993GN2B4VHCOJEIA7/WB79914_a.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014 - &lt;del&gt;Epson Stylus NX420&lt;/del&gt;</image:title>
      <image:caption>2014 Epson Stylus NX420 Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452041357689-BX7MBQUQHR7T04LAZ91C/WB80114_a.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014 - &lt;del&gt;Power Mac G4 M8493&lt;/del&gt;</image:title>
      <image:caption>2014 Power Mac G4 M8493 Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230367741-1UB7RM47AY4S6BCXRAMO/WB_51413.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Schmerz (Beirut, Lebanon, June 1, 2013), Frame No. 14 2014 Chromogenic print 20 x 13 1/2 inches Art Handling, 2011–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230367709-UYQJPMA3AXVMIVSW550T/WB_51513A.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Die Supermutter (Beirut, Lebanon, June 1, 2013), Frame No. 15 2014 Chromogenic print 20 x 13 1/2 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230368596-65B4HEGB9R0NZD0MFZZK/WB_72511.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Der Spaßvogel (Los Angeles, California, August 30, 2011), Frame No. 18 2014 Black and white digital fiber print 13 1/2 x20 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230370701-G8GPHVUVKAULW6X3GT5I/WB_72611.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Schicksal (Los Angeles, California, August 30, 2011), Frame No. 19 2014 Black and white digital fiber print 13 1/2 x 20 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230369577-63FH7LPEVHNA7G97KTA6/WB_72711.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Frustration (Los Angeles, California, August 30, 2011), Frame No. 21 2014 Black and white digital fiber print  13 1/2 x 20 inches Art Handling, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467230370697-7PHE195SM4J9C5LSWPLQ/WB_83913.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Die Abstimmung (Beirut, Lebanon, June 1, 2013), Frame No. 13 2014 Chromogenic print 20 x 13 1/2 inches Art Handling, 2011–  </image:caption>
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    <image:image>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Picasso and Truth: From Cubism to Guernica I 2014 Ink on paper, receipt, dried flower, newspaper 11 3/4 x 17 3/8 inches Drawings, 2014–  </image:caption>
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      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Century 21; Cherie Pioneertown Realty; Joshua Tree Realty; 29 Palms Realty; Dilbeck Real Estate, 83º, 5:15pm, 22-4-14 2014 Ink on paper, receipt, dried flower, newspaper 11 x 22 1/2 inches Drawings, 2014–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155778431-QE0KC6JI191HAWNGQ6D4/WB101014.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Picasso and Truth: From Cubism to Guernica II 2014 Ink on paper, dried flower, paper 12 x 18 inches Drawings, 2014–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155779444-E5B6SI9H6A8GNHH0HKE1/WB101214.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Corn Hustlers Nabbed; Ad Agency Blues: Pay Play in binge lawsuit, 86º, 2:45pm, 22-4-14 2014 Ink on paper, envelope, dried flower, newspaper 12 x 22 inches Drawings, 2014–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467155778503-0V5SVZK5UOPHCOS9G30G/WB101114.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Picasso and Truth: From Cubism to Guernica III 2014 Ink on paper, dried flower, paper 13 7/8 x 18 inches Drawings, 2014–  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452022416113-DMZ80WPBPT0WM6JQ448R/Gastarbeiten_Installation-view_13.jpg</image:loc>
      <image:title>Gastarbeiten, Capitain Petzel, 2014</image:title>
      <image:caption>Ativan, Lorazepam 1 mg, V 4008, Round, Scored, Qualitest Pharmaceuticals; Polychromos, Faber Castell, White, 9201 - 101 (November 4–5, 2014) /  Xanax, Alprazolam 0.5 mg, GG257, Elliptical/Oval, Scored, Sandoz Pharmaceuticals, Inc.; Polychromos, Faber Castell, Light Flesh, 9201 - 132 (November 4–5, 2014) /  Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.; Polychromos, Faber Castell, Sky Blue, 9201 - 146 (November 4–5, 2014) /  Aderall, Amphetamine and Dextroamphetamine 10 mg, b 972 1 0, Elliptical/Oval, Scored, Teva Pharmaceuticals USA; Polychromos, Faber Castell, Light Phitalo Blue, 9201 - 145 (November 4–5, 2014) /  Propecia, Finasteride 1 mg, H 36, Round, Camber Pharmaceuticals, Inc.; Polychromos, Faber Castell, Pompeian Red, 9201 - 191 (November 4–5, 2014) /  Diovan, Valsartan 160 mg, RX 125, Elliptical/Oval, Ohm Laboratories, Inc.; Polychromos, Faber Castell, Cinnamon, 9201 - 189 (November 4–5, 2014) /  Celexa, Citalopram 20 mg, I G 207, Round, Scored, InvaGen Pharmaceuticals, Inc.; Polychromos, Faber Castell, Medium Flesh, 9201 - 131 (November 4–5, 2014) /  Wellbutrin SR, Bupropion Extended Release 150 mg, 681, Elliptical/Oval, Global Pharmaceuticals; Polychromos, Faber Castell, Cream, 9201 - 102 (November 4–5, 2014) /  Extra Strength Vitamin D3 2000 I.U., Elliptical, Transparent, Kirkland Signature; Polychromos, Faber Castell, Ivory, 9201 - 103 (November 4–5, 2014) /  Formula Multinutrient System VM-2000 Tablets, Elliptical, Senape with Brown Spots, Solgar; Polychromos, Faber Castell, Naples Yellow, 9201 - 185, Brown Ochre, 9201 - 182, Yellow Ochre, 9201 - 183 (November 4–5, 2014) 2014 Ink and oil pastel on letterhead 12 3/4 x 9 1/2 inches each Drawings, 2014–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/performances-under-working-conditions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-10-13</lastmod>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions poster Petzel New York New York 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458163455753-U9EUOAG5S8JRNK2C1597/PerformancesUnderWorkingConditions_poster_edit.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions poster Petzel New York New York 2014  </image:caption>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions press release Petzel New York New York 2014  </image:caption>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions Petzel New York New York 2014  </image:caption>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions Petzel New York New York 2014  </image:caption>
    </image:image>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions Petzel New York New York 2014  </image:caption>
    </image:image>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions Petzel New York New York 2014  </image:caption>
    </image:image>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions Petzel New York New York 2014  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450828887133-U61GFBRTVLK3B3IHY9TX/WB-14_xxx7.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions Petzel New York New York 2014  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions Petzel New York New York 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450828888239-OCTI8EQAC9JA9R4YQ2JF/WB-14_xxx9.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions Petzel New York New York 2014  </image:caption>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions Petzel New York New York 2014  </image:caption>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions Petzel New York New York 2014  </image:caption>
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      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Performances Under Working Conditions Petzel New York New York 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1451958698582-T6II67O1NU0HYNEE0KLZ/WB-14_030_72814A.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Directors 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions145 3/16 x226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 33 1/2 x 97 7/8 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 97 7/8 x 33 1/2 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1451958698721-N20UP1AXF4W0EEZT64NZ/WB-14_031_72814B.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Directors 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814B (produced in conjunction with Kat Parker, Artist Liaison), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 145 3/16 x 226 1/8 x 30 .  inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 5/8 x 95 x 1 1/2 inches. Section 2 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 95 x 33 5/8 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1451958699638-TGBXMTLJI46PY1B2EH6M/WB-14_032_72814C.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Directors 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814C (produced in conjunction with Samantha Tsao, Partner), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 33 5/8 x 94 7/8 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 94 7/8 x 33 5/8 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1451958699513-0REEJJVSTC3CA8UJX3AI/WB-14_033_72814D.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Directors 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814D, titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014 made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 33 5/8 x 67 3/4 x 1 1/2 inches. Section 4 has tone cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and one large drawer surrogate, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 67 3/4 x 33 5/8 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1451958700451-1NDWUE0RJOB1Q9I4RDGD/WB-14_034_72814E.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Directors 5 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814E(produced in conjunction with Laura Higgins, Gallery Manager), titled Copper Surrogate (Desk, section 5: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 5 is 37 3/8 x 84 x 1 1/2 inches. Section 5 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 84 x 37 3/8 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1451958700509-IQ18LJKVOM8AWBTI380Z/WB-14_035_72814F.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Directors 6 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814F (produced in conjunction with Marco Palumbo and Alexis Diop,Interns), titled Copper Surrogate (Desk, section 6: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 6 is 37 3/8 x 83 1/2 x 1 1/2 inches. Section 6 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 83 1/2 x 37 3/8 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1451958701300-KIEVPLRK0L01DJPIP1KC/WB-14_036_72714A.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Reception 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 31 x 62 3/4 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 62 3/4 x 31 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1451958701392-PGU5BH4NQ28E22SSQS4T/WB-14_037_72714B.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Reception 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York.Surrogate: WB72714B (produced in conjunction with Jason Murison, Director), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 x 81 7/8 x 1 1/2 inches. Section 2 has two cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 81 7/8 x 31 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1451958702160-HE6MXIPVVL4BQU5K7QZE/WB-14_038_72714C.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Reception 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714C (produced in conjunction with Theodora Gilman, Assistant to the Directors), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 31 x 81 1/4 x 1 1/2 inches. Section 3 has three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 81 1/4 x 31 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1451958702431-ITXTFXIBNY01NZB8OTQB/WB-14_039_72714D.jpg</image:loc>
      <image:title>Performances Under Working Conditions, Petzel, 2014</image:title>
      <image:caption>Reception 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714D (produced in conjunction with Nick Bennett, Gallery Assistant), titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 31 x 62 3/4 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 114 1/8 x 31 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
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  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/pulleys-cogwheels-mirrors-and-windows</loc>
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      <image:title>Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009</image:title>
      <image:caption>Pulleys, Cogwheels, Mirrors, and Windows University of Michigan Museum of Art Ann Arbor Michigan 2009  </image:caption>
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      <image:title>Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009</image:title>
      <image:caption>Pulleys, Cogwheels, Mirrors, and Windows University of Michigan Museum of Art Ann Arbor Michigan 2009  </image:caption>
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    <image:image>
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      <image:title>Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009</image:title>
      <image:caption>Six Color Loop (CMYRGB: Irvine, California, July 16th 2008, Fuji   Crystal Archive Type C) 2009 Color photographic paper 50 x 105 inches Color Loops, 2008–2011  </image:caption>
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      <image:title>Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009</image:title>
      <image:caption>Six Color Loop (CMYRGB: Irvine, California, July 26th 2008, Fuji   Crystal Archive Type C) 2009 Color photographic paper 50 x 103 inches Color Loops, 2008–2011  </image:caption>
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      <image:title>Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009</image:title>
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      <image:title>Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles-Miami trk#865344981299, October 29–30, 2008, Priority Overnight, Miami–Ann Arbor trk#861049125115, March 03–04, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625749, July 09–10, 2009, Standard Overnight, Los Angeles–San Francisco trk#878069766471, August 27–28, 2009, Standard Overnight, San Francisco–Los Angeles trk#870342520145, November 12–13, 2009, International Priority, Los Angeles–London trk#798269222978, April 10–12, 2012 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches FedEx Glass Works, 2007–</image:caption>
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      <image:title>Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981314, October 29–30, 2008, Priority Overnight, Miami–Los Angeles trk#861049125089, November 17–18, 2008, Priority Overnight, Los Angeles-Miami Beach trk#860147611241, December 01–02, 2008, Priority Overnight, Miami–Los Angeles trk#867525901310, December 08–09, 2008, Priority Overnight, Los Angeles–Ann Arbor trk#867525901228, March 09–10, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625705, July 09–10, 2009, Standard Overnight, Los Angeles–San Francisco trk#870069766460, August 27–28, 2009, Standard Overnight, San Francisco–Los Angeles trk#870342520112, November 12–13, 2009 2008 Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 16 x 16 x 16 inches FedEx Glass Works, 2007–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453923790526-GAM5EDP5FZ52K2V939SO/WB43508.jpg</image:loc>
      <image:title>Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981303, October 29–30, 2008, Priority Overnight, Miami–Ann Arbor trk#861049125148, March 3–4, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625716, July 9–10, 2009, Standard Overnight, Los Angeles–New York trk# 774901718297, November 4–5, 2015, Standard Overnight, New York–Los Angeles trk#775241156204, December 21–22, 2015 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches FedEx Glass Works, 2007–</image:caption>
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      <image:title>Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981314, October 29–30, 2008, Priority Overnight, Miami–Los Angeles trk#861049125089, November 17–18, 2008, Priority Overnight, Los Angeles-Miami Beach trk#860147611241, December 01–02, 2008, Priority Overnight, Miami–Los Angeles trk#867525901310, December 08–09, 2008, Priority Overnight, Los Angeles–Ann Arbor trk#867525901228, March 09–10, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625705, July 09–10, 2009, Standard Overnight, Los Angeles–San Francisco trk#870069766460, August 27–28, 2009, Standard Overnight, San Francisco–Los Angeles trk#870342520112, November 12–13, 2009 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches FedEx Glass Works, 2007–</image:caption>
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  <url>
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    <image:image>
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      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Alegoria (March 2–8, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 64 x 99 1/2 x 42 1/4 inches All the World's Futures, 2015  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459211107702-146TIZD0BC520WH2AQ3Q/_20A0909.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Alegoria (March 2–8, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 64 x 99 1/2 x 42 1/4 inches All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459211113179-NV28MX4AJETPI084X2AU/_20A0916.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>La Masa Militarizada (March 2–8, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 69 x 99 1/2 x 42 1/4 inches All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459211116874-EVQHBP2381CLZFWAK8FR/_20A0931.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Luchas Fraticidas (March 2–8, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 71 x 99 1/2 x 42 1/4 inches All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459211177526-O1EVCZH9LFIZRL9KCCQU/WB01915_c.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>La Ciudad en Llamas (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 54 x 42 x 26 1/2 inches All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459211233054-VLBKP5AN1GAPEHUBPFDV/WB02015_a.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>La Religiosidad Americana (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 55 1/2 x 42 x 26 1/2 inches All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459211263875-7XH3UZ9HX9MV46S16NTJ/WB01415_a.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Las Fuerzas Tenebrosas (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 50 3/4 x 42 x 29 1/2 inches All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459211272377-IO5YWFS1VM5YND7I21KK/WB01515_a.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>El Circo Contemporáneo (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 84 x 50 3/4 x 42 inches All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459211277625-88Z7RG0G0Z7DKD9SW4Z9/WB01615_a.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Lo Desconocido (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 64 x 42 x 26 1/2 inches All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1445380019775-XRQ99AZOV2E0JLUOMNMS/WB26613.jpg</image:loc>
      <image:title>Ceramics, 2013– - Title</image:title>
      <image:caption>Year Medium Dimensions Exhibition Body of Work  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459209432864-F2FUO5YZGXWBDBI66QO0/WBE_IV_029.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Los Payasos (February 17 – August 28, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 77 1/2 x 46 x 27 1/4 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459209629994-S4HC3JX6C4K5HNP4HOBM/WB29213.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Aggregate XXX (August 19th–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 45 x 91 x 43 1/2 inches Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459209648823-UDUYAO6B3JMDRV3LTF0I/WB27913_b.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Aggregate VIII (August 19th—21st, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 20 1/2 x 13 1/2 inches Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459209652883-2F7BU36KO1X7JNEES04D/WB28513_b.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Aggregate XIII (August 20–22, 2013, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 24 1/2 x 17 inches Selected Bodies of Work, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459209657013-IZKWHT6Y8IILO2CNFR1F/WB29013_a.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Aggregate XVIII (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 23 1/2 x 20 1/2 x11 inches Selected Bodies of Work, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459209666825-35DJLDQM5XVRC8K52FTA/WB29313_a.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Aggregate XIX (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 38 x 20 1/2x 20 inches Selected Bodies of Work, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459209673253-198P3BRXSYI36FTTQPFU/WB29513_b.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Aggregate XXI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 24 1/2 x 19 inches Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459209685265-0X87V7GEW51WS80581T6/WB30213_c.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Aggregate XXVIII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 67 1/2 x 22 1/2 x 21 1/4 inches Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459209696382-OFSI2NG2YYDXEZX74JE3/WB30613_b.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Aggregate XXVI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 102 x 33 1/4 x 23 inches Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459209703376-TN1KP6MAV69FCV2YDEKW/WB30713_a.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Aggregate XXVII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 77 3/4 x 35 1/2 x 22 inches Selected Bodies of Work, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459210761052-HYWX3T711B64PN709A7K/WB27713_a.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Los Demagogos (August 28th–September 10th 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 20 1/2 x 25 inches Fair Use, 2013  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459210765330-YQUUCU1N3DTP6Z5ZX3WX/WB29113_a.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>La Ciudad en Llamas y Alegoría (August 28–September 10, 2013: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 80 x 31 1/2 x 20 1/2 inches Fair Use, 2013 All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486497372912-AFV456XWIHLWQIPVGRL3/26313.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Los Caballos en la Conquista (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 9 1/2 inches Fair Use, 2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486497372939-3MEHJAYYGFPG25TP34N1/WB26013_framed.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>La Belicosidad (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 15 inches Fair Use, 2013 Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486497379126-X9UGPC1QRETXKETM1J5X/WB26213_framed.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Los Dictadores (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 20 inches Fair Use, 2013 Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486497378909-96H19IQ2YG9FS0EBXN6U/WB26413_framed.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>La Masa Militarizada y El Despotismo (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 22 inches Fair Use, 2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486497386506-RHQ2BNGU8WNUMAYKU5NU/WB26513_framed.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>La Religiosídad Americana (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 27 inches Fair Use, 2013 Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486497388562-AD6ITL9BM0TFODHQJXPU/WB26613_framed.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>La España de Carlos V (August 28–September 10, 2013: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 18 inches Fair Use, 2013 All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486497393854-DS2VEX2YR2ZPJ9P0GZC3/WB26713_framed.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Los Trágico (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 21 7/8 x 32 7/8 x 17 1/2 inches Fair Use, 2013 Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486497395704-9ALY7S2F29ZRQEE9Y9M2/WB26813_framed.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>El Hombre del Fuego (August 28–September 10, 2013: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plates 28 x 31 1/2 x 16 inches Fair Use, 2013 All the World's Futures, 2015  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486497400660-3WNU7AUZ9DETLR95U1D9/WB26913_framed.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>Lo Científico (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 18 inches Fair Use, 2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486497401595-WM63OGLLBT5I7I6N5VWR/WB27013_framed.jpg</image:loc>
      <image:title>Ceramics, 2013–</image:title>
      <image:caption>La Humanidad Doliente (August 28–September 10, 2013: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 17 1/2 inches Fair Use, 2013 All the World's Futures, 2015  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/processcolorfield-regen-projects-2011</loc>
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    <lastmod>2017-09-22</lastmod>
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      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD poster Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458164115043-TZR8W9BFD15JCTMB1IG2/ProcessColorField_poster_edit.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD poster Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506116760299-Z8N03HG8YMMFDIXKQO9V/ProcessColorField_HE7A1475_edit_crop01.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD press release Regen Projects Los Angeles California 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506116760294-BR6U0T1LAC56VLWDOMW2/ProcessColorField_HE7A1475_edit_crop02.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD press release Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755731943-MHTZM7II6UK72EE8ALJ8/Beshty-Install-01.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755733614-5FX0ZDD2KR4D131TVKMX/Beshty-Install-02.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755735332-B0U860OMW9UK1718Z8W4/Beshty-Install-03.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755738883-TYITBE1YMAHJ02TR7Y2R/Beshty-Install-04.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755738095-HSF1IKWCVEDTM0JXTZIG/Beshty-Install-05.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755742029-7WJ5JS85M5BKQ1PNBLUJ/Beshty-Install-06.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755741295-7GY4GV27ES29GR87822X/Beshty-Install-07.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755742825-UFDQ0RBGQSPWOKFYV5Z1/Beshty-Install-08.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755743684-DULROGE29U2LTML04VOI/Beshty-Install-09.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755744131-8L15GZDP4DXGNAOZ6PSA/Beshty-Install-10.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755744856-8M2YZMKUQKOHLCT6SS8Z/Beshty-Install-11.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755745847-GN29W4HOQEVND0LOGGQ0/Beshty-Install-12.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755746551-ANTZKZP5ZNTGD3PNIWXK/Beshty-Install-13.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755747171-8B9BQ4FTTQMYLI1RLIEN/Beshty-Install-14.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755750414-JEZXW5R1GY6B61FGGOA1/Beshty-Install-15.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755751890-OOZ3FPZNRBWHT9BE9QHT/Beshty-Install-16.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755751863-AWM8GFOXYHSBHZSR4X8T/Beshty-Install-17.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755754547-XCL6ZNZ953HYVUTAAHO9/Beshty-Install-18.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755756314-AMNZZAGYT3VZC79CGSV7/Beshty-Install-21.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755754527-BQXQGOV5DJ4J0SAHP3JI/Beshty-Install-19.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>PROCESSCOLORFIELD Regen Projects Los Angeles California 2011  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755759112-OVN8QVHJ2MVFOZ3DTT69/Beshty-Install-20.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Getting Maximum Winning Strength Power Influence Anything (Everything) Anyone! 2011 Books Dimensions variable  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755919380-INREJUP03YE5TPZ53O4I/WB20611_A.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 30 1/8 x 120 1/4 x 1 1/2 inches; Base: 48 x 26 1/8 x 16 5/8 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755917763-0WL7UUEEFZZSVPWVMPQ8/WB20611_B.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 30 1/8 x 120 1/4 x 1 1/2 inches; Base: 48 x 26 1/8 x 16 5/8 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755918963-5H1JJM552P3XMJSVPQVZ/WB20711_A.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 28 x 85 x 1 1/2 inches; Base: 47 1/4 x 28 1/8 x 18 3/8 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755920313-KR0VZ2P14OWXYS6A0OMM/WB20711_B.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 28 x 85 x 1 1/2 inches; Base: 47 1/4 x 28 1/8 x 18 3/8 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755920782-KKN2KG4UZGG1FQ4D8HL4/WB20811_A.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Florence Knoll, 1961; Regen Projects II, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 48 x 81 x 1 1/2 inches; Base: Dimensions variable Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755921915-9QB1S9GUI8WIDUI4TSGZ/WB20811_B.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Florence Knoll, 1961; Regen Projects II, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 48 x 81 x 1 1/2 inches; Base: Dimensions variable Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755923551-TOQH7C16JZJ0FK41XN6Z/WB20911_A.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table 1: 96 x 30 x 1 1/2 inches; Table 2: 78 x 30 x 1 1/2 inches; Base: 66 7/8 x 60 3/4 x 23 3/4 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755923924-S8HTE536GI4FWAIGTWKL/WB20911_B.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table 1: 96 x 30 x 1 1/2 inches; Table 2: 78 x 30 x 1 1/2 inches; Base: 66 7/8 x 60 3/4 x 23 3/4 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755930399-6V9E8O8P43SK7T3ORBW1/WB21011_A.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755927568-7T7M809RWXPH4P3VDXGZ/WB21011_B.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755936127-ME73XFBRQHMIKE3Q289Q/WB21111_B.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453834251050-M3NPW071IUYWX27TT21T/WB21111_C.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches Surrogates (Tabletop and Desktop), 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755961317-4MA1TFTT0XRMAMX97L7R/WB-404.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16th 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 90 x 50 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755964492-7SURXHIO3CY0DWDNUVZE/WB-403.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16th 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 50 inches Selected Works, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755985594-IPL18CF6USK7OP87L1IK/WB-364.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06210) 2011 Color photographic paper 111 x 50 inches Black Curls, 2010–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755985311-1F6B4X6SAR13BUGINAV5/WB-365.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07810) 2011 Color photographic paper 111 1/2 x 50 inches Black Curls, 2010–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755989686-AW6FV0X3FGAVML7CULGP/WB-366.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07410) 2011 Color photographic paper 50 x 105 inches Black Curls, 2010–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755989196-DHYNJV5LQMU1Q30BQABF/WB-367.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06310) 2011 Color photographic paper 50 x 111 inches Black Curls, 2010–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453755992744-4I7RB8QT2EC3RTTGOOK6/WB-368.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07210) 2011 Color photographic paper 50 x 112 1/2 inches Black Curls, 2010–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459466138251-WYPMURB6TOS0UA51WSVR/WB06910.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06910) 2011 Color photographic paper 111 x 50 inches Black Curls, 2010–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459466174196-SYHD7T7B07SATU90XMQ0/WB07510.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07510) 2011 Color photographic paper 112 x 50 inches Black Curls, 2010–2013  </image:caption>
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      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011) pp. 126–127 2011 Light jet print in custom plexi box 108 1/2 x 51 1/2 x 7 inches Black Curls, 2010–2013  </image:caption>
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      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011) pp. 129 2011 Light jet print in custom plexi box 108 1/2 x 51 1/2 x 7 inches Decoys, 2011–  </image:caption>
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    <image:image>
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      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011) pp. 126–127 2011 Light jet print in custom plexi box 108 1/2 x 51 1/2 x 7 inches Decoys, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459466223579-3NVG7E0C5WHNEJ4ULQFJ/WB22611.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011) pp. 84 2011 Color photographic paper 112 x 50 inches Decoys, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453837933398-PPTUFGOQFKYNFDBUHCK2/WB90910.1_a.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453756050104-YJQ8YBKS46DUTUCOFPCY/Beshty-Book-02b-cropped.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453756061979-MV63M9EOKS9AWJ6XB4G6/Beshty-Book-04b.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
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      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
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      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
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      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453756047573-WC6P17LBW7MJXA8XJMI1/Beshty-Book-02a.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453756052382-0UBJMUL216EZIWY34RTC/Beshty-Book-03a.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
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      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453756062028-3UZ962MHKR8KBLFPJK7G/Beshty-Book-05a.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453756063184-P4F98MCIH137R811Q5YL/Beshty-Book-06a.jpg</image:loc>
      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
    </image:image>
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      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
    </image:image>
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      <image:title>PROCESSCOLORFIELD, Regen Projects, 2011</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2010 Four-color offset on coated and uncoated paper Dimensions variable Make Readies, 2010–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Disponibles Travesía Cuatro, Guadalajara 2015</image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Disponibles Travesía Cuatro, Guadalajara 2015</image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Disponibles Travesía Cuatro, Guadalajara 2015</image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Los Payasos (February 17 – August 28, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 77 1/2 x 46 x 27 1/4 inches Ceramics, 2013–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015 - &lt;del&gt;VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2015 VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV 71 1/4 x 41 1/2 inches Televisions, 2014–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015 - &lt;del&gt;VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2015 VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV 71 1/4 x 41 1/2 inches Televisions, 2014–  </image:caption>
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    <image:image>
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      <image:title>Disponibles, Travesía Cuatro, 2015 - &lt;del&gt;VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2015 VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV 71 1/4 x 41 1/2 inches Televisions, 2014–  </image:caption>
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    <image:image>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Sábado 29 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Jueves 27 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Viernes 28 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Miércoles 26 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Martes 25 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Lunes 24 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Martes 18 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Lunes 17 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Sábado 15 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Martes 4 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Make Ready 3: Uncut Signature [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2015 Four-color offset on coated paper 40 1/4 x 28 1/4 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450218605860-0PJX51U3RNZ0E3JPL8ID/WBE006_002.jpg</image:loc>
      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2015 Four-color offset on coated paper 40 1/4 x 28 1/4 inches Make Readies, 2010–  </image:caption>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2015 Four-color offset on coated paper 34 3/4 x 25 1/4 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2015 Four-color offset on coated paper 34 3/4 x 25 1/4 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2015 Four-color offset on coated paper 34 3/4 x 25 1/4 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2015 Four-color offset on coated paper 34 3/4 x 25 1/4 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2015 Four-color offset on coated paper 34 3/4 x 25 1/4 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450218609450-51V2GGLJZYP5EJ660LQB/WBE006_008.jpg</image:loc>
      <image:title>Disponibles, Travesía Cuatro, 2015</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2015 Four-color offset on coated paper 34 3/4 x 25 1/4 inches Make Readies, 2010–  </image:caption>
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      <image:caption>Atopolis Wiels at Mons 2015 Manège de Sury, Mons Belgium 2015  </image:caption>
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      <image:title>Atopolis, Wiels at Mons, 2015 - &lt;del&gt;Epson Stylus NX420&lt;/del&gt;</image:title>
      <image:caption>2014 Epson Stylus NX420, stainless steel, cable, transformer Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
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      <image:title>Atopolis, Wiels at Mons, 2015 - &lt;del&gt;Power Mac G4 M8493&lt;/del&gt;</image:title>
      <image:caption>2014 Power Mac G4 M8493, stainless steel, cable, transformer Dimensions variable Machines, 2014–  </image:caption>
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    <image:image>
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      <image:title>Atopolis, Wiels at Mons, 2015</image:title>
      <image:caption>Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 44 parts Unmaskings, 2012–2013  </image:caption>
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      <image:title>Atopolis, Wiels at Mons, 2015</image:title>
      <image:caption>iPhone 5 A1429: Hotel Greulich, Zürich, Switzerland, September 26, 2014 2015 Ink on letterhead 12 7/8 x 9 1/2 inches Drawings, 2014–  </image:caption>
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      <image:title>Atopolis, Wiels at Mons, 2015</image:title>
      <image:caption>iPhone 5 A1429: The Mandala Hotel, Berlin, Germany, September 25, 2014 2015 Ink on letterhead 7 1/4 x 9 1/2 inches Drawings, 2014–  </image:caption>
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    <image:image>
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      <image:title>Atopolis, Wiels at Mons, 2015</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, October 5, 2014 2015 Ink on letterhead 9 1/2 x 12 7/8 inches Drawings, 2014–  </image:caption>
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      <image:caption>The Continuous Presents of Futures Past (Post-apocalypses 1959–1985, Spanish) 2013 Fifteen commercial films from the cold war era with Spanish subtitles, MacMini with adhesive decal 24 hours The Continuous Presents of Futures Past, 2012–2013  </image:caption>
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      <image:caption>Los Caballos en la Conquista (August 28th–September 10th 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 9 1/2 x 31 1/2 x 20 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:caption>Los Demagogos (August 28th–September 10th 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 20 1/2 x 25 inches Ceramics, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Domingo, 4 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Domingo, 4 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Lunes, 5 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Lunes, 5 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Martes, 6 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452130923848-KTCIIGC7LIH3VDD85I8W/WB32913_b.jpg</image:loc>
      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Lunes, 19 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Martes, 20 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Martes, 20 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Miércoles, 21 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Miércoles, 21 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Juves, 22 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Juves, 22 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Viernes, 23 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Viernes, 23 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Sábado, 24 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>Fair Use, Power Station, 2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Sábado, 24 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/securities-and-exchanges</loc>
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    <priority>0.75</priority>
    <lastmod>2019-01-17</lastmod>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Securities and Exchanges poster Ullens Center for Contemporary Art Beijing China 2011  </image:caption>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Securities and Exchanges poster Ullens Center for Contemporary Art Beijing China 2011  </image:caption>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Securities and Exchanges Ullens Center for Contemporary Art Beijing China 2011  </image:caption>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Securities and Exchanges Ullens Center for Contemporary Art Beijing China 2011  </image:caption>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Securities and Exchanges Ullens Center for Contemporary Art Beijing China 2011  </image:caption>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Securities and Exchanges Ullens Center for Contemporary Art Beijing China 2011  </image:caption>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Securities and Exchanges Ullens Center for Contemporary Art Beijing China 2011  </image:caption>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Securities and Exchanges Ullens Center for Contemporary Art Beijing China 2011  </image:caption>
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    <image:image>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Securities and Exchanges Ullens Center for Contemporary Art Beijing China 2011  </image:caption>
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    <image:image>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Securities and Exchanges Ullens Center for Contemporary Art Beijing China 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches each Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482345855755-4KEID5LL86QBIQU3IS1C/WB_22711.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Replica [Black Curl (CMY/Five Magnet: Irvine, California, March 26th, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07610)], Chinese White Dragon, Hao Liang (digital design, painter), Wang Jing (painter), Du Yuefeng (painter), Huang Yun (painter) and Xiao Yanqun (printer),  Talens Ecoline Ink, Talens Drawing Ink and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper, Beijing, China, September 17–21, 2011 2011 Talens Ecoline Ink, Talens Drawing Ink, and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper 50 x 104 1/2 inches Decoys, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482345856055-WJOUN46ZSAYQAKMZSTM1/WB_22911.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Replica [Black Curl (CMY/Five Magnet: Irvine, California, March 26th, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06410)], Chinese White Dragon, Hao Liang (digital design, painter) , Wang Jing (painter), Du Yuefeng (painter), Huang Yun (painter) and Xiao Yanqun (printer),  Talens Ecoline Ink, Talens Drawing Ink and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper, Beijing, China, September 17–21, 2011 2011 Talens Ecoline Ink, Talens Drawing Ink, and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper 50 x 104 1/2 inches Decoys, 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453850261176-L6QIR5REJZIMYDENYQKB/wb21911a.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Copper Surrogates (September 20-23/November 21–23, 2011, Beijing, China, June 13–18/November 21, 2012Los Angeles, California, November 29–December 3, 2012, Miami Beach, Florida) 2011 Polished copper 74 3/4 x 35 1/2 x 1 1/2 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Copper Surrogates (September 20-23/November 21–23, 2011, Beijing, China, June 13–18/November 21, 2012Los Angeles, California, November 29–December 3, 2012, Miami Beach, Florida) 2011 Polished copper 74 3/4 x 35 1/2 x 1 1/2 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453850262825-KAUZW8QTEUJPZX892Z5M/wb22211.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Copper Surrogates (September 20-23/November 21–23, 2011, Beijing, China, June 13–18/November 21, 2012Los Angeles, California, November 29–December 3, 2012, Miami Beach, Florida) 2011 Polished copper 74 3/4 x 35 1/2 x 1 1/2 inches Surrogates (Full Sheet, Art Handling), 2011–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459201942283-JJD8WZG0UCQ3RO8BSCCW/wb12711.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#875468976018, September 08–14, 2011, International Priority, Beijing–Miami trk#874108926300, November 23–28, 2011, Priority Overnight, Miami–Boston trk#875575040808, January 18–19, 2012 2011– Polished copper, accrued FedEx shipping and tracking labels 14 1/2 x 23 5/8 x 18 1/2 inches FedEx Copper Works, 2009–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459201945178-CS46XZJQM0RMMU9NBUVU/wb17611.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#875468976007, September 9–14, 2011,International Priority, Beijing–Miami trk#874108926296, November 23–28, 2011, Priority Overnight, Miami–Beacon Falls trk#875575042189, February 12–14, 2012 2011– Polished copper, accrued FedEx shipping and tracking labels 23 5/8 x 18 1/2 x 18 1/2 inches FedEx Copper Works, 2009–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453850280120-FYTCF0L3R8SUNLBGXMP1/wb18111.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles-Beijing trk#858510689297, September 9–22, 2011, International Priority, Beijing–Paris trk#874594464106, March 13–16, 2012 2011– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 14 1/2 x 23 5/8 x 18 1/2 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459201945450-O898G7KS25CM3FIE0VS7/wb17811.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles-Beijing trk#875468976062, September 9–14, 2011, International Priority, Bejing–London trk#874594463978, March 13–15, 2012 2011– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 23 5/8 x 18 1/2 x 18 1/2 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
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      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#875468976073, September 09–14, 2011, International Priority, Beijing–Miami trk#874108926322, November 23–28, 2011, International Priority, Los Angeles–London trk#793287180666, February 29–March 2, 2012 2011– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 23 5/8 x 18 1/2 x 18 1/2 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459201943657-3VF1RXLBVOGD51UGPPQF/wb16211.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#875468976030, September 9–14, 2011, International Priority, Bejing–Paris trk#874594463967, March 13–15, 2012 2011– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 23 5/8 x 18 1/2 x 18 1/2 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459201944010-HSPJMZ6ER5O57MI9BC51/wb16311.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#858510689297, September 9–22, 2011, International Priority, Beijing–Los Angeles trk#874594463990, March 13–14, 2012, Standard Overnight, Los Angeles–New Castle trk#800105416382, July 24–31, 2012, Express Saver, New Castle–Los Angeles trk#492446927223, July 26–31, 2012, Standard Overnight, Los Angeles–New Castle trk#800983717990, April 10–11, 2013 2011– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 14 1/2 x 23 5/8 x 18 1/2 x inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453850207617-6O57MPM1IA5YKQGXS98Q/UCCAset2.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches each Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1453850210453-PHJQJ3CAVOKVSYBHTSPW/UCCAset1.jpg</image:loc>
      <image:title>Securities and Exchanges, Ullens Center for Contemporary Art, 2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches each Transparencies, 2008–2014  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/machines</loc>
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    <lastmod>2020-03-20</lastmod>
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      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple MacBook Pro A1229&lt;/del&gt;)</image:title>
      <image:caption>2015 Apple Macbook Pro A1229 72 1/4 x 10 3/4 x 10 7/8 inches Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569275472347-9DV64OGYPQXEV2IQOD13/WBes163.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple MacBook Pro A1229&lt;/del&gt;)</image:title>
      <image:caption>2015 Apple Macbook Pro A1229 72 1/4 x 10 3/4 x 10 7/8 inches Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539901882410-KIIK4IGAGP0B7TJCA9AK/2018_WB_TDA09905_Office+Work+%28Apple+iMac+A1224+20-inch+2.4+GHz+Intel+Core+2+Duo%29.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo&lt;del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo Dimensions variable Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523320438487-RQ41CXDYCF7019VZ135E/WB-1662-rp.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple iMac A1208 17-inch 2.0 GHz Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1208 17-inch 2.0 GHz Intel Core 2 Duo and steel Dimensions variable Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523320438276-BZF4CHCESDYXPDQIN21M/WB-1663-1-rp.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple iMac A1224 20-inch 2.0 GHz Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1224 20-inch 2.0 GHz Intel Core 2 Duo and steel Dimensions variable Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523320442111-5WRP6AUVAMEPJDUA7QTU/WB-1664-1.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple iMac A1419 27-inch 3.5 GHz Intel Core i5&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1419 27-inch 3.5 GHz Intel Core i5 and steel Dimensions variable Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523320443090-H99MGI0KX89OWSAF5B9G/WB-1665-1.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple MacBook Air A1466 13-inch 1.7 GHz Intel Dual Core i7&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple MacBook Air A1466 13-inch 1.7 GHz Intel Dual Core i7 and steel Dimensions variable Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523320445238-3CNI8IBCMVZODEKNEHJS/WB-1666-1-rp.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Canon imageCLASS MF8380Cdw Color Laser All-in-One Printer, Copier, Scanner, Fax&lt;/del&gt;)</image:title>
      <image:caption>2018 Canon imageCLASS MF8380Cdw Color Laser All-in-One Printer, Copier, Scanner, Fax and steel Dimensions variable Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501711703710-YB84NMC9WH3ENKG83J0O/00417_front_c.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Canon imageCLASS D1350 Monochrome Laser All-in-One Printer, Copier, Scanner, Fax F161402&lt;/del&gt;)</image:title>
      <image:caption>2017 Canon imageCLASS D1350 Monochrome Laser All-in-One Printer, Copier, Scanner, Fax F161402 72 1/2 x 28 3/8 x 28 3/8 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501711703275-ATPS6FISQ2PA1FZQ7TF2/00517_front_c.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple iMac A1312 27" Desktop Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2017 Apple iMac A1312 27" Desktop Intel Core 2 Duo and steel 72 1/2 x 30 1/2 x 30 1/2 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501711705568-KSWY8CGDGOEVZKOW3OH4/00617_front_c.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple iMac A1225 24" Desktop Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2017 Apple iMac A1225 24" Desktop Intel Core 2 Duo and steel 72 1/2 x 28 3/8 x 28 3/8 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501711705955-URYH2VV6IXX5M34XKNP3/00717_Front_c.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple MacBook Pro A1286 15" 2.53GHz Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2017 Apple MacBook Pro A1286 15" 2.53GHz Core 2 Duo and steel 72 1/2 x 16 1/2 x 16 1/2 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501711706704-RU0WWWX5QCGMRY0AZ5S0/04817_front_c.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Epson Perfection V550 Photo Scanner J252B&lt;/del&gt;)</image:title>
      <image:caption>2017 Epson Perfection V550 Photo Scanner J252B and steel 72 1/2 x 21 1/2 x 21 1/2 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467419112778-MXVLWMSQ78NEZBVTKWS7/BESHT42306.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Canon Pixma MP600R&lt;/del&gt;)</image:title>
      <image:caption>2016 Canon Pixma MP600R, steel pole support, steel base plate, steel shaft collars, extension cord 72 x 20 7/8 x 23 5/8 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467419112616-Q0TESKFZA6V1BTA0R03T/BESHT42308.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple IMac G5/1.6 17-inch&lt;/del&gt;)</image:title>
      <image:caption>2016 Apple iMac G5/1.6 17-inch, steel pole support, steel base plate, steel shaft collars, extension cord 72 x 27 1/2 x 24 3/4 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467419113517-PWYVX5X24KF6MGWZE36D/BESHT42309.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple PowerBook G4/1.5 15-inch&lt;/del&gt;)</image:title>
      <image:caption>2016 Apple PowerBook G4/1.5 15-inch, steel pole support, steel base plate, steel shaft collars, extension cord 72 x 14 3/8 x 14 5/8 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468520758407-NQV3G4AUZ8P579E0DY2Y/BESHT42307.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;Apple iBook Intel Core 2 Duo/2.13 13-inch&lt;/del&gt;)</image:title>
      <image:caption>2016 Apple iBook Intel Core 2 Duo/2.13 13-inch, steel pole support, steel base support, steel shaft collars, extension cord 72 x 16 7/8 x 17 3/8 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468520758228-IT64MZI9ZV4GYFMRG0OW/BESHT42808.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;HP Color LaserJet 2250 N&lt;/del&gt;)</image:title>
      <image:caption>2016 HP Color LaserJet 2250 N, steel pole support, steel base plate, steel shaft collars, extension cord, timer 72 7/8 x 24 3/8 x 25 5/8 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468520758754-M39AVU4VVPAVXF593O4Y/BESHT42809.jpg</image:loc>
      <image:title>Office Works, 2014– - Office Work (&lt;del&gt;HP LaserJet 4000 TN&lt;/del&gt;)</image:title>
      <image:caption>2016 HP LaserJet 4000 TN, steel pole support, steel base plate, steel shaft collars, extension cord, timer 73 1/4 x 26 3/8 x 22 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1446161548151-79YHGGTOONSECC71Y535/B-WBESHTY-14-0019-1.jpg</image:loc>
      <image:title>Office Works, 2014– - &lt;del&gt;HP Photo Smart C6280 ALL-IN-ONE&lt;/del&gt;</image:title>
      <image:caption>2014 HP Photo Smart C6280 ALL-IN-ONE Gastarbeiten  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459190454597-5KVA94UM4WEST8MQ9OF9/B-WBESHTY-14-0019-1.jpg</image:loc>
      <image:title>Office Works, 2014– - &lt;del&gt;HP Photo Smart C6280 ALL-IN-ONE&lt;/del&gt;</image:title>
      <image:caption>2014 HP Photo Smart C6280 ALL-IN-ONE Dimensions variable Great Hall Exhibition, 2015 Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459192962410-BKVEWF2PSFM3Z2EDYX1Y/WB79714_a.jpg</image:loc>
      <image:title>Office Works, 2014– - &lt;del&gt;HP ScanJet G4050&lt;/del&gt;</image:title>
      <image:caption>2014 HP ScanJet G4050 Dimensions variable Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459192983102-H3P8759PU8LSS02M02JO/WB79914_a.jpg</image:loc>
      <image:title>Office Works, 2014– - &lt;del&gt;Epson Stylus NX420&lt;/del&gt;</image:title>
      <image:caption>2014 Epson Stylus NX420 Dimensions variable Gastarbeiten, 2014 Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459192998351-Q99QOXOFZ7TECTKPN49S/WB80114_a.jpg</image:loc>
      <image:title>Office Works, 2014– - &lt;del&gt;Power Mac G4 M8493&lt;/del&gt;</image:title>
      <image:caption>2014 Power Mac G4 M8493 Dimensions variable Gastarbeiten, 2014 Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459193486357-63LIW814JQVLGPD15DMU/WB31214.jpeg</image:loc>
      <image:title>Office Works, 2014– - Schreibmachine &lt;del&gt;(Canon MX310 Multifunction Printer)&lt;/del&gt;</image:title>
      <image:caption>2014 Aluminum, steel, Canon MX310 Multifunction Printer, and timer Dimensions variable Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459193497038-I64MCSIG52ML9VK9DV7S/WB31314.jpeg</image:loc>
      <image:title>Office Works, 2014– - Royal &lt;del&gt;(Apple Power Mac G5 A1047)&lt;/del&gt;</image:title>
      <image:caption>2014 Aluminum, steel, and Apple Power Mac G5 A1047 Dimensions variable Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459193497548-UGT3DA3XL3E7FWM6JWHM/WB31414.jpeg</image:loc>
      <image:title>Office Works, 2014– - Die gekränkte Braut &lt;del&gt;(Epson Perfection 4990 Pro J131B)&lt;/del&gt;</image:title>
      <image:caption>2014 Aluminum, steel, and Epson Perfection 4990 Dimensions variable Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459193497987-CDD4841736JIPKRG02AT/WB31514.jpeg</image:loc>
      <image:title>Office Works, 2014– - Meine vier kleinen Untugenden &lt;del&gt;(Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector)&lt;/del&gt;</image:title>
      <image:caption>2014 Aluminum, steel, Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector, and timer Dimensions variable Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459193499077-VO8MOBGKMKX5HLIIMAZZ/WB32214_b.jpg</image:loc>
      <image:title>Office Works, 2014– - Der Wille zur Macht &lt;del&gt;(Apple MacBook Pro)&lt;/del&gt;</image:title>
      <image:caption>2014 Macbook Pro Dimensions variable Selected Bodies of Work, 2014  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/travel-pictures-2006-2008</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575326024866-K2NF84BKPHTYA9CMPN4M/TPinstall_crop.jpg</image:loc>
      <image:title>Travel Pictures, 2006/2008</image:title>
      <image:caption>Travel Pictures [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic prints 90 3/8 x 51 1/2 inches each, 9 parts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575326024866-K2NF84BKPHTYA9CMPN4M/TPinstall_crop.jpg</image:loc>
      <image:title>Travel Pictures, 2006/2008</image:title>
      <image:caption>Travel Pictures [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic prints 90 3/8 x 51 1/2 inches each, 9 parts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360766794-MD0ASYX67CA3XDNH03G0/wb14006.1ap.jpg</image:loc>
      <image:title>Travel Pictures, 2006/2008</image:title>
      <image:caption>Travel Picture Granite [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360767778-BADB3CT1RPOC45F6LSWM/wb14106.1ap.jpg</image:loc>
      <image:title>Travel Pictures, 2006/2008</image:title>
      <image:caption>Travel Picture Marshes [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]  *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360768476-TMI29REA2WOCLHU5ZVBN/wb14206.2.jpg</image:loc>
      <image:title>Travel Pictures, 2006/2008</image:title>
      <image:caption>Travel Picture Meadow [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aggregato, 2018 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360768915-JXT4P51NNYP5G3JXYQ69/wb14306.1ap.jpg</image:loc>
      <image:title>Travel Pictures, 2006/2008</image:title>
      <image:caption>Travel Picture Mist [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360770275-WB7YLN8V821FQ5FJN1UZ/wb14606.1AP.jpg</image:loc>
      <image:title>Travel Pictures, 2006/2008</image:title>
      <image:caption>Travel Picture Violet [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360766229-C0SS6XO045KYTYN9O1GG/wb13906.1AP.jpg</image:loc>
      <image:title>Travel Pictures, 2006/2008</image:title>
      <image:caption>Travel Picture Fog [Tschaikowskistrasse 17 in multiple exposures*(LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360765128-MEGAZF74747QSF2GNK5W/wb13806.2.jpg</image:loc>
      <image:title>Travel Pictures, 2006/2008</image:title>
      <image:caption>Travel Picture Fern [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]  *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360761887-URNAV5UP15PONOBY0UWC/wb04812.1_a.jpg</image:loc>
      <image:title>Travel Pictures, 2006/2008</image:title>
      <image:caption>Travel Picture Rose [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360763446-AQ7SZ6GLWKHPZN6B5PDV/wb04912.1_a.jpg</image:loc>
      <image:title>Travel Pictures, 2006/2008</image:title>
      <image:caption>Travel Picture Sunset [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]  *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/walead-beshty-33-texts-93614-words-581035-characters-selected-writings-20032015</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458173752359-KI7UYZCB7QHMMH5YFBL2/33Texts_HE7A1203_edit.jpg</image:loc>
      <image:title>Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015)</image:title>
      <image:caption>Lionel Bovier, ed., Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015), Positions Series (Zurich, Switzerland and Dijon, France: JRP|Ringier and Les presses du réel, 2015), with introduction by George Baker.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458173752359-KI7UYZCB7QHMMH5YFBL2/33Texts_HE7A1203_edit.jpg</image:loc>
      <image:title>Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015)</image:title>
      <image:caption>Lionel Bovier, ed., Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015), Positions Series (Zurich, Switzerland and Dijon, France: JRP|Ringier and Les presses du réel, 2015), with introduction by George Baker.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458173752568-1PONOYWNRGZSO4FASAYB/33Texts_HE7A1387_edit.jpg</image:loc>
      <image:title>Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015)</image:title>
      <image:caption>Lionel Bovier, ed., Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015), Positions Series (Zurich, Switzerland and Dijon, France: JRP|Ringier and Les presses du réel, 2015), with introduction by George Baker.  </image:caption>
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      <image:title>Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015)</image:title>
      <image:caption>Lionel Bovier, ed., Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015), Positions Series (Zurich, Switzerland and Dijon, France: JRP|Ringier and Les presses du réel, 2015), with introduction by George Baker.  </image:caption>
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      <image:title>Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015)</image:title>
      <image:caption>Lionel Bovier, ed., Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015), Positions Series (Zurich, Switzerland and Dijon, France: JRP|Ringier and Les presses du réel, 2015), with introduction by George Baker.  </image:caption>
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  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/picture-industry-goodbye-to-all-that-regen-projects-2010</loc>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That) poster, Regen Projects, Los Angeles, CA, 2010.   Participating Artists: Tauba Auerbach, Thomas Barrow, Carol Bove, Troy Brauntuch, Tony Conrad, Abraham Cruzvillegas, de Rijke/de Rooij, Liz Deschenes, Isa Genzken, Wade Guyton, Robert Heinecken, Charline Von Heyl, Karen Kilimnik, Imi Knoebel, Michael Krebber, Glenn Ligon, Erlea Maneros Zabala, Albert Oehlen, Manfred Pernice, Seth Price, Richard Prince, Josephine Pryde, R. H. Quaytman, Eileen Quinlan, Miljohn Ruperto, Cosey Fanni Tutti, Kelley Walker, James Welling, Christopher Williams, and Christopher Wool.  </image:caption>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That) poster, Regen Projects, Los Angeles, CA, 2010.   Participating Artists: Tauba Auerbach, Thomas Barrow, Carol Bove, Troy Brauntuch, Tony Conrad, Abraham Cruzvillegas, de Rijke/de Rooij, Liz Deschenes, Isa Genzken, Wade Guyton, Robert Heinecken, Charline Von Heyl, Karen Kilimnik, Imi Knoebel, Michael Krebber, Glenn Ligon, Erlea Maneros Zabala, Albert Oehlen, Manfred Pernice, Seth Price, Richard Prince, Josephine Pryde, R. H. Quaytman, Eileen Quinlan, Miljohn Ruperto, Cosey Fanni Tutti, Kelley Walker, James Welling, Christopher Williams, and Christopher Wool.  </image:caption>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That) poster, Regen Projects, Los Angeles, CA, 2010.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507833201941-K8IJ9LS1OI0ASBZ20PXF/pictureindustry_regen.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.   Miljohn Ruperto, Richard Prince, Wade Guyton, Isa Genzken, Kelley Walker, and Christopher Williams  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452039405661-GN7VMGTF26KMRBCDDR1G/Picture-Industry-03.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.   Kelley Walker and Christopher Williams  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452038663957-H2NQM0DRNOU8Q81IGQBF/Picture-Industry-08.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Kelley Walker, and Christopher Williams, Tauba Auerbach, Abraham Cruzvillegas, Isa Genzken, and Richard Prince  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452038664719-GBNK0WN4JVCRM24EG9YR/Picture-Industry-09.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Tauba Auerbach, Abraham Cruzvillegas, Richard Prince, Isa Genzken, Troy Brauntuch, and Liz Deschenes  </image:caption>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Isa Genzken, Troy Brauntuch, Liz Deschenes, and Miljohn Ruperto  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452038671012-8430DFFOJZ3NI5LIEYXQ/Picture-Industry-18.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Troy Brauntuch, Liz Deschenes, and Glenn Ligon  </image:caption>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Glenn Ligon, Manfred Pernice, Seth Price, and Kelley Walker  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452038671661-XMOVIK97B16J482MFXCS/Picture-Industry-19.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Seth Price, Kelley Walker, and Abraham Cruzvillegas  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452038672186-CE3PZ8D12K0AQ02T0O7M/Picture-Industry-20.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Manfred Pernice, Thomas Barrow, and Cosey Fanni Tutti  </image:caption>
    </image:image>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Manfred Pernice, Thomas Barrow, Cosey Fanni Tutti, Carol Bove, and Albert Oehlen  </image:caption>
    </image:image>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Thomas Barrow, Albert Oehlen, Carol Bove, Erlea Maneros Zabala, Josephine Pryde, and Eileen Quinlan  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452039512783-EI3QVWQFEHGQ0JSR8B6J/Picture-Industry-23.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Cosey Fanni Tutti, Thomas Barrow, Carol Bove, and Albert Oehlen  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452039333518-V4QM2H5XOEMG0MZN2BDP/Picture-Industry-26.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Erlea Maneros Zabala,  Josephine Pryde, and Eileen Quinlan  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452038670427-DQBT0WP7NOJ4XTYWUIW1/Picture-Industry-17.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Manfred Pernice, Richard Prince, and Glenn Ligon  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452038678858-3B8SBV7CHMJWA4SKOB3A/Picture-Industry-28.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    James Welling, Richard Prince, Wade Guyton, and Michael Snow  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452038679093-GIOELZ0FRD26JCRRHHHJ/Picture-Industry-29.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    James Welling  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452038679680-Z6K4BLRBF053B34UHLGM/Picture-Industry-30.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Charline Von Heyl, Christopher Williams, Michael Krebber, Kelley Walker, Manfred Pernice, and de Rijke/de Rooij  </image:caption>
    </image:image>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    de Rijke/de Rooij, Manfred Pernice, and Imi Knoebel  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452038680623-M8QSCMUNIUM11NYBQ5J2/Picture-Industry-32.jpg</image:loc>
      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Christopher Williams, Imi Knoebel, Manfred Pernice, and Charline Von Heyl  </image:caption>
    </image:image>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Christopher Williams, Imi Knoebel, and Charline Von Heyl  </image:caption>
    </image:image>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Cosey Fanni Tutti, Christopher Wool, Christopher Williams, Michael Krebber, and Kelley Walker  </image:caption>
    </image:image>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Abraham Cruzvillegas, Tony Conrad, Eileen Quinlan, Josephine Pryde, and Charline Von Heyl  </image:caption>
    </image:image>
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      <image:title>Picture Industry (Goodbye to All That), Regen Projects, 2010</image:title>
      <image:caption>Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA, 2010.    Karen Kilimnik  </image:caption>
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      <image:title>Walead Beshty·NRR...</image:title>
      <image:caption>Walead Beshty·NRR。，，，，NN。2001 - , 上海增稅普通友票 ,, September 20, 2012, (Walead Beshty: Selected Correspondences 2001–2010, monograph, Bologna, Italy: Damiani Editore, 123pp. essays by Peter Eleey, Jason E Smith, and Eric Schwab, 2010.) / Walead Beshty Select · NRR. ,,,, NN. 2001 -, The Shanghai VAT Ordinary Friends of votes, September 20, 2012, (Walead Beshty: Selected Correspondences 2001–2010, monograph, Bologna, Italy: Damiani Editore, 123 pp. essays by Peter Eleey, Jason E Smith, and Eric Schwab, 2010.) 2012 Four-color offset prints on coated paper, bound 11 9/16 x 8 1/4 x 3/8 inches each   Chinese replicas of Selected Correspondences produced on the occasion of the 2012 Shanghai Biennale. Volume 1 digitally translated in to Chinese and volume 2 digitally translated back to English.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458170353900-QR5TDNJ7FHQ5Y02KG67L/Selected-Correspondences-Re-Translated_HE7A1417_edit.jpg</image:loc>
      <image:title>Walead Beshty·NRR...</image:title>
      <image:caption>Walead Beshty·NRR。，，，，NN。2001 - , 上海增稅普通友票 ,, September 20, 2012, (Walead Beshty: Selected Correspondences 2001–2010, monograph, Bologna, Italy: Damiani Editore, 123pp. essays by Peter Eleey, Jason E Smith, and Eric Schwab, 2010.) / Walead Beshty Select · NRR. ,,,, NN. 2001 -, The Shanghai VAT Ordinary Friends of votes, September 20, 2012, (Walead Beshty: Selected Correspondences 2001–2010, monograph, Bologna, Italy: Damiani Editore, 123 pp. essays by Peter Eleey, Jason E Smith, and Eric Schwab, 2010.) 2012 Four-color offset prints on coated paper, bound 11 9/16 x 8 1/4 x 3/8 inches each   Chinese replicas of Selected Correspondences produced on the occasion of the 2012 Shanghai Biennale. Volume 1 digitally translated in to Chinese and volume 2 digitally translated back to English.  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/post-conspicuously</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458167411262-PVK3GRN1QOAY19NXFCA0/NY-Labor-Poster_HE7A1489_edit.jpg</image:loc>
      <image:title>Post Conspicuously...</image:title>
      <image:caption>Post Conspicuously, New York State Department of Labor, ATTENTION EMPLOYEES (ATENCIÓN EMPLEADOS) MINIMUM WAGE INFORMATION (INFORMACIÓN SOBRE EL SALARIO MÍNIMO PARA LA, Effective 12/31/13, Basic Hourly Rate $8.00 per hour, Meals and Lodging, A specific credit may be granted toward the minimum wage for meals and/or lodging provided by the employer. Federal Law Employees covered under the federal Fair Labor Standards Act must be paid in accordance with State law and also in accordance with higher federal requirements, where applicable. Other Wage Requirements. A specific amount must be paid, in addition to the minimum wage, for the maintenance of required uniforms. There are provisions for other supplemental wages in New York State Industry wage orders. These may include a part-time rate, daily call-in pay, and a rate for split shift or spread o f hours. Whether a particular supplemental wage applies depends on the provisions of the industry wage order covering the employment. For additional information or to file a complaint, write or call the Department of Labor, Division of Labor Standards at one of the offices listed below. A partir del 12/31/13, Salario Mínimo $8.00 por hora, Comidas y Alojamiento, Se puede acreditar una cantidad específica al salario mínimo por comidas y/o alojamiento provistos por el patrono. Ley Federal, Los empleados protegidos por la Ley Federal de, Normas Equitativas del Trabajo (Federal Fair Labor Standards Act) deben ganar salarios según estipulan las leyes estatales y en conjunto con los requisitos superiores federales, según aplique. Otros requisitos salariales, se debe pagar una cantidad específica, además del salario mínimo, por mantenimiento de uniformes obligatorios. Existen otras disposiciones sobre pagos suplementarios en las ordenanzas industriales del Estado de Nueva York. Dichas disposiciones contienen una tarifa por trabajo a medio tiempo, trabajo diario casual, turnos divididos o por horas repartidas. Si un pago suplementario es pertinente o no, Depende de las disposiciones en el tipo de industria que cubre el trabajo desempeñado. Si desea información adicional o para informarse sobre cómo presentar una querella, Escriba o llame a una de las siguientes oficinas del Departamento del Trabajo, División de Normas Laborales. State Office Building Campus Albany, NY 12240, (518) 457-2730, 44 Hawley Street Binghamton, NY 13901 (607) 721-8014, 65 Court Street Buffalo, NY 14202 (716) 847-7141, 400 Oak Street Garden City, NY 11530 (516) 794-8195, 75 Varick Street, 7th Floor New York, NY 10013 (212) 775-3880, 109 S. Union Street Rochester, NY 14607 (585) 258-4550 (Subdistrict), 333 E. Washington Street Syracuse, NY 13202 (315) 428-4057, 120 Bloomingdale Road White Plains, NY 10605 (914) 997-9521, for additional Information: www.labor. ny.gov, The New York State Department of Labor is an Equal Opportunity Employer/Program. Auxiliary aids and services are available upon request to individuals with disabilities. El Departamento del Trabajo del Estado de Nueva York es un patrono que participa en el Programa de Igualdad de Oportunidades. Servicios adicionales para personas incapacitadas e instrumentos para ayudarlas están disponibles a solicitud de dichas personas. LS-207 (12/13) 2014 Letterpress 11 x 8 1/2 inches   Letterpress of the New York State Minimum Wage Poster for the exhibition Performances Under Working Conditions, Petzel, New York, NY, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458167411262-PVK3GRN1QOAY19NXFCA0/NY-Labor-Poster_HE7A1489_edit.jpg</image:loc>
      <image:title>Post Conspicuously...</image:title>
      <image:caption>Post Conspicuously, New York State Department of Labor, ATTENTION EMPLOYEES (ATENCIÓN EMPLEADOS) MINIMUM WAGE INFORMATION (INFORMACIÓN SOBRE EL SALARIO MÍNIMO PARA LA, Effective 12/31/13, Basic Hourly Rate $8.00 per hour, Meals and Lodging, A specific credit may be granted toward the minimum wage for meals and/or lodging provided by the employer. Federal Law Employees covered under the federal Fair Labor Standards Act must be paid in accordance with State law and also in accordance with higher federal requirements, where applicable. Other Wage Requirements. A specific amount must be paid, in addition to the minimum wage, for the maintenance of required uniforms. There are provisions for other supplemental wages in New York State Industry wage orders. These may include a part-time rate, daily call-in pay, and a rate for split shift or spread o f hours. Whether a particular supplemental wage applies depends on the provisions of the industry wage order covering the employment. For additional information or to file a complaint, write or call the Department of Labor, Division of Labor Standards at one of the offices listed below. A partir del 12/31/13, Salario Mínimo $8.00 por hora, Comidas y Alojamiento, Se puede acreditar una cantidad específica al salario mínimo por comidas y/o alojamiento provistos por el patrono. Ley Federal, Los empleados protegidos por la Ley Federal de, Normas Equitativas del Trabajo (Federal Fair Labor Standards Act) deben ganar salarios según estipulan las leyes estatales y en conjunto con los requisitos superiores federales, según aplique. Otros requisitos salariales, se debe pagar una cantidad específica, además del salario mínimo, por mantenimiento de uniformes obligatorios. Existen otras disposiciones sobre pagos suplementarios en las ordenanzas industriales del Estado de Nueva York. Dichas disposiciones contienen una tarifa por trabajo a medio tiempo, trabajo diario casual, turnos divididos o por horas repartidas. Si un pago suplementario es pertinente o no, Depende de las disposiciones en el tipo de industria que cubre el trabajo desempeñado. Si desea información adicional o para informarse sobre cómo presentar una querella, Escriba o llame a una de las siguientes oficinas del Departamento del Trabajo, División de Normas Laborales. State Office Building Campus Albany, NY 12240, (518) 457-2730, 44 Hawley Street Binghamton, NY 13901 (607) 721-8014, 65 Court Street Buffalo, NY 14202 (716) 847-7141, 400 Oak Street Garden City, NY 11530 (516) 794-8195, 75 Varick Street, 7th Floor New York, NY 10013 (212) 775-3880, 109 S. Union Street Rochester, NY 14607 (585) 258-4550 (Subdistrict), 333 E. Washington Street Syracuse, NY 13202 (315) 428-4057, 120 Bloomingdale Road White Plains, NY 10605 (914) 997-9521, for additional Information: www.labor. ny.gov, The New York State Department of Labor is an Equal Opportunity Employer/Program. Auxiliary aids and services are available upon request to individuals with disabilities. El Departamento del Trabajo del Estado de Nueva York es un patrono que participa en el Programa de Igualdad de Oportunidades. Servicios adicionales para personas incapacitadas e instrumentos para ayudarlas están disponibles a solicitud de dichas personas. LS-207 (12/13) 2014 Letterpress 11 x 8 1/2 inches   Letterpress of the New York State Minimum Wage Poster for the exhibition Performances Under Working Conditions, Petzel, New York, NY, 2014  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/the-phenomenology-of-shopping-2001-2003</loc>
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    <lastmod>2017-09-13</lastmod>
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      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (Party America, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455355910-SRI8CCQOMH5EBD9DDAA2/WB_01003.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (Party America, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455352165-I4H7DK42MT4LXFC0A6SD/WB_00603.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (FAO Schwartz, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455353204-DJ3AJG9628X3FTAY4AN4/WB_00903.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (Party America, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455349553-SOS64SYPBQB0B61JXYXL/WB_00203.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (FAO Schwartz, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455350379-6LAAOXM28QBDCKIGKIF0/WB_00303.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (The Disney Store, Irondequoit Mall, Rochester, NY) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455352327-B6MVJKURUZENJHQ1ZRUV/WB_00703.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (J. Crew, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455353350-QZ6HQCI87E0JJV4FOEWS/WB_00803.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (Target, Dutchess County Mall, Kingston, NY) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455350693-O1ATG4N37YWU5IUXHR3O/WB_00403.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (Food Court, Danbury Mall, Danbury, CT) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455351405-ZPVDBSJWWS47D73KW1JB/WB_00503.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (T-Mobile, Alexanderplatz, Berlin, Germany) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455349363-ITV1WU0ISPKZ64L29SJD/WB_00103.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (Sears, Westfield Mall, Bridgeport, CT) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455355377-1S8Q9UVOAG7QL051H035/WB_01103.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (Feline's, Danbury Mall, Danbury, CT) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468455356340-K8LRPKWY9HXWJELQIOLL/WB_01203.jpg</image:loc>
      <image:title>The Phenomenology of Shopping, 2001–2003</image:title>
      <image:caption>The Phenomenology of Shopping (Target, Levittown, PA) 2002 Chromogenic print 68 x 47 3/4 inches  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/eight-young-men-2002</loc>
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    <priority>0.75</priority>
    <lastmod>2017-08-21</lastmod>
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      <image:title>Eight Young Men ... , 2002</image:title>
      <image:caption>Eight Young Men of Approximately Twenty-Five Years of Age 2002 Chromogenic prints 22 x 19 inches, each  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459374339602-HHMAPAOKI8YAWO7LTKDD/Age+prog.jpg</image:loc>
      <image:title>Eight Young Men ... , 2002</image:title>
      <image:caption>Eight Young Men of Approximately Twenty-Five Years of Age 2002 Chromogenic prints 22 x 19 inches, each  </image:caption>
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  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/on-the-matter-of-abstraction-figs-a-b-rose-art-museum-brandeis-university-2013</loc>
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    <lastmod>2017-10-12</lastmod>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection. Participating Artists: Richard Anuszkiewicz, Ronald Bladen, Ross Bleckner, Mark Bradford, Calvin Brown, Anthony Caro, Sarah Charlesworth, Judy Chicago, Bruce Conner, Porforio DiDonna, Tina Feingold, Ruth Peedin Fields, Helen Frankenthaler, Charline von Heyl, Hans Hofmann, Douglas Huebler, Fritz Glarner, Philip Guston, Al Held, Jasper Johns, Asger Jorn, Donald Judd, Ellsworth Kelly, Willem de Kooning, Sol Lewitt, Alexander Liberman, Morris Louis, Robert Mangold, Conrad Marca-Relli, Agnes Martin, Ana Mendieta, Robert Motherwell, Louise Nevelson, Kenneth Noland, Jules Olitski, Alfonso Ossorio, Roxy Paine, Judy Pfaff, Rona Pondick, Lawrence Poons, Robert Rauschenberg, David Reed, Richard Serra, David Smith, Leon Polk Smith, Jessica Stockholder, Aldo Tambellini, and Jean Xceron.  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Agnes Martin, Judy Chicago, Ellsworth Kelly, Fritz Glarner, and Sol Lewitt  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Ellsworth Kelly  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Anthony Caro, Mark Bradford, Brian Hunt, Morris Louis,  Alfonso Ossorio, Hans Hofmann, Ronald Bladen, Willem De Kooning, Jules Olitski, David Reed, Jasper Johns, David Smith, Lawrence Poons, Aldo Tambellini, and Conrad Marca-Relli  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Philip Guston, Judy Pfaff, Robert Motherwell, Rona Pondick, Asger Jorn, Robert Rauschenberg, Ana Mendieta, Ross Bleckner, Helen Frankenthaler, Jules Olitski, and Charline von Heyl  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Jasper Johns, Lawrence Poons, Aldo Tambellini, Conrad Marca-Relli, Alexander Liberman, Richard Serra, Anthony Caro, Louise Nevelson, Bruce Conner, Ross Bleckner, Sarah Charlesworth, Willem de Kooning, Tina Feingold, Roxy Paine, and Ruth Peedin Fields  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Ronald Bladen, Willem de Kooning, Jules Olitski, David Reed, Jasper Johns, Lawrence Poons, Aldo Tambellini, and Conrad Marca-Relli</image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Roxy Paine, Ruth Peedin Fields, Philip Guston, Judy Pfaff, Robert Motherwell, Anthony Caro, Rona Pondick, Asger Jorn, Robert Rauschenberg, Ana Mendieta, Ross Bleckner, and Rona Pondick  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Ana Mendieta, Rona Pondick, Ross Bleckner, Helen Frankenthaler, Jules Olitski, and Charline von Heyl  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Ross Bleckner, Helen Frankenthaler, Jules Olitski, and Charline von Heyl  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Robert Rauschenberg, Ana Mendieta, and Ross Bleckner  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Helen Frankenthaler, Jules Olitski, and Charline von Heyl  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Brian Hunt and Mark Bradford  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Brian Hunt, Ruth Peedin Fields, and Robert Motherwell    </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Morris Louis,  Alfonso Ossorio, Hans Hofmann, Ronald Bladen, Willem De Kooning, Jules Olitski, and David Reed  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Bruce Conner, Ross Bleckner, Sarah Charlesworth, Willem de Kooning, Tina Feingold, Roxy Paine, Ruth Peedin Fields, Philip Guston, and Judy Pfaff  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Robert Motherwell  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Jessica Stockholder, Asger Jorn, Robert Rauschenberg, Ana Mendieta, and Ross Bleckner  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Alexander Liberman, Richard Serra, and Louise Nevelson  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Robert Motherwell, Asger Jorn, Robert Rauschenberg, David Smith, Ana Mendieta, Ross Bleckner, Helen Frankenthaler,  Jules Olitski, Anthony Caro, and Charline von Heyl  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Alexander Liberman, Richard Serra, Louise Nevelson, Bruce Conner, Ross Bleckner, and Sarah Charlesworth  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   David Smith and Conrad Marca-Relli  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Willem de Kooning, Tina Feingold, Roxy Paine, and Ruth Peedin Fields  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Ruth Peedin Fields, Philip Guston, Judy Pfaff, Robert Motherwell, Anthony Caro, Rona Pondick, Asger Jorn, Robert Rauschenberg, Ana Mendieta, Ross Bleckner, Helen Frankenthaler, Jules Olitski, Jessica Stockholder, and Charline von Heyl  </image:caption>
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      <image:title>On the Matter of Abstraction (figs. A &amp; B) ... , Rose Art Museum, Brandeis University, 2013</image:title>
      <image:caption>On the Matter of Abstraction (figs. A &amp; B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA, 2013—in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection.   Alexander Liberman, Richard Serra, Louise Nevelson, Bruce Conner, Ross Bleckner, and Sarah Charlesworth  </image:caption>
    </image:image>
  </url>
  <url>
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      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 135º Antidiagonal / 45º Diagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 22 x 22 x 43 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468527497259-RJ4ZFLY6ITH2XNT9EL1R/BESHT42773.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 135º Antidiagonal / 45º Diagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 22 x 22 x 43 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468527497395-YAFZV7KL7SRE3O3R0RHY/BESHT42774_01.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 45º Antidiagonal / 135º Diagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 22 x 22 x 43 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468527498423-MG5I11CEYHN90HPCNMFQ/BESHT42775.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, Bisection 2016 Four-color offset on coated paper, bent plexiglass 17 3/4 x 17 3/4 x 25 1/4 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468527499689-ZJGZV9PANUKFUSGZL0TC/BESHT42776.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, Bisection 2016 Four-color offset on coated paper, bent plexiglass 13 x 13 x 35 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468527499968-80JV2SDTMFW7H4NPXPNY/BESHT42777_01.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 30º Diagonal / 150º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 21 x 21 x 43 1/2 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468527500998-WT8CQ0CGJI9NINUAHWXE/BESHT42778.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 150º Diagonal / 30º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 21 x 21 x 43 1/2 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468527502501-CL4H7NY942SN09UBUM70/BESHT42779.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 30º Diagonal / 150º Antidiagonal Bisection and 150º Diagonal / 30º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 28 1/2 x 12 x 40 1/2 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468527502538-2COX3AE7XRTV2LVRIRIJ/BESHT42780.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 150º Diagonal / 30º Antidiagonal Bisection and 30º Diagonal / 150º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 37 x 23 1/4 x 28 1/4 inches Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459385066008-YSKR7QRDBVN7W490J9AS/HE7A3043.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signature [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2015 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033856856-AQ78G0KHUJW5FTFNBCTF/TDA_0512-024_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033852678-V04LO1TRJT144I44RN9X/TDA_0512-018_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033841878-33MS1HAH4CRERGGTH77E/TDA_0512-005_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033847168-UVNYJVRHBS0G4FASZ046/TDA_0512-010_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033858261-MEQTJXPR1I9HVPL2GEVS/TDA_0912_-002_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033845015-1AD4VU8V4SG4THKZ7SUB/TDA_0512-006_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Securities and Exchanges, 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033841840-APZJFAL7UMUJ9RT5GN70/TDA_0512-001_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033850266-MUSYN7SGDF7461TLQ0B4/TDA_0512-014_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033848206-YW0C4WL2AVDO8GQZV2N8/TDA_0512-012_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033851462-80HSD5L1CPPHDOKAG0D7/TDA_0512-016_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make Ready 3: Uncut Signatures [Walead Beshty: Securities and Exchanges, Ullens Center for Contemporary Art: Beijing, Jing Cai Shi Ji, Beijing, China, September 23, 2011] 2011 Four-color offset on coated paper 34 5/8 x 27 3/8 inches Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033861040-9MU86O74WY6AWY3JMD6F/TDA_0912_-007_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2011 Four-color offset on coated and uncoated paper Dimensions variable A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187646308-QDB751D505PCTFVEIGBH/NaturalHistory2edNT_HE7A0209_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 5 (Bound, Uncut: Walead Beshty, Natural Histories 2nd Edition, JRP|Ringier, Zürich, January 8–10, 2014) 2015 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187636048-67T6LM73UDAVHSM3QY5A/blindspotMR_HE7A9941_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 4: (Blind Spot, issue 46: Meridian Printing, Inc., East Greenwich, RI, April 8, 2013) 2015 Bound six-color offset lithographic prints and Epson K3 Ultrachrome archival inkjet print on Museo Silver Rag paper in cloth tray box 11 3/8 x 9 3/4 x 1 1/4 inches Great Hall Exhibition, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187647387-IT034R3ER741HZEU8YI1/NaturalHistory2edNT_HE7A0210_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 5 (Bound, Uncut: Walead Beshty, Natural Histories 2nd Edition, JRP|Ringier, Zürich, January 8–10, 2014) 2015 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187634828-V0AOY049F2U4H34RFDZ8/blindspotMR_HE7A1193_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 4: (Blind Spot, issue 46: Meridian Printing, Inc., East Greenwich, RI, April 8, 2013) 2015 Bound six-color offset lithographic prints and Epson K3 Ultrachrome archival inkjet print on Museo Silver Rag paper in cloth tray box  11 3/8 x 9 3/4 x 1 1/4 inches Great Hall Exhibition, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187630420-KSLHQ9SOGHORPAJTPR62/blidspotMR_HE7A0238_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 4: (Blind Spot, issue 46: Meridian Printing, Inc., East Greenwich, RI, April 8, 2013) 2015 Bound six-color offset lithographic prints and Epson K3 Ultrachrome archival inkjet print on Museo Silver Rag paper in cloth tray box  11 3/8 x 9 3/4 x 1 1/4 inches Great Hall Exhibition, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187647928-MVM7GN1QX5KRR1JDPHVX/NaturalHistory2edNT_HE7A0211_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 5 (Bound, Uncut: Walead Beshty, Natural Histories 2nd Edition, JRP|Ringier, Zürich, January 8–10, 2014) 2015 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187630314-XBHZ3KH716GSWINIOZQQ/blindspotMR_HE7A0274_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 4: (Blind Spot, issue 46: Meridian Printing, Inc., East Greenwich, RI, April 8, 2013) 2015 Bound six-color offset lithographic prints and Epson K3 Ultrachrome archival inkjet print on Museo Silver Rag paper in cloth tray box  11 3/8 x 9 3/4 x 1 1/4 inches Great Hall Exhibition, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187633844-KK1PV74WI0QCWPXZBA5B/blindspotMR_HE7A1189_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 4: (Blind Spot, issue 46: Meridian Printing, Inc., East Greenwich, RI, April 8, 2013) 2015 Bound six-color offset lithographic prints and Epson K3 Ultrachrome archival inkjet print on Museo Silver Rag paper in cloth tray box  11 3/8 x 9 3/4 x 1 1/4 inches Great Hall Exhibition, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187635311-WQR89VS1878F51LMTARN/blindspotMR_HE7A1191_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 4: (Blind Spot, issue 46: Meridian Printing, Inc., East Greenwich, RI, April 8, 2013) 2015 Bound six-color offset lithographic prints and Epson K3 Ultrachrome archival inkjet print on Museo Silver Rag paper in cloth tray box  11 3/8 x 9 3/4 x 1 1/4 inches Great Hall Exhibition, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187640279-AZVLJ6XHLXIGIH0YKE10/NaturalHistoriesMR_HE7A1197_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 2 (Walead Beshty: Natural Histories, JRP Ringier, Zürich, January 11–15, 2011) 2015 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187642915-ZEFAUOH7RSE9GZPWP4UP/NaturalHistory2edMR_HE7A0201_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 5 (Walead Beshty: Natural Histories 2nd Edition, JRP|Ringier, Zürich, January 8–10, 2014) 2015 Four-color offset on coated paper, bound 9 1/2 x 11 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187632827-SJHPCJ7UR5EQWWY5RA1I/blindspotMR_HE7A0275_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 4: (Blind Spot, issue 46: Meridian Printing, Inc., East Greenwich, RI, April 8, 2013) 2015 Bound six-color offset lithographic prints and Epson K3 Ultrachrome archival inkjet print on Museo Silver Rag paper in cloth tray box  11 3/8 x 9 3/4 x 1 1/4 inches Great Hall Exhibition, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187632359-M3FFQJIS38KEKI4PACLH/blindspotMR_HE7A0307_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 4: (Blind Spot, issue 46: Meridian Printing, Inc., East Greenwich, RI, April 8, 2013) 2015 Bound six-color offset lithographic prints and Epson K3 Ultrachrome archival inkjet print on Museo Silver Rag paper in cloth tray box  11 3/8 x 9 3/4 x 1 1/4 inches Great Hall Exhibition, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187645564-WXHGWV937EW22VAKNYS3/NaturalHistory2edMR_HE7A9923_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 5 (Walead Beshty: Natural Histories 2nd Edition, JRP|Ringier, Zürich, January 8–10, 2014) 2015 Four-color offset on coated paper, bound 9 1/2 x 11 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187637663-YYOF6TNGNKH46UJLG1VG/NaturalHistoriesMR_HE7A0166_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 2 (Walead Beshty: Natural Histories, JRP Ringier, Zürich, January 11–15, 2011) 2015 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187649410-JU8MDCPP2SYATBJDNZF5/NaturalHistory2edNT_HE7A9924_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 5 (Bound, Uncut: Walead Beshty, Natural Histories 2nd Edition, JRP|Ringier, Zürich, January 8–10, 2014) 2015 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187644881-ROPU6AX3YQ7LNVX5U8OB/NaturalHistory2edMR_HE7A0204_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 5 (Walead Beshty: Natural Histories 2nd Edition, JRP|Ringier, Zürich, January 8–10, 2014) 2015 Four-color offset on coated paper, bound 9 1/2 x 11 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187643270-NB8J3452NZERF6Q0JD1Q/NaturalHistory2edMR_HE7A0203_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 5 (Walead Beshty: Natural Histories 2nd Edition, JRP|Ringier, Zürich, January 8–10, 2014) 2015 Four-color offset on coated paper, bound 9 1/2 x 11 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187641247-TH62X4S5D0I5QIO3N71Z/NaturalHistoriesMR_HE7A1196_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 2 (Walead Beshty: Natural Histories, JRP Ringier, Zürich, January 11–15, 2011) 2015 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187641464-XPGMSE2DX6Z6M4T5WQQD/NaturalHistoriesMR_HE7A1198_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 2 (Walead Beshty: Natural Histories, JRP Ringier, Zürich, January 11–15, 2011) 2015 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187638006-YDVYGD4Z2NBKPAW0PUQC/NaturalHistoriesMR_HE7A0165_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 2 (Walead Beshty: Natural Histories, JRP Ringier, Zürich, January 11–15, 2011) 2015 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187639168-UXD97VKU9NNSZGS1REF8/NaturalHistoriesMR_HE7A0174_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 2 (Walead Beshty: Natural Histories, JRP Ringier, Zürich, January 11–15, 2011) 2015 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187652297-J87ZFJ2N6LE7JWDYHB2S/SelectedCorrespondences_HE7A9919_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1 (Walead Beshty: Selected Correspondences 2001–2010, Damiani Editore, Bologna, July 4–6, 2010) 2015 Four-color offset on coated paper, bound 12 x 8 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187649188-CJITKRTQTSH9I3SY156J/selectedcorresMR_HE7A0101_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1 (Walead Beshty: Selected Correspondences 2001–2010, Damiani Editore, Bologna, July 4–6, 2010) 2015 Four-color offset on coated paper, bound 12 x 8 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187650496-P5KMQ3R5LI8YKFEWDYJI/selectedcorresMR_HE7A0102_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1 (Walead Beshty: Selected Correspondences 2001–2010, Damiani Editore, Bologna, July 4–6, 2010) 2015 Four-color offset on coated paper, bound 12 x 8 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459187651267-1QARRBT5Y36K25A8L6I1/selectedcorresMR_HE7A0106_edit.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1 (Walead Beshty: Selected Correspondences 2001–2010, Damiani Editore, Bologna, July 4–6, 2010) 2015 Four-color offset on coated paper, bound 12 x 8 1/2 inches Great Hall Exhibition, 2015 Automat, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033859530-LJTIQV7N45MAZLKWSZ6U/TDA_0912_-003_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2011 Four-color offset on coated and uncoated paper Dimensions variable A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033860991-PCAMX2QA1AFEPQF24EJK/TDA_0912_-009_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2011 Four-color offset on coated and uncoated paper Dimensions variable A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033859666-ME98NKU63IN7WD4D515E/TDA_0912_-004_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2011 Four-color offset on coated and uncoated paper Dimensions variable A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033863269-ZWI1GJU2JNCYPOVOER34/TDA_0912_-011_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2011 Four-color offset on coated and uncoated paper Dimensions variable A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033863548-W6JZYISRS7BTGJM2O4OP/TDA_0912_-013_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2011 Four-color offset on coated and uncoated paper Dimensions variable A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033865208-65T059ODZR7XW08JIWE9/TDA_0912_-015_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2011 Four-color offset on coated and uncoated paper Dimensions variable A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1487033865210-W6KEITQURQVP80NPA6MB/TDA_0912_-017_Front.jpg</image:loc>
      <image:title>Make Readies, 2010–</image:title>
      <image:caption>Make-Ready 1: Uncut Signatures [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010] 2011 Four-color offset on coated and uncoated paper Dimensions variable A Diagram of Forces, 2011  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/shanzhai-times</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458166760404-G2XPNKPTI61OZ4RCD1M5/New-Old-News_HE7A1369_edit.jpg</image:loc>
      <image:title>Shanzhai Times</image:title>
      <image:caption>Shanzhai Times Old News #9.5 2015 Newsprint 15 1/2 x 10 1/2 inches   Old News is a newsprint edition presenting a selection of articles and pictures from newspapers and magazines by international artist. Published on the occasion of Old News (again)—curated by Jacob Fabricius, Le Centre National Édition Art Image, Chatou, France.   VIEW FULL ISSUE HERE  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458166760404-G2XPNKPTI61OZ4RCD1M5/New-Old-News_HE7A1369_edit.jpg</image:loc>
      <image:title>Shanzhai Times</image:title>
      <image:caption>Shanzhai Times Old News #9.5 2015 Newsprint 15 1/2 x 10 1/2 inches   Old News is a newsprint edition presenting a selection of articles and pictures from newspapers and magazines by international artist. Published on the occasion of Old News (again)—curated by Jacob Fabricius, Le Centre National Édition Art Image, Chatou, France.   VIEW FULL ISSUE HERE  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458166760897-SQFKMDAQULZBBLOASCJR/New-Old-News_HE7A1460_edit.jpg</image:loc>
      <image:title>Shanzhai Times</image:title>
      <image:caption>Shanzhai Times Old News #9.5 2015 Newsprint 15 1/2 x 10 1/2 inches   Old News is a newsprint edition presenting a selection of articles and pictures from newspapers and magazines by international artist. Published on the occasion of Old News (again)—curated by Jacob Fabricius, Le Centre National Édition Art Image, Chatou, France.  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458166761539-46O3JVNHBGQA8JVO2GAZ/New-Old-News_HE7A1464_edit.jpg</image:loc>
      <image:title>Shanzhai Times</image:title>
      <image:caption>Shanzhai Times Old News #9.5 2015 Newsprint 15 1/2 x 10 1/2 inches   Old News is a newsprint edition presenting a selection of articles and pictures from newspapers and magazines by international artist. Published on the occasion of Old News (again)—curated by Jacob Fabricius, Le Centre National Édition Art Image, Chatou, France.  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458166762091-WQEUS60CHWZYRU35C82Q/New-Old-News_HE7A1465_edit.jpg</image:loc>
      <image:title>Shanzhai Times</image:title>
      <image:caption>Shanzhai Times Old News #9.5 2015 Newsprint 15 1/2 x 10 1/2 inches   Old News is a newsprint edition presenting a selection of articles and pictures from newspapers and magazines by international artist. Published on the occasion of Old News (again)—curated by Jacob Fabricius, Le Centre National Édition Art Image, Chatou, France.  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/marginalia-i-think-of-my-work</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458166968267-OKF25MRI6Y9PDYT5YTIC/Marginalia-Letterpress_HE7A1472_edit.jpg</image:loc>
      <image:title>Marginalia...</image:title>
      <image:caption>Walead Beshty – Marginalia “I think of my work as a kind of ecology in the sense that everything that comes out of it is part of the practice and needs to be accounted for. My practice is really a proposition about a possible arrangement of productive forces, a kind of system of relations. The more well-conceived the system, the more it can fully account for all that it produces, and that includes what might seem like by-products.” W. Beshty. In describing the making of his monumental commission at the Barbican Centre in London - thousands of cyanotypes, created over a year, cover the walls of the Curve there -, Walead Beshty virtually revealed the nature of his next show at Thomas Dane Gallery, staged to coincide with his project at the Curve. ‘Marginalia’, taking its name from the comments, scribbles or illuminations in the margins of a book, includes the remnants, props, byproducts, ‘vestiges’ – generally speaking, the works - created through/while/after making other works. Even though this idea is at the very core of his practice: in essence, Beshty always makes art while making art while making art… And even though he often triggers the production of art through infiltrating pre-existing systems, structures, networks and apparatuses (such as X-ray machines at airports, courier companies…etc…), he had never staged an exhibition that illustrated so concisely the virtuous, recycling circle that his artistic production so uniquely embodies. The notion of Hierarchies – whether artistic or economical - is what is fascinatingly at stake here: traditionally, ‘marginalia(s)’ will add or detract the value of a book, according to the author of the notes. Here, the artist himself reveals, as well as upsets, the established values and systems of artmaking, with a series of arresting, facetted new paintings realized as a support or background for the multitude of cyanotypes at the Barbican, which cohabit with aluminum and bronze relics, part negative-space, part leftovers, of his metal surrogates and tables, and a series of 104 X-Ray photographs, realized, literally, while traveling over four years (for shows, events…) and displayed for the first time in their original 5x4in. format. 2014 Letterpress 14 x 8 1/2 inches    Letterpress of all handwritten edits and comments to the press release for the exhibition Marginalia, Thomas Dane Gallery, London, United Kingdom, 2014.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458166968267-OKF25MRI6Y9PDYT5YTIC/Marginalia-Letterpress_HE7A1472_edit.jpg</image:loc>
      <image:title>Marginalia...</image:title>
      <image:caption>Walead Beshty – Marginalia “I think of my work as a kind of ecology in the sense that everything that comes out of it is part of the practice and needs to be accounted for. My practice is really a proposition about a possible arrangement of productive forces, a kind of system of relations. The more well-conceived the system, the more it can fully account for all that it produces, and that includes what might seem like by-products.” W. Beshty. In describing the making of his monumental commission at the Barbican Centre in London - thousands of cyanotypes, created over a year, cover the walls of the Curve there -, Walead Beshty virtually revealed the nature of his next show at Thomas Dane Gallery, staged to coincide with his project at the Curve. ‘Marginalia’, taking its name from the comments, scribbles or illuminations in the margins of a book, includes the remnants, props, byproducts, ‘vestiges’ – generally speaking, the works - created through/while/after making other works. Even though this idea is at the very core of his practice: in essence, Beshty always makes art while making art while making art… And even though he often triggers the production of art through infiltrating pre-existing systems, structures, networks and apparatuses (such as X-ray machines at airports, courier companies…etc…), he had never staged an exhibition that illustrated so concisely the virtuous, recycling circle that his artistic production so uniquely embodies. The notion of Hierarchies – whether artistic or economical - is what is fascinatingly at stake here: traditionally, ‘marginalia(s)’ will add or detract the value of a book, according to the author of the notes. Here, the artist himself reveals, as well as upsets, the established values and systems of artmaking, with a series of arresting, facetted new paintings realized as a support or background for the multitude of cyanotypes at the Barbican, which cohabit with aluminum and bronze relics, part negative-space, part leftovers, of his metal surrogates and tables, and a series of 104 X-Ray photographs, realized, literally, while traveling over four years (for shows, events…) and displayed for the first time in their original 5x4in. format. 2014 Letterpress 14 x 8 1/2 inches    Letterpress of all handwritten edits and comments to the press release for the exhibition Marginalia, Thomas Dane Gallery, London, United Kingdom, 2014.  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/blind-spot-magazine-no-46-2013</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458247597665-2RVG3G9FU1US6LM75W2H/Blind-Spot_HE7A9934_edit.jpg</image:loc>
      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.   Participating Artists: Mel Bochner, Andrew Cameron, Liz Deschenes, Daniel Everett, Morgan Fisher, Wade Guyton, Karl Haendel, Ulrik Heltoft, Luisa Lambri, Elad Lassry, Daniel Lefcourt, Erlea Maneros Zabala, Lucy McKenzie, Jack Pierson, Josephine Pryde, Eileen Quinlan, Jeroen de Rijke/Willem de Rooij, Miljohn Ruperto, Michael Snow, Kelley Walker, and Christopher Williams.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458247597665-2RVG3G9FU1US6LM75W2H/Blind-Spot_HE7A9934_edit.jpg</image:loc>
      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.   Participating Artists: Mel Bochner, Andrew Cameron, Liz Deschenes, Daniel Everett, Morgan Fisher, Wade Guyton, Karl Haendel, Ulrik Heltoft, Luisa Lambri, Elad Lassry, Daniel Lefcourt, Erlea Maneros Zabala, Lucy McKenzie, Jack Pierson, Josephine Pryde, Eileen Quinlan, Jeroen de Rijke/Willem de Rooij, Miljohn Ruperto, Michael Snow, Kelley Walker, and Christopher Williams.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506128353405-XOV703YRBJ6UZ5AXETG9/Blind+Spot_1_A.jpg</image:loc>
      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506128353248-18UUP8OFJ5FN48IWFKKG/Blind+Spot_2_A.jpg</image:loc>
      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506128361092-Y9VUSDJW2CHIEAYD2H52/Blind+Spot_5_A.jpg</image:loc>
      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506128362167-ZR932OUDFB5MKQ8TA7P5/Blind+Spot_6_A.jpg</image:loc>
      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506128370433-ZIYNTBPE8KFCXMECKG83/Blind+Spot_10_A.jpg</image:loc>
      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506128373601-7UDJE55NRB24FSBQL9KW/Blind+Spot_11_A.jpg</image:loc>
      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506128374309-0Q6H16TSKRQQ8T7U661X/Blind+Spot_12_A.jpg</image:loc>
      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506128376020-S3XTXVVGKGDWDLG9SJSM/Blind+Spot_13_A.jpg</image:loc>
      <image:title>Blind Spot Magazine, No. 46, 2013</image:title>
      <image:caption>Blind Spot Magazine, No. 46, guest editor, 2013.  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/sunless-thomas-dane-gallery-2010</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506447905575-RWKSMFVB2K62GBTLNCEG/Sunless_HE7A1481_edit%E2%80%93crop.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Participating Artists: Peter Alexander, Thom Andersen, Lewis Baltz, Thomas Barrow, Larry Bell, Bruce Conner, Mary Corse, Jay DeFeo, John Divola, Morgan Fisher, Wally Hedrick, Robert Heinecken, Craig Kauffman, Helen Pashgian, Raymond Pettibon, Ed Ruscha, Stephen Shore, Dr. Dain L. Tasker, and James Welling.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506447905575-RWKSMFVB2K62GBTLNCEG/Sunless_HE7A1481_edit%E2%80%93crop.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Participating Artists: Peter Alexander, Thom Andersen, Lewis Baltz, Thomas Barrow, Larry Bell, Bruce Conner, Mary Corse, Jay DeFeo, John Divola, Morgan Fisher, Wally Hedrick, Robert Heinecken, Craig Kauffman, Helen Pashgian, Raymond Pettibon, Ed Ruscha, Stephen Shore, Dr. Dain L. Tasker, and James Welling.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036924466-PG7LJE6MZ2M45676FAL0/001.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Robert Heinecken, Thomas Barrow, Larry Bell, and Wally Hedrick  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036924186-5YSNJ4FI8QT92B0984IF/002.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Lewis Baltz and Stephen Shore  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036925456-9VU73LVQ19BVPA717N9G/003.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Robert Heinecken and Jay DeFeo  </image:caption>
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      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Wally Hedrick, James Welling, and Larry Bell  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036926694-NH415X1C3FAPR5OZWW2I/005.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Lewis Baltz, Stephen Shore, Bruce Conner, and Helen Pashgian  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036927881-FYWY2OERU2TAG4XHX6HZ/007.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Ed Ruscha and James Welling  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036928781-DDOX3EHZEV7J3DFNPSFJ/008.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Helen Pashgian, Mary Corse, Raymond Pettibon, Craig Kauffman, and Peter Alexander  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036929571-73YBEEIDZ5Z8737SDL51/009.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Raymond Pettibon, John Divola, Lewis Baltz, Wally Hedrick, and James Welling  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036930328-H2OVFPQXA8DL6YLDCUB9/010.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Robert Heinecken  </image:caption>
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      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Wally Hedrick, Larry Bell, and James Welling  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036931452-8XE4E82XGRPIWRFLSXUT/012.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   James Welling, Peter Alexander, Morgan Fisher, and Craig Kauffman  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036932337-52AYP2B7G8OEF7M78UEM/013.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Jay DeFeo, Larry Bell, and Robert Heinecken  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036932654-74JL1076ZCVPQQW1CYI1/014.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   James Welling, Ed Ruscha, Larry Bell, and Jay DeFeo  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036933730-KB6UJSOSOKWS0LCAUD0Q/015.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Ed Ruscha, Larry Bell, Jay DeFeo, Robert Heinecken, and Thomas Barrow  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036933876-JO2HN7C8YETQ8G95JPZ1/016.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   Dr. Dain L. Tasker, Mary Corse, Raymond Pettibon, Stephen Shore, and John Divola  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452036935051-3VFZ9EZQ4OOQ499TOCP4/017.jpg</image:loc>
      <image:title>Sunless, Thomas Dane Gallery, 2010</image:title>
      <image:caption>Sunless, Thomas Dane Gallery, London, United Kingdom, 2010.   John Divola, Stephen Shore, Lewis Baltz, Helen Pashgian,   </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/again-once-again-many-times-more-martos-gallery-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1505866050755-3A5ZZOC37RYU54ODAF9Z/East%2BMarion%2B2014_web%2BFULL_%2B20.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Participating Artists: Fia Backstrom, Matthew Brannon, Marcel Broodthaers, Luke Butler, Andrew Cameron, Anne Collier, Claire Fontaine, General Idea, Liz Glynn, Michael Gonzalez, Wade Guyton, Larry Johnson and John Baldesarri, Annette Kelm, Martin Kippenberger, Konrad Klapheck, Todd Kreher, Erlea Maneros Zabala, Robert Mapplethorpe, Lucy McKenzie, John Miller, Raymond Pettibon, Paul Pfeiffer, Seth Price, Stephen Prina, Miljohn Ruperto, Michael Schmidt, Paul Shartis, Stephen Shore, Bali Alessandra Smith, Josh Smith, Erik van Lieshout, Mark Verabioff, James Welling, and Christopher Williams.  </image:caption>
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      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Participating Artists: Fia Backstrom, Matthew Brannon, Marcel Broodthaers, Luke Butler, Andrew Cameron, Anne Collier, Claire Fontaine, General Idea, Liz Glynn, Michael Gonzalez, Wade Guyton, Larry Johnson and John Baldesarri, Annette Kelm, Martin Kippenberger, Konrad Klapheck, Todd Kreher, Erlea Maneros Zabala, Robert Mapplethorpe, Lucy McKenzie, John Miller, Raymond Pettibon, Paul Pfeiffer, Seth Price, Stephen Prina, Miljohn Ruperto, Michael Schmidt, Paul Shartis, Stephen Shore, Bali Alessandra Smith, Josh Smith, Erik van Lieshout, Mark Verabioff, James Welling, and Christopher Williams.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026018193-SDY7FCAGZDDR490178U7/AOAMTM_Installview_073-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Annette Kelm and Robert Mapplethorpe  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026020376-XK68R5TPVEBG3RGLEYPA/AOAMTM_Installview_076-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Todd Kreher, Liz Glynn, and Erlea Maneros Zabala  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026022043-HVSBA5FD3NJ422Z3H0W8/AOAMTM_Installview_078-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Anne Collier, Guyton/Walker, Stephen Shore, and John Miller  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026025660-XG8VZ95IJOXJWSD6U3IC/AOAMTM_Installview_082-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Stephen Shore, Guyton/Walker, and John Miller  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026028157-0IGT1JF9Z20ONLT2FKRB/AOAMTM_Installview_086-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Stephen Prina, Wade Guyton, Konrad Klapheck, Michael Gonzalez,  BaliAlessandra Smith, Marcel Broodthaers, Claire Fontaine, and General Idea  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026030074-GWIB50ZCVW6LDXSYSRW0/AOAMTM_Installview_087-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Marcel Broodthaers and Claire Fontaine  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026033818-GH6H6UDYK13KUJXC0S32/AOAMTM_Installview_093-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Martin Kippenberger, Stephen Prina, and Wade Guyton  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026036856-9VXR98HP4NAONIW8GF91/AOAMTM_Installview_096-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Paul Sharits and Seth Price  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026041109-QAK7AFEFBBUVYEMDAJQP/AOAMTM_Installview_101-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.    Miljohn Ruperto  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026039398-DH0VRAYO55GJP56WIB1F/AOAMTM_Installview_099-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Luke Butler  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026048704-QE9MR8D73H4OZB1SZ3QV/AOAMTM_Installview_110-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Hans Peter Feldmann, Karlheinz Weinberger, and Lucy McKenzie  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026054226-ZNH97VV7I7QYLCPE4K3Q/AOAMTM_Installview_115-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Organized project in collaboration with Kelley Walker, under the auspices of Again, Once Again, Many Times More—curated by Bob Nickas, Martos Gallery, East Marion, NY, 2014.   Todd Kreher and Liz Glynn  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026019270-HT1316J1LXEJH237VOT8/AOAMTM_Installview_075-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>James Welling Untitled 1975 Metal coat hanger 9 x 11 x 5 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026031474-W87NY4FJWF2IT2QAOCKF/AOAMTM_Installview_090-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Michael Gonzalez Untitled (Pill) 1990 Erasers, glass, plexiglass, pills 8 x 10 x 1/2 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026052442-EK5YF70O61SU60IQLMXB/AOAMTM_Installview_114-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Bali Alessandra Smith GIRL 2012 Charcoal on paper 12 x 18 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026021092-T2HWHXOS7QO03AXNBZ6D/AOAMTM_Installview_077-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Erlea Maneros Zabala Excercises on Abstraction Series II 2010 India ink on offset paper 36 x 24 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026023131-6CONEJZ6LYJV63DBDNN4/AOAMTM_Installview_079-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Anne Collier Double Exposure 2011 C‐print 14 3/8 x 16 1/2 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026023894-6CV2TKNYF4SE2O8GX7XA/AOAMTM_Installview_080-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Annette Kelm Untitled n.d. C‐print 9 1/2 x 12 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026026769-F71Z06KIW4LXSCB5JL6Y/AOAMTM_Installview_083-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Stephen Shore Amarillo ‐ Tall in Texas 1971 Postcards 3 1/2 x 5 1/2 inches each  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026030237-CXSRLJUZG703KLR3SS9G/AOAMTM_Installview_088-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Claire Fontaine Untitled (Two Hundred and Fifty Redeemed Cans) 2013 Cast aluminum 12 1/2 x 3 1/2 x 2 3/4 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026032480-7H4ZIAX98ACEQKM198Z1/AOAMTM_Installview_092-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>General Idea Untitled 1978/2008 Gelatin silver prints 9 x 11 inches each  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026031466-Q8DJBL3ACJKRYNRR918Q/AOAMTM_Installview_089-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Konrad Klapheck Répression 1984 Gravure 15 3/16 x 10 7/16 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026042352-WORMIHKPCZGJNAD6P6A3/AOAMTM_Installview_102-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Miljohn Ruperto Studio Portrait by Jose Reyes, Hollywood, CA 1940 (close-up, Polynesian) 2010 Photograph 10 x 8 inches  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026042696-7X46V9UVSIPWD0H7WFNJ/AOAMTM_Installview_103-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Miljohn Ruperto Studio Portrait by Jose Reyes, Hollywood, CA 1940 (full, formal) 2010 Photograph 10 x 8 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026043966-FMUVV2JHZQ16ZIZ1WXBD/AOAMTM_Installview_104-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Miljohn Ruperto Studio Portrait by Jose Reyes, Hollywood, CA 1940 (close up, Polynesian, tilt) 2010 Photograph 10 x 8 inches  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026053108-89Q9W205YGIRA82JM6NH/AOAMTM_Installview_113-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Lucy McKenzie How D'you Know Me? 2012 Two‐color silkscreen print on cotton fabric 41 3/4 x 31 1/2 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1452026056233-10MI5EO301ACOCZ11M1B/AOAMTM_Installview_117-FULL.jpg</image:loc>
      <image:title>Again, Once Again, Many Times More, Martos Gallery, 2014</image:title>
      <image:caption>Liz Glynn Modern Classical Column (After Richard Deakins) 2008 Cast plaster 10 x 11 x 11 inches  </image:caption>
    </image:image>
  </url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460139571946-9AANFUPX4RPWD5NQYAVM/WB15511.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Southwyck Mall (View of Fountain), Toledo, OH, Est. 1972, Demo. 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches A Diagram of Forces, 2011  </image:caption>
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    <image:image>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Southwyck Mall (View of Fountain), Toledo, OH, Est. 1972, Demo. 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637369646-FYM5OUWN4QW0LNGGU7YZ/WB_15511.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Southwyck Mall (View of Fountain), Toledo, OH, Est. 1972, Demo. 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637374479-CH3Q6APQXSU5TVDH48EK/WB_15611.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Randall Park Mall (View of Interior), North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637372746-V3CC0JE2U8FQ0S23JF1A/WB_15911.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza Looking East), Rochester, NY. Est. 1962, Demo. 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637373841-E2K1QS03JTHQ07JD0NU1/WB_16011.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Southwyck Mall, Toledo, OH, Est 1972, Demo 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637375323-C55T2MN16A3QZP0NAT97/WB_16111.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Southwyck Mall (View of Food Court), Toledo, OH, Est. 1972, Demo. 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637379532-XZ6NGWXS5QGG2NVNPUI4/WB_28911.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Southwyck Mall ('Sophisticut'), Toledo, OH, Est. 1972, Demo. 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637377870-MBCQE0BT3BSO1MZBHYF8/WB_28811.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Summit Park Mall (View of War Mural), Wheatfield, NY, Est. 1972 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637380740-0KA97XYP8CXXRTVIRRL3/WB_29011.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Randall Park Mall (View of Fountain, Seating Area), North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637380854-K1BZ6EYA8QEBPNOJG9SM/WB_29211.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Rolling Acres Mall (View of Customer Service Kiosk), Akron, OH, Est. 1975 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637382281-WPXZ4LN7FF9AHV8BBKR6/WB_29411.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Randall Park Mall ('Electronics') North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637382690-00XPIMYC7541FF57IJ5P/WB_29711.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Lockport Mall (View of Exterior), Lockport, NY, Est. 1971, Demo. 2011 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466637383501-2FX6ZQ2P2415ACL5W1PZ/WB_29811.jpg</image:loc>
      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Lockport Mall (View of Interior), Lockport, NY, Est. 1971, Demo. 2011 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
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    <image:image>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Midtown Plaza (View of Totem Pole, Back), Rochester, NY, Est. 1962, Demo. 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
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    <image:image>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Randall Park Mall ('Utopia Shoes &amp; Accessories,' 'Le Nails,' 'Macy's'), North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>'Toys 'R Us' (View of Exterior), North Randall, OH, Est. 1986 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
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    <image:image>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza Looking South), Rochester, NY. Est. 1962, Demo. 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Rolling Acres Mall (View of Main Entrance) Akron, OH, Est. 1975 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Midway Mall (View of Exterior, 'Sears'), Elyria, OH, Est. 1965 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza), Rochester, NY, Est. 1962, Demo. 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza Looking South), Rochester, NY. Est. 1962, Demo 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Rolling Acres Mall ('Dillards') Akron, OH, Est. 1975 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
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    <image:image>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Livonia Mall (View of Community Stage), Livonia, MI. Est. 1964, Demo. 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>Midway Mall (View of Exterior), Elyria, OH, Est. 1965 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches Exhibition: A Diagram of Forces, 2011</image:caption>
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      <image:title>American Passages, 2001–2011</image:title>
      <image:caption>American Passages, 2001–2011 2009 Set of 180 images on analog slides shown via slide projection, 35mm slides, dual projection with dissolve unit Dimensions variable Exhibition: Passages, 2009</image:caption>
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      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches A Diagram of Forces, 2011  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
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      <image:caption>Luchas Fraticidas (March 2–8, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 71 x 99 1/2 x 42 1/4 inches Ceramics, 2013–  </image:caption>
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      <image:caption>All the World’s Futures Curated by Okwui Enwezor 56th International Art Exhibition La Biennale di Venezia Venice Italy 2015  </image:caption>
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      <image:caption>La Ciudad en Llamas (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 54 x 42 x 26 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>La Ciudad en Llamas (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 54 x 42 x 26 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:caption>All the World’s Futures Curated by Okwui Enwezor 56th International Art Exhibition La Biennale di Venezia Venice Italy 2015  </image:caption>
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      <image:caption>All the World’s Futures Curated by Okwui Enwezor 56th International Art Exhibition La Biennale di Venezia Venice Italy 2015  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450742094749-T8CBG4HUK0U7EZKSHUZD/WB01415_b.jpg</image:loc>
      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>Las Fuerzas Tenebrosas (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 50 3/4 x 42 x 29 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>Las Fuerzas Tenebrosas (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 50 3/4 x 42 x 29 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>El Circo Contemporáneo (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 84 x 50 3/4 x 42 inches Ceramics, 2013–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450742095523-RS7WP2CI3U1J4BU245OE/WB01515_b.jpg</image:loc>
      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>El Circo Contemporáneo (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 84 x 50 3/4 x 42 inches Ceramics, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>Lo Desconocido (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 64 x 42 x 26 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>Lo Desconocido (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 64 x 42 x 26 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1450742114169-ACEFUY5WEU3UP79UECZ5/WB02015_a.jpg</image:loc>
      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>La Religiosidad Americana (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 55 1/2 x 42 x 26 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>La Religiosidad Americana (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 55 1/2 x 42 x 26 1/2 inches Ceramics, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>La Ciudad en Llamas y Alegoría (August 28–September 10, 2013: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 80 x 20 1/2 x 31 1/2inches Ceramics, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Jueves, 1 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Jueves, 1 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Miércoles, 7 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Jueves, 1 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Sábado, 10 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Sábado, 10 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Domingo, 18 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013–  </image:caption>
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      <image:title>All the World’s Futures, La Biennale di Venezia, 2015</image:title>
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      <image:title>Newspapers, 2013–</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Jueves, 8 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Fair Use, 2013  </image:caption>
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      <image:title>Newspapers, 2013–</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Viernes, 9 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Fair Use, 2013  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377228716-B3NIBEKKD5IUSUIWECFR/WB32613_b.jpg</image:loc>
      <image:title>Newspapers, 2013–</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Viernes, 9 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Fair Use, 2013  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377437787-QQYRPOXPQK8884NG0NX2/WB33113_a.jpg</image:loc>
      <image:title>Newspapers, 2013–</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Miércoles, 21 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Fair Use, 2013  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377438447-F3J3EO0ZTDZARFU99WAF/WB33113_b.jpg</image:loc>
      <image:title>Newspapers, 2013–</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Miércoles, 21 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Fair Use, 2013  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377521933-3GLGF9SS3K26GZV00ZHA/WB33213_a.jpg</image:loc>
      <image:title>Newspapers, 2013–</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Juves, 22 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Fair Use, 2013  </image:caption>
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      <image:title>Newspapers, 2013–</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Juves, 22 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Fair Use, 2013  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377653957-TY6OYI2HF2DZN77ONWK1/WB33413_a.jpg</image:loc>
      <image:title>Newspapers, 2013–</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Sábado, 24 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Fair Use, 2013  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459377654728-4OJC8NB17DYB71GSVMZG/WB33413_b.jpg</image:loc>
      <image:title>Newspapers, 2013–</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Sábado, 24 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Fair Use, 2013  </image:caption>
    </image:image>
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    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/the-continuous-presents-of-futures-past-2012-2013</loc>
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      <image:title>After the Ends, 2006/2012</image:title>
      <image:caption>The Continuous Presents of Futures Past (post-apocalypses 1985–1959), )9591–5891 sespylacopa-tsop( tsaP serutuF fo stneserP suounitnoC ehT 2012 Fifteen commercial films from the cold war era, color offset print, Apple Mac Mini, and wireless headphones 48 hours Travel Pictures, 2012  </image:caption>
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      <image:title>After the Ends, 2006/2012</image:title>
      <image:caption>The Continuous Presents of Futures Past (post-apocalypses 1985–1959), )9591–5891 sespylacopa-tsop( tsaP serutuF fo stneserP suounitnoC ehT 2012 Fifteen commercial films from the cold war era, color offset print, Apple Mac Mini, and wireless headphones 48 hours Travel Pictures, 2012  </image:caption>
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      <image:title>After the Ends, 2006/2012</image:title>
      <image:caption>The Continuous Presents of Futures Past (post-apocalypses 1985–1959), )9591–5891 sespylacopa-tsop( tsaP serutuF fo stneserP suounitnoC ehT 2012 Fifteen commercial films from the cold war era, color offset print, Apple Mac Mini, and wireless headphones 48 hours Travel Pictures, 2012  </image:caption>
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      <image:title>After the Ends, 2006/2012</image:title>
      <image:caption>The Continuous Presents of Futures Past (Post-apocalypses 1959–1985, Spanish) 2013 Fifteen commercial films from the cold war era with Spanish subtitles, MacMini with adhesive decal 24 hours Fair Use, 2013  </image:caption>
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      <image:title>After the Ends, 2006/2012</image:title>
      <image:caption>The Continuous Presents of Futures Past (Post-apocalypses 1959–1985) 2013 Digital file Dimensions variable Fair Use, 2013  </image:caption>
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      <image:title>After the Ends, 2006/2012</image:title>
      <image:caption>The Continuous Presents of Futures Past (Post-apocalypses 1959–1985) 2013 Digital file Dimensions variable Fair Use, 2013  </image:caption>
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      <image:title>There is Always a Background / CMYK, Cabinet Magazine, 2010</image:title>
      <image:caption>There is Always a Background / CMYK, curated project of magazine based works for Cabinet Magazine, Fall 2007.   Participating Artists: Matthew Brannon, Morgan Fisher, Liam Gillick, Amy Granat, Elin Hansdottir &amp; Darri Lorenzen, Leslie Hewitt, Corey McCorkle, and James Welling.  </image:caption>
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      <image:title>There is Always a Background / CMYK, Cabinet Magazine, 2010</image:title>
      <image:caption>There is Always a Background / CMYK, curated project of magazine based works for Cabinet Magazine, Fall 2007.   Participating Artists: Matthew Brannon, Morgan Fisher, Liam Gillick, Amy Granat, Elin Hansdottir &amp; Darri Lorenzen, Leslie Hewitt, Corey McCorkle, and James Welling.  </image:caption>
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      <image:title>There is Always a Background / CMYK, Cabinet Magazine, 2010</image:title>
      <image:caption>There is Always a Background / CMYK, curated project of magazine based works for Cabinet Magazine, Fall 2007.  </image:caption>
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      <image:title>There is Always a Background / CMYK, Cabinet Magazine, 2010</image:title>
      <image:caption>There is Always a Background / CMYK, curated project of magazine based works for Cabinet Magazine, Fall 2007.  </image:caption>
    </image:image>
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      <image:title>There is Always a Background / CMYK, Cabinet Magazine, 2010</image:title>
      <image:caption>There is Always a Background / CMYK, curated project of magazine based works for Cabinet Magazine, Fall 2007.  </image:caption>
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    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/shanzhai-times-village-mountain-era</loc>
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    <lastmod>2016-07-26</lastmod>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458169473902-GIX4JAA8UHH0SW9ZFKQN/SC_set_HE7A1375_edit.jpg</image:loc>
      <image:title>Shanzhai Times, 山寨时报, Village Mountain Era</image:title>
      <image:caption>Walead Beshty·NRR。，，，，NN。2001 - , 上海增稅普通友票 ,, September 20, 2012, (Walead Beshty: Selected Correspondences 2001–2010, monograph, Bologna, Italy: Damiani Editore, 123pp. essays by Peter Eleey, Jason E Smith, and Eric Schwab, 2010.) / Walead Beshty Select · NRR. ,,,, NN. 2001 -, The Shanghai VAT Ordinary Friends of votes, September 20, 2012, (Walead Beshty: Selected Correspondences 2001–2010, monograph, Bologna, Italy: Damiani Editore, 123 pp. essays by Peter Eleey, Jason E Smith, and Eric Schwab, 2010.) 2012 four-color offset prints on coated paper, bound 8 1/4 x 11 9/16 x 3/8 inches each   Chinese replicas of Selected Correspondences produced on the occasion of the 2012 Shanghai Biennale. Volume 1 digitally translated in to Chinese and volume 2 digitally translated back to English.  </image:caption>
    </image:image>
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      <image:title>Shanzhai Times, 山寨时报, Village Mountain Era</image:title>
      <image:caption>Shanzhai Times, 山寨时报, Village Mountain Era 2012 Newsprint 13 3/4 x 10 inches   Published on the occasion of the 9th Shanghai Biennale 2012, Walead Beshty, Los Angeles Pavilion, Shanghai, China, 2012.  </image:caption>
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      <image:title>Shanzhai Times, 山寨时报, Village Mountain Era</image:title>
      <image:caption>Shanzhai Times, 山寨时报, Village Mountain Era 2012 Newsprint 13 3/4 x 10 inches   Published on the occasion of the 9th Shanghai Biennale 2012, Walead Beshty, Los Angeles Pavilion, Shanghai, China, 2012.  </image:caption>
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      <image:title>Shanzhai Times, 山寨时报, Village Mountain Era</image:title>
      <image:caption>Shanzhai Times, 山寨时报, Village Mountain Era 2012 Newsprint 13 3/4 x 10 inches   Published on the occasion of the 9th Shanghai Biennale 2012, Walead Beshty, Los Angeles Pavilion, Shanghai, China, 2012.  </image:caption>
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      <image:title>Shanzhai Times, 山寨时报, Village Mountain Era</image:title>
      <image:caption>Shanzhai Times, 山寨时报, Village Mountain Era 2012 Newsprint 13 3/4 x 10 inches   Published on the occasion of the 9th Shanghai Biennale 2012, Walead Beshty, Los Angeles Pavilion, Shanghai, China, 2012.  </image:caption>
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      <image:title>Shanzhai Times, 山寨时报, Village Mountain Era</image:title>
      <image:caption>Shanzhai Times, 山寨时报, Village Mountain Era 2012 Newsprint 13 3/4 x 10 inches   Published on the occasion of the 9th Shanghai Biennale 2012, Walead Beshty, Los Angeles Pavilion, Shanghai, China, 2012.  </image:caption>
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      <image:title>Shanzhai Times, 山寨时报, Village Mountain Era</image:title>
      <image:caption>Shanzhai Times, 山寨时报, Village Mountain Era 2012 Newsprint 13 3/4 x 10 inches   Published on the occasion of the 9th Shanghai Biennale 2012, Walead Beshty, Los Angeles Pavilion, Shanghai, China, 2012.  </image:caption>
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      <image:title>Shanzhai Times, 山寨时报, Village Mountain Era</image:title>
      <image:caption>Shanzhai Times, 山寨时报, Village Mountain Era 2012 Newsprint 13 3/4 x 10 inches   Published on the occasion of the 9th Shanghai Biennale 2012, Walead Beshty, Los Angeles Pavilion, Shanghai, China, 2012.  </image:caption>
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      <image:title>Shanzhai Times, 山寨时报, Village Mountain Era</image:title>
      <image:caption>Shanzhai Times, 山寨时报, Village Mountain Era 2012 Newsprint 13 3/4 x 10 inches   Published on the occasion of the 9th Shanghai Biennale 2012, Walead Beshty, Los Angeles Pavilion, Shanghai, China, 2012.  </image:caption>
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      <image:title>Shanzhai Times, 山寨时报, Village Mountain Era</image:title>
      <image:caption>Shanzhai Times, 山寨时报, Village Mountain Era 2012 Newsprint 13 3/4 x 10 inches   Published on the occasion of the 9th Shanghai Biennale 2012, Walead Beshty, Los Angeles Pavilion, Shanghai, China, 2012.  </image:caption>
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      <image:title>Shanzhai Times, 山寨时报, Village Mountain Era</image:title>
      <image:caption>Shanzhai Times, 山寨时报, Village Mountain Era 2012 Newsprint 13 3/4 x 10 inches   Published on the occasion of the 9th Shanghai Biennale 2012, Walead Beshty, Los Angeles Pavilion, Shanghai, China, 2012.  </image:caption>
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    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/passages</loc>
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      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
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      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
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      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
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      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
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      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
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      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
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      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
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      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454541866192-8ZTA6PY2EDL25OMBUPVI/20090331_lax_beshty_046b.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454541866919-HUZRB5NWFF1ZG4AV319E/20090331_lax_beshty_050b.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454541865003-ROGLMGY37O5WUOC5F633/20090331_lax_beshty_038b.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454541874732-LA0GXHLI8ZOC3XDOIFL5/IMG_0084edit.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Passages LAXART Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454541869108-4SBNOALTEIDDE7Q02Z3Q/IMG_0074.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Dust (2007–2008) 2009 Stretched vinyl on billboard 12 feet, 3 inches x 24 feet, 6 inches Dust, 2005–2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454541861947-IJF1S9N8IWANM53UA35C/20090331_lax_beshty_026b.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Untitled (LAXART: Los Angeles, CA, March 21–May 2, 2009) 2009 Laminated mirror and glass, neoprene Dimensions variable Mirrored Floor Work, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1454541860083-B8Z5XJY3NNNH8KZBSK1U/20090331_lax_beshty_012b.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>American Passages, 2001– 2009 Set of 180 images on analog slides shown via slide projection, 35mm slides, dual projection with dissolve unit Dimensions variable American Passages, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458679380534-W6SOWF3L7066CX7B6YZ2/97170002.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Southwyck Mall (View of Fountain), Toledo, OH, Est. 1972, Demo. 2009 2009 Analog slide shown via slide projection, 35mm slide, dual projection with dissolve unit Dimensions variable American Passages, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458679384859-9RKTMOLBQF4BT8B0D0BT/97170014.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Southwyck Mall (‘Things Remembered,’ ‘Master Cuts’), Toledo, OH, Est. 1972, Demo. 2009 2009 Analog slide shown via slide projection, 35mm slide, dual projection with dissolve unit Dimensions variable American Passages, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458679410684-74XBSHLDF2P2S302EDBP/97120026.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza Looking East), Rochester, NY. Est. 1962, Demo. 2008 2009 Analog slide shown via slide projection, 35mm slide, dual projection with dissolve unit Dimensions variable American Passages, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458679463595-FPZNJMURH2O9TTMCVLL8/97170024.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Southwyck Mall ('Sophisticut'), Toledo, OH, Est. 1972, Demo. 2009 2009 Analog slide shown via slide projection, 35mm slide, dual projection with dissolve unit Dimensions variable American Passages, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458680815007-MKILLGO6JIRJAQWVTDZD/97190020.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Lockport Mall (View of Interior), Lockport, NY, Est. 1971, Demo. 2011 2009 Analog slide shown via slide projection, 35mm slide, dual projection with dissolve unit Dimensions variable American Passages, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458679426826-5I7TQOETXEUDZW7LKPI4/97200030.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Randall Park Mall (View of Fountain, Seating Area), North Randall, OH, Est. 1976, Demo. 2014 2009 Analog slide shown via slide projection, 35mm slide, dual projection with dissolve unit Dimensions variable American Passages, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319683228-PMANHCS74LQ3RPVXX5MY/WB01209.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: November 4–November 10, 2008 LAX/IAD IAD/BRU BRU/IAD IAD/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319683855-IYBVRFC55VLRW57M01IS/WB01409.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: April 7–April 13, 2008 ORD/LAX LAX/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319685093-WRY0WG4USDG8LN1JH7BD/WB01509.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: March 24–March 29, 2008 ORD/LGA LGA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319685065-2EVZ14LMZVPNURFC2MY9/WB01609.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 1601: October 19–October 21, 2007 ORD/LAX LAX/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319686715-3CPSKANWM0J3GM90XYDO/WB01709.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: May 8–July 18, 2007 LAX/FRA FRA/JFK LGA/IAD IAD/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319688978-LU4VWD4U9X5GJUJKTPPG/WB02309.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: August 17–August 24, 2008 LAX/IAD DCA/ORD ORD/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319689539-EQAPT50P3OHSX1PXHN8D/WB02509.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 1501: April 10–April 16, 2007 LAX/ORD ORD/EWR EWR/ORD ORD/SNA SNA/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319689877-NP000T1NG08855Q4WXCK/WB02709.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: March 12–March 16, 2008 ORD/LGA EWR/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319690467-DRLDZ0G9K7ACDGSNHDQ8/WB03409.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: December 5–December 9, 2007 ORD/MIA MIA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462319691041-WBX7W8BBRYZEEH7IXB32/WB14209.jpg</image:loc>
      <image:title>Passages, LAXART, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160VC Em. No. 4071: January 28–February 3, 2009 LAX/LHR LHR/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/five</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237644882-SZOF2WDE0YKNZJ6CIG7B/Walead-Beshty-room-2.jpg</image:loc>
      <image:title>FIVE, Baibakov Projects, 2009</image:title>
      <image:caption>FIVE Walead Beshty, Matthew Brannon, Wade Guyton, Sterling Ruby, and Kelley Walker Baibakov Projects Moscow Russia 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237644882-SZOF2WDE0YKNZJ6CIG7B/Walead-Beshty-room-2.jpg</image:loc>
      <image:title>FIVE, Baibakov Projects, 2009</image:title>
      <image:caption>FIVE Walead Beshty, Matthew Brannon, Wade Guyton, Sterling Ruby, and Kelley Walker Baibakov Projects Moscow Russia 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237643606-7NBDJ0Q9YEF8TA6VXP29/Walead-Beshty-room.jpg</image:loc>
      <image:title>FIVE, Baibakov Projects, 2009</image:title>
      <image:caption>FIVE Walead Beshty, Matthew Brannon, Wade Guyton, Sterling Ruby, and Kelley Walker Baibakov Projects Moscow Russia 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462322987374-8VJSZ3URSG44FVCASTIW/WB01209.jpg</image:loc>
      <image:title>FIVE, Baibakov Projects, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: November 4–10, 2008 LAX/IAD IAD/BRU BRU/IAD IAD/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462322988058-ZKU91TKPGWZVHEW718IY/WB01509.jpg</image:loc>
      <image:title>FIVE, Baibakov Projects, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: March 24–March 29, 2008 ORD/LGA LGA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462322988990-U15OHD2M7SMWTJ3SL8F0/WB01709.jpg</image:loc>
      <image:title>FIVE, Baibakov Projects, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: May 8–July 18, 2007 LAX/FRA FRA/JFK LGA/IAD IAD/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462322990586-JBVONBTOBFU8948VFXDA/WB02509.jpg</image:loc>
      <image:title>FIVE, Baibakov Projects, 2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 1501: April 10–April 16, 2007 LAX/ORD ORD/EWR EWR/ORD ORD/SNA SNA/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462322989760-XEKFRJPUVD1F2UNNCMRY/WB02709.jpg</image:loc>
      <image:title>FIVE, Baibakov Projects, 2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: March 12–March 16, 2008 ORD/LGA EWR/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1462322990984-E6ABXM7IQX7X73A3X8U2/WB03509.jpg</image:loc>
      <image:title>FIVE, Baibakov Projects, 2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 51341: May 28–June 29, 2008 ORD/LAX LAX/JFK JFK/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/popular-mechanics</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506122206540-89BZZ4SCRIQOSU3BKY4U/Popular+Mechanics_HE7A1488_edit_crop.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Popular Mechanics press release Wallspace New York New York 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506122206540-89BZZ4SCRIQOSU3BKY4U/Popular+Mechanics_HE7A1488_edit_crop.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Popular Mechanics press release Wallspace New York New York 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237152896-9FIXYZJAJO3VU3AOX536/Beshty_01.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Popular Mechanics Wallspace New York New York 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237152513-FDXOXLWBNESTVXLB8YX9/Beshty_03.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Popular Mechanics Wallspace New York New York 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237154093-GW7CCHR7S3B5Q7S4TIF0/Beshty_04.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Popular Mechanics Wallspace New York New York 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237154150-2N817CBXM38RT7I3RO97/Beshty_05.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Popular Mechanics Wallspace New York New York 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237155285-UB43QHUTRXEKXT2UA6HL/Beshty_06.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Popular Mechanics Wallspace New York New York 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237155207-4W9J73A8NT7LP4Q951TT/Beshty_07.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Popular Mechanics Wallspace New York New York 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237156262-5PGRMYDA3U3D31OI6FT8/Beshty_08.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Popular Mechanics Wallspace New York New York 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237156471-2GD06Q7LIWTKEJXTOWL1/Beshty_09.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Popular Mechanics Wallspace New York New York 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1455237158175-O23ZW6YI3FH7ML4CH44H/Beshty_10.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Popular Mechanics Wallspace New York New York 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459468354087-TPN4KHVAXFY1N3PRDTHJ/WB30608.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 85 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459468353835-EYIA8N04KMOWEB6ZS4CC/WB30708.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 100 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459468355571-X91KFURV70NAJ0QA0JQF/WB31108.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 25, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 93 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459468355738-DA6AJ7H6GTCB5HCBXB8S/WB31408.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 25, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 93 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459468356593-D97QM07ET7Q4CW6F1VJS/WB31608.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 93 x 50 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342295963-EWEK5FQPWGTY6ZYAS64L/WB13009.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Independent Curator (NB), London, United Kingdom, January 30, 2009 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342296084-YW4W1KZVYFDOHKCMCCZ1/WB37208.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Gallery Director/Partner (FC), London, United Kingdom, October 17, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342296870-86P65YT7KUWFJVI1LJ1F/WB37608.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Associate Curator, University Museum (JP), Ann Arbor, Michigan, September 19, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342296948-SD6RBZGATSYH2SM1CJVU/WB39809.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Collector (DS), Washington, District of Columbia, April 28, 2009 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342297931-H3LG6B78TEE6ZMIKI7KY/WB39908.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Darkroom Assistant (EC-H), Irvine, California, July 18, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342297769-3DP4SUHANDT43ZMX3KWS/WB40608.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Wide-format Inkjet Printer (Epson), Los Angeles, California, July 25, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342298713-WV8FIZIQJI7CWJQYQJY6/WB41408.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Claire Trevor School of the Arts (University of California Irvine), Irvine, California, July 17, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342298982-3VVCW4OCPSWBX9EU3STD/WB41508.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Fabricator (JD), Glendale, California, July 9, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342299752-GGBFBOSWET8CFBNS4PIJ/WB57009.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Artist (KFH), Los Angeles, California, February 8, 2009 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342299874-PK87Y9BAZJG2ZIJYB6TO/WB57209.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Private Collection Gallery (Vanmoerkerke), Ostende, Belgium, November 9, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342300754-0KSDSKBHCWTVI26L47WO/WB322808.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Horitonzal Enlarger (Fotar), Irvine, California, July 18, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342300667-RBNHM8ZKLNZXI584P8L9/WB326108.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Gallerist (SH), Los Angeles, California, July 25, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342301670-V343Z70HW0FYD9146APV/WB329608.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Curator (EH), Washington, District of Columbia, August 13, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342311861-TXVXXG74GGAS1ETRVJ5I/WB331308.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Collector (MV), Ostend, Belgium, November 9, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458342302659-O34JT2NLOY1C4406UB66/WB331408.jpg</image:loc>
      <image:title>Popular Mechanics, Wallspace, 2009</image:title>
      <image:caption>Gallery Director (FC), Brussels, Belgium, November 6, 2008 2009 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/walead-beshty-selected-correspondences-2001-2010</loc>
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      <image:title>Walead Beshty: Selected Correspondences 2001–2010</image:title>
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      <image:title>Walead Beshty: Selected Correspondences 2001–2010</image:title>
      <image:caption>Walead Beshty: Selected Correspondences 2001–2010 (Bologna, Italy: Damiani Editore, 2010), with essays by Peter Eleey, Jason E Smith, and Eric Schwab.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458241845647-I530Z4DY7B5O12V7LNUT/Selected-Correspondences_HE7A0089_edit.jpg</image:loc>
      <image:title>Walead Beshty: Selected Correspondences 2001–2010</image:title>
      <image:caption>Walead Beshty: Selected Correspondences 2001–2010 (Bologna, Italy: Damiani Editore, 2010), with essays by Peter Eleey, Jason E Smith, and Eric Schwab.  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Walead Beshty: Selected Correspondences 2001–2010</image:title>
      <image:caption>Walead Beshty: Selected Correspondences 2001–2010 (Bologna, Italy: Damiani Editore, 2010), with essays by Peter Eleey, Jason E Smith, and Eric Schwab.  </image:caption>
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    <image:image>
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      <image:title>Walead Beshty: Selected Correspondences 2001–2010</image:title>
      <image:caption>Walead Beshty: Selected Correspondences 2001–2010 (Bologna, Italy: Damiani Editore, 2010), with essays by Peter Eleey, Jason E Smith, and Eric Schwab.  </image:caption>
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  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/001</loc>
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      <image:title>[...] 001</image:title>
      <image:caption>[…] 001 2015 Two digital offset publications in linen slipcase 8 5/8 x 2 3/8 x 6 inches   Walead Beshty, ed., Ethics, Documents of Contemporary Art, published by MIT Press and Whitechapel Gallery and Unethical, self-published book containing all text edited out of Ethics.  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458165347161-FGJTLS5ERTKKJ8LH2VH4/Unethical_HE7A9961_edit.jpg</image:loc>
      <image:title>[...] 001</image:title>
      <image:caption>[…] 001 2015 Two digital offset publications in linen slipcase 8 5/8 x 2 3/8 x 6 inches   Walead Beshty, ed., Ethics, Documents of Contemporary Art, published by MIT Press and Whitechapel Gallery and Unethical, self-published book containing all text edited out of Ethics.  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458165346098-OH8208JJ0SRGK5X2GMNG/Unethical_HE7A9929_edit.jpg</image:loc>
      <image:title>[...] 001</image:title>
      <image:caption>[…] 001 2015 Two digital offset publications in linen slipcase 8 5/8 x 2 3/8 x 6 inches   Walead Beshty, ed., Ethics, Documents of Contemporary Art, published by MIT Press and Whitechapel Gallery and Unethical, self-published book containing all text edited out of Ethics.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1458165346028-EFKMLPJN3Q4LX9QCC8J4/Unethical_HE7A9930_edit.jpg</image:loc>
      <image:title>[...] 001</image:title>
      <image:caption>[…] 001 2015 Two digital offset publications in linen slipcase 8 5/8 x 2 3/8 x 6 inches   Walead Beshty, ed., Ethics, Documents of Contemporary Art, published by MIT Press and Whitechapel Gallery and Unethical, self-published book containing all text edited out of Ethics.  </image:caption>
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    <image:image>
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      <image:title>[...] 001</image:title>
      <image:caption>[…] 001 2015 Two digital offset publications in linen slipcase 8 5/8 x 2 3/8 x 6 inches   Walead Beshty, ed., Ethics, Documents of Contemporary Art, published by MIT Press and Whitechapel Gallery and Unethical, self-published book containing all text edited out of Ethics.  </image:caption>
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      <image:title>[...] 001</image:title>
      <image:caption>[…] 001 2015 Two digital offset publications in linen slipcase 8 5/8 x 2 3/8 x 6 inches   Walead Beshty, ed., Ethics, Documents of Contemporary Art, published by MIT Press and Whitechapel Gallery and Unethical, self-published book containing all text edited out of Ethics.  </image:caption>
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      <image:title>[...] 001</image:title>
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      <image:title>[...] 001</image:title>
      <image:caption>[…] 001 2015 Two digital offset publications in linen slipcase 8 5/8 x 2 3/8 x 6 inches   Walead Beshty, ed., Ethics, Documents of Contemporary Art, published by MIT Press and Whitechapel Gallery and Unethical, self-published book containing all text edited out of Ethics.  </image:caption>
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  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/decoys-2011</loc>
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      <image:title>Decoys, 2011–</image:title>
      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011) pp. 129 2011 Light jet print in custom plexi box 108 1/2 x 51 1/2 x 7 inches PROCESSCOLORFIELDS, 2011  </image:caption>
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      <image:title>Decoys, 2011–</image:title>
      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011) pp. 129 2011 Light jet print in custom plexi box 108 1/2 x 51 1/2 x 7 inches PROCESSCOLORFIELDS, 2011  </image:caption>
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      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011)  pp. 84. 2011 Chromogenic print in custom plexi box 108 x 50 inches PROCESSCOLORFIELDS, 2011  </image:caption>
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      <image:title>Decoys, 2011–</image:title>
      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011) pp. 126–127 2011 Chromogenic print in custom plexi box 108 1/2 x 51 1/2 x 7 inches PROCESSCOLORFIELDS, 2011  </image:caption>
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      <image:caption>Replica [Black Curl (CMY/Five Magnet: Irvine, California, March 26th, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07610)], Chinese White Dragon, Hao Liang (digital design, painter), Wang Jing (painter), Du Yuefeng (painter), Huang Yun (painter) and Xiao Yanqun (printer),  Talens Ecoline Ink, Talens Drawing Ink and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper, Beijing, China, September 17–21, 2011 2011 Talens Ecoline Ink, Talens Drawing Ink, and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper 50 x 104 1/2 inches Securities and Exchanges, 2011  </image:caption>
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      <image:caption>Replica [Black Curl (CMY/Five Magnet: Irvine, California, March 26th, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06410)], Chinese White Dragon, Hao Liang (digital design, painter) , Wang Jing (painter), Du Yuefeng (painter), Huang Yun (painter) and Xiao Yanqun (printer),  Talens Ecoline Ink, Talens Drawing Ink and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper, Beijing, China, September 17–21, 2011 2011 Talens Ecoline Ink, Talens Drawing Ink, and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper 50 x 104 1/2 inches Securities and Exchanges, 2011  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/island-flora</loc>
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    <priority>0.75</priority>
    <lastmod>2017-08-21</lastmod>
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      <image:title>Island Flora, 2005</image:title>
      <image:caption>Island Flora #1 (Rte. 5, Southbound) 2005 Chromogenic print 99 1/2 x 47 1/2 inches  </image:caption>
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    <image:image>
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      <image:title>Island Flora, 2005</image:title>
      <image:caption>Island Flora #1 (Rte. 5, Southbound) 2005 Chromogenic print 99 1/2 x 47 1/2 inches  </image:caption>
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    <image:image>
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      <image:title>Island Flora, 2005</image:title>
      <image:caption>Island Flora #4 (Rte. 110 and Rte. 10 Interchange) 2005 Chromogenic print 99 1/2 x 47 1/2 inches  </image:caption>
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    <image:image>
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      <image:title>Island Flora, 2005</image:title>
      <image:caption>Island Flora #5 (Rte. 405 and Rte. 10 Interchange) 2005 Chromogenic print 99 1/2 x 47 1/2 inches  </image:caption>
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    <image:image>
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      <image:title>Island Flora, 2005</image:title>
      <image:caption>Island Flora #6 (Rte. 101, Southbound) 2005 Chromogenic print 99 1/2 x 47 1/2 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459973531204-GTIMF848EP2UXAS4EKSK/04405.jpg</image:loc>
      <image:title>Island Flora, 2005</image:title>
      <image:caption>Island Flora #8 (Rte. 101 and Rte. 110 Interchange) 2005 Chromogenic print 99 1/2 x 47 1/2 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459973760086-J7GULL4QYMRGOOC46PPT/04305.jpg</image:loc>
      <image:title>Island Flora, 2005</image:title>
      <image:caption>Island Flora #7 (Service Rte. 1) 2005 Chromogenic print 99 1/2 x 47 1/2 inches  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/televisions-2014-</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523320447432-MCJQKHMQYMR1XKCGIXPC/WB-1667-3.jpg</image:loc>
      <image:title>-Televisions-, 2014– - Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV&lt;/del&gt;</image:title>
      <image:caption>2018 Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV 80 7/8 x 47 11/16 x 4 1/2 inches Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523320447432-MCJQKHMQYMR1XKCGIXPC/WB-1667-3.jpg</image:loc>
      <image:title>-Televisions-, 2014– - Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV&lt;/del&gt;</image:title>
      <image:caption>2018 Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV 80 7/8 x 47 11/16 x 4 1/2 inches Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523320449699-O01N95ZHUMLR1MR8XJFD/WB-1668.jpg</image:loc>
      <image:title>-Televisions-, 2014– - Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV&lt;/del&gt;</image:title>
      <image:caption>2018 Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV 80 7/8 x 47 11/16 x 4 1/2 inches Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523320451368-DU4UHOWBHFN9NBQB4MPE/WB-1669-1.jpg</image:loc>
      <image:title>-Televisions-, 2014– - Samsung UN55KU7500 Curved 55-inch 4K Ultra HD Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2018 Samsung UN55KU7500 Curved 55-inch 4K Ultra HD Smart LED TV 48 1/2 x 28 1/8 x 3 7/8 inches Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501710920488-145WBWDJ0T3NPPEWW751/WB+17_007aL.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501710939419-O6EAU80SDFM3BTU1AU28/WB_26216_final.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501710932147-BOKAMIPUM45Z72UEF95H/WB_00317.jpg</image:loc>
      <image:title>-Televisions-, 2014– - ​​​​​​​&lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV​​​​​​​&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501710932343-RFBIXR6VMLMCKDJH1FBV/WB_04917.jpg</image:loc>
      <image:title>-Televisions-, 2014– - ​​​​​​​&lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV​​​​​​​&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459190439793-GZ6BYJNHJMY008CNVQN9/WB_80614.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;Samsung UN75H6350 75-Inch 120Hz Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2015 Samsung UN75H6350 75-Inch 120Hz Smart LED TV 66 x 38 1/4 inches Great Hall Exhibition, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459190914599-SJ9MEA6KHA1S99J5DG93/WBE007.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2015 VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV 71 1/4 x 41 1/2 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459190949892-YYASCT50101DNI0GSWOQ/WBE008.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2015 VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV 71 1/4 x 41 1/2 inches Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459194951678-1VGV26I5ATYH7AFOPRGP/WB_102214.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;(TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV) &lt;/del&gt;</image:title>
      <image:caption>2015 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 7/5 inches Repetition and Difference, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459194953188-B4GTZWUMLMRRCZJBXPJG/WB_102314.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;(TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV) &lt;/del&gt;</image:title>
      <image:caption>2015 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 7/5 inches Repetition and Difference, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459194953262-IN5QTQK1KLK8OZ3WJNG1/WB_102414.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;(TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV) &lt;/del&gt;</image:title>
      <image:caption>2015 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 7/5 inches Repetition and Difference, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459194954534-JUU3W7BTUL785SQYI1TP/WB_102614.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;(TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV) &lt;/del&gt;</image:title>
      <image:caption>2015 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 7/5 inches Repetition and Difference, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459194954622-26NB15HW44NOKWTLZGLW/WB_119914.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;(TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV) &lt;/del&gt;</image:title>
      <image:caption>2015 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 7/5 inches Repetition and Difference, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459192095749-LVXZ602LJ2ROSBCZM7S0/WB79314_a.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459192111314-F2GAIRT09D52T8F3CFQN/WB79414_a.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459192118031-6JZTRQEDF3MI4TFJXD5M/WB79514_a.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459192123064-03V9NZUWA2EDJVLYWHTB/WB96914_a.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459192131513-XKK27HTRLSBP3PFLZ0SJ/WB97414_a.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459192138230-7V3HOGM6TZG4RX871KKX/WB97514_a.jpg</image:loc>
      <image:title>-Televisions-, 2014– - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Gastarbeiten, 2014  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/walead-beshty-kelley-walker-christopher-williams</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466638890567-443VM354OAC36RDKUOG7/P1010860_EDIT.jpg</image:loc>
      <image:title>Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009</image:title>
      <image:caption>Walead Beshty, Kelley Walker, Christopher Williams China Art Objects Galleries Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466638890567-443VM354OAC36RDKUOG7/P1010860_EDIT.jpg</image:loc>
      <image:title>Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009</image:title>
      <image:caption>Walead Beshty, Kelley Walker, Christopher Williams China Art Objects Galleries Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466638890581-5UR7YBGCYCEOS9R74PKY/P1010863_EDIT.jpg</image:loc>
      <image:title>Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009</image:title>
      <image:caption>Walead Beshty, Kelley Walker, Christopher Williams China Art Objects Galleries Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466638891784-I14II14X85HEZWGFAIXK/P1010869_edit.jpg</image:loc>
      <image:title>Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009</image:title>
      <image:caption>Walead Beshty, Kelley Walker, Christopher Williams China Art Objects Galleries Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466638892471-2SWHDH7MAUQXO3DWTZJO/P1010883_EDIT.jpg</image:loc>
      <image:title>Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009</image:title>
      <image:caption>Walead Beshty, Kelley Walker, Christopher Williams China Art Objects Galleries Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466638892838-2C1I242LY85J6VMYPG7M/P1010885_EDIT.jpg</image:loc>
      <image:title>Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009</image:title>
      <image:caption>Walead Beshty, Kelley Walker, Christopher Williams China Art Objects Galleries Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466638894143-VD6DMIGK004HX9YSRFKC/P1010886_EDIT.jpg</image:loc>
      <image:title>Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009</image:title>
      <image:caption>Walead Beshty, Kelley Walker, Christopher Williams China Art Objects Galleries Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466638894130-6AQ7T7WYP6B0K1MR6AYU/P1010891_EDIT.jpg</image:loc>
      <image:title>Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009</image:title>
      <image:caption>Walead Beshty, Kelley Walker, Christopher Williams China Art Objects Galleries Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466638895537-7H4E0FBM7AM2PW7MANVZ/P1010903_EDIT.jpg</image:loc>
      <image:title>Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009</image:title>
      <image:caption>Walead Beshty, Kelley Walker, Christopher Williams China Art Objects Galleries Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466638896814-1W0Y1HF5W6O4UKBAWJ5X/P1010909_EDIT.jpg</image:loc>
      <image:title>Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009</image:title>
      <image:caption>Walead Beshty, Kelley Walker, Christopher Williams China Art Objects Galleries Los Angeles California 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467226412812-5N2FFCLU0GH1RHOCSPN6/Photo--Joshua-White-2008-1458.jpg</image:loc>
      <image:title>Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009</image:title>
      <image:caption>Walead Beshty, Kelley Walker, Christopher Williams China Art Objects Galleries Los Angeles California 2009  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/automat-galerie-eva-presenhuber-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506447140487-EK0F1F7840GKFTEZOPQL/Automat_PR_edit-crop.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat press release Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506447140487-EK0F1F7840GKFTEZOPQL/Automat_PR_edit-crop.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat press release Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411343546-30I1FTF90QRR41OIO6P7/Exhview_Beshty_GEP_Zurich_2016_01.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1475609479749-DMYMZ0IT38ZCQQ8F2UDE/Automat_PR_edit.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat press release Galerie Eva Presenhuber Zurich Switzerland 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411343733-0OKJHN5YS7FYGFH2SDEA/Exhview_Beshty_GEP_Zurich_2016_02.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411345418-G3PH2A1I3A6Q4JS5O6S4/Exhview_Beshty_GEP_Zurich_2016_03.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411345386-RSWBDC4O6EYVM9IEC0RD/Exhview_Beshty_GEP_Zurich_2016_04.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411346693-GTZV6L3IUCBOLG10LNH3/Exhview_Beshty_GEP_Zurich_2016_05.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411346587-TL7WI9KSXW3LHH3Y2RUD/Exhview_Beshty_GEP_Zurich_2016_06.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411347955-6UN2HTO0TD88BD30XYLG/Exhview_Beshty_GEP_Zurich_2016_07.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411348651-PDBC0R4D30GEQFQLMKCA/Exhview_Beshty_GEP_Zurich_2016_08.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411349155-43BOBN8VZKXBBC0OX1C0/Exhview_Beshty_GEP_Zurich_2016_09.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411350741-5UWN4K0L6KIITTMNM7XQ/Exhview_Beshty_GEP_Zurich_2016_10.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411350325-JQE2KHUQ5S0T85SQ6TG1/Exhview_Beshty_GEP_Zurich_2016_11.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Automat Galerie Eva Presenhuber, Zurich 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411351927-ADWTDLSH4V4MJ3BK9RE8/Exhview_Beshty_GEP_Zurich_2016_12.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Detail of Copper Surrogates (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection: June 1–8/August 30, 2016, Zürich, Switzerland) 2016– Polished copper 30 x 11 1/2 x 30 inches, each Surrogates (Modular, Art Handling), 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1475610001968-BT9O1M0BN93232ZTOE41/03516.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>RA4 Contact Print / Processor Stall (CMY/Six Magnet/Six Magnet: Los Angeles, California, February 19, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 107-016; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 03516) 2016 Color photographic paper 119 3/4 x 100 inches Inverted RA4 Contact Prints, 2016–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1475610001998-0X6I90MQ7WVBHE1PE427/05416.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>RA4 Contact Print / Processor Stall / Depleted Developer (MYC/Six Magnet: Los Angeles, California, March 30, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 05416) 2016 Color photographic paper 140 x 100 inches Inverted RA4 Contact Prints, 2016–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1475610006249-CZQWHPC72MUQXG4VC5IN/BESHT42753_b.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall (MYC/Six Magnet: Los Angeles, California, March 17, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 04716) 2016 Color photographic paper 125 1/4 x 100 inches Inverted RA4 Contact Prints, 2016–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1475610006531-3EQKKX6T6X62OIBCFB8D/BESHT42754_b.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall / Depleted Developer (MYC/Six Magnet: Los Angeles, California, April 7, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 06716) 2016 Color photographic paper 134 x 100 inches Inverted RA4 Contact Prints, 2016–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1475610002899-EBLPPR3QDUUJGUU6VFAN/06214e.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, January 27, 2014; Fuji Color Crystal Archive Super Type C, Em. No. 101-006; Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 06214) 2016 Color photographic paper 119 3/4 x51 1/2 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1475610003894-WVT0L40WK2E9V2YD1UTC/75414d.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>RA4 Contact Print / Processor Stall (MYC/Six Magnet: Los Angeles, California, July 15, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 107-116; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 75414) 2016 Color photographic paper 119 3/4 x 51 1/2 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1475610005585-CQ8X56XJKIJZ195935LK/100114c.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>RA4 Contact Print / Processor Stall (YMC/Six Magnet: Los Angeles, California, September 12, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 100114) 2016 Color photographic paper 120 1/4 x 51 1/2 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1475610005926-A3TD957XELPRV9TOMPYH/75914c.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall (YMC/Six Magnet: Los Angeles, California, July 16, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 75914) 2016 Color photographic paper 118 1/2 x 51 1/2 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1475610003901-TG69JJUENJ12PIBPNA9P/53814c.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>RA4 Contact Print / Depleted Developer (CYM/Six Magnet: Los Angeles, California, March 21, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 101-007; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 53814) 2016 Color photographic paper 118 1/2 x 51 1/2 inches RA4 Contact Prints, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411360471-EC0XCUL9N6IALQS4D6K8/BESHT42306.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016 - Office Work (&lt;del&gt;Canon Pixma MP600R&lt;/del&gt;)</image:title>
      <image:caption>2016 Canon Pixma MP600R, steel pole support, steel base plate, steel shaft collars, extension cord 72 x 20 7/8 x 23 5/8 inches Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411359683-0583ERM1NCFI2BDB9S7M/BESHT42308.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016 - Office Work (&lt;del&gt;Apple IMac G5/1.6 17-inch&lt;/del&gt;)</image:title>
      <image:caption>2016 Apple iMac G5/1.6 17-inch, steel pole support, steel base plate, steel shaft collars, extension cord 72 x 27 1/2 x 24 3/4 inches Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467411361098-ZC0NZNS1EOQ8L3ZL2YH0/BESHT42309.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016 - Office Work (&lt;del&gt;Apple PowerBook G4/1.5 15-inch&lt;/del&gt;)</image:title>
      <image:caption>2016 Apple PowerBook G4/1.5 15-inch, steel pole support, steel base plate, steel shaft collars, extension cord 72 x 14 3/8 x 14 5/8 inches Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468518972238-ES3XPF18KVK3FB4XBPX8/BESHT42809.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016 - Office Work (&lt;del&gt;HP LaserJet 4000 TN&lt;/del&gt;)</image:title>
      <image:caption>2016 HP LaserJet 4000 TN, steel pole support, steel base plate, steel shaft collars, extension cord, timer 73 1/4 x 26 3/8 x 22 inches Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468518971409-FL938M7F2473FRPSKIY6/BESHT42307.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016 - Office Work (&lt;del&gt;Apple iBook Intel Core 2 Duo/2.13 13-inch&lt;/del&gt;)</image:title>
      <image:caption>2016 Apple iBook Intel Core 2 Duo/2.13 13-inch, steel pole support, steel base support, steel shaft collars, extension cord 72 x 16 7/8 x 17 3/8 inches Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468518971501-5XV53IPIHXI1PCZN5Z8B/BESHT42808.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016 - Office Work (&lt;del&gt;HP Color LaserJet 2250 N&lt;/del&gt;)</image:title>
      <image:caption>2016 HP Color LaserJet 2250 N, steel pole support, steel base plate, steel shaft collars, extension cord, timer 72 7/8 x 24 3/8 x 25 5/8 inches Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468525145945-UA9QOLS8837V3Q06OJ6K/BESHT42773.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 135º Antidiagonal / 45º Diagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 22 x 22 x 43 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468525146180-GKCVJQX97FTUUNI788PP/BESHT42774_01.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 45º Antidiagonal / 135º Diagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 22 x 22 x 43 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468525146885-28OQ33T88BCZ6TA7FQ01/BESHT42775.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, Bisection 2016 Four-color offset on coated paper, bent plexiglass 17 3/4 x 17 3/4 x 25 1/4 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468525147268-YG993PY28C3A5TAEYWZ1/BESHT42776.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, Bisection 2016 Four-color offset on coated paper, bent plexiglass 13 x 13 x 35 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468525148177-ZGLC96MB0U4WZDW6B95F/BESHT42777_01.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 30º Diagonal / 150º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 21 x 21 x 43 1/2 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468525148247-D2BL7J43OM2BHD435WQA/BESHT42778.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 150º Diagonal / 30º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 21 x 21 x 43 1/2 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468525149072-EDH9FKIHK6GEKTS6XOKY/BESHT42779.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 30º Diagonal / 150º Antidiagonal Bisection and 150º Diagonal / 30º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 28 1/2 x 12 x 40 1/2 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1468525149859-09AZC2TOQRN9EA4R41LP/BESHT42780.jpg</image:loc>
      <image:title>Automat, Galerie Eva Presenhuber, 2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 150º Diagonal / 30º Antidiagonal Bisection and 30º Diagonal / 150º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 37 x 23 1/4 x 28 1/4 inches Make Readies, 2010–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/ra4-contact-prints-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1477434484681-C7N2KX5Q819KI45N7J4L/06214e.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, January 27, 2014; Fuji Color Crystal Archive Super Type C, Em. No. 101-006; Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 06214) 2016 Color photographic paper 119 3/4 x 51 1/2 inches Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1477434484681-C7N2KX5Q819KI45N7J4L/06214e.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, January 27, 2014; Fuji Color Crystal Archive Super Type C, Em. No. 101-006; Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 06214) 2016 Color photographic paper 119 3/4 x 51 1/2 inches Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1477434485077-S5VGUFB2NPUAAT3UIWQ2/53814c.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>RA4 Contact Print / Depleted Developer (CYM/Six Magnet: Los Angeles, California, March 21, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 101-007; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 53814) 2016 Color photographic paper 118 1/2 x 51 1/2 inches Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1477434485337-RLDXTF5JGH7ZFHC15AMC/75414d.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>RA4 Contact Print / Processor Stall (MYC/Six Magnet: Los Angeles, California, July 15, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 107-116; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 75414) 2016 Color photographic paper 119 3/4 x 51 1/2 inches Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1477434485903-YAN0JP524CBS90U9CED3/75914c.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall (YMC/Six Magnet: Los Angeles, California, July 16, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 75914) 2016 Color photographic paper 118 1/2 x 51 1/2 inches Automat, 2016 Progressive Praxis, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1477434485937-VJR84081ORNATUR4FPM3/100114c.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>RA4 Contact Print / Processor Stall (YMC/Six Magnet: Los Angeles, California, September 12, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 100114) 2016 Color photographic paper 51 1/2 x 120 1/4 inches Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707176472-GVQG89Q0UOEBBHH1TJF4/WB61214_shadows.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall (MCY/Six Magnet: Los Angeles, California, April 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 61214) 2014 Color photographic paper 124 1/2 x 50 inches Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707175959-JHAXSUDW71MM9NL6JV65/WB64614_shadows.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CMY/Six Magnet: Los Angeles, California, May 6, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 64614) 2014 Color photographic paper 131 3/4 x 50 inches Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707540484-BN3PPH2D7342U75Y4EJW/WB81414_shadows.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (YMC/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 81414) 2014 Color photographic paper 116 1/4 x 50 inches Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707177300-PYGY2PXJELZCYPZVZJ9S/WB81514_shadows.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 81514) 2014 Color photographic paper 120 1/2 x 50 inches Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1466707177950-DRWBH4F1G5JN913WQYNR/WB95514_shadows.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, August 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 95514) 2014 Color photographic paper 119 1/2 x 50 inches Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459472011971-VXI378NRURRJ6JICHKPE/WB02714.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall (MYC/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02714) 2014 Color photographic paper 50 x 120 inches Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459472012237-JLLRIORCW7Y14HF1R0ZJ/WB02814.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CMY/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02814) 2014 Color photographic paper 50 x 105 7/8 inches Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459472013652-VR1UL97XVQTEZ8FQTO6P/WB02914.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (YCM/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02914) 2014 Color photographic paper 50 x 107 3/8 inches Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459472013745-LN50Z04L1W0CHQYI9WAV/WB03914.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, January 14, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 03914) 2014 Color photographic paper 50 x 116 inches Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459472014968-HERX8JVMNSRBTTZJ78QQ/WB21013.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>RA4 Contact Print (YMC/Six Magnet: Los Angeles, California, August 22, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21013) 2014 Color photographic paper 50 x 111 1/8 inches Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459472014790-77NPYRLGTYXDNNLBX151/WB20813.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>RA4 Contact Print (YMC/Six Magnet: Los Angeles, California, August 14, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 20813) 2014 Color photographic paper 50 x 107 7/8 inches Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459472016001-QPHLP9KA8C7L63VSZDGC/WB21513.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, August 29, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21513) 2014 Color photographic paper 50 x 107 3/4 inches Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459472016466-1GLHD307T2NSY52N9FVV/WB21613.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, August 29, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21613) 2014 Color photographic paper 50 x 113 inches Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459472017903-DIB511IXV7PE90TZO0RM/WB40013.jpg</image:loc>
      <image:title>RA4 Contact Prints, 2014–</image:title>
      <image:caption>RA4 Contact Print (CYM: Los Angeles, California, November 20, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 101-007; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 40013) 2014 Color photographic paper 50 x 109 5/8 inches Selected Bodies of Work, 2014</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/surrogates-modular-art-handling-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564329115-RK3V88P5849KFFX65BK2/Photo-Joshua_White-jwpictures.com-7691.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogates (60” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, February 23–27/April 9, 2018, Los Angeles, California) 2018– Polished copper 23 1/2 x 23 1/2 x 15 1/16 inches each, 8 parts Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564329115-RK3V88P5849KFFX65BK2/Photo-Joshua_White-jwpictures.com-7691.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogates (60” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, February 23–27/April 9, 2018, Los Angeles, California) 2018– Polished copper 23 1/2 x 23 1/2 x 15 1/16 inches each, 8 parts Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564254894-NZLE7F6V74C41LGQXLK0/WB-1672-1.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogates (48” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, Sections 1–4: February 23–27/April 9, 2018, Los Angeles, California; September 2–4, 2019, Brussels, Belgium) 2018– Polished copper 18 1/2 x 14 1/16 x 18 1/2 inches each, 4 parts Exhibition: Equivalents, 2018 Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564279823-1M68Z2QWU6ZKPQ7LG0PX/WB-1672-3.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogates (48” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, Sections 5–8: February 23–27/April 9, 2018, Los Angeles, California; September 2–4, 2019, Brussels, Belgium) 2018– Polished copper 18 1/2 x 14 1/16 x 18 1/2 inches each, 4 parts Exhibition: Equivalents, 2018 Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482192710444-TC7782B9VTBHLHCWYDX6/Exhview_Beshty_GEP_Zurich_2016_12.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Detail of Copper Surrogates (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection: June 1–8/August 30, 2016, Zürich, Switzerland) 2016– Polished copper 30 x 11 1/2 x 30 inches, each Exhibition: Automat, 2016 Musée d'art moderne et contemporain, 2019 Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459974664129-9GYG4NGR3N56MKTOCCUW/B-WBESHTY-14-0001-1.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections: December 4/December 7, 2014, Miami Beach, Florida, February 10–12, 2015, Los Angeles, California) 2014– Polished copper 11 x 60 x 60 inches each, 5 parts Exhibition: Walid AlBeshti, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459274398730-MKK502EAFVUMHGC74C5U/WB67714.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom) 2014– Polished copper 11 x 60 x 60 inches Exhibition: Marginalia, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459274399910-10IGZES74YZX7P71OFNC/WB67814.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom) 2014– Polished copper 11 x 60 x 60 inches Exhibition: Marginalia, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459274400151-4NA5A6SCS16CGFJIEY37/WB67914.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom) 2014– Polished copper 11 x 60 x 60 inches Exhibition: Marginalia, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459274400910-JIL4DZNRBB8AEGKKO59B/WB68014.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/Section 2: June 16/June 23, 2014, Basel, Switzerland) 2014– Polished copper 11 x 60 x 60 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459274398490-P0GXX893LAQ6F3C0UVHD/WB67614.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/Section 1: June 16/June 23, 2014, Basel, Switzerland) 2014– Polished copper 11 x 60 x 60 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459974664520-MEBU293NXCP6L0EP0L8N/Beshty-01.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection, 10 Sections: November 30–December 1/December 7, 2015, Miami Beach, Florida) 2014– Polished copper 11 1/2 x 30 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459974665629-ZX1NEHGYHZNO9L5VTHB8/Beshty-02.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection, 10 Sections: November 30–December 1/December 7, 2015, Miami Beach, Florida) 2014– Polished copper 11 1/2 x 30 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459974666303-CBF4RXOBH67NKDX5C07M/Beshty-03.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection, 10 Sections: November 30–December 1/December 7, 2015, Miami Beach, Florida) 2014– Polished copper 11 1/2 x 30 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459974667144-1PGDK2RGHESLCK8A18CO/Beshty-04.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection, 10 Sections: November 30–December 1/December 7, 2015, Miami Beach, Florida) 2014– Polished copper 11 1/2 x 30 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459974667667-MNJ7S2LS0O198EU2RPF8/Beshty-05.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection, 10 Sections: November 30–December 1/December 7, 2015, Miami Beach, Florida) 2014– Polished copper 11 1/2 x 30 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459974668393-ZJZ750FC95D9VGJ9FCZE/Beshty-06.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection, 10 Sections: November 30–December 1/December 7, 2015, Miami Beach, Florida) 2014– Polished copper 11 1/2 x 30 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507151150629-YQAO0FIE6CPMNNPQUV7E/50315.jpg</image:loc>
      <image:title>Surrogates (Modular, Art Handling), 2014–</image:title>
      <image:caption>Copper Surrogate (48 ounce C11000 Copper Alloy: June 14, 2016, Basel, Switzerland; November 22, 2016, Miami, Florida) 2015 Polished copper 10 x 10 x 2 1/2 inches each, 6 parts Exhibition: Progressive Praxis, 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/six-color-curls-2009-2010</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459985485289-ZE08LCY33JMJTXUB0G67/WB27008.jpg</image:loc>
      <image:title>Six-Color Curls, 2009–2010</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 19, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 89 x 50 inches Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459985485289-ZE08LCY33JMJTXUB0G67/WB27008.jpg</image:loc>
      <image:title>Six-Color Curls, 2009–2010</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 19, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 89 x 50 inches Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459985652391-GFB6DNNMJ7NYLP6GKMT0/WB27408.jpg</image:loc>
      <image:title>Six-Color Curls, 2009–2010</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 17, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 96 1/8 x 50 inches Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459985485923-TBR46S56GA2EEBZRZEBG/WB27108.jpg</image:loc>
      <image:title>Six-Color Curls, 2009–2010</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 18, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 90 3/4 x 50 inches Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459985488497-7U8J644UHGN56TCZSG71/WB27508.jpg</image:loc>
      <image:title>Six-Color Curls, 2009–2010</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 20th 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 86 x 50 inches Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459985488123-0Z3ZM7MV650ADAOE1VJI/WB27908.jpg</image:loc>
      <image:title>Six-Color Curls, 2009–2010</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 17, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 94 x 50 inches Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459985489703-MWMDXUG84YLV65FJOHKD/WB28108.jpg</image:loc>
      <image:title>Six-Color Curls, 2009–2010</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 19, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 94 x 50 inches Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/oil-paintings-20132015</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212377042-8BRBSDKHEH1YI1NOXYGJ/WB55914.jpg</image:loc>
      <image:title>Oil Paintings, 2013–2015</image:title>
      <image:caption>Shroud Painting (ExxonMobil Mobil 1 0W-40 Synthetic Motor Oil: August 14, 2011–August 13, 2012, Los Angeles, California, 55914) 2015 Oil on canvas 66 x 200 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212377042-8BRBSDKHEH1YI1NOXYGJ/WB55914.jpg</image:loc>
      <image:title>Oil Paintings, 2013–2015</image:title>
      <image:caption>Shroud Painting (ExxonMobil Mobil 1 0W-40 Synthetic Motor Oil: August 14, 2011–August 13, 2012, Los Angeles, California, 55914) 2015 Oil on canvas 66 x 200 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212377191-AYHMP6L6L4R81IUUUTKN/WB56014.jpg</image:loc>
      <image:title>Oil Paintings, 2013–2015</image:title>
      <image:caption>Shroud Painting (ExxonMobil Mobil 1 0W-40 Synthetic Motor Oil/Castrol Limited Edge Syntec SAE 10W-30 Synthetic Motor Oil: August 14, 2012–August 13, 2013, Los Angeles, California, 56014) 2015 Oil on canvas 66 x 202 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212408455-QJ2N0LK9SICJKSILPIJC/WB121314.jpg</image:loc>
      <image:title>Oil Paintings, 2013–2015</image:title>
      <image:caption>Shroud Painting (ExxonMobil Mobil 1 0W-40 Synthetic Motor Oil/Castrol Limited Edge Syntec SAE 10W-30 Synthetic Motor Oil: August 14, 2013–August 13, 2014, Los Angeles, California, 121314) 2015 Oil on canvas 66 x 208 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459212407614-7VK4CG741DIOMED6UW1P/WB121414.jpg</image:loc>
      <image:title>Oil Paintings, 2013–2015</image:title>
      <image:caption>Shroud Painting (ExxonMobil Mobil 1 10W-30 Synthetic Motor Oil/Castrol Limited Edge Syntec 5W-40 Synthetic Motor Oil: August 14, 2013–August 13, 2014, Los Angeles, California, 121414) 2015 Oil on canvas 66 x 214 inches Walid AlBeshti, 2015  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/picture-industry-systematically-open-new-forms-for-contemporary-image-production-luma-arles-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142792693-GJSAIKT0ZZI7LAV6KKOE/_LIR1538a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Participating Artists: Thom Andersen, David Askevold, Gretchen Bender, Lynda Benglis, Mel Bochner, Jeroen de Rijke &amp; Willem de Rooij, Stan Douglas, Walker Evans, Harun Farocki, Morgan Fisher, Lee Friedlander &amp; Stuart Klipper, Liz Glynn, Dan Graham, Thomas Hirschhorn, Stephen Kaltenbach, Pierre Leguillon, Sharon Lockhart, Louis and Auguste Lumière, Boris Mikhailov, Jean-Luc Moulène, Seth Price, Eileen Quinlan, Jacob Riis, Allan Sekula, Stephen Shore, Hito Steyerl, Cosey Fanni Tutti, Kelley Walker, and Christopher Williams.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142792693-GJSAIKT0ZZI7LAV6KKOE/_LIR1538a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Participating Artists: Thom Andersen, David Askevold, Gretchen Bender, Lynda Benglis, Mel Bochner, Jeroen de Rijke &amp; Willem de Rooij, Stan Douglas, Walker Evans, Harun Farocki, Morgan Fisher, Lee Friedlander &amp; Stuart Klipper, Liz Glynn, Dan Graham, Thomas Hirschhorn, Stephen Kaltenbach, Pierre Leguillon, Sharon Lockhart, Louis and Auguste Lumière, Boris Mikhailov, Jean-Luc Moulène, Seth Price, Eileen Quinlan, Jacob Riis, Allan Sekula, Stephen Shore, Hito Steyerl, Cosey Fanni Tutti, Kelley Walker, and Christopher Williams.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142788636-P39H5KY7A6H1ILETL933/_LIR0827.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Louis and Auguste Lumière, Kelley Walker, and Hito Steyerl  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142790326-ABX6ES5RMOL4AKJ63MXT/_LIR0829.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Louis and Auguste Lumière, Kelley Walker, Hito Steyerl, and Seth Price  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142813469-BTFYFSY34KFTQ2BWQ06K/_LIR1817a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Kelley Walker, Seth Price, and Lynda Benglis  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142815225-M4KQ07U9EC5YIINQV06L/_LIR1829a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Lynda Benglis and Kelley Walker  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142738750-I98AGFHCU6P857K0HIB0/_LIR0398.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Kelley Walker, Lynda Benglis, and Liz Glynn  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142740800-N52VMMOQ9UJUDW88QE1F/_LIR0400.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Kelley Walker, Lynda Benglis, and Liz Glynn  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142738218-H72BEIIWHZY9MCWBN16O/_LIR0373.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Eileen Quinlan, Kelley Walker, and Seth Price  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142793753-ZTNEXF0DHHA5SHAO2LK7/_LIR1545a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Eileen Quinlan and Kelley Walker  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142795807-VN896JUH20WOKI1V5JZL/_LIR1546a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Eileen Quinlan and Kelley Walker  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142796223-FT054P96U0QTGTXX3J13/_LIR1698a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   David Askevold, Mel Bochner, Liz Glynn, Jeroen de Rijke &amp; Willem de Rooij, Stephen Kaltenbach, and Boris Mikhailov  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142797536-L5T3P44JDVETAQ2ZFZKP/_LIR1705a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   David Askevold, Mel Bochner, Liz Glynn, Jeroen de Rijke &amp; Willem de Rooij, Stephen Kaltenbach, and Boris Mikhailov  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142822868-N7RKPFWXACWZ62LAEP15/_LIR1895a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jeroen de Rijke &amp; Willem de Rooij  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142745146-06LN1TSJ8AWR5KR1R5LT/_LIR0501.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Liz Glynn, Jeroen de Rijke &amp; Willem de Rooij, Seth Price, Boris Mikhailov, and Stephen Kaltenbach  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142786870-TR1FE69A70A02AB5OGVY/_LIR0782.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Seth Price  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142746579-J4W55RMJTSZJPK3XSTW1/_LIR0504.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   David Askevold, Mel Bochner, Eileen Quinlan, Liz Glynn, Jeroen de Rijke &amp; Willem de Rooij, and Stephen Kaltenbach  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142791078-Q4Z02RXKI1AXSALQWMD6/_LIR0899.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Liz Glynn  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142747121-OK4OK4U1TCEZ04603M1N/_LIR0506.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Stephen Kaltenbach  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142745108-WQYCJ6V319BGRVBZ2K47/_LIR0468.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   David Askevold, Mel Bochner, Jeroen de Rijke &amp; Willem de Rooij, Liz Glynn, and Stephen Kaltenbach  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142797773-D0IUJIEI9XDV77PVJ0RQ/_LIR1735a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Walker Evans and Jean-Luc Moulène  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142799442-ECEEVYDZ8XRXCJJ30YJD/_LIR1736a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Walker Evans and Jean-Luc Moulène  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142785457-O3L29GZOMXRBIW7CRH7W/_LIR0728.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Walker Evans  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142805896-KDEZTJWKW2V19GLXAFV4/_LIR1757a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jean-Luc Moulène and Dan Graham  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142784757-868TQ9RTZZZVV7KF6MBA/_LIR0671.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jean-Luc Moulène and Dan Graham  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142807494-HJ998LJBJRFBR9HY1V9N/_LIR1760a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jean-Luc Moulène, Lee Friedlander &amp; Stuart Klipper, and Dan Graham  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142779749-2WHQR591KL6L4HT6O85Y/_LIR0649.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jean-Luc Moulène, Lee Friedlander &amp; Stuart Klipper, and Dan Graham  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142808271-SIGE2RX65QCK0IBFJR3B/_LIR1773a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Walker Evans, Harun Farocki, and Jean-Luc Moulène  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142799375-0ELP90PP7HNR41HOLGZ4/_LIR1742a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Harun Farocki and Jean-Luc Moulène  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142800877-UP3ITWI311I40EKFR8Y8/_LIR1743a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Harun Farocki and Jean-Luc Moulène  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142803808-BBRQN4JP7L7VCYEUVLSV/_LIR1746a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Harun Farocki and Jean-Luc Moulène  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142806293-AFD9P66PGBEICKJJC5W5/_LIR1752a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jean-Luc Moulène, Harun Farocki, and Walker Evans  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142809903-91LBMVI5EPR64WPDZ282/_LIR1780a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jean-Luc Moulène, Walker Evans, Lee Friedlander &amp; Stuart Klipper, Dan Graham, and Harun Farocki  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142825370-AATQZK6RDTX0ANF4MV9P/_LIR1916a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jacob Riis  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142826462-NUK4E72MA0U4FKW1H5OE/_LIR1917a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jacob Riis  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142730414-W3SSHVBM5F9BGTUUV6Q1/_CIK8494.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jacob Riis  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142736138-VH5OYX7SFHJPMMNTEQBO/_CIK8583.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jacob Riis  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142731140-J0RR5OWD2FSA866B8YP2/_CIK8549.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Pierre Leguillon, Jacob Riis, Stephen Shore, and Thomas Hirschhorn  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142734597-F8VYZJU4Y8AB813XW0DR/_CIK8551.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Pierre Leguillon, Jacob Riis, Stephen Shore, and Thomas Hirschhorn  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142752065-C1Q8HZCDBBO2E1ZL13CZ/_LIR0513.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Pierre Leguillon  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142825702-4JBENMCBAVHLXNT0UFNY/_LIR1913a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Pierre Leguillon  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142748768-MBPK1UOHTIJQ1M0H432X/_LIR0511.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Stephen Shore  </image:caption>
    </image:image>
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      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Stephen Shore  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142752123-81DDY41TF9626LCXNJPM/_LIR0537.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Thomas Hirschhorn and Cosey Fanni Tutti  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142822804-X8MQDUSXQBEWXU0RFW4Y/_LIR1890a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Cosey Fanni Tutti, Thomas Hirschhorn, Seth Price, Kelley Walker, and Boris Mikhailov  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142779839-03P5YS1J2KB9JUUPLBMG/_LIR0595.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016. Kelley Walker, Boris Mikhailov, and Seth Price  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142753946-YCY34ZJNWT5WJJOTRGOO/_LIR0563.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016. Thomas Hirschhorn and Cosey Fanni Tutti  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142755835-IXX6SWLOU4QNSY8ZVKWB/_LIR0570.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Cosey Fanni Tutti  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142753946-FYP18LRXMGDJIG3FMEDQ/_LIR0565.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Jacob Riis, Thomas Hirschhorn, Cosey Fanni Tutti, Kelley Walker, and Christopher Williams  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142820261-M3UTRMLQGOTUSAYENU3D/_LIR1883a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Thomas Hirschhorn, Kelley Walker, Boris Mikhailov, and Seth Price  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142816766-YCJHNUWA5AUUGW4YYBAO/_LIR1864a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Thomas Hirschhorn  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142757210-OVJUV2G99NUWA62EI9QS/_LIR0588.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Kelley Walker, Boris Mikhailov, Seth Price, Cosey Fanni Tutti, and Christopher Williams  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142820251-1DE5EFIA6X40YHU2F84C/_LIR1875a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Allan Sekula and Kelley Walker  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142809980-WHPQC2ZAJNOT3YHPSP25/_LIR1784a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Sharon Lockhart  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142811669-OJVMD6XH5U4IINGAJM8D/_LIR1785a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Sharon Lockhart  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142817005-Y8X2UNYMWOK3MYW1XRDO/_LIR1867a.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Eileen Quinlan, Hito Steyerl, and Gretchen Bender  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142743210-3ORN36TPFFSOTTLONWUF/_LIR0414.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Hito Steyerl, Seth Price, Eileen Quinlan, Cosey Fanni Tutti, and Kelley Walker  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142742688-59KZLH276BT91GYAPZEZ/_LIR0401.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Cosey Fanni Tutti and Kelley Walker  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142733379-CRNZ4I7BE1OIPBGVHU43/_CIK8575.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Film Screening Room: Thom Andersen, Harun Farocki, Morgan Fisher, Louisand Auguste Lumière, and Seth Price  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481142736259-5673L2Q2O43YG82RP4WJ/_CIK8618.jpg</image:loc>
      <image:title>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016</image:title>
      <image:caption>Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, France, 2016.   Film Screening Room: Thom Andersen, Harun Farocki, Morgan Fisher, Louisand Auguste Lumière, and Seth Price  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2010-black-curls</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459546421563-XP2BUKJMLFAFNG3V7KYB/WB06210.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06210) 2011 Color photographic paper 50 x 111 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459546421563-XP2BUKJMLFAFNG3V7KYB/WB06210.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06210) 2011 Color photographic paper 50 x 111 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459546434594-QYPMX3VU9F0PCXHUU1GK/WB07810_B.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07810) 2011 Color photographic paper 50 x 111 1/2 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459546420970-G4SU4YKSZASYWKMXOHPU/WB05110.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 05110) 2011 Color photographic paper 106 3/8 x 51 5/8 inches  PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459546425149-GFABPSVPUIMVDP8KED84/WB06310_B.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06310) 2011 Color photographic paper 111 x 50 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459546430651-YUZYH92AOIXIT2T1Y2W1/WB07410.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07410) 2011 Color photographic paper 105 x 50 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459546429145-6BSKT0LBKRWXLM8B10C2/WB06910.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06910) 2011 Color photographic paper 111 x 50 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459546431585-7BBFGVT4CN5S0ZPE1LBY/WB07510.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>  Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07510) 2011 Color photographic paper 112 x 50 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459546429711-K8MCP0BP5MPULCCDPTR6/WB07210.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07210) 2011 Color photographic paper 112 1/2 x 50 inches PROCESSCOLORFIELD, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459984789016-QSS4I4FTNL0F94NVVUZ1/WB04910.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 04910) 2011 Color photographic paper 50 x 111 1/2 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459984789340-LM1PW31RHNWB2Q71LB5H/WB05410.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 05410) 2011 Color photographic paper 50 x 111 1/2 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459984790681-YRVZ780O5N6E2IZO5LNC/WB05610.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 05610) 2011 Color photographic paper 50 x 111 1/2 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459984793581-5P0MNBMNT02USZV1NJH0/WB07110.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07110) 2011 Color photographic paper 50 x 111 1/2 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459984791880-RMHMKYH7YO476JPWJAHM/WB07710.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07710) 2011 Color photographic paper 50 x 111 1/2 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1467157257524-ZYN3EFG949OI0MP4G2TX/WB00310.jpg</image:loc>
      <image:title>Black Curls, 2010–2013</image:title>
      <image:caption>Black Curl (CMY/Four Magnet: Irvine, California, January 3rd 2010, Fuji Crystal Archive Super Type C, Em. No. 141-005, 00310) 2010 Color photographic paper 50 x 104 1/4 inches Later Layer, 2010  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/surrogates-full-sheet-art-handling-2010</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569277805843-JR1BD3UVHYCW5WCW6CEN/MAMCO-2019-Walead-Beshty-Annik-Wetter-017-HD.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11–12/December 29, 2018, Naples, Italy; May 22, 2019, Geneva, Switzerland) 2014– Polished copper Dimensions variable Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569277805843-JR1BD3UVHYCW5WCW6CEN/MAMCO-2019-Walead-Beshty-Annik-Wetter-017-HD.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11–12/December 29, 2018, Naples, Italy; May 22, 2019, Geneva, Switzerland) 2014– Polished copper Dimensions variable Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459282214898-12M55LQS96G14D1IJDDB/WB00114_b.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection: February 20/April 5, 2014, Los Angeles, California) 2014– Polished copper 60 x 60 x 60 inches Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459282354715-QD2YDOBC9ZKC0P1CE3OD/WB00214_b.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection: February 19-24/April 5, 2014, Los Angeles, California) 2014– Polished copper 120 x 30 x 30 inches Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459282247921-9R0PFA5IOB0K5X4CNA5K/WB00314.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2” 30º Diagonal / 150º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California) 2014– Polished copper 120 x 60 x 50 inches Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459282251580-J3UBX04SWQYY0UFZWMFE/WB00414_a.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2” 30º Diagonal / 150º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California) 2014– Polished copper 120 x 60 x 50 inches Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459282257764-SLCCOWZNGYLZL6Z93Y1W/WB00514_a.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 45º Diagonal / 135º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California) 2014– Polished copper 110 x 60 x 50 inches Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459282262830-4PE8J2BS1QEEF4A6TRZ1/WB00614_a.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 135º Antidiagonal / 45º Diagonal Bisection: February 19-21/April 5, 2014, Los Angeles, California) 2014– Polished copper 110 x 60 x 50 inches Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459285502581-0YAUEIC0ZIKEFADO5UX2/27_CA2M_Waled_Beshty_2011_E_Almagro.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>Copper Surrogate (February 10–17/ May 2–6 2011, Malmo, Sweden; June 13–20/ October 31–November 4, 2011, Madrid, Spain; June 8/18, 2012, Basel, Switzerland; October 22, 2015, Beirut Lebanon) 2011– Polished copper 116 x 45 3/4 x 2 inches, each, 9 parts A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459285564364-6JUZ8V431YW7JE4LABL3/31_CA2M_Waled_Beshty_2011_E_Almagro.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>Copper Surrogate (February 10–17/ May 2–6 2011, Malmo, Sweden; June 13–20/ October 31–November 4, 2011, Madrid, Spain; June 8/18, 2012, Basel, Switzerland; October 22, 2015, Beirut Lebanon) 2011– Polished copper 116 x 45 3/4 x 2 inches, each, 9 parts A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459285718416-7IA0NTF9IT64SMEBDS6T/23_CA2M_Waled_Beshty_2011_E_Almagro.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>Copper Surrogate (February 10–17/ May 2–6 2011, Malmo, Sweden; June 13–20/ October 31–November 4, 2011, Madrid, Spain; June 8/18, 2012, Basel, Switzerland; October 22, 2015, Beirut, Lebanon) 2011– Polished copper 116 x 45 3/4 x 2 inches, each, 9 parts A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459287164737-R6X7DH9X9R19PGH9IB3O/WB21911.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>Copper Surrogates (September 20–23/November 21–23, 2011, Beijing, China, June 13–18/November 21, 2012Los Angeles, California, November 29–December 3, 2012, Miami Beach, Florida) 2011– Polished copper 35 1/2 x 74 3/4 x 1 1/2 inches each Securities and Exchanges, 2011 The Endless Renaissance, 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539970795375-WGOES50VRVGYGBKFBD7Y/2014_WB_TDA10049_1to4+Scale+Copper+Surrogates+%2890%C2%BA+Bends%2C+127+1%3A2%C2%BA+150%C2%BA+Antidiagonal%3A30%C2%BA+Diagonal+Bisection...%29_3.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy) 2014– Polished copper, 6 parts Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539970794578-IPLN0T0FXA3QZRC9JC1M/2014_WB_TDA10049_1to4+Scale+Copper+Surrogates+%2890%C2%BA+Bends%2C+127+1%3A2%C2%BA+150%C2%BA+Antidiagonal%3A30%C2%BA+Diagonal+Bisection...%29_6.jpg</image:loc>
      <image:title>Surrogates (Full Sheet, Art Handling), 2011–</image:title>
      <image:caption>1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy) 2014– Polished copper, 6 parts Aggregato, 2018</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/white-curls-2013-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476834390540-3B3298L4TD0AUW8Y60F6/WB05113.jpg</image:loc>
      <image:title>White Curls, 2013–2014</image:title>
      <image:caption>White Curl (CMY/Four Magnet: Los Angeles, California, February 28, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 05113) 2013 Color photographic paper 50 x 103 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476834390540-3B3298L4TD0AUW8Y60F6/WB05113.jpg</image:loc>
      <image:title>White Curls, 2013–2014</image:title>
      <image:caption>White Curl (CMY/Four Magnet: Los Angeles, California, February 28, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 05113) 2013 Color photographic paper 50 x 103 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476834390484-BAYMXQJ1CQACBIYF4KKG/WB05213.jpg</image:loc>
      <image:title>White Curls, 2013–2014</image:title>
      <image:caption>White Curl (CMY/Four Magnet: Los Angeles, California, February 28, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 05213) 2013 Color photographic paper 50 x 102 3/4 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476834391247-Z0XAFKW4K43GX6JQZSD7/WB05513.jpg</image:loc>
      <image:title>White Curls, 2013–2014</image:title>
      <image:caption>White Curl (YMC/Four Magnet: Los Angeles, California, February 28, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 05513) 2013 Color photographic paper 50 x 103 1/2 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476834391215-MON8QWSJHK7VWIW71RM8/WB05813.jpg</image:loc>
      <image:title>White Curls, 2013–2014</image:title>
      <image:caption>White Curl (YMC/Four Magnet: Los Angeles, California, February 21, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 186-007, 05813) 2013 Color photographic paper 50 x 100 1/2 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476834391726-FNTWKWZN43O0VIO0FDL0/WB06713.jpg</image:loc>
      <image:title>White Curls, 2013–2014</image:title>
      <image:caption>White Curl (YMC/Four Magnet: Los Angeles, California, February 28, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 06713) 2013 Color photographic paper 50 x 102 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476834391755-KWOIB2D9IT288X6ITWLL/WB07013.jpg</image:loc>
      <image:title>White Curls, 2013–2014</image:title>
      <image:caption>White Curl (YMC/Four Magnet: Los Angeles, California, February 27, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 07013) 2013 Color photographic paper 50 x 108 1/2 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476834392235-9FMDTF4C8C7HMHPPQN3S/WB08013.jpg</image:loc>
      <image:title>White Curls, 2013–2014</image:title>
      <image:caption>White Curl (CMY/Four Magnet: Los Angeles, California, February 21, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 186-007, 08013) 2013 Color photographic paper 50 x 103 inches  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/soft-pictures-2012</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459287165407-G3RTYRZM0O8PPB13QE50/WB22312-22812.jpg</image:loc>
      <image:title>Soft Pictures, 2012</image:title>
      <image:caption>Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) 2012 Petroleum wax and wood strainer 50 x 90 inches, each The Endless Renaissance, 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459287165407-G3RTYRZM0O8PPB13QE50/WB22312-22812.jpg</image:loc>
      <image:title>Soft Pictures, 2012</image:title>
      <image:caption>Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida); Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) 2012 Petroleum wax and wood strainer 50 x 90 inches, each The Endless Renaissance, 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476835115917-DDDMQ6GOSICZ92Z1OXYX/26312_edit.jpg</image:loc>
      <image:title>Soft Pictures, 2012</image:title>
      <image:caption>Soft Picture (Cast Exxon Slack Wax 75:493644; October 23, 2012, Los Angeles, California) 2013 Parrafin wax and wood strainer 40 x 30 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476835116644-6AWBY0KGZE3MRRPPXZXQ/WB22312.jpg</image:loc>
      <image:title>Soft Pictures, 2012</image:title>
      <image:caption>Soft Picture (Reverse Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) 2012 Petroleum wax and wood strainer 90 x 50 inches The Endless Renaissance, 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476835117174-X8G0UWKL1POI60HWJ49T/WB22412.jpg</image:loc>
      <image:title>Soft Pictures, 2012</image:title>
      <image:caption>Soft Picture (Reverse Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) 2012 Petroleum wax and wood strainer 90 x 50 inches The Endless Renaissance, 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476835117167-8TCISOWQZQCN9EE23RPK/WB22512.jpg</image:loc>
      <image:title>Soft Pictures, 2012</image:title>
      <image:caption>Soft Picture (Reverse Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) 2012 Petroleum wax and wood strainer 90 x 50 inches The Endless Renaissance, 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476835117668-348PJR4HUFSQJQVFE5NM/WB22612.jpg</image:loc>
      <image:title>Soft Pictures, 2012</image:title>
      <image:caption>Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) 2012 Petroleum wax and wood strainer 90 x 50 inches The Endless Renaissance, 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476835117697-LEUCNTMUX308JAOXXT7L/WB22712.jpg</image:loc>
      <image:title>Soft Pictures, 2012</image:title>
      <image:caption>Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) 2012 Petroleum wax and wood strainer 90 x 50 inches The Endless Renaissance, 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1476835118381-4G6QMP6BDUAM1GEXSXPE/WB22812.jpg</image:loc>
      <image:title>Soft Pictures, 2012</image:title>
      <image:caption>Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) 2012 Petroleum wax and wood strainer 90 x 50 inches The Endless Renaissance, 2012  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2014-transparencies</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321255187-V3GMSAES69A6XCOC8R4I/WB-1673.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency, 2017 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 2–7, 2017 LAX/MIA MIA/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 2–7, 2017 LAX/MIA MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) March 19–30, 2017 LAX/HND NRT/LAX; Negative (Kodak Portra 400NC Em. No. 1022) March 19–30, 2017 LAX/HND NRT/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 12–24, 2017 LAX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) April 12–24, 2017 LAX/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 23–26, 2017 LAX/YVR YVR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 23–26, 2017 LAX/YVR YVR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 11–25, 2017 LAX/ORD/ALB ALB/PHL/LAX; Negative (Kodak Portra 400NC Em. No. 1022) June 11–25, 2017 LAX/ORD/ALB ALB/PHL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 11–14, 2017 LAX/ASE ASE/LAX; Negative (Kodak Portra 400NC Em. No. 1022) July 11–14, 2017 LAX/ASE ASE/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 18–30, 2017 LAX/GDL PVR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) July 18–30, 2017 LAX/GDL PVR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 5–8, 2017 LAX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 5–8, 2017 LAX/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 29–November 4, 2017 LAX/EWR/FCO MXP/EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 29–November 4, 2017 LAX/EWR/FCO MXP/EWR/LAX] 2018 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 14 x 11 inches each, 18 parts Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321255187-V3GMSAES69A6XCOC8R4I/WB-1673.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency, 2017 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 2–7, 2017 LAX/MIA MIA/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 2–7, 2017 LAX/MIA MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) March 19–30, 2017 LAX/HND NRT/LAX; Negative (Kodak Portra 400NC Em. No. 1022) March 19–30, 2017 LAX/HND NRT/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 12–24, 2017 LAX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) April 12–24, 2017 LAX/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 23–26, 2017 LAX/YVR YVR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 23–26, 2017 LAX/YVR YVR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 11–25, 2017 LAX/ORD/ALB ALB/PHL/LAX; Negative (Kodak Portra 400NC Em. No. 1022) June 11–25, 2017 LAX/ORD/ALB ALB/PHL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 11–14, 2017 LAX/ASE ASE/LAX; Negative (Kodak Portra 400NC Em. No. 1022) July 11–14, 2017 LAX/ASE ASE/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 18–30, 2017 LAX/GDL PVR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) July 18–30, 2017 LAX/GDL PVR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 5–8, 2017 LAX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 5–8, 2017 LAX/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 29–November 4, 2017 LAX/EWR/FCO MXP/EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 29–November 4, 2017 LAX/EWR/FCO MXP/EWR/LAX] 2018 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 14 x 11 inches each, 18 parts Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507829720547-P87W39LSV86RSUJV23R3/2016wall.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency, 2016 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 7–10, 2016 LAX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) January 7–10, 2016 LAX/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 2–5, 2016 LAX/MEX MEX/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 2–5, 2016 LAX/MEX MEX/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 26–March 6, 2016 LAX/CDG/MRS CDG/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 26–March 6, 2016 LAX/CDG/MRS CDG/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 1–9, 2016 LAX/JFK EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 1–9, 2016 LAX/JFK EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 12–13, 2016 LAX/ORD ORD/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 12–13, 2016 LAX/ORD ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 27–July 7, 2016 LAX/JFK EWR/FRA/GVA MRS/ATH/JMK JMK/FCO FCO/MRS MRS/LHR LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 27–July 7, 2016 LAX/JFK EWR/FRA/GVA MRS/ATH/JMK JMK/FCO FCO/MRS MRS/LHR LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 10–September 6, 2016 LAX/JFK JFK/FCO CDG/JFK JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) August 10–September 6, 2016 LAX/JFK JFK/FCO CDG/JFK JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 15–19, 2016 LAX/JFK LGA/MIA MIA/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 15–19, 2016 LAX/JFK LGA/MIA MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 27–30, 2016 LAX/ORD ORD/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 27–30, 2016 LAX/ORD ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 18–30, 2016 LAX/JFK JFK/MIA MIA/LAX; Negative (Kodak Portra 400NC Em. No. 1022: November 18–30, 2016 LAX/JFK JFK/MIA MIA/LAX)] 2017 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 4 x 5 inches each (20 parts); framed: 14 x 11 inches Transparencies, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507829713239-244MTG2I01OL4L6WK95Y/2015wall.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency, 2015 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 4–8, 2015 LAX/GDL GDL/MEX MEX/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 4–8, 2015 LAX/GDL GDL/MEX MEX/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 16–21, 2015 LAX/GDL GDL/LAX; Negative (Kodak Portra 400NC Em. No. 1022: February 16–21, 2015 LAX/GDL GDL/LAX); Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 27–March 14, 2015 LAX/GDL GDL/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 27–March 14, 2015 LAX/GDL GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 10–May 11, 2015 LAX/EWR/MXP FCO/EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) April 10–May 11, 2015 LAX/EWR/MXP FCO/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 5–15, 2015 LAX/JFK EWR/LHR LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) June 5–15, 2015 LAX/JFK EWR/LHR LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 8–10, 2015 LAX/JFK JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) July 8–10, 2015 LAX/JFK JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 3–7, 2015 LAX/GDL GDL/LAX; Negative (Kodak Portra 400NC Em. No. 1022) August 3–7, 2015 LAX/GDL GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 15–20, 2015 LAX/GDL GDL/LAX; Negative (Kodak Portra 400NC Em. No. 1022) August 15–20, 2015 LAX/GDL GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 24–31, 2015 LAX/GDL GDL/LAX; Negative (Kodak Portra 400NC Em. No. 1022) August 24–31, 2015 LAX/GDL GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 14–20, 2015 LAX/ORD ORD/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 14–20, 2015 LAX/ORD ORD/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 22–November 1, 2015 LAX/LHR/BEY BEY/GVA ZRH/FRA/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 22–November 1, 2015 LAX/LHR/BEY BEY/GVA ZRH/FRA/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 5–14, 2015 LAX/MEX MEX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) November 5–14, 2015 LAX/MEX MEX/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 20–23, 2015 LAX/IAD/FRA/VCE VCE/FRA/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) November 20–23, 2015 LAX/IAD/FRA/VCE VCE/FRA/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) December 3–5, 2015 LAX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) December 3–5, 2015 LAX/EWR EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 4 x 5 inches each (20 parts); framed: 14 x 11 inches Transparencies, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486495256757-OB3Q5B9UQ43PPURPUESY/2014.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency, 2014 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 29–May 8, 2014 LGA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 1022) April 29–May 8, 2014 LGA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Negative (Kodak Portra 400NC Em. No. 1022) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches, each (30 parts) Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486495256776-E2I2WKJQ9JTGF02VO9ZX/2013.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency, 2013 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1021) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Postive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Negative (Kodak Portra 400 Em. No. 1022 November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) December 2–3, 2013 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1022) December 2–3, 2013 LAX/MIA/MIA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches, each (30 parts) Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486495252754-17LKZHGHSYWA92W0RBM6/2012.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency, 2012 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 1–2, 2012 LAX/SLC/SLC/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 1–2, 2012 LAX/SLC/SLC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 15–19, 2012 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 15–19, 2012 LAX/MIA/MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 2–5, 2012 LAX/PVD/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 2–5, 2012 LAX/PVD/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 20–23, 2012 LAX/JFK/JKF/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 20–23, 2012 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 3–8, 2012 LAX/JFK/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 3–8, 2012 LAX/JFK/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 11–14, 2012 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 11–14, 2012 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches, each (26 parts) Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486495252674-PPJXZI9L0HN9007SDWNQ/2011.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency, 2011 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX;Negative (Kodak Portra 400NC Em. No. 2051) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 2051) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) May 26–30, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 2031) May 26–30, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 8–10, 2011 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 8–10, 2011 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 21–24, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 21–24, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches, each (26 parts) Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575402421616-3OP7XCPN3IWJRWXEEM8B/WB04811.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575402422014-E7RE9BO1SA8SDLO8SP1Z/WB04911.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575402597892-YEWFBKPJHNCN04JQQTFU/WB05211.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: January 30 - February 19, 2011 LAX/LHR/CPH CPH/LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575402425075-2QQZCXAXT7EDT5HEC4D2/WB05411.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: January 30–February 19, 2011 LAX/LHR/CPH CPH/LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575402426886-RL4N7W7BXQIOGO21E1KZ/WB06912.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: April 2–5, 2012 LAX/PVD JFK/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575402443181-1C5PYH0B6FQPEWKQO4A7/WB07012.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: April 2–5, 2012 LAX/PVD JFK/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575402443635-06L4VM5DGIFV17B4J63B/WB07312.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400 Em. No. 1021: April 13–23, 2012 LAX/SFO/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575402444956-MN1J1XZR5NSF4KTXEVCA/WB07412_edited.jpg</image:loc>
      <image:title>Transparencies, 2014–</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: April 13–23, 2012 LAX/SFO/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/fedex-copper-works-2009</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569456137046-DXO1PB0JPZIEW3E9YNUX/MAMCO-WaleadBeshty-FedEx-08-HD.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>Copper (FedEx® Medium Kraft Box © 2004 FEDEX 155143 REV 10/04 BP), International Priority, Los Angeles–Geneva trk#860603386371, March 9–14, 2011, Priority Overnight, Geneva–Winterthur trk#776185545987, September 10–11, 2019 2011– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 12 inches Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569456137046-DXO1PB0JPZIEW3E9YNUX/MAMCO-WaleadBeshty-FedEx-08-HD.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>Copper (FedEx® Medium Kraft Box © 2004 FEDEX 155143 REV 10/04 BP), International Priority, Los Angeles–Geneva trk#860603386371, March 9–14, 2011, Priority Overnight, Geneva–Winterthur trk#776185545987, September 10–11, 2019 2011– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 12 inches Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569456167872-R4MUFTVKAI2CM0NX4H4H/MAMCO-2019-Walead-Beshty-Annik-Wetter-026-HD.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>Copper Tube (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC), International Priority, Los Angeles–Brussels trk#875468975982, September 8–13, 2011, International Priority, Groot-Bijgaarden–Geneva trk#804219510690, May 17–24, 2019, Priority Overnight, Geneva–Winterthur trk#776185632420, September 10–11, 2019 2011– Polished copper, accrued FedEx shipping and tracking labels 6 x 6 x 40 inches Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465502422083-W9ZAVX4L4DCR9QCRCP98/WB-762-3.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>Copper (Fedex® Large Framed Art Box ©2011 FedEx 163098 REV 7/11) Standard Overnight, Glendale–Los Angeles trk#798886094580, September 5–6, 2012, Standard Overnight, Los Angeles–Miami Beach trk#800983717795, December 1–3, 2012 2012– Polished copper, accrued FedEx shipping and tracking labels 49 3/8 x 36 11/16 x4 3/4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465502423287-VXKF4T0AQVL58AN1TZSN/WB-763-1.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>Copper (FedEx® Medium Framed Art Box ©2011 FedEx 163095 REV 7/11), Standard Overnight, Glendale–Los Angeles trk#798886232371, September 5–6, 2012 2012– Polished copper, accrued FedEx shipping and tracking labels 33 3/4 x 28 x 4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465502424736-7A3IF18IW9XDEXW1YIZ7/WB-764-2.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>Copper (Fedex® Golf-Bag Box ©2010 FedEx 163166 REV 10/10) Standard Overnight, Glendale–Los Angeles trk#798886320028, September 5–6, 2012, Standard Overnight, Los Angeles–Miami Beach trk#800983717784, December 1–3, 2012 2012– Polished copper, accrued FedEx shipping and tracking labels 48 x 15 x 15 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459201058763-4XF3J66XMA7P9993IDCE/WB34509.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>24-inch Copper (FedEx Large Kraft Box 2008 FEDEX 330510 REV 6/08 GP), International Priority, Los Angeles-London trk#868587728017, October 2–5, 2009, International Priority, Sint–Denijis–Westrem–Malmö trk#871388142949, February 11–14, 2011, International Priority, Malmö–Mostolés trk#871976834184, June 10–13, 2011, International Priority, Mostolés–Oostende trk#797697550753, November 3–7, 2011, FedEx Europe First, Sint–Denijs–Westrem–London rek#770729708633, August 1–4, 2014 2011– Polished copper, accrued FedEx shipping and tracking labels 24 x 24 x 24 inches A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459201060336-5PADW1OPG4DS0K8BEEUN/WB95510.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>24-inch Copper (FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP), International Priority, Los Angeles–Malmö trk#794379965566, February 2–4, 2011, International Priority, Malmö–Mostolés trk#871976834313, June 10–13, 2011, International Priority, Mostolés–Los Angeles trk#797697675646, November 3–8, 2011 2011– Polished copper, accrued FedEx shipping and tracking labels 24 x 24 x 24 inches A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486772559958-DPQVXYENU8QGS7C7YUY4/wb12711.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>Copper (FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC), International Priority, Los Angeles–Beijing trk#875468976018, September 08–14, 2011, International Priority, Beijing–Miami trk#874108926300, November 23–28, 2011, Priority Overnight, Miami–Boston trk#875575040808, January 18–19, 2012 2011– Polished copper, accrued FedEx shipping and tracking labels 14 1/2 x 23 5/8 x 18 1/2 inches Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1486772560092-A2XQCDMZMJXIMXQKWIMG/wb17611.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>Copper (FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC), International Priority, Los Angeles–Beijing trk#875468976007, September 9–14, 2011,International Priority, Beijing–Miami trk#874108926296, November 23–28, 2011, Priority Overnight, Miami–Beacon Falls trk#875575042189, February 12–14, 2012 2011– Polished copper, accrued FedEx shipping and tracking labels 23 5/8 x 18 1/2 x 18 1/2 inches Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485212146475-SUI8GCOTPBEW7GS831UD/WB36109.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587728006, October 2–5, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485212200217-PI290SD626G7P4IQ412B/WB36009.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587728028, October 2–5, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485212286677-63188X9QVILJ0LS2O85Q/WB35909.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587728083, October 2–5, 2009, International Priority, London–Los Angeles trk#862012042283, December 8–9, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485212339183-NJANYOW94WC1OQQP9H4W/WB35809.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587728061, October 2–5, 2009, International Priority, London–Zurich trk#863822956490, November 26–December 2, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485212400433-WJGNQEPEEJLJMKGYIZSG/WB35709.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587725897, October 2–5, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485212525304-WP7SZNC2KN5G0VUN8RYW/WB35609.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587728040, October 2–5, 2009, International Priority, London–New York trk#863822956489, November 18–20, 2009, International Priority, New York–London trk#795200981790, September 19–21, 2011 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1485212565157-9F28SLVPJTIRGULLQ7XX/WB34609_B.jpg</image:loc>
      <image:title>FedEx Copper Works, 2009–</image:title>
      <image:caption>24-inch Copper (FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP), International Priority, Los Angeles-London trk#868587728017, October 2–5, 2009, International Priority, Sint–Denijis–Westrem–Malmö trk#871388142949, February 11–14, 2011, International Priority, Malmö–Mostolés trk#871976834184, June 10–13, 2011, International Priority, Mostolés–Oostende trk#797697550753, November 3–7, 2011, FedEx Europe First, Sint-Denijs-Westrem–London rek#770729708633, August 1–4, 2014 2011– Polished copper, accrued FedEx shipping and tracking labels 24 x 24 x 24 inches A Diagram of Forces, 2011</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/color-loops-2008-2011</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460676237992-FKLDCB5OP8ZP3OFJGPPB/WB25208.jpg</image:loc>
      <image:title>Color Loops, 2008–2011</image:title>
      <image:caption>Six Color Loop (CMYRGB: Irvine, California, July 16th 2008, Fuji   Crystal Archive Type C) 2009 Color photographic paper 50 x 105 inches Pulleys, Cogwheels, Mirrors, and Windows, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460676237992-FKLDCB5OP8ZP3OFJGPPB/WB25208.jpg</image:loc>
      <image:title>Color Loops, 2008–2011</image:title>
      <image:caption>Six Color Loop (CMYRGB: Irvine, California, July 16th 2008, Fuji   Crystal Archive Type C) 2009 Color photographic paper 50 x 105 inches Pulleys, Cogwheels, Mirrors, and Windows, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460676238509-B7NEHR7K66Z71WDFSD0J/WB25308.jpg</image:loc>
      <image:title>Color Loops, 2008–2011</image:title>
      <image:caption>Six Color Loop (CMYRGB: Irvine, California, July 26th 2008, Fuji   Crystal Archive Type C) 2009 Color photographic paper 50 x 103 inches Pulleys, Cogwheels, Mirrors, and Windows, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460679377863-4T45C4I6SOAK9ENWXQT0/WB28808.jpg</image:loc>
      <image:title>Color Loops, 2008–2011</image:title>
      <image:caption>Six-Sided Picture A (CMMYYC: Irvine, California, July 16, 2008, Fuji Crystal Archive type C) 2008 Color photographic paper 100 x 50 inches Industrial Pictures, 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460679377919-OZEPEN3KMYBXC6ECQBAL/WB29208.jpg</image:loc>
      <image:title>Color Loops, 2008–2011</image:title>
      <image:caption>Six-Sided Picture D (CMMYYC: Irvine, California, July 16, 2008, Fuji Crystal Archive type C) 2008 Color photographic paper 100 x 50 inches Industrial Pictures, 2008  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/multi-sided-folds-2007</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460674626567-67UJBCZSXDVCHDTPM1H9/WB04907.jpg</image:loc>
      <image:title>Multi-Sided Pictures, 2007–</image:title>
      <image:caption>Two-Sided Picture (RY), January 12, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460674626567-67UJBCZSXDVCHDTPM1H9/WB04907.jpg</image:loc>
      <image:title>Multi-Sided Pictures, 2007–</image:title>
      <image:caption>Two-Sided Picture (RY), January 12, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460674626778-2THFHEMSZUBRDQ72VBP8/WB49807.jpg</image:loc>
      <image:title>Multi-Sided Pictures, 2007–</image:title>
      <image:caption>Four-Sided Picture (GMYR), January 11, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460674628086-7FLKA95KRK2ABI0X16R4/WB50807.jpg</image:loc>
      <image:title>Multi-Sided Pictures, 2007–</image:title>
      <image:caption>Two-Sided Picture (YR), January 10, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460674629048-DDQDO3AQ5GFW4VKFLF6X/WB51007.jpg</image:loc>
      <image:title>Multi-Sided Pictures, 2007–</image:title>
      <image:caption>Three-Sided Picture (MRY), January 12, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460674627951-0KJZ4MHCHYFYO9ODIRM5/WB49907.jpg</image:loc>
      <image:title>Multi-Sided Pictures, 2007–</image:title>
      <image:caption>Four-Sided Picture (MRYG), January 12, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2010 Color photographic paper 26 1/2 x 22 1/2 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1465506184283-9HEYEU9QTJ3NVGBGZS2V/WB-933.jpg</image:loc>
      <image:title>Multi-Sided Pictures, 2007–</image:title>
      <image:caption>Two-Sided Picture (YR), January 12, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2010 Color photographic paper 26 1/2 x 22 1/2 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/color-pulls-2008</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460679224489-YYZVVMB7LEFI5033QW3O/WB85207.jpg</image:loc>
      <image:title>Color Pulls, 2008</image:title>
      <image:caption>Four-Sided Pull (RGBY), May 18, 2007, Valencia, California, Kodak Supra 2008 Color photographic paper 82 x 50 inches Science Concrète, 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1460679224489-YYZVVMB7LEFI5033QW3O/WB85207.jpg</image:loc>
      <image:title>Color Pulls, 2008</image:title>
      <image:caption>Four-Sided Pull (RGBY), May 18, 2007, Valencia, California, Kodak Supra 2008 Color photographic paper 82 x 50 inches Science Concrète, 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481763421248-LH0CBPI0ZJUZHWJGU527/WB_85207_edited.jpg</image:loc>
      <image:title>Color Pulls, 2008</image:title>
      <image:caption>Four-Sided Pull (RGBY), May 18, 2007, Valencia, California, Kodak Supra 2008 Color photographic paper 82 x 50 inches Science Concrète, 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481829930605-FWZC51AOAIMZFF33HMEI/WB_76307.jpg</image:loc>
      <image:title>Color Pulls, 2008</image:title>
      <image:caption>Five-Sided Pull (RGBYM), May 19, 2007, Valencia, California, Kodak Supra 2008 Color photographic paper 50 x 40 inches Science Concrète, 2008  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/inverted-ra4-contact-prints-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523555857170-8ZGTUX7H56S6EX6V9YK5/WB-1649.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Inverted RA4 Contact Print / Processor Stall (YM: Los Angeles, California, November 10, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 152-017; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 41917) 2018 Color photographic paper 135 1/4 x 101 3/4 inches Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523555857170-8ZGTUX7H56S6EX6V9YK5/WB-1649.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Inverted RA4 Contact Print / Processor Stall (YM: Los Angeles, California, November 10, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 152-017; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 41917) 2018 Color photographic paper 135 1/4 x 101 3/4 inches Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523555860664-2H67KZLU4KMZCJK4FZ89/WB-1652-1.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Inverted RA4 Contact Print / Processor Stall (YM: Los Angeles, California, November 9, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 152-017; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 41717) 2018 Color photographic paper 141 x 101 3/4 inches Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523555868743-BLK9A8GZAJEHSIYRS0Z9/WB-1654.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Inverted RA4 Contact Print / Processor Stall (YM: Los Angeles, California, November 22, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 152-017; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 42517) 2018 Color photographic paper 135 3/4 x 101 3/4 inches Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523555876290-OYSAG058FU3A9O7MOW6X/WB-1650.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, June 1, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 141-044; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21917) 2018 Color photographic paper 126 3/4 x 101 3/4 inches Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523555875838-065Q5DZJSOC6ZAICIHXS/WB-1651.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print / Processor Stall (CMY: Los Angeles, California, June 5, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 141-044; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 22017) 2018 Color photographic paper 140 3/4 x 101 3/4 inches Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501890710356-22Q6JTOQVZ11NF5GKDCP/WB_06816_final.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, April 7, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 06816) 2017 Color photographic paper 138 1/2 x 101 5/8 inches Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501890709633-QQSYKESMRU6U3BKF97ZS/WB_07016_final.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, April 8, 2016; Fujicolor Crystal Archive Super Type C Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 07016) 2017 Color photographic paper 122 x 101 5/8 inches Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501890715646-4USYEBXWKYEH53SVQLYX/WB_07116_final.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (YCM/Six Magnet: Los Angeles, California, April 11, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 07116) 2017 Color photographic paper 146 1/8 x 101 5/8 inches Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501890715419-8NLZOAFSRWOWA14LTEUQ/WB_07216_final.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (MYC/Six Magnet: Los Angeles, California, April 11, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 07216) 2017 Color photographic paper 129 1/8 x 101 5/8 inches Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1477435382634-5Y2PPOH01SFBEOCBZJG2/03516.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>RA4 Contact Print / Processor Stall (CMY/Six Magnet/Six Magnet: Los Angeles, California, February 19, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 107-016; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 03516) 2016 Color photographic paper 119 3/4 x 100 inches Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1477435382529-IRWP5NU66E7GHJ4WHE2O/05416.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>RA4 Contact Print / Processor Stall / Depleted Developer (MYC/Six Magnet: Los Angeles, California, March 30, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 05416) 2016 Color photographic paper 140 x 100 inches Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1477435383141-6OQEG0ICDDY8G8NHBQL6/BESHT42753_b.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall (MYC/Six Magnet: Los Angeles, California, March 17, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 04716) 2016 Color photographic paper 125 1/4 x 100 inches Automat, 2016   Progressive Praxis, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1477435383287-54PR2FAPYZG7PE20TRVA/BESHT42754_b.jpg</image:loc>
      <image:title>Inverted RA4 Contact Prints, 2016–</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall / Depleted Developer (MYC/Six Magnet: Los Angeles, California, April 7, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 06716) 2016 Color photographic paper 134 x 100 inches Automat, 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2012</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749062805-UKSH7HCAVDNJKKHR229N/TPgraniteHP.jpg</image:loc>
      <image:title>2012 - &lt;del&gt;Travel Picture Granite [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2012 Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749062805-UKSH7HCAVDNJKKHR229N/TPgraniteHP.jpg</image:loc>
      <image:title>2012 - &lt;del&gt;Travel Picture Granite [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2012 Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749061719-XGOZVMBKPEVWVHD0BD6F/TPmarshesHP.jpg</image:loc>
      <image:title>2012 - &lt;del&gt;Travel Picture Marshes [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2012 Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749063969-EN66W6GKSAE2JP123FTK/TPmeadowHP.jpg</image:loc>
      <image:title>2012 - &lt;del&gt;Travel Picture Meadow [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2012 Exhibition: Travel Pictures, 2012 Aggregato, 2018 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749065325-UTUIOVLNQ6NHEJWG5ZRU/TPmistHP.jpg</image:loc>
      <image:title>2012 - &lt;del&gt;Travel Picture Mist [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2012 Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749066066-EBLX8KV6AMUP3XKSQE1L/wb01012.2.jpg</image:loc>
      <image:title>2012 - &lt;del&gt;Travel Picture Violet [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2012 Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749067110-5T92RE8540OTUO6VGDXB/wb01112.2.jpg</image:loc>
      <image:title>2012 - &lt;del&gt;Travel Picture Fog [Tschaikowskistrasse 17 in multiple exposures*(LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2012 Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749069169-UFCTSVAK9IBHUWHFD5D1/WB01212.2.jpg</image:loc>
      <image:title>2012 - &lt;del&gt;Travel Picture Fern [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2012 Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749069214-QKA8V6NAWVV5Q7MXTEMB/wb04812.1_b.jpg</image:loc>
      <image:title>2012 - &lt;del&gt;Travel Picture Fern [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2012 Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749070168-80EH9WEAUCTU49HIIV73/wb04912.1_b.jpg</image:loc>
      <image:title>2012 - &lt;del&gt;Travel Picture Sunset [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2012 Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453865734-H78VK8HVBF87W4UCAOZL/TDA_0512-037.jpg</image:loc>
      <image:title>2012</image:title>
      <image:caption>The Continuous Presents of Futures Past (post-apocalypses 1985–1959), )9591–5891 sespylacopa-tsop( tsaP serutuF fo stneserP suounitnoC ehT 2012 Fifteen commercial films from the cold war era, color offset print, Apple Mac Mini, and wireless headphones 48 hours The Continuous Presents of Futures Past, 2012–2013 Exhibition: Travel Pictures, 2012 Fair Use, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453989823-UWPBOX1MPH437IDCE5DD/WB22312-22812.jpg</image:loc>
      <image:title>2012</image:title>
      <image:caption>Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) Soft Picture (Cast Exxon Slack Wax 75:493644; December 5, 2012–March 17, 2013, Miami Beach, Florida) 2012 Petroleum wax and wood strainer 50 x 90 inches each Soft Pictures, 2012 Exhibition: The Endless Renaissance, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749154845-U29A26MXMHVZ201BVAY3/WB23012.1_a.jpg</image:loc>
      <image:title>2012</image:title>
      <image:caption>Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012 Exhibition: The Endless Renaissance, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483749154904-ALW4HKYYT9VF9ZZIGZP8/WB23012.1_b.jpg</image:loc>
      <image:title>2012</image:title>
      <image:caption>Unmaskings (1962–2001: Jimmy Olsen 59; Super Girl and Wonder Woman 63; Jimmy Olsen 79; Detective Comics 335; Bob Hope 93; BlackHawk 210B; Action Comics 349; Jimmy Olsen 111; Green Lantern 69; Action Comics 379; Detective Comics 407; Adventure Comics 428; Adventure Comics 429; Black Magic 1A; Black Magic 1B; House of Mystery 237; Teen Titans Annual; Batman Family Giant 9; Iron Man 103; Batman 321; Brave and the Bold 176; Detective Comics 507A; Detective Comics 507B; Hawkeye 1; AlphaFlight 12B; Batman 318; Captain America 311; Captain America 320; Boris the Bear 11; Excalibur 1; Excalibur 2; Batman 458; The Mask 1; Human Target 1; Captain Planet 8; Batman 484; Blood and Shadows; DareDevil 358; Gen13 53; DareDevil 241; Betty and Veronica 117) 2012 Color offset periodicals, Cintra, Plexiglas, mat board 14 1/4 x 18 inches each, 41 parts Unmaskings, 2012 Exhibition: The Endless Renaissance, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483746662544-6IXNLHMBNJDMKBHAUOVH/WB-764-2.jpg</image:loc>
      <image:title>2012</image:title>
      <image:caption>Copper (Fedex® Golf-Bag Box ©2010 FedEx 163166 REV 10/10) Standard Overnight, Glendale–Los Angeles trk#798886320028, September 5–6, 2012, Standard Overnight, Los Angeles–Miami Beach trk#800983717784, December 1–3, 2012 2012– Polished copper, accrued FedEx shipping and tracking labels 48 x 15 x 15 inches FedEx Copper Works, 2009–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483746669485-OY7P4M2XVLW1KTCMF0Q5/WB-763-1.jpg</image:loc>
      <image:title>2012</image:title>
      <image:caption>Copper (FedEx® Medium Framed Art Box ©2011 FedEx 163095 REV 7/11), Standard Overnight, Glendale–Los Angeles trk#798886232371, September 5–6, 2012 2012– Polished copper, accrued FedEx shipping and tracking labels 33 3/4 x 28 x 4 inches FedEx Copper Works, 2009–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483746675223-L08UE4GCQHQYEI3IP6WQ/WB-762-3.jpg</image:loc>
      <image:title>2012</image:title>
      <image:caption>Copper (Fedex® Large Framed Art Box ©2011 FedEx 163098 REV 7/11) Standard Overnight, Glendale–Los Angeles trk#798886094580, September 5–6, 2012, Standard Overnight, Los Angeles–Miami Beach trk#800983717795, December 1–3, 2012 2012– Polished copper, accrued FedEx shipping and tracking labels 49 3/8 x 36 11/16 x4 3/4 inches FedEx Copper Works, 2009–</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2002</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744132108-JE0EZKMNQYIJ5PGGMP5K/WB_01003.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (Party America, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744132108-JE0EZKMNQYIJ5PGGMP5K/WB_01003.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (Party America, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744125732-0W309HF96KRYFRHNHIHY/WB_00603.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (FAO Schwartz, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744129325-SWN139LRGPZBLGNXRPUG/WB_00903.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (Party America, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744120424-5RO8KMYKRBL5F1S433WJ/WB_00203.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (FAO Schwartz, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744122622-VXATYYAXT2U9JWUA84JS/WB_00303.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (The Disney Store, Irondequoit Mall, Rochester, NY) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744127147-VO8GGBDG259G02NPJSG4/WB_00703.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (J. Crew, The Grove, Los Angeles, CA) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744128293-XVCDDAUPYNON4P6OQO0N/WB_00803.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (Target, Dutchess County Mall, Kingston, NY) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744122957-ROY8O0YICGW7UJINRN5B/WB_00403.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (Food Court, Danbury Mall, Danbury, CT) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744124832-B1UQJ3DYCAGA6KOYNQTK/WB_00503.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (T-Mobile, Alexanderplatz, Berlin, Germany) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744120110-HCMGPKWIZC1RQ1KDNU2Q/WB_00103.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (Sears, Westfield Mall, Bridgeport, CT) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744132033-4AEAA3QETM47CDNA2K7Q/WB_01103.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (Feline's, Danbury Mall, Danbury, CT) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744133307-7IQQPFJF8QWLS52L5SKB/WB_01203.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>The Phenomenology of Shopping (Target, Levittown, PA) 2002 Chromogenic print 68 x 47 3/4 inches The Phenomenology of Shopping, 2001–2003  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744257388-PAXYFADXMGABKDJ9YCSY/Age+prog.jpg</image:loc>
      <image:title>2002</image:title>
      <image:caption>Eight Young Men of Approximately Twenty-Five Years of Age 2002 Chromogenic prints 22 x 19 inches, each Eight Young Men ... , 2002  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/travel-pictures-2006-2008-2012</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575923511358-9CD9GXZGVLG8ARWNG4UW/TP_HP_install_crop2.jpg</image:loc>
      <image:title>-Travel-Pictures-, 2012 - &lt;del&gt;Travel Pictures [Tschaikowskistrasse 17 in multiple exposures*(LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies&lt;/del&gt;</image:title>
      <image:caption>2012 Chromogenic prints 90 3/8 x 51 1/2 inches each</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575923511358-9CD9GXZGVLG8ARWNG4UW/TP_HP_install_crop2.jpg</image:loc>
      <image:title>-Travel-Pictures-, 2012 - &lt;del&gt;Travel Pictures [Tschaikowskistrasse 17 in multiple exposures*(LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies&lt;/del&gt;</image:title>
      <image:caption>2012 Chromogenic prints 90 3/8 x 51 1/2 inches each</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360757588-2YCFVF6I762AVMZ8OPMT/TPgraniteHP.jpg</image:loc>
      <image:title>-Travel-Pictures-, 2012 - &lt;del&gt;Travel Picture Granite [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360757118-FX0TLTA10RGZL3CB7EZG/TPmarshesHP.jpg</image:loc>
      <image:title>-Travel-Pictures-, 2012 - &lt;del&gt;Travel Picture Marshes [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360758982-ZSO9RMWX8UKV1CRS934C/TPmeadowHP.jpg</image:loc>
      <image:title>-Travel-Pictures-, 2012 - &lt;del&gt;Travel Picture Meadow [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Aggregato, 2018 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360759304-HI3ZIUIXN8JB7C1FE2MQ/TPmistHP.jpg</image:loc>
      <image:title>-Travel-Pictures-, 2012 - &lt;del&gt;Travel Picture Mist [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360760466-SY8UJK1YBINHJRXVCCM5/wb01012.2.jpg</image:loc>
      <image:title>-Travel-Pictures-, 2012 - &lt;del&gt;Travel Picture Violet [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360760739-ADD2MQOEDTU4UAKZ1X6E/wb01112.2.jpg</image:loc>
      <image:title>-Travel-Pictures-, 2012 - &lt;del&gt;Travel Picture Fog [Tschaikowskistrasse 17 in multiple exposures*(LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]&lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360762083-MGTN0MECXWFXSPYGAAX8/WB01212.2.jpg</image:loc>
      <image:title>-Travel-Pictures-, 2012 - &lt;del&gt;Travel Picture Fern [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] &lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360763075-9OWOWOZ9WK5UHZWJSWHL/wb04812.1_b.jpg</image:loc>
      <image:title>-Travel-Pictures-, 2012 - &lt;del&gt;Travel Picture Fern [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] &lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1461360764515-NB3I8TXZAJ8S1S6NNHAA/wb04912.1_b.jpg</image:loc>
      <image:title>-Travel-Pictures-, 2012 - &lt;del&gt;Travel Picture Sunset [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] &lt;/del&gt;</image:title>
      <image:caption>*Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2012 Chromogenic print 90 3/8 x 51 1/2 inches Exhibition: Travel Pictures, 2012 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574711094-97LTH95RRXH8SO9U7HC7/BESHT42309.jpg</image:loc>
      <image:title>2016 - Office Work (&lt;del&gt;Apple PowerBook G4/1.5 15-inch&lt;/del&gt;)</image:title>
      <image:caption>2016 Apple PowerBook G4/1.5 15-inch, steel pole support, steel base plate, steel shaft collars, extension cord 72 x 14 3/8 x 14 5/8 inches Office Works, 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574711094-97LTH95RRXH8SO9U7HC7/BESHT42309.jpg</image:loc>
      <image:title>2016 - Office Work (&lt;del&gt;Apple PowerBook G4/1.5 15-inch&lt;/del&gt;)</image:title>
      <image:caption>2016 Apple PowerBook G4/1.5 15-inch, steel pole support, steel base plate, steel shaft collars, extension cord 72 x 14 3/8 x 14 5/8 inches Office Works, 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481762080779-3HG36BI2KH2I3WVR13EK/BESHT42307.jpg</image:loc>
      <image:title>2016 - Office Work (&lt;del&gt;Apple iBook Intel Core 2 Duo/2.13 13-inch&lt;/del&gt;)</image:title>
      <image:caption>2016 Apple iBook Intel Core 2 Duo/2.13 13-inch, steel pole support, steel base support, steel shaft collars, extension cord 72 x 16 7/8 x 17 3/8 inches Office Works, 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574709852-8S6HHVYHSER2946BKT1E/BESHT42308.jpg</image:loc>
      <image:title>2016 - Office Work (&lt;del&gt;Apple IMac G5/1.6 17-inch&lt;/del&gt;)</image:title>
      <image:caption>2016 Apple iMac G5/1.6 17-inch, steel pole support, steel base plate, steel shaft collars, extension cord 72 x 27 1/2 x 24 3/4 inches Office Works, 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481762080530-YKC1HHUGG974W6HOPRYI/BESHT42808.jpg</image:loc>
      <image:title>2016 - Office Work (&lt;del&gt;HP Color LaserJet 2250 N&lt;/del&gt;)</image:title>
      <image:caption>2016 HP Color LaserJet 2250 N, steel pole support, steel base plate, steel shaft collars, extension cord, timer 72 7/8 x 24 3/8 x 25 5/8 inches Office Works, 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574710181-R3AUTYTONPFA902M8WYW/BESHT42306.jpg</image:loc>
      <image:title>2016 - Office Work (&lt;del&gt;Canon Pixma MP600R&lt;/del&gt;)</image:title>
      <image:caption>2016 Canon Pixma MP600R, steel pole support, steel base plate, steel shaft collars, extension cord 72 x 20 7/8 x 23 5/8 inches Office Works, 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481762081478-8HMOHID3HP0Z0C3WGVBH/BESHT42809.jpg</image:loc>
      <image:title>2016 - Office Work (&lt;del&gt;HP LaserJet 4000 TN&lt;/del&gt;)</image:title>
      <image:caption>2016 HP LaserJet 4000 TN, steel pole support, steel base plate, steel shaft collars, extension cord, timer 73 1/4 x 26 3/8 x 22 inches Office Works, 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574749736-PZIQ5T9YDG2F0Q42DTO0/BESHT42780.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 150º Diagonal / 30º Antidiagonal Bisection and 30º Diagonal / 150º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 37 x 23 1/4 x 28 1/4 inches Make Readies, 2010– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574743105-RLTTV9QEHFILIGDQ05QF/BESHT42779.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 30º Diagonal / 150º Antidiagonal Bisection and 150º Diagonal / 30º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 28 1/2 x 12 x 40 1/2 inches Make Readies, 2010– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574743583-D4L0QXQDSH6IAMYCQ0XQ/BESHT42778.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 150º Diagonal / 30º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 21 x 21 x 43 1/2 inches Make Readies, 2010– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574733955-5T7PAW3S2OWJJCBOL4N3/BESHT42774_01.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 45º Antidiagonal / 135º Diagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 22 x 22 x 43 inches Make Readies, 2010– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574738898-XVSOIBF986NZCWDKTQVN/BESHT42777_01.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 30º Diagonal / 150º Antidiagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 21 x 21 x 43 1/2 inches Make Readies, 2010– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574736279-14RSJHZWD3FKR8VF0HS5/BESHT42776.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, Bisection 2016 Four-color offset on coated paper, bent plexiglass 13 x 13 x 35 inches Make Readies, 2010– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574735990-ZMHHI2KUXLISCOKYOSCW/BESHT42775.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, Bisection 2016 Four-color offset on coated paper, bent plexiglass 17 3/4 x 17 3/4 x 25 1/4 inches Make Readies, 2010– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574734101-AUG8PTEOS8ZCXBOGDHSB/BESHT42774_02.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, Bisection 2016 Four-color offset on coated paper, bent plexiglass 17 3/4 x 17 3/4 x 25 1/4 inches Make Readies, 2010– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574730742-SCTL02XAL9C2X2LYCDVZ/BESHT42773.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Make-Ready 1: Uncut Signature [Walead Beshty: Selected Correspondences 2001–2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4–6, 2010], 90º Bend, 135º Antidiagonal / 45º Diagonal Bisection 2016 Four-color offset on coated paper, bent plexiglass 22 x 22 x 43 inches Make Readies, 2010– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574731008-9NBGZ5OYUTMZTJL8N5MT/BESHT42754_b.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall / Depleted Developer (MYC/Six Magnet: Los Angeles, California, April 7, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 06716) 2016 Color photographic paper 134 x 100 inches Inverted RA4 Contact Prints, 2016– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574715539-D4SXZM1X1KPDATJAHG25/05416.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>RA4 Contact Print / Processor Stall / Depleted Developer (MYC/Six Magnet: Los Angeles, California, March 30, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 05416) 2016 Color photographic paper 140 x 100 inches Inverted RA4 Contact Prints, 2016– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574727286-C087UIBE5UC0D3T5IHUC/BESHT42753_b.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall (MYC/Six Magnet: Los Angeles, California, March 17, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 04716) 2016 Color photographic paper 125 1/4 x 100 inches Inverted RA4 Contact Prints, 2016– Exhibition: Automat, 2016 Progressive Praxis, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574715660-BD1TBGYZL9P9BBQ7NK9P/03516.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>RA4 Contact Print / Processor Stall (CMY/Six Magnet/Six Magnet: Los Angeles, California, February 19, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 107-016; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 03516) 2016 Color photographic paper 119 3/4 x 100 inches Inverted RA4 Contact Prints, 2016– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574726442-ALOJY8F7XQ5G3ZOWN7XU/75914c.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall (YMC/Six Magnet: Los Angeles, California, July 16, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 75914) 2016 Color photographic paper 118 1/2 x 51 1/2 inches RA4 Contact Prints, 2014– Exhibition: Automat, 2016 Progressive Praxis, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574719119-VXA4QPEPKHJVJTU0JASQ/06214e.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, January 27, 2014; Fuji Color Crystal Archive Super Type C, Em. No. 101-006; Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 06214) 2016 Color photographic paper 119 3/4 x 51 1/2 inches RA4 Contact Prints, 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574721997-S38Q1IQB91L1U8LXGXXY/75414d.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>RA4 Contact Print / Processor Stall (MYC/Six Magnet: Los Angeles, California, July 15, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 107-116; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 75414) 2016 Color photographic paper 119 3/4 x 51 1/2 inches RA4 Contact Print Curls, 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574726056-LM6MVDIBA8TTCUDOSPH8/100114c.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>RA4 Contact Print / Processor Stall (YMC/Six Magnet: Los Angeles, California, September 12, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 100114) 2016 Color photographic paper 120 1/4 x 51 1/2 inches RA4 Contact Prints, 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574722305-98FLMNXWKOXF4AQCA3EY/53814c.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>RA4 Contact Print / Depleted Developer (CYM/Six Magnet: Los Angeles, California, March 21, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 101-007; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 53814) 2016 Color photographic paper 118 1/2 x 51 1/2 inches RA4 Contact Prints, 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1481574690790-Q6PQ1V5BWTTIRT165RAD/Exhview_Beshty_GEP_Zurich_2016_12.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Detail of Copper Surrogates (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection: June 1–8/August 30, 2016, Zürich, Switzerland) 2016– Polished copper 30 x 11 1/2 x 30 inches, each Surrogates (Modular, Art Handling), 2014– Exhibition: Automat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483746758937-RYG731GA1YCE12CJS4UV/WB_09416.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Untitled 2016 Cyanotype on linen Dimensions variable Cyanotypes, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483746758935-U0VH8Q0AFLIEERTU152E/WB_09816.jpg</image:loc>
      <image:title>2016</image:title>
      <image:caption>Untitled 2016 Cyanotype on linen Dimensions variable Cyanotypes, 2009–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2011</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454180525-21OBC6CRQ9E4B0SZBOJC/WB20611_A.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 30 1/8 x 120 1/4 x 1 1/2 inches; Base: 48 x 26 1/8 x 16 5/8 inches Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454180525-21OBC6CRQ9E4B0SZBOJC/WB20611_A.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 30 1/8 x 120 1/4 x 1 1/2 inches; Base: 48 x 26 1/8 x 16 5/8 inches Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454180527-Q7L13VZPTOEM1EEQ8KUG/WB20611_B.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 30 1/8 x 120 1/4 x 1 1/2 inches; Base: 48 x 26 1/8 x 16 5/8 inches Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454182967-YVPOQE7UI6EK6OUVGXJS/WB20711_A.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 28 x 85 x 1 1/2 inches; Base: 47 1/4 x 28 1/8 x 18 3/8 inches Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454183388-ONKVBSCF3B30A4D6HR7P/WB20711_B.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 28 x 85 x 1 1/2 inches; Base: 47 1/4 x 28 1/8 x 18 3/8 inches Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454184884-S5YATGIFZH3QSZKD88CQ/WB20811_A.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Florence Knoll, 1961; Regen Projects II, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 48 x 81 x 1 1/2 inches; Base: Dimensions variable Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454185906-KPMQUWIPCZ8JXNVE52ED/WB20811_B.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Florence Knoll, 1961; Regen Projects II, Los Angeles, California, July 17–August 21, 2010) 2011 Polished copper and black powder-coated steel  Table: 48 x 81 x 1 1/2 inches; Base: Dimensions variable Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454187744-AJX46UR9GC3H0O5VUHB1/WB20911_A.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table 1: 96 x 30 x 1 1/2 inches; Table 2: 78 x 30 x 1 1/2 inches; Base: 66 7/8 x 60 3/4 x 23 3/4 inches Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454188166-SVDG6ICTJK5B166WURLW/WB20911_B.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table 1: 96 x 30 x 1 1/2 inches; Table 2: 78 x 30 x 1 1/2 inches; Base: 66 7/8 x 60 3/4 x 23 3/4 inches Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454189616-NCAXCI0BP8B46HYJ62RW/WB21011_A.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454190569-6546COHFGLC8P1DVJL3C/WB21011_B.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454191518-2BGBURMJ48YK6XDNS3BX/WB21111_A.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454193078-N7X7Q92UJ2ANNOKZ4H7Y/WB21111_C.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Artistic Concepts, 2007; Regen Projects II, Los Angeles, California, March 3–April 11, 2011) 2011 Polished copper and black powder-coated steel Table: 120 x 29 7/8 x 1 1/2 inches; Base: 47 3/4 x 31 1/4 x 21 1/4 inches Surrogates (Tabletop and Desktop), 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454422587-PL0ICCDLGUF8LWU4XIPS/WB02511.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16th 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 90 x 50 inches Selected Works, 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454424182-PARGKSP2E5N1FIH78H16/WB-404.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Selected Works (2009–2011/November 15, 2010–March 16th 2011) 2011 Color photographic paper, black and white photographic paper, archival inkjet papers 50 inches Selected Works, 2008– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455241189-FA3A9YRKBSK7EJJGS8O9/WB05110.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011) pp. 126–127 2011 Light jet print in custom plexi box 108 1/2 x 51 1/2 x 7 inches Black Curls, 2010–2013 PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455243236-KOYN2JY33CZQN3RUQRNP/WB06210.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06210) 2011 Color photographic paper 111 x 50 inches Black Curls, 2010–2013 PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455245165-0PZ4V369NZY5K9Q472QH/WB06310.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06310) 2011 Color photographic paper 50 x 111 inches Black Curls, 2010–2013 PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455246577-FAKFXH1ODAWA2PXOBKZH/WB06910.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06910) 2011 Color photographic paper 111 x 50 inches Black Curls, 2010–2013 PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455247130-HHMXW2TU48S8ZBDEG4BC/WB07210.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07210) 2011 Color photographic paper 50 x 112 1/2 inches Black Curls, 2010–2013 PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455249841-D8LAXRAL136QR45RAL1W/WB07410.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07410) 2011 Color photographic paper 50 x 105 inches Black Curls, 2010–2013 PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455250938-1OIZZO6J9PTPJR4PA2FU/WB07510.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07510) 2011 Color photographic paper 112 x 50 inches Black Curls, 2010–2013 PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455251881-Q3MCS5QKD741C1TDUFDO/WB07810_B.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07810) 2011 Color photographic paper 111 1/2 x 50 inches Black Curls, 2010–2013 PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455238844-ZY1DICCTOOEHYQEVMZB9/WB03811.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011) pp. 126–127 2011 Light jet print in custom plexi box 108 1/2 x 51 1/2 x 7 inches Decoys, 2011– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455239990-UWNCJZEWFWFYE6QFAUCZ/WB03911.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011) pp. 129 2011 Light jet print in custom plexi box 108 1/2 x 51 1/2 x 7 inches Decoys, 2011– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455256815-A4ZOCMAND1XA53WHNYBW/WB22611.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Walead Beshty: Natural Histories, Walead Beshty and Lionel Bovier eds. (Zurich: JRP Ringier, 2011)  pp. 84. 2011 Chromogenic print in custom plexi box 108 x 50 inches Decoys, 2011– PROCESSCOLORFIELDS, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455309645-I4CFDOW8CGQ0LML3KLFU/27_CA2M_Waled_Beshty_2011_E_Almagro.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (February 10–17/ May 2–6 2011, Malmo, Sweden; June 13–20/ October 31–November 4, 2011, Madrid, Spain; June 8/18, 2012, Basel, Switzerland; October 22, 2015, Beirut Lebanon) 2011– Polished copper 116 x 45 3/4 x 2 inches, each, 9 parts Surrogates (Full Sheet, Art Handling), 2011– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453999982-PBDV9OJ44FVDC4TGTVIZ/WB21911.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogates (September 20–23/November 21–23, 2011, Beijing, China, June 13–18/November 21, 2012Los Angeles, California, November 29–December 3, 2012, Miami Beach, Florida) 2011– Polished copper 35 1/2 x 74 3/4 x 1 1/2 inches each Surrogates (Full Sheet, Art Handling), 2011– The Endless Renaissance, 2012  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455386512-HUD20Y2Y7PWNWFRDRM3Z/WB34509.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>24-inch Copper (FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP), International Priority, Los Angeles-London trk#868587728017, October 2–5, 2009, International Priority, Sint-Denijis-Westrem-Malmö trk#871388142949, February 11–14, 2011, International Priority, Malmö-Mostolés trk#871976834184, June 10–13, 2011, International Priority, Mostolés-Oostende trk#797697550753, November 3–7, 2011, FedEx Europe First, Sint-Denijs-Westrem-London rek#770729708633, August 1–4, 2014 2011– Polished copper, accrued FedEx shipping and tracking labels 24 x 24 x 24 inches FedEx Copper Works, 2009– A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455386695-1CXPWRIQ1T5AOK69QY7X/WB95510.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>24-inch Copper (FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP), International Priority, Los Angeles–Malmö trk#794379965566, February 2–4, 2011, International Priority, Malmö–Mostolés trk#871976834313, June 10–13, 2011, International Priority, Mostolés–Los Angeles trk#797697675646, November 3–8, 2011 2011– Polished copper, accrued FedEx shipping, and tracking labels 24 x 24 x 24 inches FedEx Copper Works, 2009– A Diagram of Forces, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455433028-DV3O6U2XOGCXNC94TJEQ/43_CA2M_Waled_Beshty_2011_E_Almagro.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Selected Works (2009–2010 / March 20, 2010–November 15, 2010) 2011 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 90 x 50 inches Selected Works, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455432947-8BIZZ17O1STVZ6L724DT/WB08310.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Selected Works (2009–2010 / March 20, 2010–November 15, 2010) 2011 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 90 x 50 inches Selected Works, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455434913-TTYACW4H35PN524KNMFS/WB80910_B.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Selected Works (2009–2010 / March 20, 2010–November 15, 2010) 2011 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 90 x 50 inches Selected Works, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455453003-Y4X3F4COT9STHC740ANB/WB07710.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26th 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07710) 2011 50 x 112 inches Black Curls, 2010–2013 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455447553-ZKGLWAL84EMEK8EKU74Q/WB05410.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25th 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 05410) 2011 Color photographic paper 50 x 110 inches Black Curls, 2010–2013 A Diagram of Forces, 2011  </image:caption>
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      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25th 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 05610) 2011 Color photographic paper 50 x 111 inches Black Curls, 2010–2013 A Diagram of Forces, 2011  </image:caption>
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      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 25th 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 04910) 2011 Color photographic paper 50 x 112 1/2 inches Black Curls, 2010–2013 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455455946-UZ1RXWQ35GRTVPAIXULV/WB07110.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07110) 2011 Color photographic paper 50 x 110 1/4 inches Black Curls, 2010–2013 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455490992-HXR6PH217V2NHZNWLBBC/WB06706.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455473982-J2NAGG5X6OIJLBY9MM99/WB05706.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455473938-MK0GEZBVNK52HN4A5AMZ/WB06106.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455483827-L97OLS7F8ZCQC8Q2EZZH/WB06506.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455483267-8VNN6LXNSSOWB5TXAS8O/WB06606.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455487431-0781YR7QLFTXVF7DF4Y1/WB06906.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455495535-65VZD5FQEB6UDI9ILD03/WB07506.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455495431-9LNFN0A1ZTXG5FBH2Z5W/WB07806.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455498603-OORZGPH94QJ4EJODQDYP/WB07906.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455504336-TL7U8VCG0IGABO7XIG8S/WB08206.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 14 7/8 x 12 7/8 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455501454-A4AO40BTFM95CC727QH3/WB24207.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 55 x 98 1/4 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455505425-F7FLQES1BI92FXDHD8XV/WB25207.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 55 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455507011-6GD9ZEAYB0K1LYE6XZ1A/WB25907.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2011 Black and white fiber based photographic paper 55 inches Pictures Made by My Hand with the Assistance of Light, 2005–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455508140-H24MYA91G3AC6866I2MD/WB04907.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Two-Sided Picture (RY), January 12, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches Multi-Sided Pictures, 2007– A Diagram of Forces, 2011</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455509586-WIV1MLZK5QCZEGNDF7YO/WB49807.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Four-Sided Picture (GMYR), January 11, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches Multi-Sided Pictures, 2007– A Diagram of Forces, 2011</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455512495-XD9943TY1NBFTO6DPNZ8/WB51007.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Three-Sided Picture (MRY), January 12, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches Multi-Sided Pictures, 2007– A Diagram of Forces, 2011</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455511392-KF1TLX0W6HK39D5CVJKS/WB50807.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Two-Sided Picture (YR), January 10, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2011 Color photographic paper 26 1/2 x 22 1/2 inches Multi-Sided Pictures, 2007– A Diagram of Forces, 2011</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455781222-2PLTDCH976LX004ACX4K/WB15009.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: October 5–13, 2009 LAX/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455782912-YFQBYGIV8HCZXBA5U0XQ/WB15109.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: October 5–13, 2009 LAX/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455785255-MY5EMXS693HYSKYEAAIB/WB87310.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: May 10–16, 2010 LAX/LHR/CPH CPH/LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455789416-W5VLXJ0274G3Y9PV6MN3/WB87710.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: October 15–24, 2010 LAX/CDG/CPH CPH/CDG/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455790115-FEBE9V8C5AB4GXTHHI54/WB87810.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: October 15–24, 2010 LAX/CDG/CPH CPH/CDG/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455783588-DUVH8LYFIVW0R1YDZQCB/WB87010.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: July 3–7, 2010 LAX/IAD/FRA/BLQ BLQ/BRU/ORD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455787123-ZNEGZ9TCPQMDA4OEBQAJ/WB87110.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: July 3–7, 2010 LAX/IAD/FRA/BLQ BLQ/BRU/ORD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455787870-VO9J9GQWPL7CA6OS6MT0/WB87410.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: May 10–16, 2010 LAX/LHR/CPH CPH/LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455781341-MNIHQ6BP2D52E9QT95NH/WB14609.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: August 20–23, 2009 LAX/CMH CMH/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456071439-9PHZWSCFCFO6MLDPADSW/WB331408.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Gallery Director, Brussels, Belgium, November 6, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456007971-CMDKZIAMU45XJSH0UF6J/WB37208.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Gallery Director/Partner, London, United Kingdom, October 17, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456064174-Y6DTCXC6IIIRG1ULGC0P/WB326108.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Gallery Owner/Director, Los Angeles, California, July 25, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456054571-IM5KWGDMQ8ESY1O0LL85/WB40608.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Artist Studio, Wide-Format Inkjet Printer, Los Angeles, California, July 25, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456068902-C2MHRI8JESPO51OW5S4C/WB331308.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Collector, Ostend, Belgium, November 9, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456069443-HUFF6I9U4NZ1Z0JMJB3Z/WB329608.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Museum Curator, Washington, District of Columbia, August 13, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456010279-VB7HG9HG03TM4IEQJOKD/WB37608.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>University Museum Associate Curator, Ann Arbor, Michigan, September 19, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456029619-BKWHRPJ0VSWX0JJ9NENH/WB41508.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Fabricator, Glendale, California, July 9, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456015621-G5XGIPM6CV3QXD37F46G/WB39209.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Installation View, Washington, District of Columbia, April 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456066703-13798WTZ0R0QRFZ7C18Y/WB327508.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>College Darkroom, Color Photographic Processor, Chicago, Illinois, August 21, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455967593-2IOGKHYKQC71WW5DI98Q/WB13809.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Master Framer, Los Angeles, California, June 20, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456024056-792T7Z5UEJ2GHPCHN7PD/WB39908.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Darkroom Assistant, Irvine, California, July 18, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455968868-UJHFBUZIXYJJ9962U24M/WB13909.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>College Darkroom Technician, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455956697-13O6CIG3K8QEO2NVTMUZ/WB04009.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Studio Assistant, Los Angeles, California, September 15, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455964862-MIC3BADYNR4KXA3AJTPB/WB13609.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Business Class Cabin, Moscow, Russia, May 17, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Installation View, Washington, District of Columbia, April 23, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455959738-ZLMNVZU687TQ5A5XQTHY/WB12909.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Artist/Designer/Editor/Writer, New York, New York, September 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455970635-ZPSFA0G11SYMTXT73KQK/WB14109.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Artist, Los Angeles, California, February 8, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456026761-Z29SN4L9GH47Z7EFWHO5/WB41408.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>University Art School, Irvine, California, July 17, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455959431-V8Y3522CNVSGIIFXC7OY/WB13009.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Museum Curator/Triennial, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456056035-VWIIGKK8L150A7ONBCAN/WB90610.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Kunsthalle Assistant, Malmö, Sweden, October 16, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456012729-O5YQ88583ILKQFRTI0LH/WB37708.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Gallery Owner, New York, New York, September 28, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456013375-1H0PDHIFA2RYXM72WPHY/WB37808.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Art Fair Director, Los Angeles, California, July 20, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455966608-M8WR4N5YLQ9455CX6XVZ/WB13709.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Photographer, Los Angeles, California, June 3, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455954178-8TLV3XU91HI3FNM9T0W7/WB03609.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Art Consultant/Collector, Dallas, Texas, November 7, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455962314-IROKNQ2L3VH2DXCZUYJC/WB13209.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Artist, Santa Monica, California, April 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456053372-VE9H299GX0981UI7M9NG/WB89210.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Kunsthalle Chief Technician, Malmö, Sweden, October 16, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456059799-S4A7B7KJ9K5S22RO3J1W/WB91010.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Hotel Room, Copenhagen, Denmark, May 15, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455991382-JNBOU76ZMYUCYIBGCO2F/WB28709.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Artist, Moscow, Russia, May 22, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455991389-E6MOMZMNH8F4L0LRO52J/WB28809.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Nonprofit Associate Curator, Los Angeles, California, February 16, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455993602-8A2M4FKZ4AKEI105ZYTG/WB28909.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Artist, London, United Kingdom, October 9, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456014827-CA9QTNX1DOG9L3KQT7ON/WB38008.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Gallery Owner/Director, Brussels, Belgium, November 8, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456050617-ICVNZ8CPQAZRO7YBX7BJ/WB89110.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Gallery President, Los Angeles, California, December 7, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455971584-O7V4HWSH8CT4OK7JKK50/WB25409.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Independent Photography Editor, Garrison, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456045863-BRW3F0P0CE636TYIAYRL/WB88810.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Designer, Los Angeles, California, December 9, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456041026-2KQ9SGV5JU3SWZX6I4JJ/WB48609.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Gallery Director/Partner, London, United Kingdom, October 12, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455953557-2XET149H9YM8U6AUBCRI/WB03709.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Nonprofit Director/Curator with Daughter, Los Angeles, California, March 17, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455993832-A4S9SPSU3CTGQLKXE482/WB29009.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Styrofoam Replicas (Hirshorn Museum and Sculpture Garden), Washington, District of Columbia, June 15, 1981 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456010831-EI1LM6AV9BE18N639DNN/WB37308.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Independent Curator/Critic, Los Angeles, California, July 26, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456061406-5LUS6R8XC6SC6F8SW2CY/WB91710.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Gallery Owner with Dog, Los Angeles, California, February 5, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456057102-QTWTCYKOXTI361X4D9UF/WB90710.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Gallery Director with Dog, Los Angeles, California, December 7, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456062182-XWGKACZOUWF05M5S3WGF/WB91810.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Artist Studio, Wide-Format Inkjet Printer, Los Angeles, California, December 9, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456048463-LVPFKIU2KGNGJLG0YAL4/WB88910.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Studio Production Manager, Los Angeles, California, December 9, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456066707-5ZGAQBL1GZNDVFKQNV74/WB329408.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Hotel Room, Washington, District of Columbia, April 24, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456017136-YN4DNIRGVZQU27NS666C/WB39408.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Gallery Operations and Logistics Manager, Brussels, Belgium, November 6, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455995878-I0A11BWZTH3EZ90OOAFG/WB29109.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Installation View, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456059243-1O9XVWYZXHQDJEJJL93T/WB90810.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Outdoor Sculpture Workshop (Claire Trevor School of the Arts, University of California Irvine), September 14, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455979730-JTFS4XWAOONDK86MN9FZ/WB26209.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Photographer, New York, New York, February 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455996517-AJ4LP8BNHD6ULOUSUZVF/WB29209.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Installation View, Ann Arbor, Michigan, March 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456020170-YKE5G7F85IQTCLZKL63K/WB39608.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Museum Library Stacks, Washington, District of Columbia, August 18, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455982048-4KNI720V63VMBBUP4WJ5/WB26309.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Museum Preparator, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456007729-JUHON5VHV9QWGVDNHSKG/WB37108.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Museum Curator, London, United Kingdom, October 17, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456021135-YLPRH2CSOUDQPCRBH8N3/WB39708.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Gallery Preparator, Los Angeles, California, July 26, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455998289-8UHA5ICXSJNON88WH0J6/WB29309.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Publisher with Son, Los Angeles, California, April 3, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455956681-YI11Z0DPIRN8LW2PN2X1/WB03909.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Darkroom Assistant, Irvine, California, September 14, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455982126-HOPXC2UZXFZIGASJ13L5/WB26409.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Installation View, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455984822-YBVY2SKB2XMJXRS7PROL/WB26509.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>University Museum Preparator, Ann Arbor, Michigan, March 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455998917-6X63O6TWTGHXADUSORX6/WB29409.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Museum Preparator, New York, New York, September 26, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456000501-W6XRK1205DT5QV5VFXMS/WB29509.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Museum Curator, London, United Kingdom, January 30, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482455977030-SQ86PKONTQGDQN1AHL8K/WB25709.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>College Darkroom, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456001375-6QBM0J2FM0AIP482TRD4/WB29609.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>College Lecture Hall, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
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      <image:title>2011</image:title>
      <image:caption>FedEx Courier, Los Angeles, California, September 12, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
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      <image:title>2011</image:title>
      <image:caption>Museum Chief Curator, Washington, District of Columbia, April 29, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
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      <image:title>2011</image:title>
      <image:caption>Airport Lounge, Belfast, Ireland, September 10, 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
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    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Museum Associate Curator, New York, New York, September 26, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
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      <image:title>2011</image:title>
      <image:caption>University Museum Preparator, Ann Arbor, Michigan, March 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>University Museum Director, Ann Arbor, Michigan, March 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Nonprofit Executive Director/Magazine Publisher and Editor, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>College Darkroom Building, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Artist/College Professor, Los Angeles, California, February 21, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Gallery Manager, Brussels, Belgium, November 8, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Artist, New York, New York, February 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Magazine Editor and Contributor, New York, New York, September 27, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456004959-RCSQEWFMM7839E0M2UTL/WB29809.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Art Consultants, Annandale-on-Hudson, New York, July 11, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Gallerist, New York, New York, February 28, 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>University Darkroom, 8 x 10 Horizontal Enlarger, Irvine, California, July 18, 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 36 3/8 x 26 3/8 inches Industrial Portraits, 2008– A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456072385-T8H277DI9H27MYU2Q4VB/WB_15511.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Southwyck Mall (View of Fountain), Toledo, OH, Est. 1972, Demo. 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Randall Park Mall (View of Interior), North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza Looking East), Rochester, NY. Est. 1962, Demo. 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456078380-53L0SIFY4OGYWD4FB2VY/WB_16011.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Southwyck Mall, Toledo, OH, Est 1972, Demo 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456081168-FGKZYWHMNJN1BMIQMBPT/WB_16111.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Southwyck Mall (View of Food Court), Toledo, OH, Est. 1972, Demo. 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Southwyck Mall ('Sophisticut'), Toledo, OH, Est. 1972, Demo. 2009 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
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      <image:title>2011</image:title>
      <image:caption>Summit Park Mall (View of War Mural), Wheatfield, NY, Est. 1972 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Randall Park Mall (View of Fountain, Seating Area), North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456093327-PSE3Y183DKLQR2KBMERI/WB_29211.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Rolling Acres Mall (View of Customer Service Kiosk), Akron, OH, Est. 1975 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Randall Park Mall ('Electronics') North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Lockport Mall (View of Exterior), Lockport, NY, Est. 1971, Demo. 2011 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Lockport Mall (View of Interior), Lockport, NY, Est. 1971, Demo. 2011 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Midtown Plaza (View of Totem Pole, Back), Rochester, NY, Est. 1962, Demo. 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482456100862-H49187E7ASA8NB7A7FKA/WB_30011.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Randall Park Mall ('Utopia Shoes &amp; Accessories,' 'Le Nails,' 'Macy's'), North Randall, OH, Est. 1976, Demo. 2014 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>'Toys 'R Us' (View of Exterior), North Randall, OH, Est. 1986 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza Looking South), Rochester, NY. Est. 1962, Demo. 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
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      <image:title>2011</image:title>
      <image:caption>Rolling Acres Mall (View of Main Entrance) Akron, OH, Est. 1975 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Midway Mall (View of Exterior, 'Sears'), Elyria, OH, Est. 1965 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
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      <image:title>2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza), Rochester, NY, Est. 1962, Demo. 2010 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Midtown Plaza (View of Central Plaza Looking South), Rochester, NY. Est. 1962, Demo 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
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      <image:title>2011</image:title>
      <image:caption>Rolling Acres Mall ('Dillards') Akron, OH, Est. 1975 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Livonia Mall (View of Community Stage), Livonia, MI. Est. 1964, Demo. 2008 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
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    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Midway Mall (View of Exterior), Elyria, OH, Est. 1965 2011 Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper 21 5/8 x 28 1/8 inches American Passages, 2001–2011 A Diagram of Forces, 2011  </image:caption>
    </image:image>
    <image:image>
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      <image:title>2011</image:title>
      <image:caption>Replica [Black Curl (CMY/Five Magnet: Irvine, California, March 26th, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 07610)], Chinese White Dragon, Hao Liang (digital design, painter), Wang Jing (painter), Du Yuefeng (painter), Huang Yun (painter) and Xiao Yanqun (printer),  Talens Ecoline Ink, Talens Drawing Ink and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper, Beijing, China, September 17–21, 2011 2011 Talens Ecoline Ink, Talens Drawing Ink, and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper 50 x 104 1/2 inches Decoys, 2011– Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457388300-HVWDP2WYSB3R0K7EWEK1/WB_22911.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Replica [Black Curl (CMY/Five Magnet: Irvine, California, March 26th, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06410)], Chinese White Dragon, Hao Liang (digital design, painter) , Wang Jing (painter), Du Yuefeng (painter), Huang Yun (painter) and Xiao Yanqun (printer),  Talens Ecoline Ink, Talens Drawing Ink and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper, Beijing, China, September 17–21, 2011 2011 Talens Ecoline Ink, Talens Drawing Ink, and Epson K3 Ultrachrome Archival Inks on Epson Cold Press Natural Paper 50 x 104 1/2 inches Decoys, 2011– Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457538289-IJQIGCO27AJKGN9D8RKI/wb12711.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#875468976018, September 08–14, 2011, International Priority, Beijing–Miami trk#874108926300, November 23–28, 2011, Priority Overnight, Miami–Boston trk#875575040808, January 18–19, 2012 2011– Polished copper, accrued FedEx shipping and tracking labels 14 1/2 x 23 5/8 x 18 1/2 inches FedEx Copper Works, 2009– Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457543452-ZNREGQDL2C08YDQWA2VD/wb17611.jpg</image:loc>
      <image:title>2011</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457538351-4I5M0PY66WMU7YFEZPO3/wb13411.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#875468976073, September 09–14, 2011, International Priority, Beijing–Miami trk#874108926322, November 23–28, 2011, International Priority, Los Angeles–London trk#793287180666, February 29–March 2, 2012 2011– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 23 5/8 x 18 1/2 x 18 1/2 inches FedEx Glass Works, 2007– Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457540627-U92YCDQ15S6TSS24JHYL/wb16211.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#875468976030, September 9–14, 2011, International Priority, Bejing–Paris trk#874594463967, March 13–15, 2012 2011– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 23 5/8 x 18 1/2 x 18 1/2 inches FedEx Glass Works, 2007– Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457541074-9RR13B18IU6Z2JS4I540/wb16311.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles–Beijing trk#858510689297, September 9–22, 2011, International Priority, Beijing–Los Angeles trk#874594463990, March 13–14, 2012, Standard Overnight, Los Angeles–New Castle trk#800105416382, July 24–31, 2012, Express Saver, New Castle–Los Angeles trk#492446927223, July 26–31, 2012, Standard Overnight, Los Angeles–New Castle trk#800983717990, April 10–11, 2013 2011– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 14 1/2 x 23 5/8 x 18 1/2 x inches FedEx Glass Works, 2007– Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457543773-DY1M06MT7CPZ48ECE2A0/wb17811.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles-Beijing trk#875468976062, September 9–14, 2011, International Priority, Bejing–London trk#874594463978, March 13–15, 2012 2011– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 23 5/8 x 18 1/2 x 18 1/2 inches FedEx Glass Works, 2007– Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457545095-3GJUIDMSVVVHZO4IW0AV/wb18111.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>FedEx® Large Kraft Box ©2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles-Beijing trk#858510689297, September 9–22, 2011, International Priority, Beijing–Paris trk#874594464106, March 13–16, 2012 2011– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 14 1/2 x 23 5/8 x 18 1/2 inches FedEx Glass Works, 2007– Securities and Exchanges, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457591412-Y1R5R9SMCGWYQ9SWPZ6Y/UCCAset1.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches each Transparencies, 2008–2014 Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457591414-FVSD4N9BM4VNTYL4JCU6/UCCAset2.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches each Transparencies, 2008–2014 Securities and Exchanges, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457693590-ZBLJLVG7Q6N2S6G0L70P/wb15111.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Remnant (Table: designed by unknown, date unknown; Galerie Rodolphe Janssen, Brussels, Belgium, September 8th, 2011) 2011 Polished copper 36 x 96 x 1/8 inches Remnants, 2011 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457695181-U6MZEQXOMBEPCUKMIEKQ/wb20111a.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>16-inch Copper (FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC), International Priority, Los Angeles–Brussels trk#861718438308, August 31–September 2, 2011 2011– Polished copper, accrued FedEx shipping and tracking labels 16 x 16 x 16 inches FedEx Copper Works, 2009 Diapositives, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457703389-3YA91NQ8CEQHZCOZ09YX/wb21211.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by unknown, date unknown; Galerie Rodolphe Janssen, Brussels, Belgium, September 7th, 2011), 2011 2011 Polished copper table top and powder-coat steel 55 inches diam. Surrogates (Tabletop and Desktop), 2008– Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457705385-TZTFVT51RA41DO9MQFJL/wb21311.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by unknown, date unknown; Galerie Rodolphe Janssen, Brussels, Belgium, September 7th, 2011), 2011 2011 Polished copper table top and powder-coat steel 55 inches diam. Surrogates (Tabletop and Desktop), 2008– Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457705861-AK0I1WXV39EBEGQO8J6C/wb21511.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>White Surrogate (Table: designed by unknown, date unknown; Galerie Rodolphe Janssen, Brussels, Belgium, September 8th, 2011) 2011 Wooden top table, gypsum and gallery wall white paint 55 inches diam. Surrogates (Tabletop and Desktop), 2008– Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457708502-SAP1XUNFASJQ0352K1SG/wb21611.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Charlotte Perriand and Le Corbusier, 1959; Galerie Rodolphe Janssen, Brussels, Belgium, August 10th–September 2nd, 2011) 2011 Polished copper table top and powder-coat steel Table: 33 5/8 x 33 5/8 x 1 inches Surrogates (Tabletop and Desktop), 2008– Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482457708266-9T9ON68EKBEE48QEV70V/wb21711.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Copper Surrogate (Table: designed by Willy Van der Meeren, 1958; Galerie Rodolphe Janssen, Brussels, Belgium, August 10th–September 2nd, 2011) 2011 Polished copper table top and powder-coat steel Table: 39 3/4 x 26 1/2 x 1 inches Surrogates (Tabletop and Desktop), 2008– Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483735897325-G1DE7MZZB2ZU1VT6GVOB/WB-466.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: November 28–30, 2010 LAX/MIA MIA/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483735897859-HOPIE6XOTNMCZJLBPLKL/WB-467.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 28–30, 2010 LAX/MIA MIA/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483735900354-SCCAZFAYDOPSSLZ9AVLD/WB-469.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: April 25–27, 2010 LAX/JFK BOS/SFO SFO/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502396787549-DFVJPBEP6QL4IJ7G8PG3/WB-470.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3021: May 10–16, 2010 LAX/DEN/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483735902908-Q75JT2W6F4NSF5FYZUO2/WB-473.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160NC Em. No. 3161: July 3–7, 2010 LAX/IAD/FRA/BLQ BLQ/BRU/ORD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483735903713-1GQS0HJ3HOTH9TETMSAS/WB-475.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: May 17–24, 2009 LAX/IAD/DME DME/IAD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483735906051-6IUL5LCILF6JPOHP5POH/WB-476.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483735906056-LGKW8QBS8SN1NCP97ISX/WB-477.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502396805231-R2OK9ZTL75O8E618AWVY/WB-472.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05482: July 3–7, 2010 LAX/IAD/FRA/BLQ BLQ/BRU/ORD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502396805609-XS4AQ420CCOI4A7MRLNC/WB-474.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: May 17–24, 2009 LAX/IAD/DME DME/IAD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502396787886-XT0ITKGCXJQHPCE4H319/WB-471.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: May 10–16, 2010 LAX/DEN/LHR LHR/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Diapositives, 2011  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483746449493-6TIP5E507S6OVAGBL1EC/2011-Black-Swan-install-3a.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Untitled (Regen Projects, Black Swan: The Exhibition, February 25–April 16, 2011) 2011 Laminated mirror and glass, neoprene Dimensions variable Mirrored Floor Work, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483747320002-4482DW4YWC2G075TPKN4/NaturalHistoriesMR_HE7A1196_edit.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Make-Ready 2 (Walead Beshty: Natural Histories, JRP Ringier, Zürich, January 11–15, 2011) 2011 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483747319832-2DBFS58WUR47R6VSKJ15/NaturalHistoriesMR_HE7A1197_edit.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Make-Ready 2 (Walead Beshty: Natural Histories, JRP Ringier, Zürich, January 11–15, 2011) 2011 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Make Readies, 2010–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483747320867-DTY4A0XU1Y5WRXEA90WF/NaturalHistoriesMR_HE7A1198_edit.jpg</image:loc>
      <image:title>2011</image:title>
      <image:caption>Make-Ready 2 (Walead Beshty: Natural Histories, JRP Ringier, Zürich, January 11–15, 2011) 2011 Four-color offset on coated paper, bound 11 1/2 x 9 1/2 inches Make Readies, 2010–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2015</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569264117613-HZ9V5JKZ172AE1Y30CIX/WBes163.jpg</image:loc>
      <image:title>2015 - Office Work (&lt;del&gt;Apple MacBook Pro A1229&lt;/del&gt;)</image:title>
      <image:caption>2015 Apple Macbook Pro A1229 72 1/4 x 10 3/4 x 10 7/8 inches Office Works, 2014– Exhibition: Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569264117613-HZ9V5JKZ172AE1Y30CIX/WBes163.jpg</image:loc>
      <image:title>2015 - Office Work (&lt;del&gt;Apple MacBook Pro A1229&lt;/del&gt;)</image:title>
      <image:caption>2015 Apple Macbook Pro A1229 72 1/4 x 10 3/4 x 10 7/8 inches Office Works, 2014– Exhibition: Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482433568640-MI61AFN5S990RYFHG217/WB_80614.jpg</image:loc>
      <image:title>2015 - &lt;del&gt;Samsung UN75H6350 75-Inch 120Hz Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2015 Samsung UN75H6350 75-Inch 120Hz Smart LED TV 66 x 38 1/4 inches Televisions, 2014– Great Hall Exhibition, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482431996725-5SUL2H5Q1Z57YNK6IPNO/WBE007.jpg</image:loc>
      <image:title>2015 - &lt;del&gt;VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2015 VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV 71 1/4 x 41 1/2 inches Televisions, 2014– Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482431998217-YZQDARKH2H8SWIHZY2IE/WBE008.jpg</image:loc>
      <image:title>2015 - &lt;del&gt;VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2015 VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV 71 1/4 x 41 1/2 inches Televisions, 2014– Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482431999309-Q7URW2A6GSCPNWVCRGQD/WBE009.jpg</image:loc>
      <image:title>2015 - &lt;del&gt;VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2015 VIZIO M801d-A3 80-Inch 1080p 3D LED HDTV 71 1/4 x 41 1/2 inches Televisions, 2014– Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367483419-5PRH8ZAZWCWVZH8ZCAH4/WB121414.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Shroud Painting (ExxonMobil Mobil 1 10W-30 Synthetic Motor Oil/Castrol Limited Edge Syntec 5W-40 Synthetic Motor Oil: August 14, 2013–August 13, 2014, Los Angeles, California, 121414) 2015 Oil on canvas 66 x 214 inches Oil Paintings, 2013–2015 Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367472997-X7043GZ1K0CVH0MEV4RJ/WB55914.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Shroud Painting (ExxonMobil Mobil 1 0W-40 Synthetic Motor Oil: August 14, 2011–August 13, 2012, Los Angeles, California, 55914) 2015 Oil on canvas 66 x 200 inches Oil Paintings, 2013–2015 Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367475241-DI7IN0LBB4ROJL4KYYLW/WB56014.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Shroud Painting (ExxonMobil Mobil 1 0W-40 Synthetic Motor Oil/Castrol Limited Edge Syntec SAE 10W-30 Synthetic Motor Oil: August 14, 2012–August 13, 2013, Los Angeles, California, 56014) 2015 Oil on canvas 66 x 202 inches Oil Paintings, 2013–2015 Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367483168-S05J8AFLAY49ST660F8K/WB121314.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Shroud Painting (ExxonMobil Mobil 1 0W-40 Synthetic Motor Oil/Castrol Limited Edge Syntec SAE 10W-30 Synthetic Motor Oil: August 14, 2013–August 13, 2014, Los Angeles, California, 121314) 2015 Oil on canvas 66 x 208 inches Oil Paintings, 2013–2015 Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482432535341-56WWIKUZAGGZBFDLCHDJ/_X4A3871.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Sábado 29 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014– Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482432535267-98NBM1ZB17FK0CGMAD5R/_X4A3872.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Jueves 27 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014– Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482432536695-M01VOOYFXHLC0QC3RJMW/_X4A3873.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Viernes 28 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014– Disponibles, 2015  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482432536991-34TMT7074RQOAIKOQ1K2/_X4A3874.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Miércoles 26 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014– Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482432538119-QTVMTXDY5BH7LYMQXZRO/_X4A3875.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Martes 25 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014– Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482432538483-VYGI1H57G3GSP5FV3J56/_X4A3876.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Lunes 24 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014– Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482432539498-IZZPZG7M9RHAHK9AL1Y7/_X4A3877.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Martes 18 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014– Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482432540277-DLH6SD9NJPMRA0R5BNG2/_X4A3878.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Lunes 17 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014– Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482432541012-4DOAK7UOXEO1PMMN76U2/_X4A3879.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Sábado 15 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014– Disponibles, 2015  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482432541790-2E2BXQDTOWN9104OT229/_X4A3880.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Political Drawing (Metro: Guadalajara, Mexico, Martes 4 Agosto 2015) 2015 Ink on paper, daily newspaper 12 1/2 x 22 3/4 inches Drawings, 2014– Disponibles, 2015  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482434006832-V907TC9THZVU1YIUXHY6/WB_21715.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches Cyanotypes, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482434006889-NJEAVT6K3KWO77GNDXOW/WB_21815.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches Cyanotypes, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482434009477-690UN3DJ30KYHKTAQPLP/WB_21915.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches Cyanotypes, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482434009903-F5BPS1ORR1D5Q5NK4B6X/WB_22015.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches Cyanotypes, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482434011591-HPJFG1TW3168AX5OPK7Q/WB_22215.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches Cyanotypes, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482434012438-EI2POPZDC29PZGLOBHN9/WB_22415.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches Cyanotypes, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482434013626-PMFE2SEO40GFJNBKVV12/WB_22515.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches Cyanotypes, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482434015669-8Q0K232HNM9TO2VCFBCZ/WB_22615.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches Cyanotypes, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482434015847-QCUK9ZPDS5L0WO3AQL08/WB_22915.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Printed Matter, Inc. 195 Tenth Avenue New York NY 10011 USA T: 212.925.0325 F: 212.925.0464 www.printedmatter.org 2015 Cyanotype and offset print on paper 11 x 8 1/2inches Cyanotypes, 2009–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482432104168-45C2BP5FXU7GTAAVEZWK/WBE_IV_029.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Los Payasos (February 17–August 28, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 77 1/2 x 46 x 27 1/4 inches Ceramics, 2013– Disponibles, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367485134-6YOGOJFKS1EJYWZH4JCH/WB121614.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, October 5, 2014 2015 Ink on letterhead 9 1/2 x 12 7/8 inches Drawings, 2014– Walid AlBeshti, 2015 Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367480946-GUDLYXKJEF2YB70WL5T4/WB113414.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>iPhone 5 A1429: Hotel Greulich, Zürich, Switzerland, September 26, 2014 2015 Ink on letterhead 12 7/8 x 9 1/2 inches Drawings, 2014– Walid AlBeshti, 2015 Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367480961-46XC5YMUMM6BMKZZ93KH/WB114814.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>iPhone 5 A1429: The Mandala Hotel, Berlin, Germany, September 25, 2014 2015 Ink on letterhead 7 1/4 x 9 1/2 inches Drawings, 2014– Walid AlBeshti, 2015 Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367485265-L9Y6XL0YYV4RSBTKQ59Z/WB121714.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, September 28, 2014 2015 Ink on letterhead 9 1/2 x 12 7/8 inches Drawings, 2014– Walid AlBeshti, 2015 Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367487334-QSTJHPCVV1979H3XSAAI/WB121814.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>iPhone 5 A1429: Barbican Centre, London, United Kingdom, October 6, 2014 2015 Ink on letterhead 12 7/8 x 9 1/2 inches Drawings, 2014– Walid AlBeshti, 2015 Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367487327-3I1VI2NSV0FE1SKJQ9BM/WB121914.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Thomas Dane Gallery, London, United Kingdom, September 27, 2014 2014 Ink on letterhead 12 7/8 x 9 1/2 inches Drawings, 2014– Walid AlBeshti, 2015 Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367489449-7SRM87MTONU5WOOKWW7C/WB122014.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Ace Hotel, London, United Kingdom, October 11, 2014 2015 Ink on letterhead 9 1/2 x 12 7/8 inches Drawings, 2014– Walid AlBeshti, 2015 Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367489390-RCVXUPESXEKT6S4H9A9L/WB122114.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, October 10, 2014 2015 Ink on letterhead 12 7/8 x 9 1/2 inches Drawings, 2014– Walid AlBeshti, 2015 Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367490552-1RS0OCB8LBG4CI666H3V/WB122214.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>iPhone 5 A1429/Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.: Barbican Centre, London, United Kingdom, October 4, 2014 2015 Ink on letterhead 9 1/2 x 12 7/8 inches Drawings, 2014– Walid AlBeshti, 2015 Atopolis, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482450529204-JT6VAGGJNFWD8ROJQS7R/WB_102214.jpg</image:loc>
      <image:title>2015 - &lt;del&gt;(TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV)&lt;/del&gt;</image:title>
      <image:caption>2015 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 7/5 inches Televisions, 2014– Repetition and Difference, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482450529122-RN9OOUVCMKM4HMP9FYKL/WB_102314.jpg</image:loc>
      <image:title>2015 - &lt;del&gt;(TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV)&lt;/del&gt;</image:title>
      <image:caption>2015 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 7/5 inches Televisions, 2014– Repetition and Difference, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482450532277-AQQSWU3OHJZ8W88B6XKB/WB_102414.jpg</image:loc>
      <image:title>2015 - &lt;del&gt;(TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV)&lt;/del&gt;</image:title>
      <image:caption>2015 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 7/5 inches Televisions, 2014– Repetition and Difference, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482450532263-G4FXO88NN2E8BFSQCJ4V/WB_102614.jpg</image:loc>
      <image:title>2015 - &lt;del&gt;(TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV)&lt;/del&gt;</image:title>
      <image:caption>2015 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 7/5 inches Televisions, 2014– Repetition and Difference, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482450533835-6I9IFI5XA0JEAPB0SLLZ/WB_119914.jpg</image:loc>
      <image:title>2015 - &lt;del&gt;(TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV)&lt;/del&gt;</image:title>
      <image:caption>2015 TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV 36 7/8 x 22 1/4 x 3 7/5 inches Televisions, 2014– Repetition and Difference, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482440293403-RYSE07AYEKY20EDBH8JG/07815_A.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan! (Viernes, 27 de Febrero 2015: Metro, La Prensa Jalisco) 2015 Daily newspaper Dimensions variable Newspapers, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482440293406-RVWKRCETG7M8FYA6ENXL/07815_B.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan! (Viernes, 27 de Febrero 2015: Metro, La Prensa Jalisco) 2015 Daily newspaper Dimensions variable Newspapers, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482440296004-127BJPJDA7WANN4WID5Z/07915_A.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>¡El Primer Diario de la Mañana! (Sábado, 7 de Febrero 2015: El Gráfico, ¡Pasala!) 2015 Daily newspaper Dimensions variable Newspapers, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482440296112-88NVFGFGTCFRNY0XDCQ3/07915_B.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>¡El Primer Diario de la Mañana! (Sábado, 7 de Febrero 2015: El Gráfico, ¡Pasala!) 2015 Daily newspaper Dimensions variable Newspapers, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367472938-ODCM6SSVL8UM69AXSKXS/WB02415.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Ketoconazole 2%, 60 g, Cream, Taro Pharmaceutical Industries, Ltd.: Regen Projects, Los Angeles, California, January 12, 2015 2015 Ink on letterhead, newspaper, ink on paper 15 x 11 1/2 inches Drawings, 2014– Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482367470694-DJJIGO5J2OWAZKZ60LKR/WB02315.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Fluticasone Propionate, 50 mcg, Spray, Boehringer Ingelheim, Roxane Laboratories, Inc.: Regen Projects, Los Angeles, California, Febraury 7, 2015 2015 Ink on letterhead, newspaper, ink on paper 15 x 11 1/2 inches Drawings, 2014– Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482437583498-0PNHUI4M73VMA9G8XLQ4/WB01915_c.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>La Ciudad en Llamas (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 54 x 42 x 26 1/2 inches Ceramics, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482438771632-7R8LQ6DKTJRCG8G2BD1N/WB01415_a.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Las Fuerzas Tenebrosas (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 50 3/4 x 42 x 29 1/2 inches Ceramics, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482438773617-QJQCS55TJV0CQYOIXQF8/WB01515_a.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>El Circo Contemporáneo (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 84 x 50 3/4 x 42 inches Ceramics, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482438775624-DK23ELEM1P2RCNPYG6FE/WB01615_a.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Lo Desconocido (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 64 x 42 x 26 1/2 inches Ceramics, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482437619547-93NPIIC5OAIM25R4J0XL/WB02015_a.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>La Religiosidad Americana (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 55 1/2 x 42 x 26 1/2 inches Ceramics, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482436982390-ZCAWT912DII4J77VAMVH/_20A0909.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Alegoria (March 2–8, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 64 x 99 1/2 x 42 1/4 inches Ceramics, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482436984328-A8DB9H57RNSUJCCNQAOD/_20A0916.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>La Masa Militarizada (March 2–8, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 69 x 99 1/2 x 42 1/4 inches Ceramics, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482436986449-HICW2VD3S059CUWCUGUQ/_20A0931.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Luchas Fraticidas (March 2–8, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plates 71 x 99 1/2 x 42 1/4 inches Ceramics, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507151064325-RKNAC9TPTFMYHYLGGMZC/50315.jpg</image:loc>
      <image:title>2015</image:title>
      <image:caption>Copper Surrogate (48 ounce C11000 Copper Alloy: June 14, 2016, Basel, Switzerland; November 22, 2016, Miami, Florida) 2015 Polished copper 10 x 10 x 2 1/2 inches each, 6 parts Surrogates (Modular, Art Handling), 2014–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2008</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743659933-COK75RYKW9F4T8C7OVNB/WB85207.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Four-Sided Pull (RGBY), May 18, 2007, Valencia, California, Kodak Supra 2008 Color photographic paper 88 1/2 x 56 1/2 inches Color Pulls, 2008 Exhibition: Science Concrète, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743659933-COK75RYKW9F4T8C7OVNB/WB85207.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Four-Sided Pull (RGBY), May 18, 2007, Valencia, California, Kodak Supra 2008 Color photographic paper 88 1/2 x 56 1/2 inches Color Pulls, 2008 Exhibition: Science Concrète, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743681591-9X4RXUI4B2F5IKUTYXRX/WB332108.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 18 x 15 inches Selected Works, 2008– Exhibition: Science Concrète, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743681337-1VUE3PV84C4CRJ3HOXMN/WB332208.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 14 x 16 inches Selected Works, 2008– Exhibition: Science Concrète, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743685256-H4AVQR2JXZVGKLXMX7SU/WB332308.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 12 x 12 inches Selected Works, 2008– Exhibition: Science Concrète, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743685732-AQL7D89JUK5SNS3221HT/WB332408.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Selected Works (1998–2007), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and plywood 26 x 26 inches Selected Works, 2008– Exhibition: Science Concrète, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743738770-7KSHU7O4YUMABUYAU2PO/WB02308_A.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Selected Works (2005–2008), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and MDF 46 x 20 x 12 1/2 inches Selected Works, 2008– Exhibition: Science Concrète, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743764971-RLWZ1PZKR96WGL1LTRX1/WB02108_A.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Selected Works (2002–2004), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and MDF 52 1/2 x 12 1/2 x 11 1/2 inches Selected Works, 2008– Exhibition: Science Concrète, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743785930-1A70BXA1A8USRW2STVP9/WB02208.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Selected Works (1998–2002), 2008 2008 Color photographic paper, digital chromogenic print, black and white fiber based paper, inkjet print, binding agent, and MDF 52 1/2 x 17 x13 inches Selected Works, 2008– Exhibition: Science Concrète, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743857400-NOJU9BDQX5V1U52MD4NK/WB28808.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Six-Sided Picture A (CMMYYC: Irvine, California, July 16, 2008, Fuji Crystal Archive type C) 2008 Color photographic paper 102 1/2 x 52 1/2 inches Color Loops, 2008–2011 Exhibition: Industrial Pictures, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743859147-FT6JYMXTFEYH2V9X6XEF/WB29208.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Six-Sided Picture D (CMMYYC: Irvine, California, July 16, 2008, Fuji Crystal Archive type C) 2008 Color photographic paper 102 1/2 x 52 1/2 inches Color Loops, 2008–2011 Exhibition: Industrial Pictures, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743864744-EN3L5TEXNBU858U5VFT0/WB38708.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Brussels trk#865282057953, October 27–30, 2008, International Priority, Brussels–Los Angeles trk#866071746385, December 8–9, 2008 2008– Laminated mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 20 x 20 x 20 inches FedEx Glass Works, 2007– Exhibition: Industrial Pictures, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743865023-3GFN7164DD9E08FSIN9A/WB38808.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Brussels trk#865282057975, October 27–30, 2008, International Priority, Brussels–Los Angeles trk#866071746396, December 8–9, 2008, Standard Overnight, Los Angeles–New York trk#774901659423, November 4–5, 2015, Standard Overnight, New York–Los Angeles trk#775241449093, December 21–22, 2015 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 20 x 20 x 20 inches FedEx Glass Works, 2007– Exhibition: Industrial Pictures, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743873103-YFSS7GOPE5GQUJPPE1FE/WB42908.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Brussels trk#865282057942, October 27–30, 2008 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 20 x 20 x 20 inches FedEx Glass Works, 2007– Exhibition: Industrial Pictures, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743873803-0M0R91G2P75BAU4SK3XI/WB43008.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Brussels trk#865282057964, October 27–30, 2008, International Priority, Brussels–Los Angeles trk#866071746385, Janurary 8–9, 2009, Standard Overnight, Los Angeles–New York trk#872632033108, April 29–30, 2010, Standard Overnight, New York–Los Angeles trk#796210730703, September 2–3, 2010, Priority Overnight, Los Angeles–New York trk#794583197877, March 28–29, 2011, Priority Overnight, New York–Los Angeles trk#611849858596, January 13–14, 2015 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 20 x 20 x 20 inches FedEx Glass Works, 2007– Exhibition: Industrial Pictures, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744847267-XI0SP2QKDNFF02QP5I1W/WB38108.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>FedEx Kraft Box 2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles-Miami trk#865344981299, October 29–30, 2008, Priority Overnight, Miami–Ann Arbor trk#861049125115, March 03–04, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625749, July 09–10, 2009, Standard Overnight, Los Angeles–San Francisco trk#878069766471, August 27–28, 2009, Standard Overnight, San Francisco–Los Angeles trk#870342520145, November 12–13, 2009, International Priority, Los Angeles–London trk#798269222978, April 10–12, 2012 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches FedEx Glass Works, 2007– Exhibition: Pulley, Cogwheels, Mirrors, and Windows, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743859308-E3252A8RDXPLW2CYHUVK/WB37408.jpg</image:loc>
      <image:title>2008</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743860969-IOZ96D30368HV1SFIKK4/WB37708.jpg</image:loc>
      <image:title>2008</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743861205-QHLYWCPN5BHB1UGQYLEV/WB37808.jpg</image:loc>
      <image:title>2008</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743866227-ZU33A7I8X6BMJ94ZYLC2/WB41308.jpg</image:loc>
      <image:title>2008</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743867086-000U4VJO78XA0WIOHTXI/WB41408.jpg</image:loc>
      <image:title>2008</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743868180-4GOBKE097H1OZY54R64X/WB41508.jpg</image:loc>
      <image:title>2008</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743869023-YUFSIY7RNU338FN954Y7/WB41608.jpg</image:loc>
      <image:title>2008</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743870421-Z1O1RYJVPHUVCGWLAR52/WB41708.jpg</image:loc>
      <image:title>2008</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743871065-I3TDDLQ271H3GO5GTMIA/WB41808.jpg</image:loc>
      <image:title>2008</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743905832-849DPQ3ZGMJKC24R6OBI/WB13906.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Travel Picture Fog [Tschaikowskistrasse 17 in multiple exposures*(LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2006/2008 Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743905944-N3ZB4YA3U7DBLVLIAR64/WB14006.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Travel Picture Granite [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2006/2008 Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743908419-4ZPWKBMMXRAU659Y03JS/WB14206.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Travel Picture Meadow [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2006/2008 Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aggregato, 2018 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743907838-88NOHNOYY773DN2N6L4M/WB14406.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Travel Picture Rose [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2006/2008 Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743909256-R3ZITHL1IEAF05375YV0/WB14506.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Travel Picture Sunset [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]  *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2006/2008 Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743910091-XZBC6HR98YULP1HME4KL/WB14606.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Travel Picture Violet [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2006/2008 Exhibition: Whitney Biennial, 2008 Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453831197-GJYNF674NOG7E6DIZTXC/wb04812.1_a.jpg</image:loc>
      <image:title>2008</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453835480-MN0RBKOLGW3ROE6TTI4K/wb13806.2.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Travel Picture Fern [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]  *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2006/2008 Exhibition: Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453837607-FQRZ5HGWDWTSWD2FSQ0O/wb14106.1ap.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Travel Picture Marshes [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006]  *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2006/2008 Exhibition: Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453839443-FBG1UR8686R0GZESCXA1/wb14306.1ap.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Travel Picture Mist [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27–April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000 2006/2008 Chromogenic print 90 3/8 x 51 1/2 inches Travel Pictures, 2006/2008 Exhibition: Travel Pictures, 2012 Aichi Triennale, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1590178407809-N6W2PBI8BSS0TE2CRBYE/14007.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Fold (45º directional light source), December 22, 2006, Santa Clarita, California, Ilford Multigrade Fiber IV 2008 Black and white fiber based photographic paper 25 3/8 x 21 3/8 inches Black and White Directional Folds, 2006–2014 Exhibition: Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1590178409324-TYRUTXNV8KDOTXOVDIG5/16007.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Fold (45º directional light source), December 22, 2006, Santa Clarita, California, Ilford Multigrade Fiber IV 2008 Black and white fiber based photographic paper 25 3/8 x 21 3/8 inches Black and White Directional Folds, 2006–2014 Exhibition: Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1590178410957-L28N14O290YJTXNLKX15/13407.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>Fold (45º directional light source), December 22, 2006, Santa Clarita, California, Ilford Multigrade Fiber IV 2008 Black and white fiber based photographic paper 25 3/8 x 21 3/8 inches Black and White Directional Folds, 2006–2014 Exhibition: Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1693506217031-KH4QPVIFB320YVKBW3QU/43108.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Tijuana trk#865282058022, October 28–November 6, 2008, International Priority, Tijuana–Los Angeles trk#867279774892, January 2–6, 2009, International Priority, Los Angeles–London trk#867279774860, January 14–16, 2009 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007– Altermodern: The Tate Triennial, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1693506217643-0HZN8SL6G25ZSNV46RXK/43208.jpg</image:loc>
      <image:title>2008</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–Tijuana trk#865282057997, October 29–November 6, 2008, International Priority, Tijuana–Los Angeles trk#867279774918, January 2–6, 2009, International Priority, Los Angeles–London trk#867279774870, January 14–17, 2009 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007– Altermodern: The Tate Triennial, 2009</image:caption>
    </image:image>
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    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744165653-7L5K9I7CC454EAP0QN8L/WB_00505.jpg</image:loc>
      <image:title>2005</image:title>
      <image:caption>Excursionist Views (Oriental Gardens 1971, rebuilt 1983, cul-de-sac detail) 2001/2005 Chromogenic print 48 x 96 inches Excursionist Views, 2001/2005  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744165653-7L5K9I7CC454EAP0QN8L/WB_00505.jpg</image:loc>
      <image:title>2005</image:title>
      <image:caption>Excursionist Views (Oriental Gardens 1971, rebuilt 1983, cul-de-sac detail) 2001/2005 Chromogenic print 48 x 96 inches Excursionist Views, 2001/2005  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744166618-6D5SK4XXPWXUK3OF9LTP/WB_00605.jpg</image:loc>
      <image:title>2005</image:title>
      <image:caption>Excursionist Views (Oriental Gardens 1971, rebuilt 1983, street detail) 2001/2005 Chromogenic print 48 x 96 inches Excursionist Views, 2001/2005  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744167677-WD5BWO9ZQEL7Y5F70UN5/WB_00705.jpg</image:loc>
      <image:title>2005</image:title>
      <image:caption>Excursionist Views (Church St. Housing, 1969, courtyard detail) 2001/2005 Chromogenic print 48 x 96 inches Excursionist Views, 2001/2005  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744167908-ODH024AGAYOOPDSZHXUT/WB_00805.jpg</image:loc>
      <image:title>2005</image:title>
      <image:caption>Excursionist Views (Winter Garden Circle, 1957, courtyard detail) 2001/2005 Chromogenic print 48 x 96 inches Excursionist Views, 2001/2005  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744282332-LOPKIXPV4QSJBLI68TFE/01405.jpg</image:loc>
      <image:title>2005</image:title>
      <image:caption>Island Flora #1 (Rte. 5, Southbound) 2005 Chromogenic print 99 1/2 x 47 1/2 inches Island Flora, 2005  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744282445-TH2R0MXC58FFGDMSXQ2U/01705.jpg</image:loc>
      <image:title>2005</image:title>
      <image:caption>Island Flora #4 (Rte. 110 and Rte. 10 Interchange) 2005 Chromogenic print 99 1/2 x 47 1/2 inches Island Flora, 2005  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744285156-LQ8SFNQYQJDF3AWKQ5K3/01805.jpg</image:loc>
      <image:title>2005</image:title>
      <image:caption>Island Flora #5 (Rte. 405 and Rte. 10 Interchange) 2005 Chromogenic print 99 1/2 x 47 1/2 inches Island Flora, 2005  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744286244-A83BAXUYNJY636U7C8VA/04205.jpg</image:loc>
      <image:title>2005</image:title>
      <image:caption>Island Flora #6 (Rte. 101, Southbound) 2005 Chromogenic print 99 1/2 x 47 1/2 inches Island Flora, 2005  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744288959-8EMX55KXBQKEDBBLWN9C/04405.jpg</image:loc>
      <image:title>2005</image:title>
      <image:caption>Island Flora #8 (Rte. 101 and Rte. 110 Interchange) 2005 Chromogenic print 99 1/2 x 47 1/2 inches Island Flora, 2005  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744288700-IN6RXF0SIV9UQ2WP62PD/04305.jpg</image:loc>
      <image:title>2005</image:title>
      <image:caption>Island Flora #7 (Service Rte. 1) 2005 Chromogenic print 99 1/2 x 47 1/2 inches Island Flora, 2005  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2007</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744441080-56M55H5IK75JZF7L7VNK/WB-941.jpg</image:loc>
      <image:title>2007</image:title>
      <image:caption>Fold (60º directional light source), March 24, 2007, Valencia, California, Ilford Multigrade Fiber 2007 Black and white fiber based photographic paper 24 x 20 inches Black and White Directional Folds, 2006–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744441080-56M55H5IK75JZF7L7VNK/WB-941.jpg</image:loc>
      <image:title>2007</image:title>
      <image:caption>Fold (60º directional light source), March 24, 2007, Valencia, California, Ilford Multigrade Fiber 2007 Black and white fiber based photographic paper 24 x 20 inches Black and White Directional Folds, 2006–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744959240-XY64UW2VDAWCQLCQLM94/WB_76307.jpg</image:loc>
      <image:title>2007</image:title>
      <image:caption>Five-Sided Pull (RGBYM), May 19, 2007, Valencia, California, Kodak Supra 2007 Color photographic paper 50 x 40 inches Color Pulls, 2008 Science Concrète, 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744774312-IMXKHPDG2BLD7H9S6H0I/20090113_cao_beshty_165b.jpg</image:loc>
      <image:title>2007</image:title>
      <image:caption>FedEx Medium Kraft Box 2004 FEDEX 155143 REV 10/04 BP, Priority Overnight, Los Angeles–New York trk#864049582968, December 7–10, 2007, FedEx 2Day, New York–Los Angeles trk#863133194810, December 10-12, 2007, International Priority, Los Angeles–Oostende trk#867279774962, February 9–12, 2009 2007– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 12 inches FedEx Glass Works, 2007– Science Concrète, 2008</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2003</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-12-07</lastmod>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2013</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482437621936-BH4TS421AB8WHB0AIXKO/WB29113_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>La Ciudad en Llamas y Alegoría (August 28–September 10, 2013: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 80 x 20 1/2 x 31 1/2inches Ceramics, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482437621936-BH4TS421AB8WHB0AIXKO/WB29113_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>La Ciudad en Llamas y Alegoría (August 28–September 10, 2013: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 80 x 20 1/2 x 31 1/2inches Ceramics, 2013– All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453351886-RYCC2XAMCGROSN027RXK/WB26713.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>Los Trágico (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 21 7/8 x 32 7/8 x 17 1/2 inches Ceramics, 2013 Fair Use, 2013 Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453354035-28OO7B5NV2PQQ6405N0L/WB27713_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>Los Demagogos (August 28th–September 10th 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 20 1/2 x 25 inches Ceramics, 2013 Fair Use, 2013 Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502240278276-B6RRKMNVOX3CSE9AKS5Y/26313.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>Los Caballos en la Conquista (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 9 1/2 inches Ceramics, 2013 Fair Use, 2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502240278221-9JUISNS70FZUTD262U6P/WB26013_framed.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>La Belicosidad (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 15 inches Ceramics, 2013 Fair Use, 2013 Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502240281558-4IUK08UTU7BQJ33CPOG0/WB26213_framed.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>Los Dictadores (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 20 inches Ceramics, 2013 Fair Use, 2013 Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502240281490-ME3I6XGM595JOCJQ6MRC/WB26413_framed.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>La Masa Militarizada y El Despotismo (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 22 inches Ceramics, 2013 Fair Use, 2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502240285214-GJLPZ0333F4EDJS5IAYP/WB26513_framed.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>La Religiosídad Americana (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 27 inches Ceramics, 2013 Fair Use, 2013 Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502240285534-8BQ63JY6SZIR200BVDKK/WB26613_framed.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>La España de Carlos V (August 28–September 10, 2013: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 18 inches Ceramics, 2013 Fair Use, 2013 Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502240288854-SFYJMDXP9MAQZQCXAC1L/WB26813_framed.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>El Hombre del Fuego (August 28–September 10, 2013: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plates 28 x 31 1/2 x 16 inches Ceramics, 2013 Fair Use, 2013 All the World’s Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502240291455-WXHNL5TUOTKLBMSQPPY8/WB26913_framed.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>Lo Científico (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 18 inches Ceramics, 2013 Fair Use, 2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502240291700-B061APGWTWT6XTL647YX/WB27013_framed.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>La Humanidad Doliente (August 28–September 10, 2013: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 20 1/2 x 31 1/2 x 17 1/2 inches Ceramics, 2013 Fair Use, 2013 All the World’s Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502237066535-WI3ZS9QEDH38HBZUXZ7M/WB32013_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Jueves, 1 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013– Fair Use, 2013 Selected Bodies of Work, 2014 All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502237066540-N2V0FX2UDD7U215T3SVA/WB32413_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Miércoles, 7 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013– Fair Use, 2013 Selected Bodies of Work, 2014 All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502237067516-TYZ6QGAMUYNO84J0E8O0/WB32713_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Sábado, 10 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013– Fair Use, 2013 Selected Bodies of Work, 2014 All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502237166030-OJOHGF1LODI2B4EVQU0U/WB32813_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Domingo, 18 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013– Fair Use, 2013 Selected Bodies of Work, 2014 All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502237165977-W9M17Y7REWPAPYNHVN6L/WB32913_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Lunes, 19 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013– Fair Use, 2013 Selected Bodies of Work, 2014 All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502237167606-PY6IPWPBGJYFDDW0VZEX/WB33013_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Martes, 20 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013– Fair Use, 2013 Selected Bodies of Work, 2014 All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502237167725-4YZOJG1JKN8497YIG7WT/WB33113_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Miércoles, 21 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013– Fair Use, 2013 Selected Bodies of Work, 2014 All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502237168452-5HMN47P343KWSFFE9WVI/WB33313_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>¡La Voz de Jalisco El Periodico Que Dice Lo Que Otros Callan Más Noticias Más Deportes! (Viernes, 23 de Agosto 2013: Metro, La Prensa Jalisco, Express Guadalajara) 2013 Daily newspaper Dimensions variable Newspapers, 2013– Fair Use, 2013 Selected Bodies of Work, 2014 All the World's Futures, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453400610-GGDCDKY08SPEBSCJ4XLJ/Video_Wall.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>The Continuous Presents of Futures Past (Post-apocalypses 1959–1985, Spanish) 2013 Fifteen commercial films from the cold war era with Spanish subtitles, MacMini with adhesive decal 24 hours The Continuous Presents of Futures Past, 2012–2013 Fair Use, 2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453401686-T98FAL1X5FBFFPU8RVMB/Downstairs_Wall.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>The Continuous Presents of Futures Past (Post-apocalypses 1959–1985) 2013 Digital file Dimensions variable The Continuous Presents of Futures Past, 2012–2013 Fair Use, 2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453440979-R4TN7F2O2NKMRJPEQGLQ/WB30013.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>FedEx® 10kg Box ©2006 FedEx 149801 REV 9/06 MP, International Priority, Los Angeles-Paris trk#796906988159, October 14-16, 2013 2013– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 10 1/2 x 16 1/4 x 13 1/4 inches FedEx Glass Works, 2007– 8 rue Saint-Bon, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453440987-6WTOYFV7PCEAJ2EBFVAX/WB30113.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>FedEx® 10kg Box ©2006 FedEx 149801 REV 9/06 MP, International Priority, Los Angeles-Paris trk#796907687919, Los Angeles-Paris, October 14-16, 2013 2013– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 10 1/2 x 16 1/4 x 13 1/4 inches FedEx Glass Works, 2007– 8 rue Saint-Bon, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453443298-EEYTYKMIYZD8X6D09RIS/WB41313_a.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>Unmaskings [1925–2012: Phantom of the Opera (1925), Mission: Impossible (1970), Mission: Impossible (1971) , unknown (1971), Lupin III (1972), Smokey the Bear (1973),  Fantastic Journey (1977), Dominique is Dead (1980), Miller Lite: The Case of the Missing Case (1986), If Tomorrow Comes (1986), Hell Squad (1986), Visionaries: Knights of the Magical Light (1987), Beetlejuice (1988), Naked Gun (1988), American Ninja 3 (1989), Cheers (1989), Ferris Bueller (1990), Popcorn (1991), Steel and Lace (1991), Bill and Ted’s Bogus Journey (1991), Droopy: Master Detective (1993), Droopy: Master Detective (1993), Megaman (1995), Snackwell’s (1996), Waffle Crisp (1996), FX (1996), Fired Up (1997), Outlaw Star (1997), Michael Jackson’s Ghosts (1997), Men in Black (1997), Sony MiniDisc (1998), Omnitel (1998), Subaru (1998), Road to Ruin (2000), Diabolik (2000), La Femme Nikita (2000), Passions (2001), BBC (2001), Monkeybone (2001), Alias (2001), Mutant X (2001), Master of Disguise (2002), Pepsi Twist (2002), Kekkaishi (2003), Average Joe (2003), Britney Spears’s Toxic (2003), Cariot (2004), Bleach (2004), Mission: Impossible III (2006), Red Remo (2006), Pushing Daisies (2007), Carlsberg Commercial (2007), Nogizaka Haruka﻿ no Himitsu (2008), Old Spice (2009), Camaleones (2009), Salt (2010), Days of Our Lives (2011), Toyota Corolla (2011), Players (2012)] 2013 Film clips, color, sound, loop 32 minutes, 30 seconds Unmaskings, 2012 8 rue Saint-Bon, 2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483746607093-FCCXZXFWQ8FPESF9EVLZ/WaleadBeshty_2948.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>Untitled (Rose Art Museum, Brandeis University: Waltham, Massachusetts, February 12–June 9, 2013) 2013 Laminated mirror and glass, neoprene Dimensions variable Mirrored Floor Work, 2009– On the Matter of Abstraction (figs. A &amp; B) ... , 2013  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483747641735-KFLOKIS5DALIXRIM4M3K/WB05113.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>White Curl (CMY/Four Magnet: Los Angeles, California, February 28, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 05113) 2013 Color photographic paper 50 x 103 inches White Curls, 2013–2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483747641805-1N8OMW3M53QY88VGE53K/WB05213.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>White Curl (CMY/Four Magnet: Los Angeles, California, February 28, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 05213) 2013 Color photographic paper 50 x 102 3/4 inches White Curls, 2013–2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483747644256-AAOW36TFBYLJ9OCP57EF/WB05513.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>White Curl (YMC/Four Magnet: Los Angeles, California, February 28, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 05513) 2013 Color photographic paper 50 x 103 1/2 inches White Curls, 2013–2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483747644268-LIQCSRYMR496GLUI7HHO/WB05813.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>White Curl (YMC/Four Magnet: Los Angeles, California, February 21, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 186-007, 05813) 2013 Color photographic paper 50 x 100 1/2 inches White Curls, 2013–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483747645969-0UDKCWQD4AZW6D23ADEW/WB06713.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>White Curl (YMC/Four Magnet: Los Angeles, California, February 28, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 06713) 2013 Color photographic paper 50 x 102 inches White Curls, 2013–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483747646043-XVXG8GP1I04UJDW59A1F/WB07013.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>White Curl (YMC/Four Magnet: Los Angeles, California, February 27, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 07013) 2013 Color photographic paper 50 x 108 1/2 inches White Curls, 2013–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483747647796-E9NAIQNVXIC8I4ISJ9ML/WB08013.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>White Curl (CMY/Four Magnet: Los Angeles, California, February 21, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 186-007, 08013) 2013 Color photographic paper 50 x 103 inches White Curls, 2013–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502753005507-O6ID6BPRC86DEXX8P1OK/blindspotMR_HE7A1189_edit.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>Make-Ready 4: (Blind Spot, issue 46: Meridian Printing, Inc., East Greenwich, RI, April 8, 2013) 2013 Bound six-color offset lithographic prints and Epson K3 Ultrachrome archival inkjet print on Museo Silver Rag paper in cloth tray box  11 3/8 x 9 3/4 x 1 1/4 inches Make Readies, 2010– Great Hall Exhibition, 2015  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502753005447-HQ8FHPMU2R14L4L9AXXU/blindspotMR_HE7A1191_edit.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>Make-Ready 4: (Blind Spot, issue 46: Meridian Printing, Inc., East Greenwich, RI, April 8, 2013) 2013 Bound six-color offset lithographic prints and Epson K3 Ultrachrome archival inkjet print on Museo Silver Rag paper in cloth tray box  11 3/8 x 9 3/4 x 1 1/4 inches Make Readies, 2010– Great Hall Exhibition, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502753016466-TW09MJ5N917BPW32UYAN/blindspotMR_HE7A1193_edit.jpg</image:loc>
      <image:title>2013</image:title>
      <image:caption>Make-Ready 4: (Blind Spot, issue 46: Meridian Printing, Inc., East Greenwich, RI, April 8, 2013) 2013 Bound six-color offset lithographic prints and Epson K3 Ultrachrome archival inkjet print on Museo Silver Rag paper in cloth tray box  11 3/8 x 9 3/4 x 1 1/4 inches Make Readies, 2010– Great Hall Exhibition, 2015  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569277955720-HOXJZAKU03OTKOPYTCIQ/MAMCO-2019-Walead-Beshty-Annik-Wetter-017-HD.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11–12/December 29, 2018, Naples, Italy; May 22, 2019, Geneva, Switzerland) 2014– Polished copper Dimensions variable Surrogates (Full Sheet, Art Handling), 2011– Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569277955720-HOXJZAKU03OTKOPYTCIQ/MAMCO-2019-Walead-Beshty-Annik-Wetter-017-HD.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11–12/December 29, 2018, Naples, Italy; May 22, 2019, Geneva, Switzerland) 2014– Polished copper Dimensions variable Surrogates (Full Sheet, Art Handling), 2011– Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569277303118-HCIZQCNVOCHIYWS0VFDC/MAMCO-2019-Walead-Beshty-Annik-Wetter-030-HD.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Selected Works (2012–2013/September 5, 2012–March 12, 2013) 2014 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 40 x 30 inches Selected Works, 2008– Musée d'art moderne et contemporain, 2019</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569277313485-R6N1H9402RC0C6QCALYG/MAMCO-2019-Walead-Beshty-Annik-Wetter-029-HD.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Selected Works (2012–2013/April 2, 2012–June 3, 2013) 2014 Color photographic paper, black and white photographic paper, archival inkjet papers 90 x 50 inches Selected Works, 2008– Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483752897898-WGANBXW6UFZ3I5B89CON/B-WBESHTY-14-0001-1.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections: December 4/December 7, 2014, Miami Beach, Florida, February 10–12, 2015, Los Angeles, California) 2014– Polished copper 11 x 60 x 60 inches each, 5 parts Surrogates (Modular, Art Handling), 2014– Walid AlBeshti, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451407606-VHZ929IB3DP9ZVJGH0NL/WB02014_a.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom) 2014– Polished copper 11 x 60 x 60 inches Surrogates (Modular, Art Handling), 2014– Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483753851399-AX6T7Z2JTR9MPLPO20T6/WB67614.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 4: November 25/January 26–27, 2014, London, United Kingdom) 2014 Polished copper 11 x 60 x 60 inches Surrogates (Modular, Art Handling), 2014– Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451405626-AH60TUOXO1T706ZCA02U/WB01914_a.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom) 2014 Polished copper 11 x 60 x 60 inches Surrogates (Modular, Art Handling), 2014– Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451407555-MOCP05XNMHV35F46XJ3T/WB02114_a.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>  Marginalia, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451410254-PN7XX8P8K8X49JNVQW96/WB03512a.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 6, 2011) 2011 Polished copper 120 x 60 inches Remnants, 2011– Marginalia, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451411922-7PWHULDLTXZG666A9P51/WB15211.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 8, 2011) 2011 Polished copper 36 x 96 x 1/8 inches Remnants, 2011– Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451413174-DI85RKUE9Y7TRKU1BQZ1/WB22311a.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011) 2011 Polished copper 96 x 48 inches Remnants, 2011– Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451430188-FNEDTPB8PT3X5WCM30A9/WB111414.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Remnant (Reception [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director; Jason Murison, Director; Theodora Gilman, Assistant to the Directors; Nick Bennett, Gallery Assistant), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26 –August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Directors [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner; Kat Parker, Artist Liaison; Samantha Tsao, Partner; Laura Higgins, Gallery Manager; Marco Palumbo and Alexis Diop, Interns), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 201 3/8 x 355 3/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Bookkeeping [Source: wood, laminate, and particleboard bookkeeping desk designed by Project-Space/Jonathan Caplan from the bookkeeping office at Friedrich Petzel Gallery, New York. Surrogate: WB72614A (produced in conjunction with Beverly Banks and Cecilia Roberts, Bookkeepers), Copper Surrogate (designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 68 5/8 x 125 1/8 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $21,080.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Project-Space/Jonathan Caplan desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014.]) 2014 Polished copper 21 x 26 inches Remnants, 2011– Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451427777-603XXND4N8ZKDD67CA9M/WB110714---WB111314.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections) 2014 Polished copper Dimensions variable, 7 parts Remnants, 2011– Marginalia, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502235553741-R82F2MNGWMC9GIW4VB06/2011.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Transparency, 2011 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX;Negative (Kodak Portra 400NC Em. No. 2051) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 2051) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) May 26–30, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 2031) May 26–30, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 8–10, 2011 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 8–10, 2011 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 21–24, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 21–24, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches, each (26 parts) Transparencies, 2014– Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451359226-OZL1ASOY7MYEPIIJRRFX/73714.jpg</image:loc>
      <image:title>2014</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502235553735-F3OXN7J49M75CCTI6XKU/2012.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Transparency, 2012 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 1–2, 2012 LAX/SLC/SLC/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 1–2, 2012 LAX/SLC/SLC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 15–19, 2012 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 15–19, 2012 LAX/MIA/MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 2–5, 2012 LAX/PVD/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 2–5, 2012 LAX/PVD/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 20–23, 2012 LAX/JFK/JKF/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 20–23, 2012 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 3–8, 2012 LAX/JFK/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 3–8, 2012 LAX/JFK/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 11–14, 2012 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 11–14, 2012 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches, each (26 parts) Transparencies, 2014– Marginalia, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502235556041-IPZBSPWMUOSNIK2EHGHP/2013.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Transparency, 2013 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1021) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Postive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Negative (Kodak Portra 400 Em. No. 1022 November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) December 2–3, 2013 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1022) December 2–3, 2013 LAX/MIA/MIA/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches, each (30 parts) Transparencies, 2014– Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502235556112-9BC6I150MB6K3EEVLJ52/2014.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Transparency, 2014 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 29–May 8, 2014 LGA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 1022) April 29–May 8, 2014 LGA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Negative (Kodak Portra 400NC Em. No. 1022) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX] 2014 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches, each (30 parts) Transparencies, 2014– Marginalia, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451416642-O8UVX5OR4VLLJB40YES8/WB35514.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014) 2014 Cyanotype chemistry on canvas 96 x 55 inches Cyanotype Paintings, 2013–2015 Marginalia, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451421163-DDX3Z21OUTV02IEVZF4S/WB73714.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, February 1–April 30, 2014) 2014 Cyanotype chemistry on canvas 127 3/4 x 55 inches Cyanotype Paintings, 2013–2015 Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451418439-EK19HP6M3POE2RVV8RBU/WB35614.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014) 2014 Cyanotype chemistry on canvas 104 x 55 inches Cyanotype Paintings, 2013–2015 Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451423115-Q61H1BPXN8CGIFD6FNEG/WB73914.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, February 1–April 30, 2014) 2014 Cyanotype chemistry on canvas 98 1/2 x 55 inches Cyanotype Paintings, 2013–2015 Marginalia, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451425784-59RTDZWSIUAAOWQRTMCI/WB99214.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, May 1–August 1, 2014) 2014 Cyanotype chemistry on canvas 89 x 55 inches Cyanotype Paintings, 2013–2015 Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451426950-4Z46TTV3TXWDDBCPWLS4/WB99314.jpg</image:loc>
      <image:title>2014</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451424640-URKXPWQ0SQ3E1BHUA2K6/WB74014.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, February 1–April 30, 2014) 2014 Cyanotype chemistry on canvas 80 x 55 inches Cyanotype Paintings, 2013–2015 Marginalia, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451419468-NMQU0MPF1P7W440FRFTF/WB39213.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, August 1–October 20, 2013) 2014 Cyanotype chemistry on canvas 57 x 69 inches Cyanotype Paintings, 2013–2015 Marginalia, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451420059-6EDNO1HD8XWBIE0WV4OA/WB39313.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, August 1–October 20, 2013) 2013 Cyanotype chemistry on canvas 57 x 74 inches Cyanotype Paintings, 2013–2015 Marginalia, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451429914-SI9KOMTKCHO3A2JAO6ZX/WB118114.jpg</image:loc>
      <image:title>2014</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451431681-5YQL819JO2LDP9REEN48/WB118314.jpg</image:loc>
      <image:title>2014</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482451432133-S6OKPK352ASYQDZ3R7JS/WB119214_1.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Walead Beshty – Marginalia "I think of my work as a kind of ecology in the sense that everything that comes out of it is part of the practice and needs to be accounted for. My practice is really a proposition about a possible arrangement of productive forces, a kind of system of relations. The more well-conceived the system, the more it can fully account for all that it produces, and that includes what might seem like by-products." W. Beshty. In describing the making of his monumental commission at the Barbican Centre in London - thousands of cyanotypes, created over a year, cover the walls of the Curve there -, Walead Beshty virtually revealed the nature of his next show at Thomas Dane Gallery, staged to coincide with his project at the Curve. ‘Marginalia’, taking its name from the comments, scribbles or illuminations in the margins of a book, includes the remnants, props, byproducts, ‘vestiges’ – generally speaking, the works - created through/while/after making other works. Even though this idea is at the very core of his practice: in essence, Beshty always makes art while making art while making art… And even though he often triggers the production of art through infiltrating pre-existing systems, structures, networks and apparatuses (such as X-ray machines at airports, courier companies…etc…), he had never staged an exhibition that illustrated so concisely the virtuous, recycling circle that his artistic production so uniquely embodies. The notion of Hierarchies – whether artistic or economical - is what is fascinatingly at stake here: traditionally, ‘marginalia(s)’ will add or detract the value of a book, according to the author of the notes. Here, the artist himself reveals, as well as upsets, the established values and systems of art-making, with a series of arresting, facetted new paintings realized as a support or background for the multitude of cyanotypes at the Barbican, which cohabit with aluminum and bronze relics, part negative-space, part leftovers, of his metal surrogates and tables, and a series of 104 X-Ray photographs, realized, literally, while traveling over four years (for shows, events…) and displayed for the first time in their original 5x4in. format. 2014 Letterpress 14 x 8 1/2 inches Multiples Marginalia, 2014  </image:caption>
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      <image:title>2014</image:title>
      <image:caption>Desk [Source: chrome-plated steel and wood desk designed by Egon Eiermann from the office of Michael Wiesehöfer at Galerie Capitain Petzel, Berlin. Surrogate: WB97814 (produced in conjunction with Michael Wiesehöfer, Director), Copper Surrogate (Desk: designed by Egon Eiermann, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 78 7/8 x 39 1⁄16 x 29 1/16 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $20,611.99 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Egon Eiermann desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 56 3⁄16 x 32 7⁄16 x 27 9⁄16 inches.] 2014 Polished copper table top and powder-coated steel 78 3/4 x 39 1/4 x 30 inches (1 3/8 inch top) Surrogates (Tabletop and Desktop), 2008– Gastarbeiten, 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452023209-0QHQ1Z11UEP83QQW63ZA/B-WBESHTY-14-0005-2.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Desk [Source: aluminum, steel, and wood desk after a design by Jørgen Kastholm and Preben Fabricius from the office of Gisela Capitain at Galerie Capitain Petzel, Berlin. Surrogate: WB97914 (produced in conjunction with Gisela Capitain, Owner), Copper Surrogate (Desk: designed by Jørgen Kastholm and Preben Fabricius, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 72 23⁄32 x 38 5⁄16 x 28 55/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $34,269.62 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Jørgen Kastholm and Preben Fabricius desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 71 17/64 x 36 13/16 x 27 23/64 inches.] 2014 Polished copper table top and powder-coated steel 72 5/8 x 38 3/8 x 27 inches (3 7/8 inch top) Surrogates (Tabletop and Desktop), 2008– Gastarbeiten, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452027384-OX9X99OVNVJMWML86O0W/B-WBESHTY-14-0006-2.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Table [Source: embossed lacquered medium density fiberboard and chrome finish steel conference room desk designed by Lievore Altherr Molina from the TK room at Galerie Capitain Petzel, Berlin. Surrogate: WB98014 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director), Copper Surrogate (Table: designed by Lievore Altherr Molina, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 71 37⁄64 x 39 13⁄32 x 29 31/32 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $26,733.35 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Lievore Altherr Molina desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 27 9⁄16 x 19 7⁄8 x 28 15⁄32 inches.] 2014 Polished copper table top and powder-coated steel 71 1/2 x 39 1/4 x 29 inches (1 3/8 inch top) Surrogates (Tabletop and Desktop), 2008– Gastarbeiten, 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452027440-IBXOM766V1NWBILT2TFB/B-WBESHTY-14-0007-2.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Table [Source: carrara glass and brass conference room desk designed by Paul McCobb for Calvin Furniture Company from the presentation room at Galerie Capitain Petzel, Berlin. Surrogate: WB98114 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director; Kathleen Knitter, Gallery Manager; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician), Copper Surrogate (Table: designed by Paul McCobb for Calvin Furniture Company, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 32 31⁄64 x 32 31⁄64 x 16 7/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $9,447.41 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Paul McCobb table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 31 37/64 x 31 29/64 x 14 39/64 inches.] 2014 Polished copper table top and powder-coated steel 32 1/2 x 32 1/2 x 15 3/4 inches (1 3/8 inch top) Surrogates (Tabletop and Desktop), 2008– Gastarbeiten, 2014  </image:caption>
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      <image:title>2014</image:title>
      <image:caption>Table [Source: steel, pigmented epoxy, powder coating, particleboard, melamine foil, foil, and acrylonitrile butadiene styrene plastic work surface table designed by Olle Lundberg for IKEA from the storage room at Galerie Capitain Petzel, Berlin. Surrogate: WB98214 (produced in conjunction with Elisabeth Pallentin, Gallery Assistant/Media Archivist; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician; Adrian Lohmüller, Preparator; Claus Philip Lehmann; Preparator), Copper Surrogate (Table: designed by Olle Lundberg for IKEA, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 62 29⁄32 x 31 29⁄64 x 28 63/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $17,842.86 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Olle Lundberg table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 59 23⁄32 x 28 11⁄32 x 27 31⁄64 inches.] 2014 Polished copper table top and powder-coated steel 63 x 31 1/2 x 27 1/2 inches (1 3/8 inch top) Surrogates (Tabletop and Desktop), 2008– Gastarbeiten, 2014  </image:caption>
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      <image:title>2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, April 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 61214), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174] 2014 Color photographic paper 124 1/2 x 50 inches RA4 Contact Print Curls, 2014– Gastarbeiten, 2014  </image:caption>
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      <image:title>2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CMY/Six Magnet: Los Angeles, California, May 6, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 64614) 2014 Color photographic paper 131 3/4 x 50 inches RA4 Contact Print Curls, 2014– Gastarbeiten, 2014</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452043797-0OBPECOHZER84859URK1/WB81414_shadows.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (YMC/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 81414) 2014 Color photographic paper 116 1/4 x 50 inches RA4 Contact Print Curls, 2014– Gastarbeiten, 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452044635-S2AX4IB84YVIM4Q71AW1/WB81514_shadows.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 81514) 2014 Color photographic paper 120 1/2 x 50 inches RA4 Contact Print Curls, 2014– Gastarbeiten, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452045257-X7LAMWMBSD15WENPW1YC/WB95514_shadows.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, August 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 95514) 2014 Color photographic paper 119 1/2 x 50 inches RA4 Contact Print Curls, 2014– Gastarbeiten, 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502222698527-G4KF3B1KT7BLINSEIG76/WB97514_a.jpg</image:loc>
      <image:title>2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014– Gastarbeiten, 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502222705179-V8ZGKHL1LWM3DUHUIU4E/WB97414_a.jpg</image:loc>
      <image:title>2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014– Gastarbeiten, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502222711848-29FXVBBPIAKR7L6XXZYT/WB96914_a.jpg</image:loc>
      <image:title>2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014– Gastarbeiten, 2014  </image:caption>
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      <image:title>2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014– Gastarbeiten, 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502222723890-2O81Q0E82D9P2IJ2SQ7Z/WB79414_a.jpg</image:loc>
      <image:title>2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014– Gastarbeiten, 2014  </image:caption>
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      <image:title>2014 - &lt;del&gt;TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV&lt;/del&gt;</image:title>
      <image:caption>2014 Television 36 7/8 x 22 1/4 x 3 3/4 inches Televisions, 2014– Gastarbeiten, 2014  </image:caption>
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      <image:title>2014 - &lt;del&gt;HP ScanJet G4050&lt;/del&gt;</image:title>
      <image:caption>2014 HP ScanJet G4050 Dimensions variable Office Works, 2014– Exhibition: Gastarbeiten, 2014</image:caption>
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      <image:title>2014 - &lt;del&gt;​​​​​​​HP Photo Smart C6280 ALL-IN-ONE&lt;/del&gt;</image:title>
      <image:caption>2014 HP Photo Smart C6280 ALL-IN-ONE Dimensions variable Office Works, 2014– Exhibition: Gastarbeiten, 2014</image:caption>
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      <image:title>2014 - &lt;del&gt;Epson Stylus NX420&lt;/del&gt;</image:title>
      <image:caption>2014 Epson Stylus NX420 Dimensions variable Office Works, 2014– Exhibition: Gastarbeiten, 2014</image:caption>
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      <image:title>2014 - &lt;del&gt;Power Mac G4 M8493&lt;/del&gt;</image:title>
      <image:caption>2014 Power Mac G4 M8493 Dimensions variable Office Works, 2014– Exhibition: Gastarbeiten, 2014</image:caption>
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    <image:image>
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      <image:title>2014</image:title>
      <image:caption>Picasso and Truth: From Cubism to Guernica I 2014 Ink on paper, receipt, dried flower, newspaper 11 3/4 x 17 3/8 inches Drawings, 2014– Gastarbeiten, 2014  </image:caption>
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      <image:title>2014</image:title>
      <image:caption>Corn Hustlers Nabbed; Ad Agency Blues: Pay Play in binge lawsuit, 86º, 2:45pm, 22-4-14 2014 Ink on paper, envelope, dried flower, newspaper 12 x 22 inches Drawings, 2014– Gastarbeiten, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452085728-LW8VG9534XHE3KD7J6FV/WB101014.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Picasso and Truth: From Cubism to Guernica II 2014 Ink on paper, dried flower, paper 12 x 18 inches Drawings, 2014– Gastarbeiten, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452085735-OBREZ9R60XF1AONW7G08/WB101114.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Picasso and Truth: From Cubism to Guernica III 2014 Ink on paper, dried flower, paper 13 7/8 x 18 inches Drawings, 2014– Gastarbeiten, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452086887-G30RK2SKI7QC6Q507ITG/WB101214.jpg</image:loc>
      <image:title>2014</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452093949-2TBQSPTVQPU6LAA2S0F3/112414-113314-GROUP.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Ativan, Lorazepam 1 mg, V 4008, Round, Scored, Qualitest Pharmaceuticals; Polychromos, Faber Castell, White, 9201 - 101 (November 4–5, 2014) /  Xanax, Alprazolam 0.5 mg, GG257, Elliptical/Oval, Scored, Sandoz Pharmaceuticals, Inc.; Polychromos, Faber Castell, Light Flesh, 9201 - 132 (November 4–5, 2014) /  Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.; Polychromos, Faber Castell, Sky Blue, 9201 - 146 (November 4–5, 2014) /  Aderall, Amphetamine and Dextroamphetamine 10 mg, b 972 1 0, Elliptical/Oval, Scored, Teva Pharmaceuticals USA; Polychromos, Faber Castell, Light Phitalo Blue, 9201 - 145 (November 4–5, 2014) /  Propecia, Finasteride 1 mg, H 36, Round, Camber Pharmaceuticals, Inc.; Polychromos, Faber Castell, Pompeian Red, 9201 - 191 (November 4–5, 2014) /  Diovan, Valsartan 160 mg, RX 125, Elliptical/Oval, Ohm Laboratories, Inc.; Polychromos, Faber Castell, Cinnamon, 9201 - 189 (November 4–5, 2014) /  Celexa, Citalopram 20 mg, I G 207, Round, Scored, InvaGen Pharmaceuticals, Inc.; Polychromos, Faber Castell, Medium Flesh, 9201 - 131 (November 4–5, 2014) /  Wellbutrin SR, Bupropion Extended Release 150 mg, 681, Elliptical/Oval, Global Pharmaceuticals; Polychromos, Faber Castell, Cream, 9201 - 102 (November 4–5, 2014) /  Extra Strength Vitamin D3 2000 I.U., Elliptical, Transparent, Kirkland Signature; Polychromos, Faber Castell, Ivory, 9201 - 103 (November 4–5, 2014) /  Formula Multinutrient System VM-2000 Tablets, Elliptical, Senape with Brown Spots, Solgar; Polychromos, Faber Castell, Naples Yellow, 9201 - 185, Brown Ochre, 9201 - 182, Yellow Ochre, 9201 - 183 (November 4–5, 2014) 2014 Ink and oil pastel on letterhead 12 3/4 x 9 1/2 inches each Drawings, 2014– Gastarbeiten, 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452247572-J9SWKLC1EPJX12W3SS7H/WB-14_030_72814A.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Directors 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions145 3/16 x226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 33 1/2 x 97 7/8 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 97 7/8 x 33 1/2 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008– Performances Under Working Conditions, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452247574-O9BZ5G5N1RZ9VNPWQSID/WB-14_031_72814B.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Directors 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814B (produced in conjunction with Kat Parker, Artist Liaison), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 145 3/16 x 226 1/8 x 30 .  inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 5/8 x 95 x 1 1/2 inches. Section 2 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 95 x 33 5/8 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008– Performances Under Working Conditions, 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452249181-7OUW8ZF80U4V823TAVN6/WB-14_032_72814C.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Directors 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814C (produced in conjunction with Samantha Tsao, Partner), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 33 5/8 x 94 7/8 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 94 7/8 x 33 5/8 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008– Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452249352-5NAP9U23NH88LEFDIAM5/WB-14_033_72814D.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Directors 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814D, titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014 made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 33 5/8 x 67 3/4 x 1 1/2 inches. Section 4 has tone cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and one large drawer surrogate, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.] 2014 Polished copper table top and powder-coated steel 67 3/4 x 33 5/8 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008– Performances Under Working Conditions, 2014  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452251067-TD8I0FU6VXCDDZR9GNBW/WB-14_034_72814E.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Directors 5 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814E(produced in conjunction with Laura Higgins, Gallery Manager), titled Copper Surrogate (Desk, section 5: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 5 is 37 3/8 x 84 x 1 1/2 inches. Section 5 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 84 x 37 3/8 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008– Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452250849-JU12CW9J88B919NHRVIO/WB-14_035_72814F.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Directors 6 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814F (produced in conjunction with Marco Palumbo and Alexis Diop,Interns), titled Copper Surrogate (Desk, section 6: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 6 is 37 3/8 x 83 1/2 x 1 1/2 inches. Section 6 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 83 1/2 x 37 3/8 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008– Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452252286-5MTTT4Z3QDP4DGBOZQLD/WB-14_036_72714A.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Reception 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 31 x 62 3/4 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 62 3/4 x 31 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008– Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452252531-9IQL566FXSJARD6TRPEO/WB-14_037_72714B.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Reception 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York.Surrogate: WB72714B (produced in conjunction with Jason Murison, Director), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 x 81 7/8 x 1 1/2 inches. Section 2 has two cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 81 7/8 x 31 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008– Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452254552-RYTU1OUGQ85NNKJXYNK4/WB-14_038_72714C.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Reception 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714C (produced in conjunction with Theodora Gilman, Assistant to the Directors), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 31 x 81 1/4 x 1 1/2 inches. Section 3 has three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 81 1/4 x 31 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008– Performances Under Working Conditions, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482452254619-83KG4VO03124TVMG1F6F/WB-14_039_72714D.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Reception 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714D (produced in conjunction with Nick Bennett, Gallery Assistant), titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 31 x 62 3/4 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.] 2014 Polished copper table top and powder-coated steel 114 1/8 x 31 x 1 1/2 inches Surrogates (Tabletop and Desktop), 2008– Performances Under Working Conditions, 2014  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453017715-L2LEP88LNMI662GR8OKY/WB27913_b.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Aggregate VIII (August 19th—21st, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2014 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 20 1/2 x 13 1/2 inches Ceramics, 2013– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502227109038-J69JQBAA7C4RALC1G8OO/WB28513_b.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Aggregate XIII (August 20–22, 2013, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 24 1/2 x 17 inches Ceramics, 2013– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453021140-K8QJH91H3ASA6VQO0JYM/WB29013_a.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Aggregate XVIII (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 23 1/2 x 20 1/2 x11 inches Ceramics, 2013– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453023043-4JJZFQYMX0ZLIBQMZ1PD/WB29213.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Aggregate XXX (August 19th–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2014 Ceramica Suro slip cast remnants, glaze, and firing plate 45 x 91 x 43 1/2 inches Ceramics, 2013– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453023164-XJTV81HB5S4LZ6NIHR87/WB29313_a.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Aggregate XIX (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 38 x 20 1/2x 20 inches Ceramics, 2013– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453026372-TNIFGUBM3X414M3VUUBB/WB29513_b.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Aggregate XXI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 31 1/2 x 24 1/2 x 19 inches Ceramics, 2013– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453028403-77WPJPNNMCB9KE7X94QO/WB30213_c.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Aggregate XXVIII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 67 1/2 x 22 1/2 x 21 1/4 inches Ceramics, 2013– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453030959-HS815LSMQ1FTT41BH4GT/WB30613_b.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Aggregate XXVI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 102 x 33 1/4 x 23 inches Ceramics, 2013– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453032078-KLACAZRQ3S71EXFUCHOF/WB30713_a.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Aggregate XXVII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico) 2013 Ceramica Suro slip cast remnants, glaze, and firing plate 77 3/4 x 35 1/2 x 22 inches Ceramics, 2013– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453091373-4ACKD9X9RBWH211ZUFXF/WB02714.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall (MYC/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02714) 2014 Color photographic paper 50 x 120 inches RA4 Contact Print Curls, 2014– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453091367-MNHHNQ0URNQHP3O6TCPR/WB02814.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (CMY/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02814) 2014 Color photographic paper 50 x 105 7/8 inches RA4 Contact Print Curls, 2014– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453093994-3H4T828163DS1U74LWZX/WB02914.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (YCM/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02914) 2014 Color photographic paper 50 x 107 3/8 inches RA4 Contact Print Curls, 2014– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453093276-W2F0KA4ZJXD9NEDMYLT8/WB03914.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, January 14, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 03914) 2014 Color photographic paper 50 x 116 inches RA4 Contact Print Curls, 2014– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453094629-TJXJKP8Q0YY65CQ284DJ/WB20813.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>RA4 Contact Print (YMC/Six Magnet: Los Angeles, California, August 14, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 20813) 2014 Color photographic paper 50 x 107 7/8 inches RA4 Contact Print Curls, 2014– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453096279-0O89K5DY0QXJQNPNZ3MC/WB21013.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>RA4 Contact Print (YMC/Six Magnet: Los Angeles, California, August 22, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21013) 2014 Color photographic paper 50 x 111 1/8 inches RA4 Contact Print Curls, 2014– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453096170-OJX36XNWMM62CW9DPRCY/WB21513.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, August 29, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21513) 2014 Color photographic paper 50 x 107 3/4 inches RA4 Contact Print Curls, 2014– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453097669-JLV9QP7D1E29XGWWIPDH/WB21613.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, August 29, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21613) 2014 Color photographic paper 50 x 113 inches RA4 Contact Print Curls, 2014– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453097973-RV9QPU3ULAESIJXK4EQN/WB40013.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>RA4 Contact Print (CYM: Los Angeles, California, November 20, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 101-007; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 40013) 2014 Color photographic paper 50 x 109 5/8 inches RA4 Contact Print Curls, 2014– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453102880-CUT3TDV0EW6REL2BQEZX/WB00114_b.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection: February 20/April 5, 2014, Los Angeles, California) 2014– Polished copper 60 x 60 x 60 inches Surrogates (Full Sheet, Art Handling), 2011– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453105937-VYZ4QZPBFLVNS7EDE09W/WB00214_b.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection: February 19-24/April 5, 2014, Los Angeles, California) 2014 Polished copper 120 x 30 x 30 inches Surrogates (Full Sheet, Art Handling), 2011– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453107389-3R7KQA8QED5B7ID8DJUG/WB00314.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2” 30º Diagonal / 150º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California) 2014 Polished copper 120 x 60 x 50 inches Surrogates (Full Sheet, Art Handling), 2011– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453109152-7V6KSNHBO3BWQBPWPDWI/WB00414_b.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2” 30º Diagonal / 150º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California) 2014 Polished copper 120 x 60 x 50 inches Surrogates (Full Sheet, Art Handling), 2011– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453110373-PIQJSERP62RQX3L258QR/WB00514_a.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 45º Diagonal / 135º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California) 2014 Polished copper 110 x 60 x 50 inches Surrogates (Full Sheet, Art Handling), 2011– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453113176-B4YHVZGZWGLWSE5FGUQS/WB00614_a.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 135º Antidiagonal / 45º Diagonal Bisection: February 19-21/April 5, 2014, Los Angeles, California) 2014 Polished copper 110 x 60 x 50 inches Surrogates (Full Sheet, Art Handling), 2011– Selected Bodies of Work, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453167908-FXLNP5F3HX2DNBSDGUBG/WB31214.jpeg</image:loc>
      <image:title>2014 - Schreibmachine (&lt;del&gt;Canon MX310 Multifunction Printer&lt;/del&gt;)</image:title>
      <image:caption>2014 Aluminum, steel, Canon MX310 Multifunction Printer, and timer Dimensions variable Office Works, 2014– Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453168507-BE0SG3OV9HFU4KFXVV4O/WB31314.jpeg</image:loc>
      <image:title>2014 - Royal (&lt;del&gt;Apple Power Mac G5 A1047&lt;del&gt;)</image:title>
      <image:caption>2014 Aluminum, steel, and Apple Power Mac G5 A1047 Dimensions variable Office Works, 2014– Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453169946-8F6HP07XL4XE9YJ8GGAO/WB31414.jpeg</image:loc>
      <image:title>2014 - Die gekränkte Braut (&lt;del&gt;Epson Perfection 4990 Pro J131B&lt;/del&gt;)</image:title>
      <image:caption>2014 Aluminum, steel, and Epson Perfection 4990 Dimensions variable Office Works, 2014– Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453169946-9EN03P1HDI9QDYPVTZF2/WB31514.jpeg</image:loc>
      <image:title>2014 - Meine vier kleinen Untugenden (&lt;del&gt;Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector&lt;/del&gt;)</image:title>
      <image:caption>2014 Aluminum, steel, Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector, and timer Dimensions variable Office Works, 2014– Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453170706-QGQHVTZUD9CUXN60PQ6C/WB32214_b.jpg</image:loc>
      <image:title>2014 - Der Wille zur Macht (&lt;del&gt;Apple MacBook Pro&lt;/del&gt;)</image:title>
      <image:caption>2014 Macbook Pro Dimensions variable Office Works, 2014– Exhibition: Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453250606-ZDOXJKPWPUM8BTJBSRAV/WB_30914.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Das Gesicht des Terrors (Los Angeles, California, February 20, 2014) 2014 Chromogenic print 35 7/8 x 29 1/2 inches Art Handling, 2011– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453251013-MQ62AZ4XHSAOX0CF2NVJ/WB_31014.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Die Technik der Eroberung (Los Angeles, California, January 14, 2014) 2014 Chromogenic print 35 7/8 x 29 1/2 inches Art Handling, 2011– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453255850-F5YDHZLJCC2M163EFX6A/WB_40612.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Liberté, Amour, Art (Vienna, Austria, November 22, 2012) 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Art Handling, 2011– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453256009-B2A0AAAB79W27E47J7EE/WB_41212.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Die Erotische (Vienna, Austria, November 22, 2012)  2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Art Handling, 2011– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453259269-55PNGB9PY65QEALTEIJG/WB_48113.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Die Mütter (Waltham, Massachusetts, February 4, 2013) 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Art Handling, 2011– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453259405-961TDJCEWTIKUUUXBU1X/WB_48413.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Der Hausdrachen (Waltham, Massachusetts, February 4, 2013) 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Art Handling, 2011– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453261973-K2WCC38OXGVKQ8XV57P0/WB_49213.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Der Herrscher (Paris, France, March 12, 2013) 2014 Chromogenic print 35 7/8 x 29 1/2 inches Art Handling, 2011– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453262200-WEQ4MX3GYPRLQAPI1176/WB_49613.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Die Ideale der Väter (Paris, France, March 12, 2013) 2014 Chromogenic print 35 7/8 x 29 1/2 inches Art Handling, 2011– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453265043-9K5GT5P8PHH2CK6B710S/WB_51613.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Alphabet der Leidenschaft (Beirut, Lebanon, June 1, 2013) 2014 Chromogenic print 35 7/8 x 29 1/2 inches Art Handling, 2011– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453264747-VA0E61V53DL7N32UN8AZ/WB_54513.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Die Qual der Lust (Los Angeles, California, August 15, 2013), Frame No. 14 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Art Handling, 2011– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482453266241-A64N2PW8RKSW8FT1WD5O/WB_72411.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Die Qual der Lust (Los Angeles, California, August 15, 2013) 2014 Black and white digital fiber print 35 7/8 x 29 1/2 inches Art Handling, 2011– Selected Bodies of Work, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1482454951032-DG1QGINN2Y9QOH0TT8Y0/WB%2BKW-2014-PCG-529_1_SP.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Walead Beshty and Kelley Walker Crystal Voyagers [October 28/December 7, 2014, New York, New York: 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (International Surfing Photo Annual, 1973)] 2014– Four color process silkscreen with acrylic on canvas; Surfer, September 1973, Surfer, September 1973, International Surfing Photo Annual, 1973, polished copper 96 x 5 x 1 inches each Crystal Voyager, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502235362003-W8QC2GW7BMR16Q9YLM1X/IMG_7904_new.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Walead Beshty and Kelley Walker Hardbody Software (February 26/May 14, 2014, Los Angeles, California) 2014– Acrylic and ink on canvas, polished copper 96 x 5 inches each Hardbody Software, 2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507150542400-59TUZX0QUF0RGRCFAQGL/101614.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Marginalis (Los Angeles, California, August 1–30, 2014) 2014 Cyanotype chemistry on canvas 55 x 84 1/2 inches Cyanotype paintings, 2013–2015 Progressive Praxis, 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1459976469105-3RLMKBLM4WJ19D8J0LQL/WB04811.jpg</image:loc>
      <image:title>2014</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX] 2011 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Marginalia, 2014  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2009</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738225899-S1XD2SGBUFJ1QUKR4977/WB12909.jpg</image:loc>
      <image:title>2009</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738225899-S1XD2SGBUFJ1QUKR4977/WB12909.jpg</image:loc>
      <image:title>2009</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738225755-OVJ984KXTTZ6L0ZQGFHX/WB30009.jpg</image:loc>
      <image:title>2009</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738227822-SJYS1AF11ZIE94CH2HPL/WB37008.jpg</image:loc>
      <image:title>2009</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738227889-XC8LVIAN7TI11HKME2LK/WB37408.jpg</image:loc>
      <image:title>2009</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738229447-4FZ5Q8KLSQQNPBWGVBCB/WB39808.jpg</image:loc>
      <image:title>2009</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738229800-TZU4736E5UOAFD18GXJV/WB41408.jpg</image:loc>
      <image:title>2009</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738231526-LYASI7510R51BKVJDX73/WB41508.jpg</image:loc>
      <image:title>2009</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738232023-AYPCMMR3RQKQD9OIIBP7/WB55309.jpg</image:loc>
      <image:title>2009</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738233472-UMJIJXLN6NVV4JDENDH8/WB322808.jpg</image:loc>
      <image:title>2009</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738233951-CGRT3EZUVL45IAAJBP6S/WB327508.jpg</image:loc>
      <image:title>2009</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738235785-HNETY1SON7RNY1PTY6RA/WB329508.jpg</image:loc>
      <image:title>2009</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738235842-UJA751NH9Z5J8EXQ6D71/WB329608.jpg</image:loc>
      <image:title>2009</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738237883-0X0CGBXZSTK5ES8XZ3TQ/WB330308.jpg</image:loc>
      <image:title>2009</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738238440-TVL379DJVOMPMYHXR9RH/WB330608.jpg</image:loc>
      <image:title>2009</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738256282-VLPC75NABBO0O8DZBTW2/WB331308.jpg</image:loc>
      <image:title>2009</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738240747-MES0T3G88NSN66WP4GBR/WB23208.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Fold (45º/135º/225º/315º directional light sources), June 27, 2008, Annandale-On-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 67 1/2 x 46 3/4 inches Black and White Directional Folds, 2006–2014 Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738242730-COFGDTX4KPFACU9T45WQ/WB23308.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Fold (0º/90º/180º/270º directional light sources), June 13, 2008, Annandale-On-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 74 x 46 3/4 inches Black and White Directional Folds, 2006–2014 Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738244408-SJM4T9O3GQW1HG339G9A/WB23608.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Fold (60º/120º/180º/240º/300º/360º directional light sources), June 30, 2008, Annandale-On-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 80 3/4 x 46 3/4 inches Black and White Directional Folds, 2006–2014 Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483738250305-7C5MJPEWNGFU44Z58JM5/WB23808.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Fold (60º/120º/180º/240º/300º/360º directional light sources), June 5, 2008, Annandale-On-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 72 x 46 3/4 inches Black and White Directional Folds, 2006–2014 Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742066783-10I1CMF2IEOT59KPNYWQ/WB27008.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 19, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 89 x 50 inches Six-Color Curls, 2009–2010 Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742066856-UXN4W8IFX6SM70PAZJ0E/WB27108.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 18, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 90 3/4 x 50 inches Six-Color Curls, 2009–2010 Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742069322-IJMR82TA8CVW8TMJ5VKH/WB27408.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 17, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 96 1/8 x 50 inches Six-Color Curls, 2009–2010 Legibility on Color Backgrounds, 2009  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742070077-5LV7FJH5SS13WMZZ8BVB/WB27508.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 20th 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 86 x 50 inches Six-Color Curls, 2009–2010 Legibility on Color Backgrounds, 2009  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742072437-5AC0JZ6F5T5XN85HP25F/WB27908.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 17, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 94 x 50 inches Six-Color Curls, 2009–2010 Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742073329-M39MAZ7V6SXCQ73QZ0KM/WB28108.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Color Curl (CMMYYC: Irvine, California, July 19, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 94 x 50 inches Six-Color Curls, 2009–2010 Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742075865-9BI1FHIH0WNV0TOC9HA9/WB29708.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 40 x 30 inches Six-Color Curls, 2009–2010 Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742076029-M4KG5LG7SQ4CPCJDJJRA/WB31308.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 25, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 102 x 50 inches Six-Color Curls, 2009–2010 Legibility on Color Backgrounds, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742123486-ZKHMIEMPDHZY7OAEK0D8/WB25208.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Color Loop (CMYRGB: Irvine, California, July 16th 2008, Fuji   Crystal Archive Type C) 2009 Color photographic paper 50 x 105 inches Color Loops, 2008–2011 Pulleys, Cogwheels, Mirrors, and Windows, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742123551-N3LORKOPMGC6KESYP2ON/WB25308.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Color Loop (CMYRGB: Irvine, California, July 26th 2008, Fuji   Crystal Archive Type C) 2009 Color photographic paper 50 x 103 inches Color Loops, 2008–2011 Pulleys, Cogwheels, Mirrors, and Windows, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742138204-OCJ3F6G7Q9GO7KM96WIL/WB43708.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981314, October 29–30, 2008, Priority Overnight, Miami–Los Angeles trk#861049125089, November 17–18, 2008, Priority Overnight, Los Angeles-Miami Beach trk#860147611241, December 01–02, 2008, Priority Overnight, Miami–Los Angeles trk#867525901310, December 08–09, 2008, Priority Overnight, Los Angeles–Ann Arbor trk#867525901228, March 09–10, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625705, July 09–10, 2009, Standard Overnight, Los Angeles–San Francisco trk#870069766460, August 27–28, 2009, Standard Overnight, San Francisco–Los Angeles trk#870342520112, November 12–13, 2009 2008 Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, and tape 16 x 16 x 16 inches FedEx Glass Works, 2007– Pulleys, Cogwheels, Mirrors, and Windows, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742126970-2PPQ3EHRL1OQXDSQTJK9/WB38108.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles-Miami trk#865344981299, October 29–30, 2008, Priority Overnight, Miami–Ann Arbor trk#861049125115, March 03–04, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625749, July 09–10, 2009, Standard Overnight, Los Angeles–San Francisco trk#878069766471, August 27–28, 2009, Standard Overnight, San Francisco–Los Angeles trk#870342520145, November 12–13, 2009, International Priority, Los Angeles–London trk#798269222978, April 10–12, 2012 2008– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches FedEx Glass Works, 2007– Pulleys, Cogwheels, Mirrors, and Windows, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742138260-VK2MSN9X0WPVWJKGQLG4/WB43608.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981314, October 29–30, 2008, Priority Overnight, Miami–Los Angeles trk#861049125089, November 17–18, 2008, Priority Overnight, Los Angeles-Miami Beach trk#860147611241, December 01–02, 2008, Priority Overnight, Miami–Los Angeles trk#867525901310, December 08–09, 2008, Priority Overnight, Los Angeles–Ann Arbor trk#867525901228, March 09–10, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625705, July 09–10, 2009, Standard Overnight, Los Angeles–San Francisco trk#870069766460, August 27–28, 2009, Standard Overnight, San Francisco–Los Angeles trk#870342520112, November 12–13, 2009 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches FedEx Glass Works, 2007– Pulleys, Cogwheels, Mirrors, and Windows, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742134172-751YOXVXK5HLRX8O8SB1/WB43508.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>FedEx® Kraft Box ©2005 FEDEX 330504 10/05 SSCC, Priority Overnight, Los Angeles–Miami trk#865344981303, October 29–30, 2008, Priority Overnight, Miami–Ann Arbor trk#861049125148, March 3–4, 2009, Standard Overnight, Ann Arbor–Los Angeles trk#868274625716, July 9–10, 2009, Standard Overnight, Los Angeles–New York trk# 774901718297, November 4–5, 2015, Standard Overnight, New York–Los Angeles trk#775241156204, December 21–22, 2015 2008– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 16 x 16 x 16 inches FedEx Glass Works, 2007– Pulleys, Cogwheels, Mirrors, and Windows, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742144317-5Q1VHBAK3YNB7XHCK7VL/UMMA-jpeg-work-overall.jpg</image:loc>
      <image:title>2009</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742266737-29P5US5Q9SZ52D1XG10F/WB30608.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 85 x 50 inches Three-Color Curls, 2008–2013 Popular Mechanics, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742266332-12EV5G86NJ5XNUP1RL7R/WB30708.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 100 x 50 inches Three-Color Curls, 2008–2013 Popular Mechanics, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742268863-ZROUNHVFAFET5Q61IWDS/WB31108.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 25, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 93 x 50 inches Three-Color Curls, 2008–2013 Popular Mechanics, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742269335-Q041PE742TURVIOVYKMR/WB31408.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 25, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 93 x 50 inches Three-Color Curls, 2008–2013 Popular Mechanics, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742269930-BCDIGG9EHGEDNE1YZFS8/WB31608.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, August 16, 2008, Fuji Crystal Archive Type C) 2009 Color photographic paper 93 x 50 inches Three-Color Curls, 2008–2013 Popular Mechanics, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742768536-UI6IXMFUE6G1SICB52BT/WB01209.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: November 4–10, 2008 LAX/IAD IAD/BRU BRU/IAD IAD/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 FIVE, 2009 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742768584-EU2P9P37I1BFTFLOTY3U/WB01409.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: April 7–April 13, 2008 ORD/LAX LAX/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Altermodern, 2009 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742771218-1UAD6WAFLOL131E3HZ0I/WB01509.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: March 24–March 29, 2008 ORD/LGA LGA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742770016-WDX4JDXVWF86OMRHNZ63/WB01609.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 1601: October 19–October 21, 2007 ORD/LAX LAX/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Altermodern, 2009 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742772664-3AQVQ8LMBHVC9A2BQVIT/WB01709.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 2001: May 8–July 18, 2007 LAX/FRA FRA/JFK LGA/IAD IAD/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742773626-WLM8FNBHAMQGU2S7JBIF/WB02309.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: August 17–August 24, 2008 LAX/IAD DCA/ORD ORD/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742774588-286263L9YU80DM7MUU1V/WB02509.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 1501: April 10–April 16, 2007 LAX/ORD ORD/EWR EWR/ORD ORD/SNA SNA/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 FIVE, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742774960-WGGWQUZS78VY8MT4RKGF/WB02709.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 04991: March 12–March 16, 2008 ORD/LGA EWR/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742776207-S4UMO0AFEOB0NK9Z92J7/WB03409.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: December 5–December 9, 2007 ORD/MIA MIA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Altermodern, 2009 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742776166-FFAEUNGKIPNZJI8NGWSO/WB14209.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 160VC Em. No. 4071: January 28–February 3, 2009 LAX/LHR LHR/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743368490-JUSA0E9EONB12OT5Z30T/WB03509.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 51341: May 28–June 29, 2008 ORD/LAX LAX/JFK JFK/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 FIVE, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743398597-WA79COI3TKKUASZD1CUY/WB01309.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 4071: October 15–October 19, 2008 LAX/LHR LHR/LAX] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Altermodern, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743401453-9H6A9X0WG63KXK80XZL9/WB01909.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 51341: May 8–May 18, 2008 ORD/LHR LHR/IAD IAD/JFK LGA/DCA DCA/ORD] 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 68 x 52 1/4 inches Transparencies, 2008–2014 Altermodern, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502477712946-E8JC2OYIX4AFXOSYHM24/20090331_lax_beshty_012b.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>American Passages, 2001– 2009 Set of 180 images on analog slides shown via slide projection, 35mm slides, dual projection with dissolve unit Dimensions variable American Passages, 2001–2011 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742861833-CHCUCHO3NO489Z9FT2MX/IMG_0074.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Dust (2007–2008) 2009 Stretched vinyl on billboard 12 feet, 3 inches x 24 feet, 6 inches Dust, 2005–2009 Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742951239-U5H2FGUQ3M24YNFI1TAR/WB06509_cropped.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 105 x 50 inches Three-Color Curls, 2008–2013 Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742956685-KOXYJEJQML1MG09CCGC3/WB07309_cropped.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 103 x 50 inches Three-Color Curls, 2008–2013 Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742958009-HCCLZTZVNSOGOBQ7SBIH/WB09509_cropped.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C)  2009 Color photographic paper 109 x 50 inches Three-Color Curls, 2008–2013 Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742951310-0TRUJLRV2PTQ8MF2HH9O/WB06609_cropped.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C)  2009 Color photographic paper 101 x 50 inches Three-Color Curls, 2008–2013 Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742953949-8ZHCP5Y3ITY27ZC0RZ7T/WB06709_cropped.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 108 x 50 inches Three-Color Curls, 2008–2013 Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742954031-B2CXAIHYB2BYRCRNN6NL/WB06809_cropped.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 104 x 50 inches Three-Color Curls, 2008–2013 Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742956375-N3RN947LCYDZSCYXLCM8/WB07209_cropped.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 102 x 50 inches Three-Color Curls, 2008–2013 Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742969834-9TE2VYQXWT2WWK0KQ60I/20100324_beshty_017.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008– Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742969908-4CJX5L82QM8RYTCB2K8R/20100324_beshty_018.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008– Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742972666-76SKCYZLL7C7P91ZCE44/20100324_beshty_019.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008– Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483742972823-H66EB40J9E45LIGEGE2V/20100324_beshty_020.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008– Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502484793400-UJ8UTRAK297OIBTJI6AS/20100324_beshty_021.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008– Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502484793293-NUWKEHS3BEL4Y92Z90FO/20100324_beshty_022.jpg</image:loc>
      <image:title>2009</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502484797170-HCE3JSFONYJDSQNIO8VY/20100324_beshty_023.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Selected Works (2005–2007/February 9, 2008–November 17, 2008) 2009 Color photographic paper, black and white photographic paper, archival inkjet papers 30 x 20 inches Selected Works, 2008– Production Stills, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743294128-YFSODBRA0C7FA8813AZ7/WB34109.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–London trk#868587728072, October 2–5, 2009 2009– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007– Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743302527-CPJYUN31JM148Y7SI18D/WB34709_A.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–London trk#868587728050, October 2–5, 2009 2009– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches FedEx Glass Works, 2007– Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743306747-S9087G58LCF38492T7R0/WB35609.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587728040, October 2–5, 2009, International Priority, London–New York trk#863822956489, November 18–20, 2009, International Priority, New York–London trk#795200981790, September 19–21, 2011 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009– Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743309898-X76RRZHFYCBOEA67I787/WB35709.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587725897, October 2–5, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009– Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743311212-5KDTEC4FKXBXKY1XCBJH/WB35809.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587728061, October 2–5, 2009, International Priority, London–Zurich trk#863822956490, November 26–December 2, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009– Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743314589-B48BTQ4I5EI79JTJCA4Z/WB35909.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587728083, October 2–5, 2009, International Priority, London–Los Angeles trk#862012042283, December 8–9, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009– Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743316103-5MX2TNSWGSJ70GIRSUAK/WB36009.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587728028, October 2–5, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009– Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743318512-2NHR92SEOKCR6G4RB72Y/WB36109.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>20-Inch Copper (FedEx® Large Kraft Box ©2005 FEDEX 330508 REV 10/05 SSCC), International Priority, Los Angeles–London trk#868587728006, October 2–5, 2009 2009– Polished copper, accrued FedEx shipping and tracking labels 20 x 20 x 20 inches FedEx Copper Works, 2009– Production Stills, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743403176-2CX3F3SJFDERSDL8DLLO/WB35409.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#797283145686, January 26–28, 2009 2009– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007– Altermodern: The Tate Triennial, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743403350-AQDCRMX78VUFH7EDWHY6/WB35509.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#867279774940, January 26–28, 2009 2009– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007– Altermodern: The Tate Triennial, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743405261-TSY8WCROOOFI8O19T3H5/WB36809.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#867279774930, January 26–28, 2009 2009– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007– Altermodern: The Tate Triennial, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483743405555-P6869SSJ9LRANR0UDUB5/WB36909.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>FedEx Large Kraft Box 2005 FEDEX 330508 REV 10/05 SSCC, International Priority, Los Angeles–London trk#796286755436, January 26–28, 2009 2009– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 20 x 20 x 20 inches FedEx Glass Works, 2007– Altermodern: The Tate Triennial, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483745022919-TLEDJAYY9ONYSI8NEASJ/WB-900.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C)) 2009 Color photographic paper Part 1: 110 x 50 inches, Part 2: 40 x 30 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483745039878-FQ8YRP8BPJ3AMV7RBTBL/WB-662.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C)) 2009 Color photographic paper Part 1: 105 1/4 x 50 inches, Part 2: 40 x 30 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483745047624-IKR2N20GE3L6VKRPFAXF/WB-659.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C)) 2009 Color photographic paper Part 1: 110 3/4 x 50 inches, Part 2: 40 x 30 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483745057182-QBVXTGVI7U5TR1TWXT6O/WB-613-comp.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C)) 2009 Color photographic paper Part 1: 110 x 50 inches, Part 2: 40 x 30 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483745988061-A56E24UHX2QGL48O9291/WB-709.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 40 x 30 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483745988259-REUNKR3JYCDGRGNMMQHP/WB-710.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 40 x 30 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483746091739-8R6YQTP7QYE5XAOA8AOV/WB-496.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Four Magnet, Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 40 x 30 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483746199035-KO04476CC3R15QV50HEA/Beshty_FA_22.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Three Color Curl (CMY: Irvine, California, September 13, 2009, Fuji Crystal Archive Type C) 2009 Color photographic paper 40 x 30 inches Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483746565598-V2ZZ347KH7AZIKHW16W9/20090331_lax_beshty_035b.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Untitled (LAXART: Los Angeles, CA, March 21–May 2, 2009) 2009 Laminated mirror and glass, neoprene Dimensions variable Mirrored Floor Work, 2009– Passages, 2009  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1590180102442-QUO5F1PIP7C48025LASG/23408.jpg</image:loc>
      <image:title>2009</image:title>
      <image:caption>Fold (45º/135º directional light sources), June 24, 2008, Annandale-on-Hudson, New York, Foma Multigrade Fiber 2009 Black and white fiber based photographic paper 72 5/8 x 46 3/4 inches Black and White Directional Folds, 2006–2014 Exhibition: Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2006</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744372497-P0GYL9C4ZNV1DJ36M9JN/15806.jpg</image:loc>
      <image:title>2006</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2006 Black and white fiber based photographic paper Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744372497-P0GYL9C4ZNV1DJ36M9JN/15806.jpg</image:loc>
      <image:title>2006</image:title>
      <image:caption>Picture Made by My Hand with the Assistance of Light 2006 Black and white fiber based photographic paper Pictures Made by My Hand with the Assistance of Light, 2005–2014  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2010</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483736055253-0SG9AU41IPQKWEFQM7EG/WB00310.jpg</image:loc>
      <image:title>2010</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483736055253-0SG9AU41IPQKWEFQM7EG/WB00310.jpg</image:loc>
      <image:title>2010</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483744896555-VEVJEVU1FJR13ZW38WKJ/WB-933.jpg</image:loc>
      <image:title>2010</image:title>
      <image:caption>Two-Sided Picture (YR), January 12, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2010 Color photographic paper 26 1/2 x 22 1/2 inches Multi-Sided Pictures, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502404686166-16QIJZH32INVU1JIQBDS/WB49907.jpg</image:loc>
      <image:title>2010</image:title>
      <image:caption>Four-Sided Picture (MRYG), January 12, 2007, Santa Clarita, California, Fujicolor Crystal Archive 2010 Color photographic paper 26 1/2 x 22 1/2 inches Multi-Sided Pictures, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483745886488-HUI8NTR43BWRR419UEA5/WB-977.jpg</image:loc>
      <image:title>2010</image:title>
      <image:caption>Combine Prints (Single Phase Composition: CMY/Five Magnet: Irvine, California, March 25, 2010, Fuji Color Crystal Archive Super Type C, Em. No. 148-006, 19010–19410) 2010 Color photographic paper 40 x 30 inches each, 5 parts Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483745939438-NKOJRDA9M1U09QNQ8Y4Z/WB-507.jpg</image:loc>
      <image:title>2010</image:title>
      <image:caption>Combine Prints (Single-phase Composition, CMY/Five Magnet: Irvine, California, March 25th 2010, Fujicolor Crystal Archive Super Type C, Em. No. 148-006, 10910–11210) 2010 Color photographic paper 40 x 30 inches each, 5 parts Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483745941395-XLTUVBPS8XKZ6C3MGZPX/WB-612-flat.jpg</image:loc>
      <image:title>2010</image:title>
      <image:caption>Combine Prints (CMY/Five Magnet: Irvine, California, March 25, 2010, Fuji Color Crystal Archive Super Type C, Em. No. 148-006, 12410-12810) 2010 Color photographic paper 40 x 30 inches each, 5 parts Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483745939583-C5Y7XIZGXNK8U96VPHWL/WB-506.jpg</image:loc>
      <image:title>2010</image:title>
      <image:caption>Combine Prints (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 148-006, 13710-14110) 2010 Color photographic paper 40 x 30 inches each, 5 parts Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502404233763-SGM21ZVTLJZ5XKMG2V4R/WB-739.jpg</image:loc>
      <image:title>2010</image:title>
      <image:caption>Combine Prints (Three-phase Composition, CMY/Five Magnet: Irvine, California, March 25, 2010, Fuji Color Crystal Archive Super Type C, Em. No. 148-006, 18510–18910) 2010 Color photographic paper 40 x 30 inches each, 5 parts Three-Color Curls, 2008–2013  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1483747250075-NT3GM0CYS2JB3IKWRJGS/SelectedCorrespondences_HE7A9919_edit.jpg</image:loc>
      <image:title>2010</image:title>
      <image:caption>Make-Ready 1 (Walead Beshty: Selected Correspondences 2001–2010, Damiani Editore, Bologna, July 4–6, 2010) 2010 Four-color offset on coated paper, bound 12 x 8 1/2 inches Make Readies, 2010–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/industrial-portraits-volume-one-2008-2012</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-07-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660465435-BLTALL7F10Z67PKX6ZO9/Industrial+Portraits_VolumeOne_Angle.jpg</image:loc>
      <image:title>Industrial Portraits: Volume One, 2008–2012</image:title>
      <image:caption>Industrial Portraits: Volume One, 2008–2012, Monograph, (Zurich: JRP|Ringier, 2017), with introduction by Hans Ulrich Obrist.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660465435-BLTALL7F10Z67PKX6ZO9/Industrial+Portraits_VolumeOne_Angle.jpg</image:loc>
      <image:title>Industrial Portraits: Volume One, 2008–2012</image:title>
      <image:caption>Industrial Portraits: Volume One, 2008–2012, Monograph, (Zurich: JRP|Ringier, 2017), with introduction by Hans Ulrich Obrist.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660466417-BSLFXF6ZPUPKTOM3JJXD/IndustrialPortraits_VolumeOne_1.jpg</image:loc>
      <image:title>Industrial Portraits: Volume One, 2008–2012</image:title>
      <image:caption>Industrial Portraits: Volume One, 2008–2012, Monograph, (Zurich: JRP|Ringier, 2017), with introduction by Hans Ulrich Obrist.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660468320-A5J5E70NSQMQMUQI0860/IndustrialPortraits_VolumeOne_2.jpg</image:loc>
      <image:title>Industrial Portraits: Volume One, 2008–2012</image:title>
      <image:caption>Industrial Portraits: Volume One, 2008–2012, Monograph, (Zurich: JRP|Ringier, 2017), with introduction by Hans Ulrich Obrist.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660469203-RTE6HB2NB953LXLZFG81/IndustrialPortraits_VolumeOne_3.jpg</image:loc>
      <image:title>Industrial Portraits: Volume One, 2008–2012</image:title>
      <image:caption>Industrial Portraits: Volume One, 2008–2012, Monograph, (Zurich: JRP|Ringier, 2017), with introduction by Hans Ulrich Obrist.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660471336-ZP19QSGQYXJLTDXDQRRV/IndustrialPortraits_VolumeOne_4.jpg</image:loc>
      <image:title>Industrial Portraits: Volume One, 2008–2012</image:title>
      <image:caption>Industrial Portraits: Volume One, 2008–2012, Monograph, (Zurich: JRP|Ringier, 2017), with introduction by Hans Ulrich Obrist.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660471685-EC6L8BYQCP7T49U695U5/IndustrialPortraits_VolumeOne_5.jpg</image:loc>
      <image:title>Industrial Portraits: Volume One, 2008–2012</image:title>
      <image:caption>Industrial Portraits: Volume One, 2008–2012, Monograph, (Zurich: JRP|Ringier, 2017), with introduction by Hans Ulrich Obrist.  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/open-source-petzel-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500661607074-Q49S7Q70KOX8A8O0Z6CC/Open+Source_Poster.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source poster Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500661607074-Q49S7Q70KOX8A8O0Z6CC/Open+Source_Poster.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source poster Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507937201618-PC6UTYCLAOVC0TRQ4CXS/OpenSource_1.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source press release Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507937218362-06KQOU23EZ57J4M1BXQ2/OpenSource_2.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source press release Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662345000-5983AM4NSUFLHJHJGOOY/WB+17_xxx1.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662344878-8XGN5QQVMZQG6YFZ1GQF/WB+17_xxx2.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662348126-LBMI3DBM2XHYWS4BUHMW/WB+17_xxx3.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662348797-2XAQM958IXHYQHN21X1C/WB+17_xxx4.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662351715-LHVVB1TTLKW1HHDVHBNC/WB+17_xxx5.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662352456-AYZ5MMIB2S0BZOPX3X19/WB+17_xxx6.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662355621-GP1X57TWRCX1SO9Q96I3/WB+17_xxx7.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662355500-6TV292QRXFK2CJIMBKU9/WB+17_xxx8.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662358768-D4MXDSTHYMKBNEQO4H66/WB+17_xxx9.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017 Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662948733-Y8PLB2YKZ21RF711EC5I/WB+17_007bL.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662363959-865H67VHKGOMFLV80TOW/WB+17_xxx11.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662365146-9B1V5E47L68S9U649TD9/WB+17_xxx12.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662368928-LR5397XAXZAI47G6H1V0/WB+17_xxx13.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662369098-EDZO75TFRZXDUD4FG09A/WB+17_xxx14.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Open Source Petzel Gallery, New York 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662361020-3QF6N23Q5FKCT4MR88DI/WB+17_xxx10.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Copper Surrogates (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections: April 12–, 2017, New York, New York) 2017– Polished copper 11 x 60 x 60 inches each, 5 parts Surrogates (Modular, Art Handling), 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662949540-E8BTD2L5E724NOGTHL75/WB+17_007aL.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017 - &lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500679938441-6MB86CKCHOFXWHW1UC3P/WB_26216_final.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017 - &lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500663805532-IDNY7W6C9X9HQ7SXZM91/WB_00317.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017 - &lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500663805660-5UE7Z1NYLDVJUB392DVB/WB_04917.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017 - &lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500683296591-B4VEFLKVBS063YY1FSYQ/00417_front_c.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017 - Office Work (&lt;del&gt;Canon imageCLASS D1350 Monochrome Laser All-in-One Printer, Copier, Scanner, Fax F161402&lt;/del&gt;)</image:title>
      <image:caption>2017 Canon imageCLASS D1350 Monochrome Laser All-in-One Printer, Copier, Scanner, Fax F161402 72 1/2 x 28 3/8 x 28 3/8 inches Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500683295377-E33ZA6QMYPEYJOQV1EJM/00517_front_c.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017 - Office Work (&lt;del&gt;Apple iMac A1312 27" Desktop Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2017 Apple iMac A1312 27" Desktop Intel Core 2 Duo and steel 72 1/2 x 30 1/2 x 30 1/2 inches Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500683299368-8B84QX99GQWOGU2MPV9I/00617_front_c.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017 - Office Work (&lt;del&gt;Apple iMac A1225 24" Desktop Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2017 Apple iMac A1225 24" Desktop Intel Core 2 Duo and steel 72 1/2 x 28 3/8 x 28 3/8 inches Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500683299649-0C1M0TADMJFVQQCHO15M/00717_Front_c.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017 - Office Work (&lt;del&gt;Apple MacBook Pro A1286 15" 2.53GHz Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2017 Apple MacBook Pro A1286 15" 2.53GHz Core 2 Duo and steel 72 1/2 x 16 1/2 x 16 1/2 inches Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500683300430-DW3IQRPJQJWNSG5TYL5R/04817_front_c.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017 - Office Work (&lt;del&gt;Epson Perfection V550 Photo Scanner J252B&lt;/del&gt;)</image:title>
      <image:caption>2017 Epson Perfection V550 Photo Scanner J252B and steel 72 1/2 x 21 1/2 x 21 1/2 inches Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500663728208-5N1U921O0G29YAP8K5Q8/WB_06816_final.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, April 7, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 06816) 2017 Color photographic paper 138 1/2 x 101 5/8 inches Inverted RA4 Contact Prints, 2016–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500663731383-YMS4ZXD7OJ771BLG1JH2/WB_07016_final.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, April 8, 2016; Fujicolor Crystal Archive Super Type C Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 07016) 2017 Color photographic paper 122 x 101 5/8 inches Inverted RA4 Contact Prints, 2016–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500663734727-EYTPRRBSPC0SL1795O25/WB_07116_final_cropped.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (YCM/Six Magnet: Los Angeles, California, April 11, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 07116) 2017 Color photographic paper 146 1/8 x 101 5/8 inches Inverted RA4 Contact Prints, 2016–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500663735773-W9CTKPG1TDDFIIJA45MS/WB_07216_final.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (MYC/Six Magnet: Los Angeles, California, April 11, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 07216) 2017 Color photographic paper 129 1/8 x 101 5/8 inches Inverted RA4 Contact Prints, 2016–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662965595-Y90JV9P0UJG7F73F2TU6/WB+17_018.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Body Print (Azithromycin 250 mg Dose Pack, Lorazepam 1 mg Tablet, Metronidazole Topical 0.75% GL, Lower Rib Cage and Attending Soft Tissues, Left Metacarpophalangeal Joint and Attending Soft Tissues) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662965764-SORBW2M4S4Y8Q9V3V9W5/WB+17_019.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Body Print (Fluticasone Prop 50 mcg Spray, Finasteride 1 mg Tablet, Zolpidem Tartrate 10 mg Tablet, Doxycycline Mono 100 mg Cap, Cyclobenzaprine 10 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662968577-8EQ8AFA8KRT799YYFX1L/WB+17_020.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Body Print (Left Clavicle and Attending Soft Tissues, Left Zygomatic Bone and Attending Soft Tissues, Left Dorsum, Triamcinolone 0.5% Cream, Ketoconazole 2% Cream) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662968892-5Z0G48LOOSIYIHZNAIR2/WB+17_021.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Body Print (Left Pectoral, Meloxicam 15 mg Tablet, Hydrocodon-Acetaminophen 5-325, L-Methylfolate 7.5 mg Tablet, Bupropion HCL XL 150 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662971563-C4K5DBZU6S4C68C48S7W/WB+17_022.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Body Print (Coxa and Attending Soft Tissues, Right Dorsum, Amphetamine Salts 10 mg Tablet, Valsartan 160 mg Tablet, Citalopram HBr 20 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662971682-J2C3MEXQ40I5OJBDK5YS/WB+17_023.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Body Print (Right Clavicle and Attending Soft Tissues, Left Carpal and Attending Soft Tissues, Right Pectoral, Voltaren 1% Gel, Alprazolam 0.5 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662973940-58QNZ70HXUV0SIXXAX61/WB+17_024.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Body Print (Popliteal Fossa, Left Antebrachium, Right Antebrachium, Right Carpal and Attending Soft Tissues, Fluticasone Prop 50 mcg Spray) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662974347-4BXDBHG2JGE2L5Q52LI7/WB+17_025.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Body Print (Right Metacarpophalangeal Joint and Attending Soft Tissues, Right Zygomatic Bone and Attending Soft Tissues, Left Lateral Epicondyle, Abdomen, Right Lateral Epicondyle) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662978533-S1DXB7MXC81QZOZW73UJ/WB+17_026.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Body Print (Laryngeal Prominence, Sternum and Attending Soft Tissues) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500662984827-XCTP3FBMDXR3ECI14J29/WB+17_027.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Body Print (Citalopram HBr 10 mg Tablet: AUROBINDO PHA, Meloxicam 15 mg Tablet: CIPLA USA, IN, Amphetamine Salts 10 mg Tablet: AUROBINDO PHA, Valsartan 160 mg Tablet: OHM LABS., Cyclobenzaprine 10 mg Tablet: QUALITEST, Bupropion HCL XL 150 mg Tablet: PAR PHARM., Diovan 160 mg Tablet: NOVARTIS, Azithromycin 250 mg Tablet: TEVA USA, Zolpidem Tartrate 10 mg Tablet: TEVA USA, Alprazolam 0.5 mg Tablet: SANDOZ, Fluticasone Prop 50 mcg Spray: ROXANE LABS., Finasteride 1 mg Tablet: CAMBER PHARMA) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 4 x 6 inches each, 12 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500684942404-A5HNC4CFSQNTI75LEK30/WB+17_028_crop.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>NEW YORK, STATE OF OPPORTUNITY | Department of Labor, Attention Miscellaneous Industry Employees, Minimum Wage hourly rates effective 12/31/2016 – 12/30/2017, New York City, Large Employers (11 or more employees), Minimum Wage $11.00, Overtime after 40 hours $16.50, Tipped workers, At least $8.30 or $9.35, Overtime after 40 hours $13.80 or $14.85, Small Employers (10 or less employees), Minimum Wage $10.50, Overtime after 40 hours $15.75, Tipped workers, At least $7.95 or $8.90, Overtime after 40 hours $13.20 or $14.15, Long Island and Westchester County, Minimum Wage $10. 00, Overtime after 40 hours $15.00, Tipped workers, At least, $7 .55 or $8.50, Overtime after 40 hours, $12.55 or $13.50, Remainder of New York State, Minimum Wage $9.70, Overtime after 40 hours $14.55, Tipped workers, At least $7 .35 or $8.25, Overtime after 40 hours $12.20 or $13.10, If you have questions, need more information or want to file a complaint, please visit www.labor.ny.gov/minimumwage or call: 1-888-469-7365. Credits and Allowances that may reduce your pay below the minimum wage rates shown above: • Tips - Your employer may use a limited amount of your tips to reduce your wages. This is called a tip credit. Your employer may take a tip credit only if your tips plus wages add up to at least the minimum wage. They must still pay you at least the tipped wage rates shown above. • Meals and lodging - Your employer may claim a limited amount of your wages   for meals and lodging that they provide to you, as long as they do not charge you anything else. The rates and requirements are set forth in wage orders and summaries, which are available online. Extra Pay you may be owed in addition to the minimum wage rates shown above: • Overtime- You must be paid 1ó times your regular rate of pay (no less than amounts shown above) for weekly hours over 40 (or 44 for residential employees). Exceptions: Overtime is not required for salaried professionals, or for executives and administrative staff whose weekly salary is more than 75 times the minimum wage rate. • Call-in pay - If you go to work as scheduled and your employer sends you home early, you may be entitled to extra hours of pay at the minimum wage rate for that day. • Spread of hours - If your workday lasts longer than ten hours, you may be entitled to extra daily pay. The daily rate is equal to one hour of pay at the minimum wage rate. • Uniform maintenance - If you clean your own uniform, you may be entitled to additional weekly pay. The weekly rates are available online. LS 207 (12/16) Minimum Wage Poster, Post in Plain View 2017 Etched brass 11 x 8 1/2 inches  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500684941500-W0XG3PV9PAL0JUOZZ0QD/WB+17_029_crop.jpg</image:loc>
      <image:title>Open Source, Petzel, 2017</image:title>
      <image:caption>Employees only beyond this point 2017 Etched brass 11 x 8 1/2 inches  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/new-york-state-of-opportunity</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500661263079-5MERTLGL9253P0IWIITZ/MinimumWage_.jpg</image:loc>
      <image:title>NEW YORK, STATE OF OPPORTUNITY...</image:title>
      <image:caption>NEW YORK, STATE OF OPPORTUNITY | Department of Labor, Attention Miscellaneous Industry Employees, Minimum Wage hourly rates effective 12/31/2016 – 12/30/2017, New York City, Large Employers (11 or more employees), Minimum Wage $11.00, Overtime after 40 hours $16.50, Tipped workers, At least $8.30 or $9.35, Overtime after 40 hours $13.80 or $14.85, Small Employers (10 or less employees), Minimum Wage $10.50, Overtime after 40 hours $15.75, Tipped workers, At least $7.95 or $8.90, Overtime after 40 hours $13.20 or $14.15, Long Island and Westchester County, Minimum Wage $10. 00, Overtime after 40 hours $15.00, Tipped workers, At least, $7 .55 or $8.50, Overtime after 40 hours, $12.55 or $13.50, Remainder of New York State, Minimum Wage $9.70, Overtime after 40 hours $14.55, Tipped workers, At least $7 .35 or $8.25, Overtime after 40 hours $12.20 or $13.10, If you have questions, need more information or want to file a complaint, please visit www.labor.ny.gov/minimumwage or call: 1-888-469-7365. Credits and Allowances that may reduce your pay below the minimum wage rates shown above: • Tips - Your employer may use a limited amount of your tips to reduce your wages. This is called a tip credit. Your employer may take a tip credit only if your tips plus wages add up to at least the minimum wage. They must still pay you at least the tipped wage rates shown above. • Meals and lodging - Your employer may claim a limited amount of your wages   for meals and lodging that they provide to you, as long as they do not charge you anything else. The rates and requirements are set forth in wage orders and summaries, which are available online. Extra Pay you may be owed in addition to the minimum wage rates shown above: • Overtime- You must be paid 1ó times your regular rate of pay (no less than amounts shown above) for weekly hours over 40 (or 44 for residential employees). Exceptions: Overtime is not required for salaried professionals, or for executives and administrative staff whose weekly salary is more than 75 times the minimum wage rate. • Call-in pay - If you go to work as scheduled and your employer sends you home early, you may be entitled to extra hours of pay at the minimum wage rate for that day. • Spread of hours - If your workday lasts longer than ten hours, you may be entitled to extra daily pay. The daily rate is equal to one hour of pay at the minimum wage rate. • Uniform maintenance - If you clean your own uniform, you may be entitled to additional weekly pay. The weekly rates are available online. LS 207 (12/16) Minimum Wage Poster, Post in Plain View 2017 Letterpress 11 x 8 1/2 inches   Letterpress of the New York State Minimum Wage Poster for the exhibition Open Source, Petzel, New York, NY, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500661263079-5MERTLGL9253P0IWIITZ/MinimumWage_.jpg</image:loc>
      <image:title>NEW YORK, STATE OF OPPORTUNITY...</image:title>
      <image:caption>NEW YORK, STATE OF OPPORTUNITY | Department of Labor, Attention Miscellaneous Industry Employees, Minimum Wage hourly rates effective 12/31/2016 – 12/30/2017, New York City, Large Employers (11 or more employees), Minimum Wage $11.00, Overtime after 40 hours $16.50, Tipped workers, At least $8.30 or $9.35, Overtime after 40 hours $13.80 or $14.85, Small Employers (10 or less employees), Minimum Wage $10.50, Overtime after 40 hours $15.75, Tipped workers, At least $7.95 or $8.90, Overtime after 40 hours $13.20 or $14.15, Long Island and Westchester County, Minimum Wage $10. 00, Overtime after 40 hours $15.00, Tipped workers, At least, $7 .55 or $8.50, Overtime after 40 hours, $12.55 or $13.50, Remainder of New York State, Minimum Wage $9.70, Overtime after 40 hours $14.55, Tipped workers, At least $7 .35 or $8.25, Overtime after 40 hours $12.20 or $13.10, If you have questions, need more information or want to file a complaint, please visit www.labor.ny.gov/minimumwage or call: 1-888-469-7365. Credits and Allowances that may reduce your pay below the minimum wage rates shown above: • Tips - Your employer may use a limited amount of your tips to reduce your wages. This is called a tip credit. Your employer may take a tip credit only if your tips plus wages add up to at least the minimum wage. They must still pay you at least the tipped wage rates shown above. • Meals and lodging - Your employer may claim a limited amount of your wages   for meals and lodging that they provide to you, as long as they do not charge you anything else. The rates and requirements are set forth in wage orders and summaries, which are available online. Extra Pay you may be owed in addition to the minimum wage rates shown above: • Overtime- You must be paid 1ó times your regular rate of pay (no less than amounts shown above) for weekly hours over 40 (or 44 for residential employees). Exceptions: Overtime is not required for salaried professionals, or for executives and administrative staff whose weekly salary is more than 75 times the minimum wage rate. • Call-in pay - If you go to work as scheduled and your employer sends you home early, you may be entitled to extra hours of pay at the minimum wage rate for that day. • Spread of hours - If your workday lasts longer than ten hours, you may be entitled to extra daily pay. The daily rate is equal to one hour of pay at the minimum wage rate. • Uniform maintenance - If you clean your own uniform, you may be entitled to additional weekly pay. The weekly rates are available online. LS 207 (12/16) Minimum Wage Poster, Post in Plain View 2017 Letterpress 11 x 8 1/2 inches   Letterpress of the New York State Minimum Wage Poster for the exhibition Open Source, Petzel, New York, NY, 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/walead-beshty-procedurals-petzel-2014-2017</loc>
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    <priority>0.75</priority>
    <lastmod>2017-07-25</lastmod>
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      <image:title>Walead Beshty: Procedurals, Petzel 2014–2017</image:title>
      <image:caption>Walead Beshty: Procedurals, Petzel 2014–2017, Monograph, (Berlin: DISTANZ, 2017).  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660748936-NQYJO6YXRQ8VG12TSHTU/Procedurals_Cover_Angle.jpg</image:loc>
      <image:title>Walead Beshty: Procedurals, Petzel 2014–2017</image:title>
      <image:caption>Walead Beshty: Procedurals, Petzel 2014–2017, Monograph, (Berlin: DISTANZ, 2017).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660739609-KTMVEQTIH9BR0B27RNQB/Periodicals_Cover.jpg</image:loc>
      <image:title>Walead Beshty: Procedurals, Petzel 2014–2017</image:title>
      <image:caption>Walead Beshty: Procedurals, Petzel 2014–2017, Monograph, (Berlin: DISTANZ, 2017).  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660739974-LSLPSSTSL6QAW9PR0D6P/Procedurals_2.jpg</image:loc>
      <image:title>Walead Beshty: Procedurals, Petzel 2014–2017</image:title>
      <image:caption>Walead Beshty: Procedurals, Petzel 2014–2017, Monograph, (Berlin: DISTANZ, 2017).  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660745645-G0XB8BOZ6H1V4EJ0ZEO0/Procedurals_3.jpg</image:loc>
      <image:title>Walead Beshty: Procedurals, Petzel 2014–2017</image:title>
      <image:caption>Walead Beshty: Procedurals, Petzel 2014–2017, Monograph, (Berlin: DISTANZ, 2017).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660746566-ANDUM6YUK5AVXD85QJUT/Procedurals_4.jpg</image:loc>
      <image:title>Walead Beshty: Procedurals, Petzel 2014–2017</image:title>
      <image:caption>Walead Beshty: Procedurals, Petzel 2014–2017, Monograph, (Berlin: DISTANZ, 2017).    </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660757318-3CJ6T2H2VZB0ZHIXD8H0/Procedurals_1.jpg</image:loc>
      <image:title>Walead Beshty: Procedurals, Petzel 2014–2017</image:title>
      <image:caption>Walead Beshty: Procedurals, Petzel 2014–2017, Monograph, (Berlin: DISTANZ, 2017).  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500660748395-6YDRDO7J5N12V4UG58C6/Procedurals_Cover+Back.jpg</image:loc>
      <image:title>Walead Beshty: Procedurals, Petzel 2014–2017</image:title>
      <image:caption>Walead Beshty: Procedurals, Petzel 2014–2017, Monograph, (Berlin: DISTANZ, 2017).  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/transparencies-rat-hole-gallery-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-07</lastmod>
    <image:image>
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      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies poster Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501629741576-CBT9J8WQ3BQI9OUT9LM3/Transparencies_Poster.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies poster Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501629908753-I6YOO7SKIZ0D39BAPF2G/Transparencies_flyer.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies invitation Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501630086119-TZ27XFW96AMI1789HUH2/Transparencies_PR.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies press release Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926579321-0L5CZIB9ZKYRWTUEZHNI/20170404_rathole_09.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926575691-NLXHAM5ZC15AH9OX32U7/20170404_rathole_08.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926229128-EKFX7BCLBJI2LFASL1SC/20170404_rathole_01.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926554751-025IEJ8DZIJFACCOL4KK/20170404_rathole_01.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926554035-4VFINNF2COT1Y9UJ420Z/20170404_rathole_02.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926561651-2XI40I6BTHSOJ2Y6J76Q/20170404_rathole_03.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926562193-QHYTML29JLJ90LYR136X/20170404_rathole_04.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926567777-HRY1RNT89RF0FDH7B7Q6/20170404_rathole_05.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926569087-VKJUWATKBSCZWP144H6Q/20170404_rathole_06.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926586686-V207AD4ZK8EI1POYTBW6/20170404_rathole_12.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926580099-6DPLUXWJYE962HC52TEJ/20170404_rathole_10.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926583347-5S2F6L50W5RS03P0IZP8/20170404_rathole_11.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1500926590324-7JZLGPUETAFMZBB70C2F/20170404_rathole_13.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparencies Rat Hole Gallery, Tokyo 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506125355662-C7QX104IKDOSZISHJB1G/WB_04417.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608512056, March 9–13, 2017 2017– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches FedEx Glass Works, 2007–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506125355777-HSHVE3TLYNT0T6P41A8J/WB_04517.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608484821, March 9–13, 2017, International Priority, Tokyo–Los Angeles trk#805795452126, July 13–14, 2017 2017– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches FedEx Glass Works, 2007–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506125361524-42WAI5FFNIA82I1B96B5/WB_04617.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608488323, March 9–13, 2017, International Priority, Tokyo–Los Angeles trk#805795452215, July 13–14, 2017 2017– laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches FedEx Glass Works, 2007–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506125362004-FWMMK01XFA06LQTOJEV7/WB_04717.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608492245, March 9–13, 2017, International Priority, Tokyo–Los Angeles trk#805795452137, July 13–14, 2017 2017– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches FedEx Glass Works, 2007–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506125369497-RAA8YHS8DBMBZ7RFND0Q/WB_06617.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Japan Times/New York Times, Friday, March 24, 2017 2017 Gold leaf, newspaper 25 1/2 x 32 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506125369204-MUJM391F7U6LBHWPOQUT/WB_06717.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Japan Times/New York Times, Thursday, March 23, 2017 2017 Gold leaf, newspaper 25 1/2 x 32 inches  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506125376236-22FOU58IYAT64468071C/WB_06817.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Japan Times/New York Times, Wednesday, March 22, 2017 2017 Gold leaf, newspaper 25 1/2 x 32 inches  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506125376721-AJJZWBMSRHP0YRWE85Q7/WB_06917.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Japan Times/New York Times, Tuesday, March 21, 2017 2017 Gold leaf, newspaper 25 1/2 x 32 inches  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501700859586-GFPLFR9372VHKUT2IY49/02515.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: February 4–8, 2015 LAX/GDL GDL/MEX MEX/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501700859639-SXJCMZS75P41Y88ZEOXQ/02615.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: February 4–8, 2015 LAX/GDL GDL/MEX MEX/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501701284995-B7OLXZJQ00URPKL8VWMT/02915.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: February 16–21, 2015 LAX/GDL GDL/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501701284997-YPUV1J06QXXZ62RPOCQT/03015.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: February 16–21, 2015 LAX/GDL GDL/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501701454932-QXP06IDSYJF1HB6BAXVR/03515.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: February 27–March 14, 2015 LAX/GDL GDL/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501701454951-EHHE3ADI49NK788O0LIC/03615.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: February 27–March 14, 2015 LAX/GDL GDL/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501701603778-Q31GQ99Y8I5WUN6VXRII/09015.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 10–May 11, 2015 LAX/EWR/MXP FCO/EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501701603831-Q75DLGMLFQAKT7A2RXIF/09115.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: April 10–May 11, 2015 LAX/EWR/MXP FCO/EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501701728339-VDGZRCIAYG5KQKS9JNN6/13715.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: June 5–15, 2015 LAX/JFK EWR/LHR LHR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501701726191-SNNMT8HYN0OY24SGAPBU/13815.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: June 5–15, 2015 LAX/JFK EWR/LHR LHR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501701920890-HZDU1IS8M8GTC64392EA/17215.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: July 8–10, 2015 LAX/JFK JFK/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501701920972-TFU7G2S98Y2N30JSUFGR/17315.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: July 8–10, 2015 LAX/JFK JFK/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501702079156-68Z9TQDFXVYSN7NZ3AD3/20015.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 3–7, 2015 LAX/GDL GDL/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501702079088-1JOV1D7IFHPNTNAD1WSZ/20115.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: August 3–7, 2015 LAX/GDL GDL/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501702271371-EFKR2BM74W2U62NQYNG1/24215.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 15–20, 2015 LAX/GDL GDL/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501702271371-AYZ30NOFFGLIEQG6HMZX/24315.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: August 15–20, 2015 LAX/GDL GDL/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501702357279-1B2L383UMCK7PUTWL6W4/27615.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 24–31, 2015 LAX/GDL GDL/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501702357276-3MK43VPK03SCR1WQYCN3/27715.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: August 24–31, 2015 LAX/GDL GDL/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501702464023-IRTMSGKD8Q2GI5QGPCBN/28915.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 14–20, 2015 LAX/ORD ORD/EWR EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501702464147-A0DPGKHZOXO35U7I1YO2/29015.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 14–20, 2015 LAX/ORD ORD/EWR EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501703063097-4RFH2C71CEWMZO4YPMS7/38115.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 22–November 1, 2015 LAX/LHR/BEY BEY/GVA ZRH/FRA/SFO/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501703063112-6CS9NWV4T827B0K72YQ0/38215.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: October 22–November 1, 2015 LAX/LHR/BEY BEY/GVA ZRH/FRA/SFO/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1512517827552-5EJ7F2F0YMCOVKBR2Q3J/38215.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: October 22–November 1, 2015 LAX/LHR/BEY BEY/GVA ZRH/FRA/SFO/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501703269731-5UHCWP975GVYMOLUUJ9N/40615.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 5–14, 2015 LAX/MEX MEX/EWR EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501703269774-SK2H4D46YIDFGOVQF5T7/40715.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: November 5–14, 2015 LAX/MEX MEX/EWR EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501703414063-3HIAO9M4QFCZZ3JLJVFH/44815.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 20–23, 2015 LAX/IAD/FRA/VCE VCE/FRA/SFO/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501703414124-21MVAFG053SSYZ7U1N83/44915.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: November 20–23, 2015 LAX/IAD/FRA/VCE VCE/FRA/SFO/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501703498126-H7U9T0DUXW9F4TOPDWZ9/00616.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: December 3–5, 2015 LAX/EWR EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501703498128-Y2H67486JZAMM56IQIB1/00716.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: December 3–5, 2015 LAX/EWR EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501703642774-JL4UY3B9A3OF2Z9UN28Z/06016.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: January 7–10, 2016 LAX/EWR EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501703642773-PQBX7B4SZ1BYD2ITBKTG/06116.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: January 7–10, 2016 LAX/EWR EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501704142411-ARFI4X35YIOIZ2IYR7KF/03816.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: February 2–5, 2016 LAX/MEX MEX/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501704142475-EJJISRB3SQUVFSXOP07D/03916.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: February 2–5, 2016 LAX/MEX MEX/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501704420416-MMKG69GQJB8B2ZXVNB8Y/06416.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: February 26–March 6, 2016 LAX/CDG/MRS CDG/SFO/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501704420409-YZ2733H9UN4V2HHRPAIZ/06516.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: February 26–March 6, 2016 LAX/CDG/MRS CDG/SFO/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501704701970-22GE8B2GPB6394WS3CR6/09916.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: May 1–9, 2016 LAX/JFK EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501704701967-I0YXFAJF6ROSJ2LEJS1E/10016.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: May 1–9, 2016 LAX/JFK EWR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705002274-JL78A48LMIK6WTLT38FU/10316.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: May 12–13, 2016 LAX/ORD ORD/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705002332-7IIWRPROLJWQ6EYFJHIF/10416.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: May 12–13, 2016 LAX/ORD ORD/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705105104-SBMNIHM1NEJTL15K0ZB7/13116.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: May 27–July 7, 2016 LAX/JFK EWR/FRA/GVA MRS/ATH/JMK JMK/FCO FCO/MRS MRS/LHR LHR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705105111-MUUSD1TC2P7P6O8ZWO3K/13216.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: May 27–July 7, 2016 LAX/JFK EWR/FRA/GVA MRS/ATH/JMK JMK/FCO FCO/MRS MRS/LHR LHR/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705213279-AMH5XL0LPCFMM38T8Z8M/23316.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 10–September 6, 2016 LAX/JFK JFK/FCO CDG/JFK JFK/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705213289-44CPJ8VEV0IWJ1O2UNNG/23416.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: August 10–September 6, 2016 LAX/JFK JFK/FCO CDG/JFK JFK/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705311849-329F2SBIWUJUCQEU9L9H/23716.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 15–19, 2016 LAX/JFK LGA/MIA MIA/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705311795-JPYV334DVJMLFOSCR629/23816.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 15–19, 2016 LAX/JFK LGA/MIA MIA/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705417877-2GVGCB8SQCGKMEI522NU/25416.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 27–30, 2016 LAX/ORD ORD/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705417936-Y7S1M5004KCTACUM5OPF/25516.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 27–30, 2016 LAX/ORD ORD/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705541363-UW4LI6BE9S0SDFBNPI0G/28716.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 18–30, 2016 LAX/JFK JFK/MIA MIA/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501705541317-CDNJWK9VFKMQIF8F4D70/28816.jpg</image:loc>
      <image:title>Transparencies, Rat Hole Gallery, 2017</image:title>
      <image:caption>Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: November 18–30, 2016 LAX/JFK JFK/MIA MIA/LAX] 2017 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper 14 x 11 inches Transparencies, 2014–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/body-prints-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321425147-OYZ2Y13P5117RQ1IZQXE/WB-1695-1.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Prints (Valsartan 160 Mg Tablet [January 27, 2017]/Left Dorsum; Azithromycin 250 Mg Dose Pack [November 19, 2015]/Left Zygomatic Bone and Attending Soft Tissues) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321425147-OYZ2Y13P5117RQ1IZQXE/WB-1695-1.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Prints (Valsartan 160 Mg Tablet [January 27, 2017]/Left Dorsum; Azithromycin 250 Mg Dose Pack [November 19, 2015]/Left Zygomatic Bone and Attending Soft Tissues) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321429833-GB3W48YX0LOVSR0PGYH7/WB-1698-1.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Prints (Hydrocodon-Acetaminophen 5-325 [October 19, 2015]/Right Dorsum; Amphetamine Salts 10 Mg Tablet [April 4, 2016]/Pectorals) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321434418-CGBCIUEDYMY3S6UOOLQ1/WB-1699-1.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Prints (Diovan 160mg Tablet [May 20, 2014]; Voltaren 1% Gel [September 4, 2014]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts quivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321425351-J0AKZRRI4A6Y4XOB99QA/WB-1696-1.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Prints (Siemens MAGNETOM Spectra Magnetic Resonance Imaging, Eight Cross Sections: Right Patella, Femur, Tibia, Fibula, and Attending Soft Tissues [August 30, 2017]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 8 parts Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321429269-90H1LRLZAQ95GW6VHNFA/WB-1697-1.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Prints (Siemens MAGNETOM Spectra Magnetic Resonance Imaging, Eight Cross Sections: Left Patella, Femur, Tibia, Fibula, and Attending Soft Tissues [September 28, 2017]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 8 parts Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321434219-ORJQJUA8CKQS1LTBRP39/WB-1700-1.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Prints (Fluticasone Prop 50 Mcg Spray [January 16, 2015]; Lorazepam 1 Mg Tablet [March 12, 2015]; Ketoconazole 2% Cream [May 28, 2015]; L-Methylfolate 7.5 Mg Tablet [August 17, 2015]; Hydrocodon-Acetaminophen 5-325 [October 19, 2015]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321438458-MCVHG58OATDR2BZY2HY1/WB-1701-1.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Prints (Bupropion HCL XL 150 Mg Tablet [January 20, 2016]; Doxycycline Mono 100 Mg Cap [January 29, 2016]; Amphetamine Salts 10 Mg Tablet [April 4, 2016]; Zolpidem Tartrate 10 Mg Tablet [November 4, 2016]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 4 parts Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321438920-S9SL8UOAS6D16I2GY61W/WB-1702-1.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Prints (Valsartan 160 Mg Tablet [January 25, 2017]; Finasteride 1 Mg Tablet [January 25, 2017]; Amphetamine Salts 10 Mg Tablet [January 26, 2017]; Citalopram HBR 20 Mg Tablet [January 26, 2017]; Alprazolam 0.5 Mg Tablet [March 16, 2017]; Meloxicam 15 Mg Tablet [September 18, 2017]; Hydrocodon-Acetaminophen 5-325 [October 19, 2017]; Gabapentin 300 Mg Capsule [October 24, 2017]; Zolpidem Tartrate 10 Mg Tablet [December 18, 2017]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 9 parts Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523321440540-NDWBSFC5MAYKGMG1IYZ6/WB-1703-1.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Prints (Citalopram HBR 20 Mg Tablet [January 17, 2018]; Valsartan 160 Mg Tablet [January 17, 2018]; Finasteride 1 Mg Tablet [January 26, 2018]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 3 parts Equivalents, 2018  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501889993048-7UK07CVAQGN1RW89VTQI/WB+17_018.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Print (Azithromycin 250 mg Dose Pack, Lorazepam 1 mg Tablet, Metronidazole Topical 0.75% GL, Lower Rib Cage and Attending Soft Tissues, Left Metacarpophalangeal Joint and Attending Soft Tissues) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501889993737-U8WDU0XJXZERVPXW8BA6/WB+17_019.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Print (Fluticasone Prop 50 mcg Spray, Finasteride 1 mg Tablet, Zolpidem Tartrate 10 mg Tablet, Doxycycline Mono 100 mg Cap, Cyclobenzaprine 10 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501889997658-OW5NU1Z4KE4I699VO6D6/WB+17_020.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Print (Left Clavicle and Attending Soft Tissues, Left Zygomatic Bone and Attending Soft Tissues, Left Dorsum, Triamcinolone 0.5% Cream, Ketoconazole 2% Cream) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501889998287-5HXO2ZUITPBIGA9ONIDO/WB+17_021.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Print (Left Pectoral, Meloxicam 15 mg Tablet, Hydrocodon-Acetaminophen 5-325, L-Methylfolate 7.5 mg Tablet, Bupropion HCL XL 150 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501890000664-B96MYAE8ACXWM4RBZJJ9/WB+17_022.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Print (Coxa and Attending Soft Tissues, Right Dorsum, Amphetamine Salts 10 mg Tablet, Valsartan 160 mg Tablet, Citalopram HBr 20 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501890001084-EDDQWSP47OBXLCZIARX6/WB+17_023.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Print (Right Clavicle and Attending Soft Tissues, Left Carpal and Attending Soft Tissues, Right Pectoral, Voltaren 1% Gel, Alprazolam 0.5 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501890003162-BGJ5ZH8P9IDI7Q5IB2GW/WB+17_024.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Print (Popliteal Fossa, Left Antebrachium, Right Antebrachium, Right Carpal and Attending Soft Tissues, Fluticasone Prop 50 mcg Spray) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501890003605-CFDXJPZBDZNUHWK3JZE4/WB+17_025.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Print (Right Metacarpophalangeal Joint and Attending Soft Tissues, Right Zygomatic Bone and Attending Soft Tissues, Left Lateral Epicondyle, Abdomen, Right Lateral Epicondyle) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501890007769-HIKVWFXFHIF4FV2JO5Z8/WB+17_026.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Print (Laryngeal Prominence, Sternum and Attending Soft Tissues) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Open Source, 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501890012413-D2GR6R0E4DMUXMFGH086/WB+17_027.jpg</image:loc>
      <image:title>Body Prints, 2017–</image:title>
      <image:caption>Body Print (Citalopram HBr 10 mg Tablet: AUROBINDO PHA, Meloxicam 15 mg Tablet: CIPLA USA, IN, Amphetamine Salts 10 mg Tablet: AUROBINDO PHA, Valsartan 160 mg Tablet: OHM LABS., Cyclobenzaprine 10 mg Tablet: QUALITEST, Bupropion HCL XL 150 mg Tablet: PAR PHARM., Diovan 160 mg Tablet: NOVARTIS, Azithromycin 250 mg Tablet: TEVA USA, Zolpidem Tartrate 10 mg Tablet: TEVA USA, Alprazolam 0.5 mg Tablet: SANDOZ, Fluticasone Prop 50 mcg Spray: ROXANE LABS., Finasteride 1 mg Tablet: CAMBER PHARMA) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 4 x 6 inches each, 12 parts Open Source, 2017  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501712845181-26ERLSEQZ3BLE5ISS3WC/00417_front_c.jpg</image:loc>
      <image:title>2017 - Office Work (&lt;del&gt;Canon imageCLASS D1350 Monochrome Laser All-in-One Printer, Copier, Scanner, Fax F161402&lt;/del&gt;)</image:title>
      <image:caption>2017 Canon imageCLASS D1350 Monochrome Laser All-in-One Printer, Copier, Scanner, Fax F161402 72 1/2 x 28 3/8 x 28 3/8 inches Office Works, 2014– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501712845181-26ERLSEQZ3BLE5ISS3WC/00417_front_c.jpg</image:loc>
      <image:title>2017 - Office Work (&lt;del&gt;Canon imageCLASS D1350 Monochrome Laser All-in-One Printer, Copier, Scanner, Fax F161402&lt;/del&gt;)</image:title>
      <image:caption>2017 Canon imageCLASS D1350 Monochrome Laser All-in-One Printer, Copier, Scanner, Fax F161402 72 1/2 x 28 3/8 x 28 3/8 inches Office Works, 2014– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501712844951-0Y8JOCR4HRKDALBQXO2U/00517_front_c.jpg</image:loc>
      <image:title>2017 - Office Work (&lt;del&gt;Apple iMac A1312 27" Desktop Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2017 Apple iMac A1312 27" Desktop Intel Core 2 Duo and steel 72 1/2 x 30 1/2 x 30 1/2 inches Office Works, 2014– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501712846968-42592DZ7UNEXJ01RE3ZN/00617_front_c.jpg</image:loc>
      <image:title>2017 - Office Work (&lt;del&gt;Apple iMac A1225 24" Desktop Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2017 Apple iMac A1225 24" Desktop Intel Core 2 Duo and steel 72 1/2 x 28 3/8 x 28 3/8 inches Office Works, 2014– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501712847463-JD5IYRA8SOV6JSAC1QKM/00717_Front_c.jpg</image:loc>
      <image:title>2017 - Office Work (&lt;del&gt;Apple MacBook Pro A1286 15" 2.53GHz Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2017 Apple MacBook Pro A1286 15" 2.53GHz Core 2 Duo and steel 72 1/2 x 16 1/2 x 16 1/2 inches Office Works, 2014– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501712848056-GROLMUH2L4KCPEIXS5LN/04817_front_c.jpg</image:loc>
      <image:title>2017 - Office Work (&lt;del&gt;Epson Perfection V550 Photo Scanner J252B&lt;/del&gt;)</image:title>
      <image:caption>2017 Epson Perfection V550 Photo Scanner J252B and steel 72 1/2 x 21 1/2 x 21 1/2 inches Office Works, 2014– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715860989-F8AACUZ3QX05KQ0GT3IW/WB_00317.jpg</image:loc>
      <image:title>2017 - &lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715861095-A83EK039OBE4KXSQQI83/WB_04917.jpg</image:loc>
      <image:title>2017 - &lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715867638-96O8ZIB9Y3P2QGGLA15M/WB_05017.jpg</image:loc>
      <image:title>2017 - &lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715867646-6B74VKMC5JKVI99DMSQP/WB_26216_final.jpg</image:loc>
      <image:title>2017 - &lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715897974-XO8RUM8KM9Q4YL5CP8U8/WB_06816_final.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (CYM/Six Magnet: Los Angeles, California, April 7, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 06816) 2017 Color photographic paper 138 1/2 x 101 5/8 inches Inverted RA4 Contact Prints, 2016– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715897021-C0DZTAJCPT7TQIXTH4TF/WB_07016_final.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (MCY/Six Magnet: Los Angeles, California, April 8, 2016; Fujicolor Crystal Archive Super Type C Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 07016) 2017 Color photographic paper 122 x 101 5/8 inches Inverted RA4 Contact Prints, 2016– Exhibitions: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715903337-W27NJOI1VKF3TC60I2ED/WB_07116_final.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (YCM/Six Magnet: Los Angeles, California, April 11, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 07116) 2017 Color photographic paper 146 1/8 x 101 5/8 inches Inverted RA4 Contact Prints, 2016– Exhibitions: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715903331-OBRH55WU9SUKE25ALZGQ/WB_07216_final.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print (MYC/Six Magnet: Los Angeles, California, April 11, 2016; Fujicolor Crystal Archive Super Type C, Em. No. 112-006; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 07216) 2017 Color photographic paper 129 1/8 x 101 5/8 inches Inverted RA4 Contact Prints, 2016– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715913372-Z15ARQTBPU1RK9SSWK5K/WB+17_018.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Body Print (Azithromycin 250 mg Dose Pack, Lorazepam 1 mg Tablet, Metronidazole Topical 0.75% GL, Lower Rib Cage and Attending Soft Tissues, Left Metacarpophalangeal Joint and Attending Soft Tissues) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches Body Prints, 2017– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715913445-CIML87WWZ78YQBB53VJ2/WB+17_019.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Body Print (Fluticasone Prop 50 mcg Spray, Finasteride 1 mg Tablet, Zolpidem Tartrate 10 mg Tablet, Doxycycline Mono 100 mg Cap, Cyclobenzaprine 10 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches Body Prints, 2017– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715916404-FW8TOMO3UTQYKBCO8R3T/WB+17_020.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Body Print (Left Clavicle and Attending Soft Tissues, Left Zygomatic Bone and Attending Soft Tissues, Left Dorsum, Triamcinolone 0.5% Cream, Ketoconazole 2% Cream) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches Body Prints, 2017– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715916656-FASLRMK932T5U1Q1696E/WB+17_021.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Body Print (Left Pectoral, Meloxicam 15 mg Tablet, Hydrocodon-Acetaminophen 5-325, L-Methylfolate 7.5 mg Tablet, Bupropion HCL XL 150 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715919496-DR17IB84NE7HNBRC5KW0/WB+17_022.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Body Print (Coxa and Attending Soft Tissues, Right Dorsum, Amphetamine Salts 10 mg Tablet, Valsartan 160 mg Tablet, Citalopram HBr 20 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715919561-7M2GFUXG7TNROVDMMN0D/WB+17_023.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Body Print (Right Clavicle and Attending Soft Tissues, Left Carpal and Attending Soft Tissues, Right Pectoral, Voltaren 1% Gel, Alprazolam 0.5 mg Tablet) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715922004-Q8R9ZX1FI8526QTQTU9U/WB+17_024.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Body Print (Popliteal Fossa, Left Antebrachium, Right Antebrachium, Right Carpal and Attending Soft Tissues, Fluticasone Prop 50 mcg Spray) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715922066-4VP5VTIRYN4TNOSZVXBB/WB+17_025.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Body Print (Right Metacarpophalangeal Joint and Attending Soft Tissues, Right Zygomatic Bone and Attending Soft Tissues, Left Lateral Epicondyle, Abdomen, Right Lateral Epicondyle) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715926975-EEPWXAEAAS23BT6W3TMT/WB+17_026.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Body Print (Laryngeal Prominence, Sternum and Attending Soft Tissues) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Body Prints, 2017– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1501715930151-UO8C8ZD1FSZVMXR5W7X1/WB+17_027.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Body Print (Citalopram HBr 10 mg Tablet: AUROBINDO PHA, Meloxicam 15 mg Tablet: CIPLA USA, IN, Amphetamine Salts 10 mg Tablet: AUROBINDO PHA, Valsartan 160 mg Tablet: OHM LABS., Cyclobenzaprine 10 mg Tablet: QUALITEST, Bupropion HCL XL 150 mg Tablet: PAR PHARM., Diovan 160 mg Tablet: NOVARTIS, Azithromycin 250 mg Tablet: TEVA USA, Zolpidem Tartrate 10 mg Tablet: TEVA USA, Alprazolam 0.5 mg Tablet: SANDOZ, Fluticasone Prop 50 mcg Spray: ROXANE LABS., Finasteride 1 mg Tablet: CAMBER PHARMA) 2017 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 4 x 6 inches each, 12 parts Body Prints, 2017– Exhibition: Open Source, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506126998087-5DUOSVCIMQNTRWX6SEPE/WB_04417.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608512056, March 9–13, 2017 2017– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches FedEx Glass Works, 2007– Exhibition: Transparencies, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506126998184-X4UUP06MYA79XOWHHESS/WB_04517.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608484821, March 9–13, 2017, International Priority, Tokyo–Los Angeles trk#805795452126, July 13–14, 2017 2017– Laminated glass, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches FedEx Glass Works, 2007– Exhibition: Transparencies, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506127003321-LH18MQ60NQI0IDEN83XB/WB_04617.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608488323, March 9–13, 2017, International Priority, Tokyo–Los Angeles trk#805795452215, July 13–14, 2017 2017– laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches FedEx Glass Works, 2007– Exhibition: Transparencies, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506127003908-O6HU8RALNZG2729OJSXL/WB_04717.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>FedEx® Large Kraft Box ©2008 FEDEX 330510 REV 6/08 GP, International Priority, Los Angeles–Tokyo trk#778608492245, March 9–13, 2017, International Priority, Tokyo–Los Angeles trk#805795452137, July 13–14, 2017 2017– Laminated Mirropane, FedEx shipping box, accrued FedEx shipping and tracking labels, silicone, metal, tape 24 x 24 x 24 inches FedEx Glass Works, 2007– Exhibition: Transparencies, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507830193731-PAZ1AUN8MORTIR1P6D7Z/2016wall.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>2015 &lt;Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: February 4–8, 2015 LAX/GDL GDL/MEX MEX/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: February 4–8, 2015 LAX/GDL GDL/MEX MEX/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: February 16–21, 2015 LAX/GDL GDL/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: February 16–21, 2015 LAX/GDL GDL/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: February 27–March 14, 2015 LAX/GDL GDL/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: February 27–March 14, 2015 LAX/GDL GDL/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 10–May 11, 2015 LAX/EWR/MXP FCO/EWR/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: April 10–May 11, 2015 LAX/EWR/MXP FCO/EWR/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: June 5–15, 2015 LAX/JFK EWR/LHR LHR/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: June 5–15, 2015 LAX/JFK EWR/LHR LHR/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: July 8–10, 2015 LAX/JFK JFK/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: July 8–10, 2015 LAX/JFK JFK/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 3–7, 2015 LAX/GDL GDL/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: August 3–7, 2015 LAX/GDL GDL/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 15–20, 2015 LAX/GDL GDL/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: August 15–20, 2015 LAX/GDL GDL/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 24–31, 2015 LAX/GDL GDL/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: August 24–31, 2015 LAX/GDL GDL/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 14–20, 2015 LAX/ORD ORD/EWR EWR/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 14–20, 2015 LAX/ORD ORD/EWR EWR/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 22–November 1, 2015 LAX/LHR/BEY BEY/GVA ZRH/FRA/SFO/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: October 22–November 1, 2015 LAX/LHR/BEY BEY/GVA ZRH/FRA/SFO/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 5–14, 2015 LAX/MEX MEX/EWR EWR/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: November 5–14, 2015 LAX/MEX MEX/EWR EWR/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 20–23, 2015 LAX/IAD/FRA/VCE VCE/FRA/SFO/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: November 20–23, 2015 LAX/IAD/FRA/VCE VCE/FRA/SFO/LAX]; Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: December 3–5, 2015 LAX/EWR EWR/LAX]; Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: December 3–5, 2015 LAX/EWR EWR/LAX]&gt; 2017 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 4 x 5 inches each (20 parts); framed: 14 x 11 inches Transparencies, 2014– Exhibition: Transparencies, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507830201120-S7QWF590SQ00VE6PYHHI/2015wall.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Transparency, 2016 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 7–10, 2016 LAX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) January 7–10, 2016 LAX/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 2–5, 2016 LAX/MEX MEX/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 2–5, 2016 LAX/MEX MEX/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 26–March 6, 2016 LAX/CDG/MRS CDG/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 26–March 6, 2016 LAX/CDG/MRS CDG/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 1–9, 2016 LAX/JFK EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 1–9, 2016 LAX/JFK EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 12–13, 2016 LAX/ORD ORD/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 12–13, 2016 LAX/ORD ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 27–July 7, 2016 LAX/JFK EWR/FRA/GVA MRS/ATH/JMK JMK/FCO FCO/MRS MRS/LHR LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 27–July 7, 2016 LAX/JFK EWR/FRA/GVA MRS/ATH/JMK JMK/FCO FCO/MRS MRS/LHR LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 10–September 6, 2016 LAX/JFK JFK/FCO CDG/JFK JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) August 10–September 6, 2016 LAX/JFK JFK/FCO CDG/JFK JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 15–19, 2016 LAX/JFK LGA/MIA MIA/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 15–19, 2016 LAX/JFK LGA/MIA MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 27–30, 2016 LAX/ORD ORD/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 27–30, 2016 LAX/ORD ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 18–30, 2016 LAX/JFK JFK/MIA MIA/LAX; Negative (Kodak Portra 400NC Em. No. 1022: November 18–30, 2016 LAX/JFK JFK/MIA MIA/LAX)] 2017 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 4 x 5 inches each (20 parts); framed: 14 x 11 inches Transparencies, 2014– Exhibition: Transparencies, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564690393-6GHVKO77EQ76ATVMI8IF/WB-1626-framed.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Blind Collage (Four 180º Rotations, The New York Times International Edition Distributed with The Japan Times, Friday, March 24, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Blind Collages, 2017– Exhibition: Transparencies, 2017 Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564690179-PN3E4EJ9AYYB3VCTUMMI/WB-1627-framed.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times International Edition Distributed with The Japan Times, Thursday, March 23, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Blind Collages, 2017– Exhibition: Transparencies, 2017 Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564694618-FC67UAXVOT8BMV8S6X83/WB-1628-framed.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, The New York Times International Edition Distributed with The Japan Times, Wednesday, March 22, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Blind Collages, 2017– Exhibition: Transparencies, 2017 Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564695130-HWQLCYYBP0CRKC5H284S/WB-1629-framed.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Blind Collage (Four 180º Rotations, The New York Times International Edition Distributed with The Japan Times, Tuesday, March 21, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Blind Collages, 2017– Exhibition: Transparencies, 2017 Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539901467528-2VO66406OB2K8OIBD5A1/2017_WB_TDA08512_Turin%2C+Italy%2C+November+3%2C+2011%2C+Frame+No.33.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Turin, Italy, November 3, 2011, Frame No. 33 2017 Chromogenic print 35 7/8 x 29 1/2 inches Art Handling, 2011– Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539901515418-YALA6YKMW2G4H4NEVEUD/2017_WB_TDA08513_Turin%2C+Italy%2C+November+3%2C+2011%2C+Frame+No.4.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Turin, Italy, November 3, 2011, Frame No. 4 2017 Chromogenic print 35 7/8 x 29 1/2 inches Art Handling, 2011– Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539901520587-40MQBHBNV5MXQKI3A0AR/2017_WB_TDA08514_Los+Angeles%2C+California%2C+April+4%2C+2014%2C+Frame+No.7.jpg</image:loc>
      <image:title>2017</image:title>
      <image:caption>Los Angeles, California, April 4, 2014, Frame No. 7 2017 Chromogenic print 35 7/8 x 29 1/2 inches Art Handling, 2011– Exhibition: Aggregato, 2018</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/picture-industry-hessel-museum-center-for-curatorial-studies-bard-college</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389391907-YWZ6M2JQ6PQHGR0G78C5/CCS+Picture+Industry+1001+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017. Featuring the work of: Thom Andersen, David Askevold, Lewis Baltz, Georges Bataille, Bernd and Hilla Becher, Ericka Beckman, Gretchen Bender, Lynda Benglis, Alphonse Bertillon, Black Audio Film Collective, Black Star Productions (Stewart Bird, Peter Gessner, René Lichtman and John Louis, Jr. in association with the League of Revolutionary Black Workers), Barbara Bloom, Mel Bochner, Duchenne de Boulogne, Sarah Charlesworth, Charles Darwin, Ariel Dorfman and Armand Mattelart, Stan Douglas, William Emory, Walker Evans, Harun Farocki, Morgan Fisher, LaToya Ruby Frazier, Lee Friedlander and Stuart Klipper, Ernst Friedrich, Francis Galton, Isa Genzken, Octavio Getino and Fernando Solanas, Frank Gilbreth, Liz Glynn, Jack Goldstein, Dan Graham, Johan Grimonprez, James Hague et al., Lyle Ashton Harris, John Heartfield, Lewis Hine, Thomas Hirschhorn, Yngve Holen, Jenny Holzer, William Henry Jackson, Arthur Jafa, Fritz Kahn, Stephen Kaltenbach, Louise Lawler, Sherrie Levine, Glenn Ligon, Sharon Lockhart, Louis Lumière, Robert Mapplethorpe, Étienne-Jules Marey, Kerry James Marshall, Renzo Martens, Allan McCollum, Boris Mikhailov, Mitchell &amp; Kenyon, Charles Moore, Jean-Luc Moulène, Eadweard Muybridge, Timothy O'Sullivan, Paul Pfeiffer, Jack Pierson, Seth Price, Jacob Riis, Jeroen de Rijke and Willem de Rooij, Martha Rosler, Cameron Rowland, August Sander, Allan Sekula, Stephen Shore, Hito Steyerl, William Henry Fox Talbot, Georges Gilles de la Tourette, Wolfgang Tillmans, Sojourner Truth, Cosey Fanni Tutti, Kelley Walker, Jeff Wall, Lawrence Weiner, and Christopher Williams.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389391907-YWZ6M2JQ6PQHGR0G78C5/CCS+Picture+Industry+1001+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017. Featuring the work of: Thom Andersen, David Askevold, Lewis Baltz, Georges Bataille, Bernd and Hilla Becher, Ericka Beckman, Gretchen Bender, Lynda Benglis, Alphonse Bertillon, Black Audio Film Collective, Black Star Productions (Stewart Bird, Peter Gessner, René Lichtman and John Louis, Jr. in association with the League of Revolutionary Black Workers), Barbara Bloom, Mel Bochner, Duchenne de Boulogne, Sarah Charlesworth, Charles Darwin, Ariel Dorfman and Armand Mattelart, Stan Douglas, William Emory, Walker Evans, Harun Farocki, Morgan Fisher, LaToya Ruby Frazier, Lee Friedlander and Stuart Klipper, Ernst Friedrich, Francis Galton, Isa Genzken, Octavio Getino and Fernando Solanas, Frank Gilbreth, Liz Glynn, Jack Goldstein, Dan Graham, Johan Grimonprez, James Hague et al., Lyle Ashton Harris, John Heartfield, Lewis Hine, Thomas Hirschhorn, Yngve Holen, Jenny Holzer, William Henry Jackson, Arthur Jafa, Fritz Kahn, Stephen Kaltenbach, Louise Lawler, Sherrie Levine, Glenn Ligon, Sharon Lockhart, Louis Lumière, Robert Mapplethorpe, Étienne-Jules Marey, Kerry James Marshall, Renzo Martens, Allan McCollum, Boris Mikhailov, Mitchell &amp; Kenyon, Charles Moore, Jean-Luc Moulène, Eadweard Muybridge, Timothy O'Sullivan, Paul Pfeiffer, Jack Pierson, Seth Price, Jacob Riis, Jeroen de Rijke and Willem de Rooij, Martha Rosler, Cameron Rowland, August Sander, Allan Sekula, Stephen Shore, Hito Steyerl, William Henry Fox Talbot, Georges Gilles de la Tourette, Wolfgang Tillmans, Sojourner Truth, Cosey Fanni Tutti, Kelley Walker, Jeff Wall, Lawrence Weiner, and Christopher Williams.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389402098-HZN1XATU8ZMLGSKUQ6Q8/CCS+Picture+Industry+1003+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Louis and Auguste Lumière and Mitchell &amp; Kenyon  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Mitchell &amp; Kenyon and Louis and Auguste Lumière  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   William Henry Fox Talbot  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   William Henry Fox Talbot, Mitchell &amp; Kenyon, and Hito Steyerl  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Jacob Riis, Eadweard Muybridge, Étienne-Jules Marey, Georges Gilles de la Tourette, William Emory, William Henry Jackson, and James Hague et al.  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   William Emory, William Henry Jackson, and James Hague et al.  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   William Emory, William Henry Jackson, and James Hague et al.  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Eadweard Muybridge, Étienne-Jules Marey, Georges Gilles de la Tourette, and Jacob Riis  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Sojourner Truth  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   August Sander, John Heartfield, Fritz Kahn, Ernst Friedrich, Duchenne de Boulogne, David Walsh, Alphonse Bertillon, Francis Galton, and Charles Darwin  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Fritz Kahn, Ernst Friedrich, August Sander, Duchenne de Boulogne, David Walsh, Alphonse Bertillon, Francis Galton, Charles Darwin, Lewis Hine, and John Heartfield  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Duchenne de Boulogne, David Walsh, Alphonse Bertillon, Francis Galton, Charles Darwin,  John Heartfield, August Sander, Fritz Kahn, and Ernst Friedrich  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   August Sander, Lewis Hine, Fritz Kahn, Duchenne de Boulogne, David Walsh, Alphonse Bertillon, Francis Galton, and Charles Darwin  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Morgan Fisher  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Bernd and Hilla Becher, Walker Evans, and Morgan Fisher  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Walker Evans, JET Magazine, Charles Moore, and Bernd and Hilla Becher  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Bernd and Hilla Becher and Walker Evans  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Walker Evans, JET Magazine, and Charles Moore  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Dan Graham and Gordon Parks  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Jack Pierson, Martha Rosler, and Gordon Parks  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Martha Rosler, Gordon Parks, and Dan Graham  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Gordon Parks, Sherrie Levine, and Stewart Bird, Rene Lichtman, and Peter Gessner  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Lynda Benglis, Cosey Fanni Tutti, and Martha Rosler  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Martha Rosler  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Kelley Walker, Jack Pierson, Martha Rosler, Lynda Benglis, and Cosey Fanni Tutti  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Jack Pierson, Martha Rosler, Lynda Benglis, and Cosey Fanni Tutti  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Martha Rosler, Lee Friedlander and Stuart Klipper, Kelley Walker, Stan Douglas, and Jack Pierson,  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Sherrie Levine, Lee Friedlander and Stuart Klipper, and Kelley Walker  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Allan Sekula  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Boris Mikhailov, Roentgenizdat, Sarah Charlesworth, LaToya Ruby Frazier, and Shea Cobb  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Kerry James Marshall and Roentgenizdat  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Sarah Charlesworth, LaToya Ruby Frazier, and Shea Cobb  </image:caption>
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      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Lyle Ashton Harris, Stan Douglas, and Roentgenizdat  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Sarah Charlesworth, LaToya Ruby Frazier, Shea Cobb, Lyle Ashton Harris, Stan Douglas, and Roentgenizdat  </image:caption>
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      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Stan Douglas  </image:caption>
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      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Jack Goldstein and Stan Douglas  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Film Screening Room: Thom Andersen, Stewart Bird, Rene Lichtman, and Peter Gessner, Gordon Parks, Black Audio Film Collective, Harun Farocki, Ericka Beckman, Seth Price, Renzo Martens, and LaToya Ruby Frazier with Shea Cobb  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Robert Mapplethorpe  </image:caption>
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      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Allan McCollum and Glenn Ligon  </image:caption>
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      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Christopher Williams and Yngve Holen  </image:caption>
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      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Yngve Holen, Christopher Williams, and Jenny Holzer  </image:caption>
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      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Barbara Bloom and Harun Farocki  </image:caption>
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      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Christopher Williams and Yngve Holen  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Kelley Walker, Johan Grimonprez, and Thomas Hirschhorn  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Thomas Hirschhorn, Barbara Bloom, and Harun Farocki  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389533510-FI9DA1YPE922E0HAX8QI/CCS+Picture+Industry+1056+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Thomas Hirschhorn, Harun Farocki, Johan Grimonprez, Barbara Bloom, Liz Glynn, and Kelley Walker  </image:caption>
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      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Liz Glynn, Kelley Walker, Barbara Bloom, and John Grimonprez  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389578381-KV23VY00AVCCNC03HXVI/CCS+Picture+Industry+1066+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Stan Douglas, Jean-Luc Moulène, Kelley Walker, and Barbara Bloom  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389578354-66Z8Z8VTZH5E798K1YH6/CCS+Picture+Industry+1067+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Kelley Walker and Stan Douglas  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389580365-7Q3L5XA5N808STNYEAUX/CCS+Picture+Industry+1068+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Stan Douglas  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389585718-LXPC3TFGH4U7GPF0V5WT/CCS+Picture+Industry+1070+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Wolfgang Tillmans, Lewis Baltz, Kelley Walker, and Stan Douglas  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389589836-Z4SBXLXRDYUBZZK6HWNS/CCS+Picture+Industry+1071+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Wolfgang Tillmans, Kelley Walker, Stan Douglas, and Jean-Luc Moulène  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389594381-DOJHOBQXJU0GSRCOCQVZ/CCS+Picture+Industry+1074+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Jean-Luc Moulène, Wolfgang Tillmans, and Barbara Bloom  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389598459-MBYZWRGA8NDS3PUB7832/CCS+Picture+Industry+1075+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Wolfgang Tillmans, Barbara Bloom, and Lewis Baltz  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389541919-M44L3AUFB8PXL8BLFQB8/CCS+Picture+Industry+1060+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Cameron Rowland, Seth Price, and Isa Genzken  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389545607-YO0Z6V9DEX5DYWY5F6E5/CCS+Picture+Industry+1061+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Cameron Rowland and Sharon Lockhart  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389545724-XQ16JIPF1UPJGTMTFVLK/CCS+Picture+Industry+1062+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Cameron Rowland, Seth Price, and Isa Genzken  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502391964488-RVXD7UJXNB0AKTW4CFQ5/CCS+Picture+Industry+1121+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Hito Steyerl  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389549280-923PYPYLQIVTYXILWNRI/CCS+Picture+Industry+1063+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Sharon Lockhart  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502389563131-VGTA4GJPHPA4CE06II9Y/CCS+Picture+Industry+1065+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Paul Pfeiffer  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502391971119-CYQIYC34Q16VLA006XRZ/CCS+Picture+Industry+1125+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Johan Grimonprez  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502391976315-714HHA56OPKZE2V3UQJS/CCS+Picture+Industry+1126+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   Johan Grimonprez  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1502391982799-LFVKDUDIDK7SI3S183AH/CCS+Picture+Industry+1128+HR.jpg</image:loc>
      <image:title>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017</image:title>
      <image:caption>Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 2017.   CCS Library Wall Display   </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/progressive-praxis-de-la-cruz-collection-2016</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-13</lastmod>
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      <image:title>Progressive Praxis, de la Cruz Collection, 2016</image:title>
      <image:caption>Progressive Praxis de la Cruz Collection Miami Florida 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1503700193945-360GOLOAX33PC1CQB1T2/Progressive+Praxis+-+Walead+Beshty+Install+-+01.jpg</image:loc>
      <image:title>Progressive Praxis, de la Cruz Collection, 2016</image:title>
      <image:caption>Progressive Praxis de la Cruz Collection Miami Florida 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1503700193593-4TWG1EODX7Q9LCWL4AMG/Progressive+Praxis+-+Walead+Beshty+Install+-+02.jpg</image:loc>
      <image:title>Progressive Praxis, de la Cruz Collection, 2016</image:title>
      <image:caption>Progressive Praxis de la Cruz Collection Miami Florida 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1503700200219-II9TVOLGAG9V9I6AHP4P/Progressive+Praxis+-+Walead+Beshty+Install+-+03.jpg</image:loc>
      <image:title>Progressive Praxis, de la Cruz Collection, 2016</image:title>
      <image:caption>Progressive Praxis de la Cruz Collection Miami Florida 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1503700198859-E49KNJO02NHKEADB29AU/Progressive+Praxis+-+Walead+Beshty+Install+-+04.jpg</image:loc>
      <image:title>Progressive Praxis, de la Cruz Collection, 2016</image:title>
      <image:caption>Progressive Praxis de la Cruz Collection Miami Florida 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1503700205366-NV268JYM0L2HCJ9BC08Y/Progressive+Praxis+-+Walead+Beshty+Install+-+05.jpg</image:loc>
      <image:title>Progressive Praxis, de la Cruz Collection, 2016</image:title>
      <image:caption>Progressive Praxis de la Cruz Collection Miami Florida 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1503700205729-JU957DYB63YFT9VJ5QAD/Progressive+Praxis+-+Walead+Beshty+Install+-+06.jpg</image:loc>
      <image:title>Progressive Praxis, de la Cruz Collection, 2016</image:title>
      <image:caption>Progressive Praxis de la Cruz Collection Miami Florida 2016  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506025116916-MIEZ2Y17ZBAK4Z80QWCB/BESHT42753_b.jpg</image:loc>
      <image:title>Progressive Praxis, de la Cruz Collection, 2016</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (MYC/Six Magnet/Six Magnet: Los Angeles, California, March 17, 2016, Fujicolor Crystal Archive Super Type C, Em. No. 112-006, Kodak Ektacolor RA Bleach-Fix and Replenisher, 04716), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174] 2016 Color photographic paper 125 1/4 x 100 inches Double Curls, 2016–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506124303537-B01YEE0A63QPXQYFUUT1/75914c.jpg</image:loc>
      <image:title>Progressive Praxis, de la Cruz Collection, 2016</image:title>
      <image:caption>Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/YMC/Six Magnet: Los Angeles, California, July 16, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 75914), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174] 2016 Color photographic paper 118 1/2 x 51 1/2 inches RA4 Contact Print Curls, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506124079856-WAZ7NIHELGPCL7EJFSEO/101614.jpg</image:loc>
      <image:title>Progressive Praxis, de la Cruz Collection, 2016</image:title>
      <image:caption>Marginalis (Los Angeles, California, August 1–30, 2014) 2014 Cyanotype chemistry on canvas 55 x 84 1/2 inches Cyanotype paintings, 2013–2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506123855896-CME0Q42ESDWHQEAQMLLN/50315.jpg</image:loc>
      <image:title>Progressive Praxis, de la Cruz Collection, 2016</image:title>
      <image:caption>Copper Surrogate (48 ounce C11000 Copper Alloy: June 14, 2016, Basel, Switzerland; November 22, 2016, Miami, Florida) 2015 Polished copper 10 x 10 x 2 1/2 inches each, 6 parts Surrogates (Modular, Art Handling), 2014–  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/invisible-hands-and-the-common-good-champion-fine-art-2005</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-10-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507833609302-L35LOHVG7KU30A70KVEJ/invisible.jpg</image:loc>
      <image:title>Invisible Hands and The Common Good, Champion Fine Art, 2005</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1507833609302-L35LOHVG7KU30A70KVEJ/invisible.jpg</image:loc>
      <image:title>Invisible Hands and The Common Good, Champion Fine Art, 2005</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506104850093-4TKRR287JR17NUBC73U0/INSTALL1.jpg</image:loc>
      <image:title>Invisible Hands and The Common Good, Champion Fine Art, 2005</image:title>
      <image:caption>Invisible Hands and the Common Good, Champion Fine Art, Los Angeles, California June 4–25, 2005.   Participating artists: Joe Scanlan, Stephen Shore, Kelley Walker, James Welling, Eric Wesley, and Carey Young  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506104850103-CB1850L7FDQQIHGYCLWX/INSTALL2.jpg</image:loc>
      <image:title>Invisible Hands and The Common Good, Champion Fine Art, 2005</image:title>
      <image:caption>Invisible Hands and the Common Good, Champion Fine Art, Los Angeles, California June 4–25, 2005.   Participating artists: Joe Scanlan, Stephen Shore, Kelley Walker, James Welling, Eric Wesley, and Carey Young  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506104852717-WGBNJM1ZQA9FE6YNWJAZ/INSTALL3.jpg</image:loc>
      <image:title>Invisible Hands and The Common Good, Champion Fine Art, 2005</image:title>
      <image:caption>Invisible Hands and the Common Good, Champion Fine Art, Los Angeles, California June 4–25, 2005.   Participating artists: Joe Scanlan, Stephen Shore, Kelley Walker, James Welling, Eric Wesley, and Carey Young  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/the-gold-standard-ps1-contemporary-art-center-2006</loc>
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    <lastmod>2022-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506103566560-BFJG7GCNO9YOFD1S3F58/Install+13.jpg</image:loc>
      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas, P.S.1 Contemporary Art Center, Long Island City, NY.   Participating Artists: John Armleder, Andisheh Avini, Barry X Ball, Marcel Broodthaers, Tim Davis, Thomas Demand, Jessica Diamond, Sylvie Fleury, Felisa Funes, Piero Golia, Wayne Gonzales, Kent Henricksen, Thomas Hirschhorn, Fred Holland, Alfredo Jaar, Annette Kelm, Terence Koh, Yayoi Kusama, Louise Lawler, Daniel Lefcourt, Sherrie Levine, John Miller, Geof Oppenheimer, Mai-Thu Perret, Paul Pfeiffer, Seth Price, Rob Pruitt, David Ratcliff, Tim Rollins and K.O.S., Haim Steinbach, Sturtevant, Vincent Szarek, Wolfgang Tillmans, Kelley Walker, James Welling, and Eric Wesley.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1506103566560-BFJG7GCNO9YOFD1S3F58/Install+13.jpg</image:loc>
      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas, P.S.1 Contemporary Art Center, Long Island City, NY.   Participating Artists: John Armleder, Andisheh Avini, Barry X Ball, Marcel Broodthaers, Tim Davis, Thomas Demand, Jessica Diamond, Sylvie Fleury, Felisa Funes, Piero Golia, Wayne Gonzales, Kent Henricksen, Thomas Hirschhorn, Fred Holland, Alfredo Jaar, Annette Kelm, Terence Koh, Yayoi Kusama, Louise Lawler, Daniel Lefcourt, Sherrie Levine, John Miller, Geof Oppenheimer, Mai-Thu Perret, Paul Pfeiffer, Seth Price, Rob Pruitt, David Ratcliff, Tim Rollins and K.O.S., Haim Steinbach, Sturtevant, Vincent Szarek, Wolfgang Tillmans, Kelley Walker, James Welling, and Eric Wesley.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1667240611253-6M66RBH8XS2KQAPOE6JN/GS1.jpg</image:loc>
      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1667240610952-2E87UTW47Q8IRVYILY15/GS2.jpg</image:loc>
      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1667240617339-TGD0XHWHGZJA8OZ2A0FN/GS3.jpg</image:loc>
      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1667240617333-9IPVKWZEYP9FDSRMZQLH/GS4.jpg</image:loc>
      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1667240621712-VIQZX3BB4KMLXEMB1UOC/GS5.jpg</image:loc>
      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1667240621920-TVRQ4HLDQDVPBXG9Y22S/GS7.jpg</image:loc>
      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1667240626980-HYRVHMXPE9R2KW43XNEI/GS8.jpg</image:loc>
      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Gold Standard, P.S.1 Contemporary Art Center, 2006</image:title>
      <image:caption>The Gold Standard—co-curated with Bob Nickas P.S.1 Contemporary Art Center Long Island City, NY 2006</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents invitation Regen Projects, Los Angeles 2018</image:caption>
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    <image:image>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents press release Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents press release Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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    <image:image>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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    <image:image>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388520640-T0RGOC8AJG1XSTQCK2DX/9_Beshty-Install-12.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388524162-0OI5C32S0RCUO8M6QUCD/10_Beshty-Install-14.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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    <image:image>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388554757-9OQPVAQOW7M996RZR895/Beshty-Install-07.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388555289-XNI2GFEFT6CGNYVYX4NR/Beshty-Install-09.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388558787-ERAOG9C7TCN6RHHW7A9O/Beshty-Install-13.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388559703-TAMB2LO5F5YWKR4CZBXO/Beshty-Install-23.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388562574-CWN2W4PVBJYZRQOIBWOW/Beshty-Install-31.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388564471-WPGMZ94MIG9HE6ZOG20A/Beshty-Install-45.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388565847-FJP29ZDEYGJ8D08NHYHK/Photo-Joshua_White-jwpictures.com-7639.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
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      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388569006-OIWSJ99PEWIASVLVDLCR/Photo-Joshua_White-jwpictures.com-7671.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388573530-A4WGWT3020QVGTBIH2ET/Photo-Joshua_White-jwpictures.com-7685.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388578016-GQHGYMRKZ0SLETX1B1JV/Photo-Joshua_White-jwpictures.com-7776.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388581107-TDOB9O75PT4LDA76MQB6/Photo-Joshua_White-jwpictures.com-7787.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388581900-HEVNIL5B70H95NKO2U2S/Photo-Joshua_White-jwpictures.com-7791.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Equivalents Regen Projects, Los Angeles 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523492815569-PD0OH5IZEW529JZXFZ15/WB-1650.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, June 1, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 141-044; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21917) 2018 Color photographic paper 126 3/4 x 101 3/4 inches Inverted RA4 Contact Prints, 2016–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523492815190-XX89H3EIZNU2YUEVTN5N/WB-1651.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print / Processor Stall (CMY: Los Angeles, California, June 5, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 141-044; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 22017) 2018 Color photographic paper 140 3/4 x 101 3/4 inches Inverted RA4 Contact Prints, 2016–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523492914154-V4TUDCRIC7OZP2I000JX/WB-1652-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Inverted RA4 Contact Print / Processor Stall (YM: Los Angeles, California, November 9, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 152-017; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 41717) 2018 Color photographic paper 141 x 101 3/4 inches Inverted RA4 Contact Prints, 2016–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523492983768-4OBWP2VB21RPW1QQCN4Z/WB-1649.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Inverted RA4 Contact Print / Processor Stall (YM: Los Angeles, California, November 10, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 152-017; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 41917) 2018 Color photographic paper 135 1/4 x 101 3/4 inches Inverted RA4 Contact Prints, 2016–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523493020650-PUS3YHA17AA0XYZQPX22/WB-1654.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Inverted RA4 Contact Print / Processor Stall (YM: Los Angeles, California, November 22, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 152-017; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 42517) 2018 Color photographic paper 135 3/4 x 101 3/4 inches Inverted RA4 Contact Prints, 2016–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304780580-EF4QV95VGPL9WWVRXYM8/WB-1662-rp.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018 - Office Work (&lt;del&gt;Apple iMac A1208 17-inch 2.0 GHz Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1208 17-inch 2.0 GHz Intel Core 2 Duo and steel Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304780579-POW8DDDQAW63NXP8MWIJ/WB-1663-1-rp.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018 - Office Work (&lt;del&gt;Apple iMac A1224 20-inch 2.0 GHz Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1224 20-inch 2.0 GHz Intel Core 2 Duo and steel Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304784764-9S92EK0O3SK5Z1V8XJGK/WB-1664-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018 - Office Work (&lt;del&gt;Apple iMac A1419 27-inch 3.5 GHz Intel Core i5&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1419 27-inch 3.5 GHz Intel Core i5 and steel Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304785378-0H0UV08075TG4NX6DKQH/WB-1665-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018 - Office Work (&lt;del&gt;Apple MacBook Air A1466 13-inch 1.7 GHz Intel Dual Core i7&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple MacBook Air A1466 13-inch 1.7 GHz Intel Dual Core i7 and steel Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304787897-DXGVP91P3UKWV6SLABOU/WB-1666-1-rp.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018 - Office Work (&lt;del&gt;Canon imageCLASS MF8380Cdw Color Laser All-in-One Printer, Copier, Scanner, Fax&lt;/del&gt;)</image:title>
      <image:caption>2018 Canon imageCLASS MF8380Cdw Color Laser All-in-One Printer, Copier, Scanner, Fax and steel Dimensions variable Machines, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523305409498-L8KI6J99VDAAM70MCZ4W/WB-1667-3.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018 - &lt;del&gt;Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV&lt;/del&gt;</image:title>
      <image:caption>2018 Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304792162-MXEKP80NI9M6QR4WE6J0/WB-1668.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018 - &lt;del&gt;Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV&lt;/del&gt;</image:title>
      <image:caption>2018 Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304793381-JM854NQN7P1KWC41Z0HB/WB-1669-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018 - &lt;del&gt;Samsung UN55KU7500 Curved 55-inch 4K Ultra HD Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2018 Samsung UN55KU7500 Curved 55-inch 4K Ultra HD Smart LED TV 48 1/2 x 28 1/8 x 3 7/8 inches Televisions, 2014–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388573536-XSCNVG7FON7F8WKI934M/Photo-Joshua_White-jwpictures.com-7691.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Copper Surrogates (60” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, February 23–27/April 9, 2018, Los Angeles, California) 2018– Polished copper 23 1/2 x 23 1/2 x 15 1/16 inches each, 8 parts Surrogates (Modular, Art Handling), 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388756180-A39URXHEQDU49U8S1Q1T/WB-1672-5.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Copper Surrogates (48” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, February 23–27/April 9, 2018, Los Angeles, California) 2018– Polished copper 18 1/2 x 14 1/16 x 18 1/2 inches each, 4 parts Surrogates (Modular, Art Handling), 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523388765018-CC18JFW4AAU52YOU5P37/WB-1672-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Copper Surrogates (48” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, February 23–27/April 9, 2018, Los Angeles, California) 2018– Polished copper 18 1/2 x 14 1/16 x 18 1/2 inches each, 4 parts Surrogates (Modular, Art Handling), 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304758784-0KZ0SFV853ZBB0JM9B8S/WB-1655.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (CYM: Los Angeles, California, January 11, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 00918) 2018 Color photographic paper 59 x 49 1/2 inches Asymmetrical Inverted RA4 Contact Prints, 2018–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304759858-7LQ7505X4MP7OSCHHUDD/WB-1656.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, January 16, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 01318) 2018 Color photographic paper 63 x 49 1/4 inches Asymmetrical Inverted RA4 Contact Prints, 2018–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304762396-WOZNE5IHKEX7DH5LC5R1/WB-1657.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, January 16, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 01518) 2018 Color photographic paper 73 x 39 inches Asymmetrical Inverted RA4 Contact Prints, 2018–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304765118-9G2OFRKLAJIO8IBGSEH3/WB-1658.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (CMY: Los Angeles, California, January 17, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 01618) 2018 Color photographic paper 59 1/4 x 49 1/2 inches Asymmetrical Inverted RA4 Contact Prints, 2018–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304767693-XUP46Z4OCP1OPSWF8T3V/WB-1659.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (MCY: Los Angeles, California, January 18, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02118) 2018 Color photographic paper 59 1/4 x 49 1/2 inches Asymmetrical Inverted RA4 Contact Prints, 2018–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304770492-HWGNJ1FOLG9BGN315X6H/WB-1660.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, January 29, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02718) 2018 Color photographic paper 59 1/8 x 49 inches Asymmetrical Inverted RA4 Contact Prints, 2018–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304771891-4W56YGOQFNK4WI3BROLV/WB-1661.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (CYM: Los Angeles, California, January 29, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02818) 2018 Color photographic paper 59 1/2 x 49 1/8 inches Asymmetrical Inverted RA4 Contact Prints, 2018–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304806440-1KWB9D2PTUJ6LGAE7VR7/WB-1673.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Transparency, 2017 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 2–7, 2017 LAX/MIA MIA/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 2–7, 2017 LAX/MIA MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) March 19–30, 2017 LAX/HND NRT/LAX; Negative (Kodak Portra 400NC Em. No. 1022) March 19–30, 2017 LAX/HND NRT/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 12–24, 2017 LAX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) April 12–24, 2017 LAX/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 23–26, 2017 LAX/YVR YVR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 23–26, 2017 LAX/YVR YVR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 11–25, 2017 LAX/ORD/ALB ALB/PHL/LAX; Negative (Kodak Portra 400NC Em. No. 1022) June 11–25, 2017 LAX/ORD/ALB ALB/PHL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 11–14, 2017 LAX/ASE ASE/LAX; Negative (Kodak Portra 400NC Em. No. 1022) July 11–14, 2017 LAX/ASE ASE/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 18–30, 2017 LAX/GDL PVR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) July 18–30, 2017 LAX/GDL PVR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 5–8, 2017 LAX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 5–8, 2017 LAX/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 29–November 4, 2017 LAX/EWR/FCO MXP/EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 29–November 4, 2017 LAX/EWR/FCO MXP/EWR/LAX] 2018 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 14 x 11 inches each, 18 parts Transparencies, 2014–  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304822055-DAEA5R4JY8ICDF84NZO6/WB-1674.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Tuesday, February 27, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Blind Collages, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304822054-F0X4MP5GR2DZAOLEPZ5S/WB-1675.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Wednesday, February 28, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Blind Collages, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304826977-SKUA0JRK8C8YVMS04V2R/WB-1676.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Thursday, March 1, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Blind Collages, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304827115-03WZXCX8U7SJYQGFM3ZG/WB-1677.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Friday, March 2, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Blind Collages, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304798447-G0K5FA9H699SHG8N7HTP/WB-1670.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Monday, February 26, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Blind Collages, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304747836-UK4K4DWCVYCMMPILOP96/WB-1626-framed.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Blind Collage (Four 180º Rotations, The New York Times International Edition, Distributed with The Japan Times, Friday, March 24, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Blind Collages, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304747609-39IMS9SIFAUDIF1NHD5P/WB-1627-framed.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times International Edition, Distributed with The Japan Times, Thursday, March 23, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Blind Collages, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304752684-EA2Y7DGDXRFN22QZJ4YN/WB-1628-framed.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, The New York Times International Edition, Distributed with The Japan Times, Wednesday, March 22, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Blind Collages, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304754134-RSS7JZFU91LNOLOZYFPP/WB-1629-framed.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Blind Collage (Four 180º Rotations, The New York Times International Edition, Distributed with The Japan Times, Tuesday, March 21, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Blind Collages, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304845180-N7GD434J311LJN607UQM/WB-1695-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Body Prints (Valsartan 160 Mg Tablet [January 27, 2017]/Left Dorsum; Azithromycin 250 Mg Dose Pack [November 19, 2015]/Left Zygomatic Bone and Attending Soft Tissues) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304849838-CPYFKNLYZDWZNITEQDT9/WB-1698-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Body Prints (Hydrocodon-Acetaminophen 5-325 [October 19, 2015]/Right Dorsum; Amphetamine Salts 10 Mg Tablet [April 4, 2016]/Pectorals) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304853554-8SYUI9PO1VBB8KAISJHG/WB-1699-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Body Prints (Diovan 160mg Tablet [May 20, 2014]; Voltaren 1% Gel [September 4, 2014]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304845605-SZLWG4VM58DMZH559YXN/WB-1696-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Body Prints (Siemens MAGNETOM Spectra Magnetic Resonance Imaging, Eight Cross Sections: Right Patella, Femur, Tibia, Fibula, and Attending Soft Tissues [August 30, 2017]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 8 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304848870-AGZ5CDK4Q11023B8TFXN/WB-1697-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Body Prints (Siemens MAGNETOM Spectra Magnetic Resonance Imaging, Eight Cross Sections: Left Patella, Femur, Tibia, Fibula, and Attending Soft Tissues [September 28, 2017]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 8 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304853783-NUEYQO01KHYYBUP2HD4Y/WB-1700-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Body Prints (Fluticasone Prop 50 Mcg Spray [January 16, 2015]; Lorazepam 1 Mg Tablet [March 12, 2015]; Ketoconazole 2% Cream [May 28, 2015]; L-Methylfolate 7.5 Mg Tablet [August 17, 2015]; Hydrocodon-Acetaminophen 5-325 [October 19, 2015]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304857621-KIJ9X9P5ZSJXCECXNVSA/WB-1701-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Body Prints (Bupropion HCL XL 150 Mg Tablet [January 20, 2016]; Doxycycline Mono 100 Mg Cap [January 29, 2016]; Amphetamine Salts 10 Mg Tablet [April 4, 2016]; Zolpidem Tartrate 10 Mg Tablet [November 4, 2016]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 4 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304857935-C53ID2N2WWIQ4IB8UW86/WB-1702-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Body Prints (Valsartan 160 Mg Tablet [January 25, 2017]; Finasteride 1 Mg Tablet [January 25, 2017]; Amphetamine Salts 10 Mg Tablet [January 26, 2017]; Citalopram HBR 20 Mg Tablet [January 26, 2017]; Alprazolam 0.5 Mg Tablet [March 16, 2017]; Meloxicam 15 Mg Tablet [September 18, 2017]; Hydrocodon-Acetaminophen 5-325 [October 19, 2017]; Gabapentin 300 Mg Capsule [October 24, 2017]; Zolpidem Tartrate 10 Mg Tablet [December 18, 2017]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 9 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304860786-Q547XAZTLRV0NP68IKD2/WB-1703-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Body Prints (Citalopram HBR 20 Mg Tablet [January 17, 2018]; Valsartan 160 Mg Tablet [January 17, 2018]; Finasteride 1 Mg Tablet [January 26, 2018]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 3 parts Body Prints, 2017–  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523304861458-CEKKJEAYSG85AX7KGZK4/WB-1704-1.jpg</image:loc>
      <image:title>Equivalents, Regen Projects, 2018</image:title>
      <image:caption>Foundation Crack 2018 22 karat gold leaf Dimensions variable  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/asymmetrical-inverted-ra4-contact-prints-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523494355595-KWSZMTM3ML9Y1BMIKR06/WB-1655.jpg</image:loc>
      <image:title>Asymmetrical Inverted RA4 Contact Prints, 2018–</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (CYM: Los Angeles, California, January 11, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 00918) 2018 Color photographic paper 59 x 49 1/2 inches Equivalents, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523494355595-KWSZMTM3ML9Y1BMIKR06/WB-1655.jpg</image:loc>
      <image:title>Asymmetrical Inverted RA4 Contact Prints, 2018–</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (CYM: Los Angeles, California, January 11, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 00918) 2018 Color photographic paper 59 x 49 1/2 inches Equivalents, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523494355588-LYW45YH1228R01HDU3P4/WB-1656.jpg</image:loc>
      <image:title>Asymmetrical Inverted RA4 Contact Prints, 2018–</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, January 16, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 01318) 2018 Color photographic paper 63 x 49 1/4 inches Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523494360277-4TKR98NPAIK1U10HYHHA/WB-1657.jpg</image:loc>
      <image:title>Asymmetrical Inverted RA4 Contact Prints, 2018–</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, January 16, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 01518) 2018 Color photographic paper 73 x 39 inches Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523494361158-4YO17SQ8O00HP9HHQTO2/WB-1658.jpg</image:loc>
      <image:title>Asymmetrical Inverted RA4 Contact Prints, 2018–</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (CMY: Los Angeles, California, January 17, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 01618) 2018 Color photographic paper 59 1/4 x 49 1/2 inches Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523494365296-H6G4904F1OG5ZVNPN5ZU/WB-1659.jpg</image:loc>
      <image:title>Asymmetrical Inverted RA4 Contact Prints, 2018–</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (MCY: Los Angeles, California, January 18, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02118) 2018 Color photographic paper 59 1/4 x 49 1/2 inches Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523494366842-7EJHODM5N0QLJRC87GRJ/WB-1660.jpg</image:loc>
      <image:title>Asymmetrical Inverted RA4 Contact Prints, 2018–</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, January 29, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02718) 2018 Color photographic paper 59 1/8 x 49 inches Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523494368701-G1W95GE4R8TCCG6OUM8M/WB-1661.jpg</image:loc>
      <image:title>Asymmetrical Inverted RA4 Contact Prints, 2018–</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (CYM: Los Angeles, California, January 29, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02818) 2018 Color photographic paper 59 1/2 x 49 1/8 inches Equivalents, 2018</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539900477199-8XR4EF5ORVQUC8Y1UKPO/2018_WB_TDA09905_Office+Work+%28Apple+iMac+A1224+20-inch+2.4+GHz+Intel+Core+2+Duo%29.jpg</image:loc>
      <image:title>2018 - Office Work (&lt;del&gt;Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo Dimensions variable Office Works, 2014– Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539900477199-8XR4EF5ORVQUC8Y1UKPO/2018_WB_TDA09905_Office+Work+%28Apple+iMac+A1224+20-inch+2.4+GHz+Intel+Core+2+Duo%29.jpg</image:loc>
      <image:title>2018 - Office Work (&lt;del&gt;Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo Dimensions variable Office Works, 2014– Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564759147-T9WIEUZ2HCHQM202AP5H/WB-1662-rp.jpg</image:loc>
      <image:title>2018 - Office Work (&lt;del&gt;Apple iMac A1208 17-inch 2.0 GHz Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1208 17-inch 2.0 GHz Intel Core 2 Duo and steel Dimensions variable Office Works, 2014– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539901000276-BT8H68CDRWLCCFUACLIS/Besthy_ph+FSqueglia_1020.jpg</image:loc>
      <image:title>2018</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564759147-QHB1QUPK7EFQQD4TAUUN/WB-1663-1-rp.jpg</image:loc>
      <image:title>2018 - Office Work (&lt;del&gt;Apple iMac A1224 20-inch 2.0 GHz Intel Core 2 Duo&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1224 20-inch 2.0 GHz Intel Core 2 Duo and steel Dimensions variable Office Works, 2014– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564762481-MRYTMH2VIDP1TP88H8XV/WB-1664-1.jpg</image:loc>
      <image:title>2018 - Office Work (&lt;del&gt;Apple iMac A1419 27-inch 3.5 GHz Intel Core i5&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple iMac A1419 27-inch 3.5 GHz Intel Core i5 and steel Dimensions variable Office Works, 2014– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564763001-9C5SNLFOB36X7HJJE0N5/WB-1665-1.jpg</image:loc>
      <image:title>2018 - Office Work (&lt;del&gt;Apple MacBook Air A1466 13-inch 1.7 GHz Intel Dual Core i7&lt;/del&gt;)</image:title>
      <image:caption>2018 Apple MacBook Air A1466 13-inch 1.7 GHz Intel Dual Core i7 and steel Dimensions variable Office Works, 2014– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564765777-R2P8NWJFYSKYYPDE0JV3/WB-1666-1-rp.jpg</image:loc>
      <image:title>2018 - Office Work (&lt;del&gt;Canon imageCLASS MF8380Cdw Color Laser All-in-One Printer, Copier, Scanner, Fax&lt;/del&gt;)</image:title>
      <image:caption>2018 Canon imageCLASS MF8380Cdw Color Laser All-in-One Printer, Copier, Scanner, Fax and steel Dimensions variable Office Works, 2014– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564767215-DO4CGTQG833A649BUS4Z/WB-1667-1.jpg</image:loc>
      <image:title>2018 - &lt;del&gt;Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV&lt;/del&gt;</image:title>
      <image:caption>2018 Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564770716-LBRYZIS0EKB003192Z0V/WB-1668.jpg</image:loc>
      <image:title>2018 - ​​​​​​​&lt;del&gt;Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV​​​​​​​&lt;/del&gt;</image:title>
      <image:caption>2018 Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564773006-1SVAYV1EWGQVXMJ4XSTT/WB-1669-1.jpg</image:loc>
      <image:title>2018 - &lt;del&gt;Samsung UN55KU7500 Curved 55-inch 4K Ultra HD Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2018 Samsung UN55KU7500 Curved 55-inch 4K Ultra HD Smart LED TV 48 1/2 x 28 1/8 x 3 7/8 inches Televisions, 2014– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564699651-6UTR2OVN13LN5FYS7QRH/WB-1650.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, June 1, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 141-044; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 21917) 2018 Color photographic paper 126 3/4 x 101 3/4 inches Inverted RA4 Contact Prints, 2016– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564705304-QFFQUHG8R5GE2D515KFL/WB-1651.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Cross-Contaminated Inverted RA4 Contact Print / Processor Stall (CMY: Los Angeles, California, June 5, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 141-044; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 22017) 2018 Color photographic paper 140 3/4 x 101 3/4 inches Inverted RA4 Contact Prints, 2016– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564699753-I99YOHT4R781A4IP4I8T/WB-1649.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Inverted RA4 Contact Print / Processor Stall (YM: Los Angeles, California, November 10, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 152-017; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 41917) 2018 Color photographic paper 135 1/4 x 101 3/4 inches Inverted RA4 Contact Prints, 2016– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564706730-LLD9AP1MWBSA4A6F8XVF/WB-1652-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Inverted RA4 Contact Print / Processor Stall (YM: Los Angeles, California, November 9, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 152-017; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 41717) 2018 Color photographic paper 141 x 101 3/4 inches Inverted RA4 Contact Prints, 2016– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564709357-SSY5Q8WSZW3VG426ERRQ/WB-1654.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Inverted RA4 Contact Print / Processor Stall (YM: Los Angeles, California, November 22, 2017; Fujicolor Crystal Archive Super Type C, Em. No. 152-017; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 42517) 2018 Color photographic paper 135 3/4 x 101 3/4 inches Inverted RA4 Contact Prints, 2016– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564726076-Z7ZXS671RBH6E6YTPU7B/WB-1655.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (CYM: Los Angeles, California, January 11, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 00918) 2018 Color photographic paper 59 x 49 1/2 inches Asymmetrical Inverted RA4 Contact Prints, 2018– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564725975-P851QBIOEZ40Z1ECGQW7/WB-1656.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, January 16, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 01318) 2018 Color photographic paper 63 x 49 1/4 inches Asymmetrical Inverted RA4 Contact Prints, 2018– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564729457-M2MYPV011C970F41TFEA/WB-1657.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, January 16, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 01518) 2018 Color photographic paper 73 x 39 inches Asymmetrical Inverted RA4 Contact Prints, 2018– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564731565-T6V127UVAZE6HQ5V87FM/WB-1658.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (CMY: Los Angeles, California, January 17, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 01618) 2018 Color photographic paper 59 1/4 x 49 1/2 inches Asymmetrical Inverted RA4 Contact Prints, 2018– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564737641-Z136JU9F178ZL6937XL5/WB-1659.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (MCY: Los Angeles, California, January 18, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02118) 2018 Color photographic paper 59 1/4 x 49 1/2 inches Asymmetrical Inverted RA4 Contact Prints, 2018– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564738087-PKWNRCAU1F4G0KAJ2WMG/WB-1660.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (YMC: Los Angeles, California, January 29, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02718) 2018 Color photographic paper 59 1/8 x 49 inches Asymmetrical Inverted RA4 Contact Prints, 2018– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564741087-QY9NQ66U554Z9DKYANJ3/WB-1661.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Asymmetrical Inverted RA4 Contact Print / Processor Stall (CYM: Los Angeles, California, January 29, 2018; Fujicolor Crystal Archive Super Type C, Em. No. 159-016 / Fujicolor Crystal Archive Super Type II, Em. No. 859809B217; Kodak Ektacolor RA Bleach-Fix and Replenisher; Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174; 02818) 2018 Color photographic paper 59 1/2 x 49 1/8 inches Asymmetrical Inverted RA4 Contact Prints, 2018– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539900999440-54VC4AHBQLUR2V4EDIAI/Besthy_ph+FSqueglia_1018.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Il Mattino, Martedi 11 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539900988773-6994JBXHWQZVSZGNXKZZ/Besthy_ph+FSqueglia_1014.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Il Mattino, Mercoledi 12 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539900989203-YFTJHPMJQUBH2ZVMTPA8/Besthy_ph+FSqueglia_1016.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Il Mattino, Govedi 13 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539900975706-UFVJD1RZU4MJ2HA934AE/Besthy_ph+FSqueglia_1010.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Il Mattino, Venerdi 14 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539900975768-TJDS8V1I0SNOZC520B53/Besthy_ph+FSqueglia_1012.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Il Mattino, Martedi 18 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564780245-F8QB9IYMI1KVDYYHZ2YE/WB-1674.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Tuesday, February 27, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Blind Collages, 2017– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564775307-BF9VX79V1US6UL67GP77/WB-1670.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Monday, February 26, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Blind Collages, 2017– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564782409-3XZFSW2DIGO81PZWGRGG/WB-1675.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Wednesday, February 28, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Blind Collages, 2017– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564786560-BGYDLC4ZPJD8P2FXC5GT/WB-1677.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Friday, March 2, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Blind Collages, 2017– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564785273-E39GQY5SACEUWSPOM8II/WB-1676.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Thursday, March 1, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Blind Collages, 2017– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564777256-2EY4G0EIQYVKPZQETQUU/WB-1673.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Transparency, 2017 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 2–7, 2017 LAX/MIA MIA/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 2–7, 2017 LAX/MIA MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) March 19–30, 2017 LAX/HND NRT/LAX; Negative (Kodak Portra 400NC Em. No. 1022) March 19–30, 2017 LAX/HND NRT/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 12–24, 2017 LAX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) April 12–24, 2017 LAX/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 23–26, 2017 LAX/YVR YVR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 23–26, 2017 LAX/YVR YVR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 11–25, 2017 LAX/ORD/ALB ALB/PHL/LAX; Negative (Kodak Portra 400NC Em. No. 1022) June 11–25, 2017 LAX/ORD/ALB ALB/PHL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 11–14, 2017 LAX/ASE ASE/LAX; Negative (Kodak Portra 400NC Em. No. 1022) July 11–14, 2017 LAX/ASE ASE/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 18–30, 2017 LAX/GDL PVR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) July 18–30, 2017 LAX/GDL PVR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 5–8, 2017 LAX/EWR EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 5–8, 2017 LAX/EWR EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 29–November 4, 2017 LAX/EWR/FCO MXP/EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 29–November 4, 2017 LAX/EWR/FCO MXP/EWR/LAX] 2018 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 14 x 11 inches each, 18 parts Transparencies, 2014– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1533167911338-IGJ8DQWPHONTQKGJIWCM/Photo-Joshua_White-jwpictures.com-7691.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Copper Surrogates (60” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, February 23–27/April 9, 2018, Los Angeles, California) 2018– Polished copper 23 1/2 x 23 1/2 x 15 1/16 inches each, 8 parts Surrogates (Modular, Art Handling), 2014– Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1533167922836-H47ZDD3C6PKFUWJ4ZXQZ/WB-1672-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Copper Surrogates (48” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, Sections 1–4: February 23–27/April 9, 2018, Los Angeles, California; September 2–4, 2019, Brussels, Belgium) 2018– Polished copper 18 1/2 x 14 1/16 x 18 1/2 inches each, 4 parts Surrogates (Modular, Art Handling), 2014– Exhibition: Equivalents, 2018 Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1533167922621-WL39P8TNAVZPVJK4P8S4/WB-1672-5.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Copper Surrogates (48” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, Sections 5–8: February 23–27/April 9, 2018, Los Angeles, California; September 2–4, 2019, Brussels, Belgium) 2018– Polished copper 18 1/2 x 14 1/16 x 18 1/2 inches each, 4 parts Surrogates (Modular, Art Handling), 2014– Exhibitions: Equivalents, 2018 Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564789955-Z2LV0M2BOQ8SMIX2HY3R/WB-1695-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Body Prints (Valsartan 160 Mg Tablet [January 27, 2017]/Left Dorsum; Azithromycin 250 Mg Dose Pack [November 19, 2015]/Left Zygomatic Bone and Attending Soft Tissues) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Body Prints, 2017– Exhibitions: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564799045-ZC9B22Z5RXDQ9ES5SOJH/WB-1698-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Body Prints (Hydrocodon-Acetaminophen 5-325 [October 19, 2015]/Right Dorsum; Amphetamine Salts 10 Mg Tablet [April 4, 2016]/Pectorals) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Body Prints, 2017– Exhibitions: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564802167-QJIVG2C89VCSV3D6XO50/WB-1699-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Body Prints (Diovan 160mg Tablet [May 20, 2014]; Voltaren 1% Gel [September 4, 2014]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 2 parts Body Prints, 2017– Exhibitions: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564792900-7RFL6Y7HXZG1MQFTLDPV/WB-1696-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Body Prints (Siemens MAGNETOM Spectra Magnetic Resonance Imaging, Eight Cross Sections: Right Patella, Femur, Tibia, Fibula, and Attending Soft Tissues [August 30, 2017]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 8 parts Body Prints, 2017– Exhibitions: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564795438-W2NGCDJPNVAUQKOYTTLK/WB-1697-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Body Prints (Siemens MAGNETOM Spectra Magnetic Resonance Imaging, Eight Cross Sections: Left Patella, Femur, Tibia, Fibula, and Attending Soft Tissues [September 28, 2017]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 8 parts Body Prints, 2017– Exhibitions: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564804807-3QEE8ZL1ER0QA08HOHC9/WB-1700-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Body Prints (Fluticasone Prop 50 Mcg Spray [January 16, 2015]; Lorazepam 1 Mg Tablet [March 12, 2015]; Ketoconazole 2% Cream [May 28, 2015]; L-Methylfolate 7.5 Mg Tablet [August 17, 2015]; Hydrocodon-Acetaminophen 5-325 [October 19, 2015]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 5 parts Body Prints, 2017– Exhibitions: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564807599-FLB4T46ETNW1PBBFI322/WB-1701-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Body Prints (Bupropion HCL XL 150 Mg Tablet [January 20, 2016]; Doxycycline Mono 100 Mg Cap [January 29, 2016]; Amphetamine Salts 10 Mg Tablet [April 4, 2016]; Zolpidem Tartrate 10 Mg Tablet [November 4, 2016]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 4 parts Body Prints, 2017– Exhibitions: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564810343-GBHI0853SSAHWBYH29ZW/WB-1702-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Body Prints (Valsartan 160 Mg Tablet [January 25, 2017]; Finasteride 1 Mg Tablet [January 25, 2017]; Amphetamine Salts 10 Mg Tablet [January 26, 2017]; Citalopram HBR 20 Mg Tablet [January 26, 2017]; Alprazolam 0.5 Mg Tablet [March 16, 2017]; Meloxicam 15 Mg Tablet [September 18, 2017]; Hydrocodon-Acetaminophen 5-325 [October 19, 2017]; Gabapentin 300 Mg Capsule [October 24, 2017]; Zolpidem Tartrate 10 Mg Tablet [December 18, 2017]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 9 parts Body Prints, 2017– Exhibitions: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564812270-8JF7K7S10H9FBWDEEAJT/WB-1703-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Body Prints (Citalopram HBR 20 Mg Tablet [January 17, 2018]; Valsartan 160 Mg Tablet [January 17, 2018]; Finasteride 1 Mg Tablet [January 26, 2018]) 2018 Etched copper-clad FR-4 glass-reinforced epoxy laminate board 12 x 8 inches each, 3 parts Body Prints, 2017– Exhibitions: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1523564814885-ZWIN9MZNJET5GE5G0EFH/WB-1704-1.jpg</image:loc>
      <image:title>2018</image:title>
      <image:caption>Foundation Crack 2018 22 karat gold leaf Dimensions variable Exhibitions: Equivalents, 2018</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/blind-collages-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917690572-2B003GUM69747Y7FSVZX/00121+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, China Daily: Beijing, China, Monday, October 1, 2012) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917690572-2B003GUM69747Y7FSVZX/00121+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, China Daily: Beijing, China, Monday, October 1, 2012) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917690788-ERWTRL63BCM3D8FV2FK4/00221+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, South China Morning Post: Tai Po, Hong Kong, Tuesday, October 2, 2012) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917691287-1XVULPE1DIUXMOMU5OTH/00321+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, International Herald Tribune: Beirut, Lebanon, Tuesday, June 4, 2013) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917691651-8X4640R7KCL4WDIZNPW2/00421+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Al-Mustaqbal: Beirut, Lebanon, Tuesday, June 3, 2014) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917691846-OEX1CZYPLEY94YQJ965V/00521+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Daily News: Jersey City, New Jersey, Wednesday, September 3, 2014) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917692239-D9RXOC4VVZNIBBHXKYRQ/00721+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, New York Post: New York City, New York, Thursday, September 4, 2014) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917692851-H5YJTVUSAV4Y7NE8FRPV/00921+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, ¡Pásala!: Mexico City, Mexico, Saturday, February 7, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917693461-SC7ZDRA8Z1LQD7RB4F7B/01121+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, La Prensa Jalisco: Guadalajara, Mexico, Sunday, March 1, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917693908-U3CTP1RG3UREWQZ6ER9X/01221+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Metro: Guadalajara, Mexico, Wednesday, August 19, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917694488-329CNJSAMC9D9XV6O96X/01521+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, International New York Times: Beirut, Lebanon, Monday, October 26, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917695413-VZY8W7LGNV32ZF5DWMCX/01621+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Al Hayat: Beirut, Lebanon, Sunday, November 1, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917695701-E9NQJ079V0ITNCZQF8TV/01821+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Le Monde: Paris, France, Thursday, March 3, 2016) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917696722-YI8R7H38ZUWW3J4YM120/01921+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Nikkan Sports: Tokyo, Japan, Wednesday, March 22, 2017) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917697107-C5BWDPIEOHKANCW0C835/02021+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times International Edition, Distributed with The Japan Times: Tokyo, Japan, Thursday, March 23, 2017) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917697740-FTBXSA10HCPIHDQ1QYAC/02321+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Il Mattino: Naples, Italy, Sunday, September 9, 2018) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917698523-W7HA6CETT2TZ28V0A4Z1/02421+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, La Repubblica: Naples, Italy, Thursday, March 28, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917698908-RSV43RFAZLSU7P4ZFO2O/02621+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The Times: Waltham Cross, United Kingdom, Tuesday, July 9, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917699430-B2HQY2PZO635WNLQIG86/02721+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, La Repubblica: Naples, Italy, Monday, September 9, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917699822-XUZWI4DBD1CEAXHODB03/02821+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times International Edition: Villasanta, Italy, Monday, September 9, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917700849-45B2H37G1ZIJXBN5W0K1/02921+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Blick: Zurich, Switzerland, Thursday, December 12, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917701219-GUJ484QOPQZXH86VP88Q/03021+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times: New York City, New York, Sunday, May 24, 2020) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917701599-OO6XMYMMP1KHCC23WABN/03121+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times: Buffalo, New York, Thursday, January 7, 2021) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917702052-4ZBE46BS6CAHU064ABXS/03321+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Los Angeles Times: Los Angeles, California, Thursday, January 14, 2021) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589839860427-1UT20HQYNB3NHV4SXVK7/00120.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Der Landbote, January 13, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589839860563-LWKTYJOGRWYUADRL3A6L/00220.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Neue Zürcher Zeitung, January 14, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589839861562-587LNR7KKDZWU9S4IN9P/00320.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Blick, January 15, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589839862242-P4CS5B55V280DB74GTEF/00420.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, January 16, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589839862865-UOLNIMKFLZIHD3UO87HV/00520.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Hürriyet, January 17, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589839863756-GPF858W3L5WTZDN0BGEC/00620.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, SonntagsZeitung, January 19, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589839863909-V1K42S0W2PEU6KHE6Z9L/00720.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Neue Zürcher Zeitung, January 20, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589839865039-WC01NRM1JU96DB0M5VJC/00820.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, January 21, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589839865859-1S0PQSJWK3D3S77QONLR/00920.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Corriere del Ticino, January 22, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589839866399-P3GRRT24YTF8BDH95OHH/01020.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Blick, January 23, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157175588-89LDIOW6RLGQJLQD77NJ/WB+19_018_edit.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Friday, October 11, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157172309-O6G9CBEV9BX8TE0EDCXO/WB+19_019_edit.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Thursday, October 17, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157175335-QJ61QH9MFI85DY58R844/WB+19_020_edit.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Friday, October 18, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157178235-ZA0IQK0UBDEIHJ93GPZJ/WB+19_021_edit.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Sunday, October 20, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157182124-LXS6DMTL9F6FAZSWWPQZ/WB+19_022_edit.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Monday, October 21, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157181246-57YAS9PPYL4LAXRPYYGB/WB+19_023_edit.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Wednesday, October 23, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649176808-VOFR3Z4Y2V0ID4P7Y30T/WB+19_012.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Thursday, October 10, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649181681-8DCT19EKB46CHAX2LPJC/WB+19_013.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Monday, October 14, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649180405-8L2N0Y48N7M0KCYAPGV1/WB+19_014.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Tuesday, October 15, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649184651-M8HK2BVJ9HKZTK7HK15M/WB+19_015.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Wednesday, October 16, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649192476-FIBSE74L3BM6AYVE1BNZ/WB+19_016.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Saturday, October 19, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649188364-S19ZXYD68YSADWTGIGAQ/WB+19_017.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Tuesday, October 22, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649386495-UU7KI0IRDDHX42B5KRNU/WBes153.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, de Standaard, Tuesday, September 3, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649379290-VOK0VNYDDTZ3SESYHXSQ/WBes154.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Le Soir, Wednesday, September 4, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649385660-D0YQIFY5LZI12EDC1HNQ/WBes155.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, The New York Times International Edition, Thursday, September 5, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649418999-885PCYYQD97J7OXI6LNT/Besthy_ph+FSqueglia_1010.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Il Mattino, Venerdi 14 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649412740-8VLEP1YWIEIBPIBFQC3G/Besthy_ph+FSqueglia_1012.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Il Mattino, Martedi 18 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649426153-FTJP0ZEAB44C8FZEKU7F/Besthy_ph+FSqueglia_1014.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Il Mattino, Mercoledi 12 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649447632-QNVXV0E3Q52ZP6I8H9HP/Besthy_ph+FSqueglia_1016.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Il Mattino, Govedi 13 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649436113-PPRTTITO1G6UIEIIK22P/Besthy_ph+FSqueglia_1018.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Il Mattino, Martedi 11 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649445814-0X3SUHKXMZIED849G23F/Besthy_ph+FSqueglia_1020.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Il Mattino, Giovedi 20 Settembre 2018) 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Exhibition: Aggregato, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649452437-EIA65DD3STF9LG7AU3K1/WB-1674.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Tuesday, February 27, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649450730-Z4AXFKVDCXYVNDCRGTUR/WB-1675.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Wednesday, February 28, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649453754-GHEYLQWLDEDALRE7NRKD/WB-1676.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Thursday, March 1, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572649455741-ODRE7Q3PLQZP8BZ6E7PO/WB-1677.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Friday, March 2, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572980367624-O2SXAL0CSIGJF4CPN8YT/WB-1670.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Los Angeles Times, Monday, February 26, 2018) 2018 Newspaper, tape, and 22 karat gold leaf 34 1/2 x 33 3/4 inches Exhibition: Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589845678098-1O73RSH3F7EAQ3W79ZQC/WB+1626+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Four 180º Rotations, The New York Times International Edition, Distributed with The Japan Times, Friday, March 24, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Exhibition: Transparencies, 2017 Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589845678350-UHS1MEG72N66TWWPDQ6O/WB+1627+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times International Edition, Distributed with The Japan Times, Thursday, March 23, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Exhibition: Transparencies, 2017 Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589845681119-ECWENEKUQPAT8NNFBBGP/WB+1628+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, The New York Times International Edition, Distributed with The Japan Times, Wednesday, March 22, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Exhibition: Transparencies, 2017 Equivalents, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589845681118-TOBNYZ72COIAQM5UI080/WB+1629+framed.jpg</image:loc>
      <image:title>Blind Collages, 2017–</image:title>
      <image:caption>Blind Collage (Four 180º Rotations, The New York Times International Edition, Distributed with The Japan Times, Tuesday, March 21, 2017) 2017 Newspaper, tape, and 22 karat gold leaf 43 5/8 x 33 1/8 inches Exhibition: Transparencies, 2017 Equivalents, 2018</image:caption>
    </image:image>
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    <lastmod>2021-04-09</lastmod>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato press release Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato press release Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato press release Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539886003846-4LDTKWRPU64RUT8GVK05/2014_WB_TDA04713_Copper+Surrogate+%2860%2522+x+120%2522+48+ounce+C1100+Copper+Alloy%2C+90%C2%B0+Bend%2C+60%2522+Bisection%3ASection+3+October+20%3A27%2C+2014%2C+Paris%2C+France%3B+November+25%3AJanuary+26-27%2C+2014%2C+London%2C+United+Kingdom%29_1.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Aggregato Thomas Dane Gallery, Naples, Italy 2018</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539886608586-HGYWTITRWPZUNV9GY8LL/2018_WB_TDA09905_Office+Work+%28Apple+iMac+A1224+20-inch+2.4+GHz+Intel+Core+2+Duo%29.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018 - &lt;del&gt;Office Work (Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo)&lt;/del&gt;</image:title>
      <image:caption>2018 Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo Dimensions variable Machines, 2014–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539887165012-9R1P8X0ZNQ59OGQHSPVI/Besthy_ph+FSqueglia_0697.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Copper Table (PK 55 designed by Poul Kjœrholm: Miami Beach Convention Center, Miami Beach, Florida, December 3–6, 2009) 2009 Polished copper 26 3/4 x 55 1/2 x 33 1/2 inches (13/16 inch top) Surrogates (Tabletop and Desktop), 2008–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539886004344-1GYQ6ADFX34GM5Y28W9M/2014_WB_TDA04713_Copper+Surrogate+%2860%2522+x+120%2522+48+ounce+C1100+Copper+Alloy%2C+90%C2%B0+Bend%2C+60%2522+Bisection%3ASection+3+October+20%3A27%2C+2014%2C+Paris%2C+France%3B+November+25%3AJanuary+26-27%2C+2014%2C+London%2C+United+Kingdom%29_2.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy) Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy) 2014– Polished copper 11 x 60 x 60 inches Surrogates (Modular, Art Handling), 2014–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539886030592-IXENG0QGK0N0971F53EU/2014_WB_TDA10049_1to4+Scale+Copper+Surrogates+%2890%C2%BA+Bends%2C+127+1%3A2%C2%BA+150%C2%BA+Antidiagonal%3A30%C2%BA+Diagonal+Bisection...%29_3.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy) 2014– Polished copper, 6 parts Surrogates (Full Sheet, Art Handling), 2011–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539886047612-AT48O4NVSP9PJ0U6NZWQ/2014_WB_TDA10049_1to4+Scale+Copper+Surrogates+%2890%C2%BA+Bends%2C+127+1%3A2%C2%BA+150%C2%BA+Antidiagonal%3A30%C2%BA+Diagonal+Bisection...%29_6.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy) 2014– Polished copper, 6 parts Surrogates (Full Sheet, Art Handling), 2011–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539887217994-WM8KYO305LHHOW8Q5JW4/Besthy_ph+FSqueglia_0793.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy) 2013–2018 Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain 20 1/2 x 19 1/2 x 29 inches Ceramics, 2013–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1544468501189-REIDXO4LUH1YF1L6A381/Walead+Beshty_ph+FSqueglia_8541.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Detail of Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy) 2013–2018 Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain 20 1/2 x 19 1/2 x 29 inches Ceramics, 2013–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539887253405-JOZTCGRL4PLKLS8SU6YZ/Besthy_ph+FSqueglia_0818.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Lo Desconocido (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) 2015 Ceramica Suro slip cast remnants, glaze, and firing plate 26 1/2 x 42 x 31 inches Ceramics, 2013–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1541443709066-RG43CIGWRUVY7TYS88XW/WB_07109_edit.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Three Color Curl (CMY/Six Magnet: Irvine, California, September 6, 2009, Fuji Crystal Archive Type C, Em. No. 165-021, 07109) 2011 Color photographic paper 51 1/2 x 109 3/4 inches Three-Color Curls, 2008–2013</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06410) 2018 Color photographic paper 106 x 51 1/2 inches Black Curls, 2010–2013</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections) 2014 Polished copper Dimensions variable, 7 parts Remnants, 2011–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539887509867-BKJQVDD1HY368ATC2B9O/Besthy_ph+FSqueglia_1018.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Il Mattino, Martedi 11 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539887491341-7V4DNQDXWKD7PJXHOXJN/Besthy_ph+FSqueglia_1014.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Il Mattino, Mercoledi 12 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
    </image:image>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Il Mattino, Govedi 13 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539887474902-J89BT8RW5QUL1XT6HRQD/Besthy_ph+FSqueglia_1010.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Il Mattino, Venerdi 14 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539887489305-YWGST3E9XHGRIA4CVA4L/Besthy_ph+FSqueglia_1012.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Il Mattino, Martedi 18 Settembre 2018 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572981063673-O3IN6G5J6KE7XB661DUO/Besthy_ph+FSqueglia_1020.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Il Mattino, Giovedi 20 Settembre 2018) 2018 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539886010898-9MT8OCWH9625HPM6BYS9/2014_WB_TDA08515_New+York%2C+New+York%2C+July+1%2C+2014%2C+Frame+No.34.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>New York, New York, July 1, 2014, Frame No. 34 2014 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 20 x 13 1/2 inches Art Handling, 2011–</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539886604192-1GXZ3I6929YWDAVRNBJU/2017_WB_TDA08514_Los+Angeles%2C+California%2C+April+4%2C+2014%2C+Frame+No.7.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Los Angeles, California, April 4, 2014, Frame No. 7 2017 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 20 x 13 1/2 inches Art Handling, 2011–</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539886054777-PTB96KS3K2GX0L3B3GEY/2017_WB_TDA08513_Turin%2C+Italy%2C+November+3%2C+2011%2C+Frame+No.4.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Turin, Italy, November 3, 2011, Frame No. 4 2017 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 20 x 13 1/2 inches Art Handling, 2011–</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1539886054600-EJ6BGXIG8E0YANJS0HPX/2017_WB_TDA08512_Turin%2C+Italy%2C+November+3%2C+2011%2C+Frame+No.33.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Turin, Italy, November 3, 2011, Frame No. 33 2017 Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper 20 x 13 1/2 inches Art Handling, 2011–</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1544468440310-O4ET5O3QX8KX9PY1HPOW/Walead+Beshty_ph+FSqueglia_8507.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Bound letterpress and digital offset print volumes 27 11/16 x 19 5/8 inches, each</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1544468437849-53M3ITMLDQJV2770JZSF/Walead+Beshty_ph+FSqueglia_8509.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Bound letterpress and digital offset print volumes 27 11/16 x 19 5/8 inches, each</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1544468456778-WK9RYBOIRXIC9I1S3H2O/Walead+Beshty_ph+FSqueglia_8511.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Bound letterpress and digital offset print volumes 27 11/16 x 19 5/8 inches, each</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1544468458697-62FC9YGV5M43WX3DRVF0/Walead+Beshty_ph+FSqueglia_8512.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Bound letterpress and digital offset print volumes 27 11/16 x 19 5/8 inches, each</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1544468469536-IGB1J29ZJRZ3ZZM8NHPB/Walead+Beshty_ph+FSqueglia_8521.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Bound letterpress and digital offset print volumes 27 11/16 x 19 5/8 inches, each</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1544468470155-DDSZA7I9C7DFXNJ23356/Walead+Beshty_ph+FSqueglia_8525.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Bound letterpress and digital offset print volumes 27 11/16 x 19 5/8 inches, each</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1544468479282-CBA363D4TOUOHW51FO21/Walead+Beshty_ph+FSqueglia_8526.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Bound letterpress and digital offset print volumes 27 11/16 x 19 5/8 inches, each</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1544468479601-4NKWUKE83SS9UG2LU1N3/Walead+Beshty_ph+FSqueglia_8529.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014) 2014 Bound letterpress and digital offset print volumes 27 11/16 x 19 5/8 inches, each</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1544468715248-4I583W66CS9JORS1YZO8/Walead+Beshty_ph+FSqueglia_1063.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 17, 2014 2014 Ink on paper 10 x 12 1/2 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1544468715372-BWKFC88QPHEXDUGE8V45/Walead+Beshty_ph+FSqueglia_1073.jpg</image:loc>
      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 18, 2014 2014 Ink on paper 10 x 12 1/2 inches</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 16, 2014 2014 Ink on paper 10 x 12 1/2 inches</image:caption>
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      <image:title>Aggregato, Thomas Dane Gallery Naples, 2018</image:title>
      <image:caption>Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 15, 2014 2014 Ink on paper 10 x 12 1/2 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/picture-industry-a-provisional-history-of-the-technical-image-18442018</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2018-11-01</lastmod>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
    </image:image>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
    </image:image>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
    </image:image>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
    </image:image>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
    </image:image>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
    </image:image>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
    </image:image>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
    </image:image>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
    </image:image>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
    </image:image>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
    </image:image>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018</image:title>
      <image:caption>Walead Beshty, ed., Picture Industry: A Provisional History of the Technical Image, 1844–2018, ex. cat. (Zurich: JRP|Ringier, CCS Bard, and Luma Foundation, 2018), with a foreword by Maja Hoffmann and Tom Eccles.</image:caption>
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  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/picture-industry-a-provisional-history-of-the-technical-image-18442018-luma-arles-2018</loc>
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    <priority>0.75</priority>
    <lastmod>2018-12-13</lastmod>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018, Luma Arles, 2018</image:title>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018, Luma Arles, 2018</image:title>
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      <image:title>Picture Industry: A Provisional History of the Technical Image, 1844–2018, Luma Arles, 2018</image:title>
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      <image:caption>Selected Works (2012–2013/April 2, 2012–June 3, 2013) 2014 Color photographic paper, black and white photographic paper, archival inkjet papers 90 x 50 inches Selected Works, 2008–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568760287411-2I3J9DUN4RTGIVB2OY9W/MAMCO-2019-Walead-Beshty-Annik-Wetter-030-HD.jpg</image:loc>
      <image:title>Musée d'art moderne et contemporain, Geneva, Switzerland, 2019</image:title>
      <image:caption>Selected Works (2012–2013/September 5, 2012–March 12, 2013) 2014 Black and white fiber based photographic paper, color photographic paper, and archival inkjet papers 40 x 30 inches Selected Works, 2008–</image:caption>
    </image:image>
    <image:image>
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      <image:title>Musée d'art moderne et contemporain, Geneva, Switzerland, 2019 - &lt;del&gt;Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV&lt;/del&gt;</image:title>
      <image:caption>2018 Sharp PN-LE901 90-inch HD 1080p LED-backlit LCD TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568760283794-H6FBZX68KBLR5TUNEVSF/MAMCO-2019-Walead-Beshty-Annik-Wetter-033-HD.jpg</image:loc>
      <image:title>Musée d'art moderne et contemporain, Geneva, Switzerland, 2019 - &lt;del&gt;Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV&lt;/del&gt;</image:title>
      <image:caption>2017 Sharp LC-90LE657U 90-inch Aquos HD 1080p 120Hz 3D Smart LED TV 80 7/8 x 47 11/16 x 4 1/2 inches Televisions, 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568760208518-9ZULWYGLY9Z2DU36Y22T/MAMCO-2019-Walead-Beshty-Annik-Wetter-017-HD.jpg</image:loc>
      <image:title>Musée d'art moderne et contemporain, Geneva, Switzerland, 2019</image:title>
      <image:caption>1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11–12/December 29, 2018, Naples, Italy; May 22, 2019, Geneva, Switzerland) 2014– Polished copper Dimensions variable Surrogates (Full Sheet, Art Handling), 2011–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568760299715-YCLX7WBEDDCH5QKZE1MH/MAMCO-2019-Walead-Beshty-Annik-Wetter-038-HD.jpg</image:loc>
      <image:title>Musée d'art moderne et contemporain, Geneva, Switzerland, 2019</image:title>
      <image:caption>Untitled (Musée d'Art moderne et contemporain, Geneva, Switzerland, 29 mai–8 septembre, 2019) 2019 Laminated mirror and glass, neoprene Dimensions variable Mirrored Floor Work, 2009–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569431978280-9GDXJYUFYTVTVAJDHUTH/MAMCO-2019-Walead-Beshty-Annik-Wetter-IP038.jpg</image:loc>
      <image:title>Musée d'art moderne et contemporain, Geneva, Switzerland, 2019</image:title>
      <image:caption>Industrial Portraits (2008–) 2019– Digital video, 35mm roll scans 136 minutes, 36 seconds Industrial Portraits (2008–), 2019–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568760359297-1MXSGLKJXBVVZ3MZVPQ3/MAMCO-WaleadBeshty-IndustrialPortraits-07-HD.jpg</image:loc>
      <image:title>Musée d'art moderne et contemporain, Geneva, Switzerland, 2019</image:title>
      <image:caption>Industrial Portraits (2008–) 2019– Digital video, 35mm roll scans 136 minutes, 36 seconds Industrial Portraits (2008–), 2019–</image:caption>
    </image:image>
  </url>
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      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures invitation Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1574799402039-QOUNM1DJ8WCF7WC2M5YF/ThreePictures_Edit.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures invitation Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568764952043-63Z2BQUAYYR1KCX03M6V/WBes%40rj2019_01.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
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    <image:image>
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      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568764956461-LUJD1229I5JLBRDMIWXS/WBes%40rj2019_03.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568764968701-WMEN4RFTWTSMLDSESVX2/WBes%40rj2019_04.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568764961323-FB9EOWY6BN5FFK6WHFIB/WBes%40rj2019_05.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568764968801-RN1ZKIM66K4MXM6F26C9/WBes%40rj2019_06.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568765004711-WVTQFCMS2PA91HIYTWKD/WBes%40rj2019_07.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568764983084-70F1O9PZFZVS7QCMZ3GL/WBes%40rj2019_08.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568764999337-RJAGM279VNXEC055T28F/WBes%40rj2019_09.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568765013864-4EWE21XAFVLDCK96386G/WBes%40rj2019_10.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568765017775-HAGJJ1K8P35XD7JFBC7Q/WBes%40rj2019_11.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568765036562-JOU2SJ8UUQAYUIAT8ESE/WBes%40rj2019_12.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Three Pictures Rodolphe Janssen, Brussels 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568765030512-UTAPM6XB4VN5YZX9OZU2/WBes142-4.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Copper Surrogates (48” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, 8 Sections: February 23–27/April 9, 2018, Los Angeles, California; September 2–4, 2019, Brussels, Belgium), detail 2018– Polished copper 18 1/2 x 14 1/16 x 18 1/2 inches each, 8 parts Surrogates (Modular, Art Handling), 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568765049953-61MC12RV2ZU0LO42LJI8/WBes142-5.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Copper Surrogates (48” x 120” 48 ounce C11000 Copper Alloy, 45º/45º/90º, 8 Sections: February 23–27/April 9, 2018, Los Angeles, California; September 2–4, 2019, Brussels, Belgium), detail 2018– Polished copper 18 1/2 x 14 1/16 x 18 1/2 inches each, 8 parts Surrogates (Modular, Art Handling), 2014–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568765046468-QQ13C2XDVG8XU6EVS9YX/WBes153.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, de Standaard, Tuesday, September 3, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568765080552-M54W5TW1QT0EW674B6K7/WBes154.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Le Soir, Wednesday, September 4, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568765068752-2CW75FMP2HRJWCTFFQWR/WBes155.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, The New York Times International Edition, Thursday, September 5, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568765080084-9AKB9TJ6GJPH1TTUSHVF/WBes163.jpg</image:loc>
      <image:title>Three Pictures, Rodolphe Janssen, 2019</image:title>
      <image:caption>Office Work (Apple MacBook Pro A1229) 2015 Apple Macbook Pro A1229 72 1/4 x 10 3/4 x 10 7/8 inches Machines, 2014–</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/aichi-triennale-taming-y/our-passion-aichi-prefecture-japan-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568767992549-H357CB0DIDDQIJI42KTR/_DSC0153_01.jpg</image:loc>
      <image:title>Aichi Triennale: Taming Y/Our Passion, Aichi Prefecture, Japan, 2019</image:title>
      <image:caption>Aichi Triennale: Taming Y/Our Passion Curated by Meruro Washida Aichi Prefecture Japan 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1568767992549-H357CB0DIDDQIJI42KTR/_DSC0153_01.jpg</image:loc>
      <image:title>Aichi Triennale: Taming Y/Our Passion, Aichi Prefecture, Japan, 2019</image:title>
      <image:caption>Aichi Triennale: Taming Y/Our Passion Curated by Meruro Washida Aichi Prefecture Japan 2019</image:caption>
    </image:image>
    <image:image>
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      <image:title>Aichi Triennale: Taming Y/Our Passion, Aichi Prefecture, Japan, 2019</image:title>
      <image:caption>Aichi Triennale: Taming Y/Our Passion Curated by Meruro Washida Aichi Prefecture Japan 2019</image:caption>
    </image:image>
    <image:image>
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      <image:title>Aichi Triennale: Taming Y/Our Passion, Aichi Prefecture, Japan, 2019</image:title>
      <image:caption>Aichi Triennale: Taming Y/Our Passion Curated by Meruro Washida Aichi Prefecture Japan 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589844737302-44HMHC8EV0YR3PB9BW5R/00219-00319.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: February 12/18, 2019, Los Angeles, California; January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: February 12/18, 2019, Los Angeles, California; January 13–17, 2020, Winterthur, Switzerland) 2019– Polished copper 24 x 33 x 17 inches / 24 x 33 x 9 inches Curved Copper Surrogate Works, 2019– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589844737302-44HMHC8EV0YR3PB9BW5R/00219-00319.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: February 12/18, 2019, Los Angeles, California; January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: February 12/18, 2019, Los Angeles, California; January 13–17, 2020, Winterthur, Switzerland) 2019– Polished copper 24 x 33 x 17 inches / 24 x 33 x 9 inches Curved Copper Surrogate Works, 2019– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589844737541-JNDMNCZWPR6QLVXSQUKL/01719-01819.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Convex Curve) Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Concave Curve) 2019 Polished steel 24 x 33 x 17 inches / 24 x 33 x 9 inches Curved Steel Surrogate Works, 2019– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589844579953-2FA7CHD4WGAWZ9I4PFMB/steel+curve+crop.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Convex Curve) Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Concave Curve) Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Convex Curve) 2019 Polished steel 48 x 33 x 17 inches / 48 x 33 x 9 inches / 48 x 33 x 17 inches Curved Steel Surrogate Works, 2019 Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157466440-CCB4GQ5N3AE22HMVA9A5/WB+19_018_edit.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Friday, October 11, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157468077-W3UDEAPF4ZK0OXAYT9LE/WB+19_019_edit.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Thursday, October 17, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157470326-1L7S4I3IDA80TFHUGTPK/WB+19_020_edit.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Friday, October 18, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157474311-WKTGPE4JT1MF7R31FP4O/WB+19_021_edit.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Sunday, October 20, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157473471-UDVSBVWCBHCF2K795UYQ/WB+19_022_edit.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Monday, October 21, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1573157476643-BZNPM0LY3Z6QT59E5PO4/WB+19_023_edit.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, Wednesday, October 23, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572992049931-M14FQL110WI0ARMXB9KP/WB+19_012.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Thursday, October 10, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572992047188-GIAENUHCICPY8KSCEIAF/WB+19_013.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Monday, October 14, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
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      <image:title>2019</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Tuesday, October 15, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572992052066-MFVSQSLZC2YVTJIHR569/WB+19_015.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Wednesday, October 16, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572992055367-79TIUKS0296SO5MEMMD2/WB+19_016.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Saturday, October 19, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1572992054778-L12Y4SMXRVWUWL3YJ92J/WB+19_017.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Two 180º Rotations, New York Post, Tuesday, October 22, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Abstract of a Partial Disassembling of an Invention without a Future … , 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569021919116-016JDTGA9YZ67D37OXWL/WBes153.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, de Standaard, Tuesday, September 3, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569021917184-FTUG8LWH43V5IYG2U56C/WBes154.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, Le Soir, Wednesday, September 4, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569021922250-Z7BXPGXACWJ80SSJKEIB/WBes155.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Blind Collage (Three 180° Rotations, The New York Times International Edition, Thursday, September 5, 2019) 2019 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Three Pictures, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569023761854-NQYYOZNRCBCHZR8KKBUI/MAMCO-2019-Walead-Beshty-Annik-Wetter-041-HD.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Untitled (Musée d'Art moderne et contemporain, Geneva, Switzerland, 29 mai–8 septembre, 2019) 2019 Laminated mirror and glass, neoprene Dimensions variable Mirrored Floor Work, 2009– Exhibition: Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569441977339-YBUO6G5IHGQACKS48AB2/MAMCO-2019-Walead-Beshty-Annik-Wetter-IP038.jpg</image:loc>
      <image:title>2019</image:title>
      <image:caption>Industrial Portraits (2008–) 2019– Digital video, 35mm roll scans 136 minutes, 36 seconds Industrial Portraits (2008–), 2019– Exhibition: Musée d'art moderne et contemporain, 2019 Standard Deviations, 2020</image:caption>
    </image:image>
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      <image:title>Industrial Portraits (2008–), 2019–</image:title>
      <image:caption>Industrial Portraits (2008–) 2019– Digital video, 35mm roll scans 136 minutes, 36 seconds Standard Deviations, 2020 Musée d'art moderne et contemporain, 2019</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569441630966-BDXNYSDTHLE2XKYJCT7N/MAMCO-2019-Walead-Beshty-Annik-Wetter-IP038.jpg</image:loc>
      <image:title>Industrial Portraits (2008–), 2019–</image:title>
      <image:caption>Industrial Portraits (2008–) 2019– Digital video, 35mm roll scans 136 minutes, 36 seconds Standard Deviations, 2020 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569441652346-2BY2HA5NESVN4I7Z1GUD/MAMCO-WaleadBeshty-IndustrialPortraits-07-HD.jpg</image:loc>
      <image:title>Industrial Portraits (2008–), 2019–</image:title>
      <image:caption>Industrial Portraits (2008–) 2019– Digital video, 35mm roll scans 136 minutes, 36 seconds Standard Deviations, 2020 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1569441666150-MHFYNGWOWOB9PL0ZLH5U/MAMCO-WaleadBeshty-IndustrialPortraits-03-HD.jpg</image:loc>
      <image:title>Industrial Portraits (2008–), 2019–</image:title>
      <image:caption>Industrial Portraits (2008–) 2019– Digital video, 35mm roll scans 136 minutes, 36 seconds Standard Deviations, 2020 Musée d'art moderne et contemporain, 2019</image:caption>
    </image:image>
  </url>
  <url>
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      <image:title>Abstract of A Partial Disassembling of an Invention without a Future ..., Petzel, 2019</image:title>
      <image:caption>Abstract of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench poster Petzel Gallery, New York 2019</image:caption>
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      <image:title>Abstract of A Partial Disassembling of an Invention without a Future ..., Petzel, 2019</image:title>
      <image:caption>Abstract of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench poster Petzel Gallery, New York 2019</image:caption>
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      <image:title>Abstract of A Partial Disassembling of an Invention without a Future ..., Petzel, 2019</image:title>
      <image:caption>Abstract of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench press release Petzel Gallery, New York 2019</image:caption>
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      <image:caption>Abstract of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench press release Petzel Gallery, New York 2019</image:caption>
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      <image:title>Abstract of A Partial Disassembling of an Invention without a Future ..., Petzel, 2019</image:title>
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      <image:title>Abstract of A Partial Disassembling of an Invention without a Future ..., Petzel, 2019</image:title>
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      <image:caption>Prologue to A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels are Lying Around at Random All Over the Workbench (1 August–8 October 2013) 2014 Ferric ammonium citrate and potassium ferricyanide on cellulose-based material Dimensions variable, 1,384 pieces</image:caption>
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      <image:caption>Standard Deviations Kunst Museum Winterthur, Switzerland 2020</image:caption>
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      <image:title>Standard Deviations, Kunst Museum Winterthur, 2020</image:title>
      <image:caption>Standard Deviations Kunst Museum Winterthur, Switzerland 2020</image:caption>
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      <image:title>Standard Deviations, Kunst Museum Winterthur, 2020</image:title>
      <image:caption>Standard Deviations Kunst Museum Winterthur, Switzerland 2020</image:caption>
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      <image:title>Standard Deviations, Kunst Museum Winterthur, 2020</image:title>
      <image:caption>Standard Deviations Kunst Museum Winterthur, Switzerland 2020</image:caption>
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      <image:title>Standard Deviations, Kunst Museum Winterthur, 2020</image:title>
      <image:caption>Standard Deviations Kunst Museum Winterthur, Switzerland 2020</image:caption>
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      <image:title>Standard Deviations, Kunst Museum Winterthur, 2020</image:title>
      <image:caption>Standard Deviations Kunst Museum Winterthur, Switzerland 2020</image:caption>
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      <image:title>Standard Deviations, Kunst Museum Winterthur, 2020</image:title>
      <image:caption>Standard Deviations Kunst Museum Winterthur, Switzerland 2020</image:caption>
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      <image:title>Standard Deviations, Kunst Museum Winterthur, 2020</image:title>
      <image:caption>Standard Deviations Kunst Museum Winterthur, Switzerland 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585350518597-M41UXETOEJKVDSV8FFM2/Beshty+20+Sammlung-7A.jpg</image:loc>
      <image:title>Standard Deviations, Kunst Museum Winterthur, 2020</image:title>
      <image:caption>Standard Deviations Kunst Museum Winterthur, Switzerland 2020</image:caption>
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  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2020</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589844685411-P0RL9T3MIAB7GWIXAXD9/04519-04719.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: January 13–17, 2020, Winterthur, Switzerland) 2020– Polished copper 48 x 33 x 9 inches / 48 x 33 x 17 inches / 48 x 33 x 9 inches Curved Copper Surrogate Works, 2019 Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589844685411-P0RL9T3MIAB7GWIXAXD9/04519-04719.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: January 13–17, 2020, Winterthur, Switzerland) 2020– Polished copper 48 x 33 x 9 inches / 48 x 33 x 17 inches / 48 x 33 x 9 inches Curved Copper Surrogate Works, 2019 Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589306365438-Y9TH9DRYDBKR4FXNEM2W/01220+Beshdy+20+Boxen-15.JPG</image:loc>
      <image:title>2020</image:title>
      <image:caption>BANKRUPTCY $349.00 DIVORCE $225.00 (562) 920-4280; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; Liquidacion De SEGUNDA HIPOTECA EVITA LA BANCARROTA (323) 206-3939; DIVORCE CUSTODY 818-277-4006; I BUY HOUSES &amp; UNITS FAST CASH ANY PRICE - ANY AREA - ANY CONDITION 310-490-66332020 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 12 x 18 x 18 inches Sign Box Works, 2020 Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589306362587-MQM0SRHGF1NNEETKSXSK/01220Beshdy+20+Boxen-13.JPG</image:loc>
      <image:title>2020</image:title>
      <image:caption>BANKRUPTCY $349.00 DIVORCE $225.00 (562) 920-4280; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; Liquidacion De SEGUNDA HIPOTECA EVITA LA BANCARROTA (323) 206-3939; DIVORCE CUSTODY 818-277-4006; I BUY HOUSES &amp; UNITS FAST CASH ANY PRICE - ANY AREA - ANY CONDITION 310-490-66332020 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 12 x 18 x 18 inches Sign Box Works, 2020 Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589306420035-JPDU0TOZJET947W7LCCT/01320+Beshdy+20+Boxen-1.JPG</image:loc>
      <image:title>2020</image:title>
      <image:caption>THIS WEEKEND ONLY! SECURITY GUARD TRAINING $7500 323-720-4150 LIVESCAN FIREARMS TRAINING NOTARY; DUENOS DE CASA NUEVO PROGRAMA PERDON DE PRINCIPAL (323) 206-3939; FIX YOUR CREDIT (877) 789-FICO 3426; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; SELL YOUR HOME FAST $$ CASH $$ (323) 316-9801; COMPRAMOS CASAS CASH 323-487-9141 Llame para una evaluación de su casa. 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 24 x 12 inches Sign Box Works, 2020– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589306418064-FEOFLR4D45FOKNMW0SXQ/01320+Beshdy+20+Boxen-3.JPG</image:loc>
      <image:title>2020</image:title>
      <image:caption>THIS WEEKEND ONLY! SECURITY GUARD TRAINING $7500 323-720-4150 LIVESCAN FIREARMS TRAINING NOTARY; DUENOS DE CASA NUEVO PROGRAMA PERDON DE PRINCIPAL (323) 206-3939; FIX YOUR CREDIT (877) 789-FICO 3426; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; SELL YOUR HOME FAST $$ CASH $$ (323) 316-9801; COMPRAMOS CASAS CASH 323-487-9141 Llame para una evaluación de su casa. 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 24 x 12 inches Sign Box Works, 2020– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589306476303-1MJV7LXPC9O9MJ6PFR3U/01420+Beshdy+20+Boxen-5.JPG</image:loc>
      <image:title>2020</image:title>
      <image:caption>NUEVO PROGRAMA DEL GOBIERNO SALVE SU CASA GRATIS REDUCCION DEL PRINCIPAL (323) 804-9910; Flip Houses With Me TRAINING AVAILABLE 951-383-6500; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; I BUY HOUSES 909-378-5224; FATHERS WE CAN HELP... CHILD SUPPORT VISITATION CUSTODY 866-72-DADDY; DIVORCE &amp; CUSTODY 909-485-9282 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 12 x 24 inches Sign Box Works, 2020– Exhibitions: Standard Deviations, 2020 Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589306462452-X6AM3UAL8LVXUFJJ9KA8/01420+Beshdy+20+Boxen-7.JPG</image:loc>
      <image:title>2020</image:title>
      <image:caption>NUEVO PROGRAMA DEL GOBIERNO SALVE SU CASA GRATIS REDUCCION DEL PRINCIPAL (323) 804-9910; Flip Houses With Me TRAINING AVAILABLE 951-383-6500; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; I BUY HOUSES 909-378-5224; FATHERS WE CAN HELP... CHILD SUPPORT VISITATION CUSTODY 866-72-DADDY; DIVORCE &amp; CUSTODY 909-485-9282 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 12 x 24 inches Sign Box Works, 2020– Exhibitions: Standard Deviations, 2020 Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589306518128-9T65D4I3MRI4QAH4QNQL/01520+Beshdy+20+Boxen-17.JPG</image:loc>
      <image:title>2020</image:title>
      <image:caption>K5 FIX YOUR CREDIT (800) 791-6365; PARAMOS LA VENTA de Su CASA en 24 HORAS! No es bancarota o modificación 562-443-7300; PINK SLIPLOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAŃOL WWW.LOAN4TITLE.COM; TAX ADVANCE $2,500 MONEY WITHIN 24HRS 323-481-0787; I BUY HOUSES FAST CA$H ANY AREA, PRICE, CONDITION 818-574-3999; ELIMINE 2DA HIPOTECA (LINEA DE CREDITO) PORGRAMA DEL GOBIERNO *GRATIS* (323) 804-9910 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 24 x 24 inches Sign Box Works, 2020– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589306521833-GFLCS40B4M143XDFF2OR/01520+Beshdy+20+Boxen-19.JPG</image:loc>
      <image:title>2020</image:title>
      <image:caption>K5 FIX YOUR CREDIT (800) 791-6365; PARAMOS LA VENTA de Su CASA en 24 HORAS! No es bancarota o modificación 562-443-7300; PINK SLIPLOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAŃOL WWW.LOAN4TITLE.COM; TAX ADVANCE $2,500 MONEY WITHIN 24HRS 323-481-0787; I BUY HOUSES FAST CA$H ANY AREA, PRICE, CONDITION 818-574-3999; ELIMINE 2DA HIPOTECA (LINEA DE CREDITO) PORGRAMA DEL GOBIERNO *GRATIS* (323) 804-9910 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 24 x 24 inches Sign Box Works, 2020– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589306571844-V5O5C3H4XGL5PFDRHTG3/03519+Beshdy+20+Boxen-9.JPG</image:loc>
      <image:title>2020</image:title>
      <image:caption>I BUY HOUSES FAST EASY CASH ANY CONDITION BANKRUPTCY DIVORCE FORCLOSURE MAJOR REPAIRS ABANDONED INHERITANCE (323) 834-2891; NEED TO SELL YOUR HOUSE? WE BUY HOUSES FAST. CASH. NOW. 714-397-8620; IMMIGRATION Services 323.582-9871 2407 Randolph St., HP; $$$ COMPRO CASAS 310-803-5360; DIVORCE CUSTODY 818-277-4006 Hablamos Español; WE BUY HOUSES 4 CA$H (323) 314-0403 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 18 x 24 inches Sign Box Works, 2020– Exhibitions: Standard Deviations, 2020 Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589306566557-Y2F6E88W5NXXGF88AXOC/03519+Beshdy+20+Boxen-11.JPG</image:loc>
      <image:title>2020</image:title>
      <image:caption>I BUY HOUSES FAST EASY CASH ANY CONDITION BANKRUPTCY DIVORCE FORCLOSURE MAJOR REPAIRS ABANDONED INHERITANCE (323) 834-2891; NEED TO SELL YOUR HOUSE? WE BUY HOUSES FAST. CASH. NOW. 714-397-8620; IMMIGRATION Services 323.582-9871 2407 Randolph St., HP; $$$ COMPRO CASAS 310-803-5360; DIVORCE CUSTODY 818-277-4006 Hablamos Español; WE BUY HOUSES 4 CA$H (323) 314-0403 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 18 x 24 inches Sign Box Works, 2020– Exhibitions: Standard Deviations, 2020 Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589841985905-LB7QB05Y9J4M2PJW9DDS/00120.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Der Landbote, January 13, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589841986074-YBAL9SG5VGAK5SM4UE06/00220.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Neue Zürcher Zeitung, January 14, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589841988060-OT8F2G2N5O2R8U0Y385M/00320.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Blick, January 15, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589841988418-74HS2VBC514MBI4ELBJR/00420.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, January 16, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589841990706-NRE06OQO0D1CE4NVA3W3/00520.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Hürriyet, January 17, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589841990644-KL62FJEJ77WTAH75U24H/00620.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, SonntagsZeitung, January 19, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589842630531-LLO55JX45JKKJLTFALIZ/00720.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Neue Zürcher Zeitung, January 20, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589842630479-M5VQ9DHXUYS1OGZ9F4S1/00820.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, The New York Times, January 21, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589841995243-9UD7V7A7VVUCVPPVGFP3/00920.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Corriere del Ticino, January 22, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589841995867-Q8GOUF1DENX11F7CDIAW/01020.jpg</image:loc>
      <image:title>2020</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Blick, January 23, 2020) 2020 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/curved-copper-surrogate-works-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585605747359-O9YYVILEBP4WSPSQJMWN/04519-04719.jpg</image:loc>
      <image:title>Curved Copper Surrogates, 2019–</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: January 13–17, 2020, Winterthur, Switzerland) 2020– Polished copper 48 x 33 x 9 inches / 48 x 33 x 17 inches / 48 x 33 x 9 inches Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585605747359-O9YYVILEBP4WSPSQJMWN/04519-04719.jpg</image:loc>
      <image:title>Curved Copper Surrogates, 2019–</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: January 13–17, 2020, Winterthur, Switzerland) 2020– Polished copper 48 x 33 x 9 inches / 48 x 33 x 17 inches / 48 x 33 x 9 inches Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589843455072-6MJGKBP2KAIJC9XKR7EQ/00219-00319.jpg</image:loc>
      <image:title>Curved Copper Surrogates, 2019–</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: February 12/18, 2019, Los Angeles, California; January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: February 12/18, 2019, Los Angeles, California; January 13–17, 2020, Winterthur, Switzerland) 2019– Polished copper 24 x 33 x 17 inches / 24 x 33 x 9 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589843786858-HPI3YLK1PFRO56DIU06Y/Beshdy+20+Kurven-1.JPG</image:loc>
      <image:title>Curved Copper Surrogates, 2019–</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: January 13–17, 2020, Winterthur, Switzerland) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: January 13–17, 2020, Winterthur, Switzerland) 2020– Polished copper 48 x 33 x 9 inches / 48 x 33 x 17 inches / 48 x 33 x 9 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664228215364-L9SI64S66EMO0UTESNGT/2022_WB_TDA14043_Copper_Surrogate_%2848_x_120_48_ounce_C11000_Copper_Alloy_Convex_Curve_DATE_London_United_Kingdom%29_03.jpg</image:loc>
      <image:title>Curved Copper Surrogates, 2019–</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: April 6/June 1, 2022, London, United Kingdom) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: April 6/June 1, 2022, London, United Kingdom) 2022– polished copper 48 x 33 x 9 inches (121.9 x 83.8 x 22.9 cm) 48 x 33 x 17 inches (121.9 x 83.8 x 43.2 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/sign-box-works-2020bow</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585604309682-H7AEWGILWYN5C90AG814/Beshty+20+Raum+14-7A.jpg</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>Installation view Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585604309682-H7AEWGILWYN5C90AG814/Beshty+20+Raum+14-7A.jpg</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>Installation view Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589304018969-59E9LBQ6HPBI8DXBU7BO/01220+Beshdy+20+Boxen-15.JPG</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>BANKRUPTCY $349.00 DIVORCE $225.00 (562) 920-4280; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; Liquidacion De SEGUNDA HIPOTECA EVITA LA BANCARROTA (323) 206-3939; DIVORCE CUSTODY 818-277-4006; I BUY HOUSES &amp; UNITS FAST CASH ANY PRICE - ANY AREA - ANY CONDITION 310-490-66332020 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 12 x 18 x 18 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589304010307-MA0QP7IC7F0P0VFHDXXW/01220Beshdy+20+Boxen-13.JPG</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>BANKRUPTCY $349.00 DIVORCE $225.00 (562) 920-4280; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; Liquidacion De SEGUNDA HIPOTECA EVITA LA BANCARROTA (323) 206-3939; DIVORCE CUSTODY 818-277-4006; I BUY HOUSES &amp; UNITS FAST CASH ANY PRICE - ANY AREA - ANY CONDITION 310-490-66332020 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 12 x 18 x 18 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589304071078-HZYQETIGCGT6BGAGVUSB/01320+Beshdy+20+Boxen-1.JPG</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>THIS WEEKEND ONLY! SECURITY GUARD TRAINING $7500 323-720-4150 LIVESCAN FIREARMS TRAINING NOTARY; DUENOS DE CASA NUEVO PROGRAMA PERDON DE PRINCIPAL (323) 206-3939; FIX YOUR CREDIT (877) 789-FICO 3426; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; SELL YOUR HOME FAST $$ CASH $$ (323) 316-9801; COMPRAMOS CASAS CASH 323-487-9141 Llame para una evaluación de su casa. 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 24 x 12 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589304072989-XU9SCNSONVKYBDPMQQEN/01320+Beshdy+20+Boxen-3.JPG</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>THIS WEEKEND ONLY! SECURITY GUARD TRAINING $7500 323-720-4150 LIVESCAN FIREARMS TRAINING NOTARY; DUENOS DE CASA NUEVO PROGRAMA PERDON DE PRINCIPAL (323) 206-3939; FIX YOUR CREDIT (877) 789-FICO 3426; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; SELL YOUR HOME FAST $$ CASH $$ (323) 316-9801; COMPRAMOS CASAS CASH 323-487-9141 Llame para una evaluación de su casa. 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 24 x 12 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589304136041-90ZHEAYTDTMZ8XCOB92V/01420+Beshdy+20+Boxen-5.JPG</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>NUEVO PROGRAMA DEL GOBIERNO SALVE SU CASA GRATIS REDUCCION DEL PRINCIPAL (323) 804-9910; Flip Houses With Me TRAINING AVAILABLE 951-383-6500; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; I BUY HOUSES 909-378-5224; FATHERS WE CAN HELP... CHILD SUPPORT VISITATION CUSTODY 866-72-DADDY; DIVORCE &amp; CUSTODY 909-485-9282 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 12 x 24 inches Exhibitions: Standard Deviations, 2020 Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589304130745-WT263K5SXD59TGQDZ27R/01420+Beshdy+20+Boxen-7.JPG</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>NUEVO PROGRAMA DEL GOBIERNO SALVE SU CASA GRATIS REDUCCION DEL PRINCIPAL (323) 804-9910; Flip Houses With Me TRAINING AVAILABLE 951-383-6500; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; I BUY HOUSES 909-378-5224; FATHERS WE CAN HELP... CHILD SUPPORT VISITATION CUSTODY 866-72-DADDY; DIVORCE &amp; CUSTODY 909-485-9282 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 12 x 24 inches Exhibitions: Standard Deviations, 2020 Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589304189001-7FBWVVE3PDLCJO99DS9I/01520+Beshdy+20+Boxen-17.JPG</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>K5 FIX YOUR CREDIT (800) 791-6365; PARAMOS LA VENTA de Su CASA en 24 HORAS! No es bancarota o modificación 562-443-7300; PINK SLIPLOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAŃOL WWW.LOAN4TITLE.COM; TAX ADVANCE $2,500 MONEY WITHIN 24HRS 323-481-0787; I BUY HOUSES FAST CA$H ANY AREA, PRICE, CONDITION 818-574-3999; ELIMINE 2DA HIPOTECA (LINEA DE CREDITO) PORGRAMA DEL GOBIERNO *GRATIS* (323) 804-9910 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 24 x 24 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589304201380-C8TTJTZCIMON8UM3QNY6/01520+Beshdy+20+Boxen-19.JPG</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>K5 FIX YOUR CREDIT (800) 791-6365; PARAMOS LA VENTA de Su CASA en 24 HORAS! No es bancarota o modificación 562-443-7300; PINK SLIPLOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAŃOL WWW.LOAN4TITLE.COM; TAX ADVANCE $2,500 MONEY WITHIN 24HRS 323-481-0787; I BUY HOUSES FAST CA$H ANY AREA, PRICE, CONDITION 818-574-3999; ELIMINE 2DA HIPOTECA (LINEA DE CREDITO) PORGRAMA DEL GOBIERNO *GRATIS* (323) 804-9910 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 24 x 24 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589304242542-H42YBOMPA05NYMFJ0LZS/03519+Beshdy+20+Boxen-9.JPG</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>I BUY HOUSES FAST EASY CASH ANY CONDITION BANKRUPTCY DIVORCE FORCLOSURE MAJOR REPAIRS ABANDONED INHERITANCE (323) 834-2891; NEED TO SELL YOUR HOUSE? WE BUY HOUSES FAST. CASH. NOW. 714-397-8620; IMMIGRATION Services 323.582-9871 2407 Randolph St., HP; $$$ COMPRO CASAS 310-803-5360; DIVORCE CUSTODY 818-277-4006 Hablamos Español; WE BUY HOUSES 4 CA$H (323) 314-0403 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 18 x 24 inches Exhibitions: Standard Deviations, 2020 Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589304253316-WS5U0II6Y4EC9598L4F4/03519+Beshdy+20+Boxen-11.JPG</image:loc>
      <image:title>Sign Boxes, 2020–</image:title>
      <image:caption>I BUY HOUSES FAST EASY CASH ANY CONDITION BANKRUPTCY DIVORCE FORCLOSURE MAJOR REPAIRS ABANDONED INHERITANCE (323) 834-2891; NEED TO SELL YOUR HOUSE? WE BUY HOUSES FAST. CASH. NOW. 714-397-8620; IMMIGRATION Services 323.582-9871 2407 Randolph St., HP; $$$ COMPRO CASAS 310-803-5360; DIVORCE CUSTODY 818-277-4006 Hablamos Español; WE BUY HOUSES 4 CA$H (323) 314-0403 2020 Cast acrylic, acrylic enamel, and vinyl screen ink 18 x 18 x 24 inches Exhibitions: Standard Deviations, 2020 Foreign Correspondence, 2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/curved-steel-surrogate-works-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589844169942-52A9LIOF09ZGMWW9KMUS/01719-01819.jpg</image:loc>
      <image:title>Curved Steel Surrogates, 2019–</image:title>
      <image:caption>Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Convex Curve) Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Concave Curve) 2019 Polished steel 24 x 33 x 17 inches / 24 x 33 x 9 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589844169942-52A9LIOF09ZGMWW9KMUS/01719-01819.jpg</image:loc>
      <image:title>Curved Steel Surrogates, 2019–</image:title>
      <image:caption>Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Convex Curve) Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Concave Curve) 2019 Polished steel 24 x 33 x 17 inches / 24 x 33 x 9 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1589844036100-0I0H7OD6COESSKWJ6QRW/steel+curve+crop.jpg</image:loc>
      <image:title>Curved Steel Surrogates, 2019–</image:title>
      <image:caption>Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Convex Curve) Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Concave Curve) Steel Surrogate (48” x 120” 16 Gauge 304 Stainless Steel Alloy, Convex Curve) 2019 Polished steel 48 x 33 x 17 inches / 48 x 33 x 9 inches / 48 x 33 x 17 inches Exhibition: Standard Deviations, 2020</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/foreign-correspondence</loc>
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    <lastmod>2024-12-11</lastmod>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) poster Galerie Eva Presenhuber, Zurich, Switzerland 2021</image:caption>
    </image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) poster Galerie Eva Presenhuber, Zurich, Switzerland 2021</image:caption>
    </image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) invitation Galerie Eva Presenhuber, Zurich 2021</image:caption>
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    <image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) press release Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617920855999-F8ELYO98YVZ34KUTBCVL/GEP+PR2.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) press release Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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    <image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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    <image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617818173039-RU75BTONM0LTJJ6MF0QJ/2021_Exh.View_Beshty_GEP_10.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617818175512-OJHGGT56YJC5JXWML6JT/2021_Exh.View_Beshty_GEP_15.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617818176524-335O3HIPZUB4HLMGN8ZR/2021_Exh.View_Beshty_GEP_17.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617818177004-5D8Y46V4RH8TVUJDNKQM/2021_Exh.View_Beshty_GEP_18.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
    </image:image>
    <image:image>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617818177941-O1A87PRQN53470VDMP53/2021_Exh.View_Beshty_GEP_20.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617818178768-PR72QL3KN3F3V24IEW7K/2021_Exh.View_Beshty_GEP_21.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617818180129-47DERJW0AV49IUKBFOGF/2021_Exh.View_Beshty_GEP_24.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich 2021</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>I BUY HOUSES FAST EASY CASH ANY CONDITION BANKRUPTCY DIVORCE FORCLOSURE MAJOR REPAIRS ABANDONED INHERITANCE (323) 834-2891; NEED TO SELL YOUR HOUSE? WE BUY HOUSES FAST. CASH. NOW. 714-397-8620; IMMIGRATION Services 323.582-9871 2407 Randolph St., HP; $$$ COMPRO CASAS 310-803-5360; DIVORCE CUSTODY 818-277-4006 Hablamos Español; WE BUY HOUSES 4 CA$H (323) 314-0403 2020 Cast acrylic, acrylic enamel, vinyl screen ink 18 x 18 x 24 inches Sign Box works, 2020–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>NUEVO PROGRAMA DEL GOBIERNO SALVE SU CASA GRATIS REDUCCION DEL PRINCIPAL (323) 804-9910; Flip Houses With Me TRAINING AVAILABLE 951-383-6500; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; I BUY HOUSES 909-378-5224; FATHERS WE CAN HELP... CHILD SUPPORT VISITATION CUSTODY 866-72-DADDY; DIVORCE &amp; CUSTODY 909-485-9282 2020 Cast acrylic, acrylic enamel, vinyl screen ink 18 x 12 x 24 inches Sign Box works, 2020–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, China Daily: Beijing, China, Monday, October 1, 2012) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, South China Morning Post: Tai Po, Hong Kong, Tuesday, October 2, 2012) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, International Herald Tribune: Beirut, Lebanon, Tuesday, June 4, 2013) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Al-Mustaqbal: Beirut, Lebanon, Tuesday, June 3, 2014) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Daily News: Jersey City, New Jersey, Wednesday, September 3, 2014) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, New York Post: New York City, New York, Thursday, September 4, 2014) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, ¡Pásala!: Mexico City, Mexico, Saturday, February 7, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, La Prensa Jalisco: Guadalajara, Mexico, Sunday, March 1, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Metro: Guadalajara, Mexico, Wednesday, August 19, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, International New York Times: Beirut, Lebanon, Monday, October 26, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Al Hayat: Beirut, Lebanon, Sunday, November 1, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Le Monde: Paris, France, Thursday, March 3, 2016) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Nikkan Sports: Tokyo, Japan, Wednesday, March 22, 2017) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times International Edition, Distributed with The Japan Times: Tokyo, Japan, Thursday, March 23, 2017) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Il Mattino: Naples, Italy, Sunday, September 9, 2018) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, La Repubblica: Naples, Italy, Thursday, March 28, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The Times: Waltham Cross, United Kingdom, Tuesday, July 9, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, La Repubblica: Naples, Italy, Monday, September 9, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times International Edition: Villasanta, Italy, Monday, September 9, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Blick: Zurich, Switzerland, Thursday, December 12, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times: New York City, New York, Sunday, May 24, 2020) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times: Buffalo, New York, Thursday, January 7, 2021) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Los Angeles Times: Los Angeles, California, Thursday, January 14, 2021) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 chromogenic print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617908808845-XLPWVFIG6Y5I2ZRNBB5V/04821+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 chromogenic print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617908809295-IIUWCQVXMRB7WCQ4LJHE/04921+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>3300 block to 4400 block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 11 x 15 inches Union Pacific Avenue, 2021–</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1618005202668-2XQJ4OZ8RW51AE8NLOIL/BESHT48001_view1.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>[BANKRUPTCY $349.00 DIVORCE $225.00 (562) 920-4280; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; Liquidacion De SEGUNDA HIPOTECA EVITA LA BANCARROTA (323) 206-3939; DIVORCE CUSTODY 818-277-4006; I BUY HOUSES &amp; UNITS FAST CASH ANY PRICE - ANY AREA - ANY CONDITION 310-490-6633] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Sign Box works, 2020–</image:caption>
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      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>[K5 FIX YOUR CREDIT (800) 791-6365; PARAMOS LA VENTA de Su CASA en 24 HORAS! No es bancarota o modificación 562-443-7300; PINK SLIPLOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAŃOL WWW.LOAN4TITLE.COM; TAX ADVANCE $2,500 MONEY WITHIN 24HRS 323-481-0787; I BUY HOUSES FAST CA$H ANY AREA, PRICE, CONDITION 818-574-3999; ELIMINE 2DA HIPOTECA (LINEA DE CREDITO) PORGRAMA DEL GOBIERNO *GRATIS* (323) 804-9910] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Sign Box works, 2020–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911641234-R2ICHG44Z17FCELOX86B/05721+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve One-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Chicago, Illinois, Printed in Fort Worth, Texas, Plate Position I5, Front Plate No. 48, Back Plate No. 49, Serial No. G27970846D, #2) 2021 United States Federal Reserve one-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911641602-MGIBFDTLGI9HHUUMD16V/05821+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Two-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position F4, Front Plate No. 44, Back Plate No. 56, Serial No. L84090167A, #2) 2021 United States Federal Reserve two-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911641924-D3YZUNL8YAA7FE481TYJ/05921+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Five-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Washington, District of Columbia, Plate Position F2, Front Plate No. 272, Back Plate No. 312, Serial No. ML41028000M, #2) 2021 United States Federal Reserve five-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911642379-ADB2A0RK36GI8CQ6CY13/06021+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Ten-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Minneapolis, Minnesota, Printed in Washington, District of Columbia, Plate Position G1, Front Plate No. 20, Back Plate No. 40, Serial No. PI01278173A, #2) 2021 United States Federal Reserve ten-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911642690-YMXTVABQPH8SJIFGR312/06121+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Twenty-Dollar Note: Series 2013, Issued by Federal Reserve Bank of Richmond, Virginia, Printed in Washington, District of Columbia, Plate Position E2, Front Plate No. 210, Back Plate No. 464, Serial No. ME28198602F, #2) 2021 United States Federal Reserve twenty-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911643167-RPAGS6XK86Z5331RCVHH/06221+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Fifty-Dollar Note: Series 2009, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position C1, Front Plate No. 32, Back Plate No. 22, Serial No. JL70650369A, #2) 2021 United States Federal Reserve fifty-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911643596-763MDYZ8Z9XAXBYZ79ZE/06321+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Bank One-Hundred-Dollar Note: Series 2009, Issued by Federal Reserve Bank of Dallas, Texas, Printed in Fort Worth, Texas, Plate Position E4, Front Plate No. 214, Back Plate No. 147, Serial No. LK38044325B, #2) 2021 United States Federal Reserve one-hundred-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917396224-2487GOQINIFYP5B1S0NP/06421+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Ten-Franc Note: Series 2017, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 16R7373542, #2) 2021 Swiss National Bank ten-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917396229-N900O0VRERD36LJHMNYQ/06521+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Twenty-Franc Note: Series 2017, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 15G6430522, #2) 2021 Swiss National Bank twenty-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917397448-GRQTYZTHB15WDZ6ESIJZ/06621+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Fifty-Franc Note: Series 2016, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 15E5204488, #1) 2021 Swiss National Bank fifty-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917397681-TFVOGF557T4M93M4OV8J/06721+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank One-Hundred-Franc Note: Series 2019, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 18Q1638093, #1) 2021 Swiss National Bank one-hundred-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917398287-S0W0MPRKQSN33KMQ7BJY/06821+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Two-Hundred-Franc Note: Series 2018, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 16J1588686, #1) 2021 Swiss National Bank two-hundred-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617917398694-OHSHBOZ8R8KMFWQ84FXB/06921+framed.jpg</image:loc>
      <image:title>Foreign Correspondence, Galerie Eva Presenhuber, 2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank One-Thousand-Franc Note: Series 2019, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 17O3869280, #1) 2021 Swiss National Bank one-thousand-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021–</image:caption>
    </image:image>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911866662-8B9X0WYDZ0OLAWMRUBSZ/05721+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve One-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Chicago, Illinois, Printed in Fort Worth, Texas, Plate Position I5, Front Plate No. 48, Back Plate No. 49, Serial No. G27970846D, #2) 2021 United States Federal Reserve one-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911866662-8B9X0WYDZ0OLAWMRUBSZ/05721+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve One-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Chicago, Illinois, Printed in Fort Worth, Texas, Plate Position I5, Front Plate No. 48, Back Plate No. 49, Serial No. G27970846D, #2) 2021 United States Federal Reserve one-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911867054-YHPF66BUD9T6AVV5R2GP/05821+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Two-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position F4, Front Plate No. 44, Back Plate No. 56, Serial No. L84090167A, #2) 2021 United States Federal Reserve two-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911867507-93R42CM5VPN7V7XQCLPK/05921+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Five-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Washington, District of Columbia, Plate Position F2, Front Plate No. 272, Back Plate No. 312, Serial No. ML41028000M, #2) 2021 United States Federal Reserve five-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911867863-Z6698L37CAOQ49LJ2FK2/06021+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Ten-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Minneapolis, Minnesota, Printed in Washington, District of Columbia, Plate Position G1, Front Plate No. 20, Back Plate No. 40, Serial No. PI01278173A, #2) 2021 United States Federal Reserve ten-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibitions: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911868224-HLLK1BBBTF9LCMEWTB0W/06121+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Twenty-Dollar Note: Series 2013, Issued by Federal Reserve Bank of Richmond, Virginia, Printed in Washington, District of Columbia, Plate Position E2, Front Plate No. 210, Back Plate No. 464, Serial No. ME28198602F, #2) 2021 United States Federal Reserve twenty-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911868582-4KDV17V2STY3F4WF3BFH/06221+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Fifty-Dollar Note: Series 2009, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position C1, Front Plate No. 32, Back Plate No. 22, Serial No. JL70650369A, #2) 2021 United States Federal Reserve fifty-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911868929-RLD7A707VZID6G25JLWQ/06321+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Bank One-Hundred-Dollar Note: Series 2009, Issued by Federal Reserve Bank of Dallas, Texas, Printed in Fort Worth, Texas, Plate Position E4, Front Plate No. 214, Back Plate No. 147, Serial No. LK38044325B, #2) 2021 United States Federal Reserve one-hundred-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911869601-MKZGOJCP8AH29N2TCAFW/06421+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Ten-Franc Note: Series 2017, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 16R7373542, #2) 2021 Swiss National Bank ten-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617911869941-5XTVPNHRRTC0XOOV2H5R/06521+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Twenty-Franc Note: Series 2017, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 15G6430522, #2) 2021 Swiss National Bank twenty-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617913314161-7UAOC14Q9DG945Z1BSHJ/06621+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Fifty-Franc Note: Series 2016, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 15E5204488, #1) 2021 Swiss National Bank fifty-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617913300823-TE3VX2TVF8UVNX7MDZM7/06721+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank One-Hundred-Franc Note: Series 2019, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 18Q1638093, #1) 2021 Swiss National Bank one-hundred-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617913305240-M5NHVWMQVRC77SLZGSKY/06821+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Two-Hundred-Franc Note: Series 2018, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 16J1588686, #1) 2021 Swiss National Bank two-hundred-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617913403927-W52MSN5XFRAMJBKMN953/06921+framed.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank One-Thousand-Franc Note: Series 2019, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 17O3869280, #1) 2021 Swiss National Bank one-thousand-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664232653743-M8VU8ZUO5N1QX0MZMMHV/04922.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Bank of England Five-Pound Note: Series G, Issued September 13, 2016, Printed by De La Rue, Debden, Essex, Serial No. AJ54022688, #1) 2022 Bank of England five-pound note, tape, and 24 karat gold leaf 9 3/8 x 11 7/8 x 1 1/2 inches (23.8 x 30.2 x 3.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664232657455-6SMO0GW7FKSYOSEHBUFM/05022.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Bank of England Ten-Pound Note: Series G, Issued September 14, 2017, Printed by De La Rue, Debden, Essex, Serial No. CC37034489, #1) 2022 Bank of England ten-pound note, tape, and 24 karat gold leaf 9 3/8 x 11 7/8 x 1 1/2 inches (23.8 x 30.2 x 3.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664232663185-GHCN0DK4QUZTIJD1NPXM/05122.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Bank of England Twenty-Pound Note: Series G, Issued February 20, 2020, Printed by De La Rue, Debden, Essex, Serial No. CC88356866, #1) 2022 Bank of England twenty-pound note, tape, and 24 karat gold leaf 9 3/8 x 11 7/8 x 1 1/2 inches (23.8 x 30.2 x 3.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664232667741-F6APHSZJAANDG4HB1FCN/05222.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Bank of England Fifty-Pound Note: Series G, Issued June 23, 2021, Printed by De La Rue, Debden, Essex, Serial No. AC61175382, #1) 2022 Bank of England fifty-pound note, tape, and 24 karat gold leaf 9 3/8 x 11 7/8 x 1 1/2 inches (23.8 x 30.2 x 3.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731697774459-B4BQGRXEANGT6EQXKR27/WB+2131+1.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve One-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position A5, Front Plate No. 89, Back Plate No. 69, Serial No. L71680075F, #28) 2024 United States Federal Reserve one-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731697794677-MNS37CBMQWF72M4HFG6H/WB+2132+1.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Two-Dollar Note: Series 1976, Issued by Federal Reserve Bank of Boston, Massachusetts, Printed in Washington, District of Columbia, Plate Position G3, Front Plate No. 20, Back Plate No. 27, Serial No. A00447428A, #4) 2024 United States Federal Reserve two-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731697806356-SCZFAZTQ4QGI4NP7O7Z1/WB+2133+1.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Five-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Washington, District of Columbia, Plate Position C3, Front Plate No. 261, Back Plate No. 303, Serial No. ML54966020L, #5) 2024 United States Federal Reserve five-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731697904012-PAHC1SWDKZV8YH4URWAE/WB+1924+1.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Ten-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Kansas City, Missouri, Printed in Washington, District of Columbia, Plate Position E2, Front Plate No. 20, Back Plate No. 39, Serial No. PJ02541111A, #1) 2024 United States Federal Reserve ten-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731697916109-6J4UPI4IYHDKSXPCFKUQ/WB+1925+1.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Twenty-Dollar Note: Series 2017, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position G3, Front Plate No. 3, Back Plate No. 1, Serial No. NL87770868A, #1) 2024 United States Federal Reserve twenty-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731697928572-XKWA5SO570WZ7XOQWZV5/WB+1926+1.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Fifty-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Dallas, Texas, Printed in Fort Worth, Texas, Plate Position B2, Front Plate No. 11, Back Plate No. 10, Serial No. PK10583665A, #1) 2024 United States Federal Reserve fifty-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731697940969-QN8HHXSJMP5UT1REJ5G8/WB+1927+1.jpg</image:loc>
      <image:title>Banknotes, 2021–</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Bank One-Hundred-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Dallas, Texas, Printed in Fort Worth, Texas, Plate Position C2, Front Plate No. 106, Back Plate No. 69, Serial No. PK71438026A, #1) 2024 United States Federal Reserve one-hundred-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918227236-2OP5L29I2J6Z0YVXU7VQ/00121+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, China Daily: Beijing, China, Monday, October 1, 2012) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918227236-2OP5L29I2J6Z0YVXU7VQ/00121+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, China Daily: Beijing, China, Monday, October 1, 2012) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918227299-9J1J3J2QL5IAPJ5M3EYK/00221+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, South China Morning Post: Tai Po, Hong Kong, Tuesday, October 2, 2012) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918228198-44XQVPNB23IW1YLT9BIZ/00321+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, International Herald Tribune: Beirut, Lebanon, Tuesday, June 4, 2013) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918228650-XTPPY95GCMFT0Q0VKT1O/00421+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Al-Mustaqbal: Beirut, Lebanon, Tuesday, June 3, 2014) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918228980-5G8R3LT0EORTG55VMAYL/00521+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Daily News: Jersey City, New Jersey, Wednesday, September 3, 2014) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918229321-ZICB1H33Z53EJ1WPZTY0/00721+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, New York Post: New York City, New York, Thursday, September 4, 2014) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918229745-KFHN0N2TD3ZI6VYNVGUZ/00921+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, ¡Pásala!: Mexico City, Mexico, Saturday, February 7, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918230467-GS7QLLAC5ILRNJJOQYIF/01121+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, La Prensa Jalisco: Guadalajara, Mexico, Sunday, March 1, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918231215-RTFE8KDS42QJ6C3KD96F/01221+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Metro: Guadalajara, Mexico, Wednesday, August 19, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918232022-AD87UKX1NF1BN8QL3IA9/01521+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, International New York Times: Beirut, Lebanon, Monday, October 26, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918232890-R3BLORJLCJJUUPHBKYDR/01621+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Al Hayat: Beirut, Lebanon, Sunday, November 1, 2015) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918233975-H8MW3EGKIULDPYWKK1UP/01821+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Le Monde: Paris, France, Thursday, March 3, 2016) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918234927-THTGTKUJW2MKXTKCBZVZ/01921+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Nikkan Sports: Tokyo, Japan, Wednesday, March 22, 2017) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918235232-MVBG9HYMBEXC31FQLHXI/02021+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times International Edition, Distributed with The Japan Times: Tokyo, Japan, Thursday, March 23, 2017) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918235967-O67WCTFBBY4FAZCAHI1F/02321+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Il Mattino: Naples, Italy, Sunday, September 9, 2018) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918236366-ZLY3DDP4VFZJ3FVDCJ9A/02421+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, La Repubblica: Naples, Italy, Thursday, March 28, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918236681-ZY3D848T3XYMNMR5XEAD/02621+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The Times: Waltham Cross, United Kingdom, Tuesday, July 9, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918237111-KWJ4F9IG5ODKI94UIIBS/02721+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, La Repubblica: Naples, Italy, Monday, September 9, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918237512-V4K1AAH8X2XJHCCXP8FV/02821+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times International Edition: Villasanta, Italy, Monday, September 9, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918238479-BCD48OHYX7XNB3HU1W3I/02921+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Blick: Zurich, Switzerland, Thursday, December 12, 2019) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918238740-R4P4UI1CGLGTD4ASMWZ0/03021+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times: New York City, New York, Sunday, May 24, 2020) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918239227-BG0X79QXDNN3W2CP4I2T/03121+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, The New York Times: Buffalo, New York, Thursday, January 7, 2021) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918239725-X9025Y70SFC4IB31SSC8/03321+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Seven 180º Rotations, Los Angeles Times: Los Angeles, California, Thursday, January 14, 2021) 2021 Newspaper, tape, and 22 karat gold leaf 39 1/8 x 31 1/4 inches Blind Collages, 2017– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918274126-BB0YHSMY2S86WEYFOG48/03521+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918274238-JNQWCLQBRO7O0TUD566L/03621+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918275547-KNJYZ0F8QM1HXL6HVFVG/03721+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918275813-FZGQITYFR22GEGAOQJPY/03821+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918276514-MTPDOTCKJCICGZ1XZJME/03921+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918277052-O2NHFWDJ5Q54DH4EWZ9Y/04021+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918277957-L85UNB4MIYKBHJ1JTD86/04121+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918278501-5XVQKAXD8STM035K3G8A/04221+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
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      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918279868-SM0C94XXTO99OGYAHYNI/04421+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918280366-DDSKURSDROMFDFT5LD9I/04521+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918281189-IDMFXON63FX7IETMLWUA/04621+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918282375-5G47PQTTNXI98R7MQTSL/04721+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 chromogenic print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918282662-16SB8FPHT1ETTXCHA1D0/04821+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 chromogenic print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918283728-QSJ899GDMZ6MVQ7BN0FG/04921+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Caravans, 2011– Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918324581-AV19FT6OHLO65RKICL5M/BESHT48001_view1.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>[I BUY HOUSES FAST EASY CASH ANY CONDITION BANKRUPTCY DIVORCE FORCLOSURE MAJOR REPAIRS ABANDONED INHERITANCE (323) 834-2891; NEED TO SELL YOUR HOUSE? WE BUY HOUSES FAST. CASH. NOW. 714-397-8620; IMMIGRATION Services 323.582-9871 2407 Randolph St., HP; $ $$ COMPRO CASAS 310-803-5360; DIVORCE CUSTODY 818-277-4006 Hablamos Español; WE BUY HOUSES 4 CA$H (323) 314-0403] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Sign Box works, 2020– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918333672-4P7HLJF0U166LQ4S8TK6/BESHT48002_view1.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>[BANKRUPTCY $349.00 DIVORCE $225.00 (562) 920-4280; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; Liquidacion De SEGUNDA HIPOTECA EVITA LA BANCARROTA (323) 206-3939; DIVORCE CUSTODY 818-277-4006; I BUY HOUSES &amp; UNITS FAST CASH ANY PRICE - ANY AREA - ANY CONDITION 310-490-6633] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Sign Box works, 2020– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918339161-419IIR29OVZDC9JAWPOH/BESHT48003_view1.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>[K5 FIX YOUR CREDIT (800) 791-6365; PARAMOS LA VENTA de Su CASA en 24 HORAS! No es bancarota o modificación 562-443-7300; PINK SLIPLOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAŃOL WWW.LOAN4TITLE.COM; TAX ADVANCE $2,500 MONEY WITHIN 24HRS 323-481-0787; I BUY HOUSES FAST CA$H ANY AREA, PRICE, CONDITION 818-574-3999; ELIMINE 2DA HIPOTECA (LINEA DE CREDITO) PORGRAMA DEL GOBIERNO *GRATIS* (323) 804-9910] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Sign Box works, 2020– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918354114-POYT63C48N3JMUZEQ7MY/05721+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve One-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Chicago, Illinois, Printed in Fort Worth, Texas, Plate Position I5, Front Plate No. 48, Back Plate No. 49, Serial No. G27970846D, #2) 2021 United States Federal Reserve one-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918354232-28PY9D00GVGWGDRLKXD4/05821+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Two-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position F4, Front Plate No. 44, Back Plate No. 56, Serial No. L84090167A, #2) 2021 United States Federal Reserve two-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918354648-YJ0NAZEWAZ0479WSUXRH/05921+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Five-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Washington, District of Columbia, Plate Position F2, Front Plate No. 272, Back Plate No. 312, Serial No. ML41028000M, #2) 2021 United States Federal Reserve five-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918354856-E1J5NZK9SRFH18A1RPV0/06021+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Ten-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Minneapolis, Minnesota, Printed in Washington, District of Columbia, Plate Position G1, Front Plate No. 20, Back Plate No. 40, Serial No. PI01278173A, #2) 2021 United States Federal Reserve ten-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918355378-1L3RVKBR8Y3YXKQ8YMUA/06121+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Twenty-Dollar Note: Series 2013, Issued by Federal Reserve Bank of Richmond, Virginia, Printed in Washington, District of Columbia, Plate Position E2, Front Plate No. 210, Back Plate No. 464, Serial No. ME28198602F, #2) 2021 United States Federal Reserve twenty-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918355607-R29SWLS0RH66O2Q2VWM7/06221+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Fifty-Dollar Note: Series 2009, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position C1, Front Plate No. 32, Back Plate No. 22, Serial No. JL70650369A, #2) 2021 United States Federal Reserve fifty-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918355894-Q4AFNSJIUUAU34Z50TKX/06321+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Bank One-Hundred-Dollar Note: Series 2009, Issued by Federal Reserve Bank of Dallas, Texas, Printed in Fort Worth, Texas, Plate Position E4, Front Plate No. 214, Back Plate No. 147, Serial No. LK38044325B, #2) 2021 United States Federal Reserve one-hundred-dollar note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918356154-NDC7L2WNCT876RC8ZU60/06421+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Ten-Franc Note: Series 2017, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 16R7373542, #2) 2021 Swiss National Bank ten-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918356413-ZCUG0PTC3ILDW3VAO9C8/06521+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Twenty-Franc Note: Series 2017, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 15G6430522, #2) 2021 Swiss National Bank twenty-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918357095-EFCHFJBAEHS3CY95DGWM/06621+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Fifty-Franc Note: Series 2016, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 15E5204488, #1) 2021 Swiss National Bank fifty-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918357264-VWUA5JKDT6D33H000BID/06721+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank One-Hundred-Franc Note: Series 2019, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 18Q1638093, #1) 2021 Swiss National Bank one-hundred-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918358783-B8KK9MXGTIZYROQIH272/06821+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank Two-Hundred-Franc Note: Series 2018, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 16J1588686, #1) 2021 Swiss National Bank two-hundred-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1617918358992-X4SXJTICCJ4D778C03S3/06921+framed.jpg</image:loc>
      <image:title>2021</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Swiss National Bank One-Thousand-Franc Note: Series 2019, Issued by Banque Nationale Suisse, Printed in Zürich, Switzerland by Orell Füssli Security Printing Ltd., Designed by Manuela Pfrunder GMBH, Serial No. 17O3869280, #1) 2021 Swiss National Bank one-thousand-franc note, tape, and 22 karat gold leaf 12 3/4 x 9 3/8 inches Banknotes, 2021– Exhibition: Foreign Correspondence, 2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/walead-beshty-work-in-exhibition-20112020</loc>
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    <lastmod>2021-06-02</lastmod>
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      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592951720-MN55YA8CT10U8J0ZSM3E/WIEX+Angle.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592951371-GBVWOT7A1DNNASYOB4L7/WIEX+Cover.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592951116-3CS9M1VELEV8Z5B3U2D8/WIEX+1.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592949889-HEP58AN6RZZR10W225T1/WIEX+2.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592945562-0RQEL6LT6WRFCJ75K7WL/WIEX+6.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592950379-7WZJZSBDABHVGQYT7FZE/WIEX+3.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592947833-5EJEVE5NXXRZLKMF1YRZ/WIEX+10.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592950754-ZTBBHVID4J83KUVMPK5T/WIEX+4.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592945504-ZPP8RRAW70261J7BK3P4/WIEX+5.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592948240-A2QFRMZI2S88H1QXMD7J/WIEX+11.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592948962-BXIM7WY1VUD85C6ZO164/WIEX+12.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592949633-46GKYGO6EGQQIRXQFQ3O/WIEX+13.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592946303-RRZ5X0UJGEL150HDDP6Y/WIEX+7.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592946683-FPVAGZCPO3SO8WQL4NT6/WIEX+8.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1622592947030-91OKS7BCP9FP2WR2LOYC/WIEX+9.jpg</image:loc>
      <image:title>Walead Beshty: Work in Exhibition 2011–2020</image:title>
      <image:caption>Walead Beshty: Work in Exhibition, 2011–2020, Monograph, (London: Koenig Books, 2020).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/addendum-thomas-dane-gallery-2022</loc>
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    <priority>0.75</priority>
    <lastmod>2022-10-04</lastmod>
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      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
    </image:image>
    <image:image>
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      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788448939-TGWJYMBZ16I8F1NO0GV9/2022_WB_TDG_Duke_Street_43.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788428107-40O1A32GRIJESO3D83CN/2022_WB_TDG_Duke_Street_17.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788429434-KWM2KM06KIJY1PG2PXAQ/2022_WB_TDG_Duke_Street_19.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788430482-UZJDDKJN4G3L54YY877O/2022_WB_TDG_Duke_Street_20.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788434323-ZW4QT3M2BL6ENYTOOZI1/2022_WB_TDG_Duke_Street_26.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788435264-ZS0ZEQV5UIKC5E8ENTVI/2022_WB_TDG_Duke_Street_27.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788427589-LTTNZ8636DF344BPRE5R/2022_WB_TDG_Duke_Street_15.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788432132-WUNCAM5H4GUXOGOUKOR4/2022_WB_TDG_Duke_Street_22.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788432618-PYQ9X0RHYQLC47I4JGIV/2022_WB_TDG_Duke_Street_24.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788436955-NTI4949GPRNG8KB69TYN/2022_WB_TDG_Duke_Street_31.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788426521-0GPBDSMDPXKM85TVKS23/2022_WB_TDG_Duke_Street_14.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788436628-J7YE0BBJHJ1SQWFXLQ65/2022_WB_TDG_Duke_Street_29.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788439938-KTXOQVT5CJNPP17SGRS7/2022_WB_TDG_Duke_Street_34.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788438922-AL9CNXMKPNXQ0PEJC46X/2022_WB_TDG_Duke_Street_32.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788445443-GLYK0GO7E6VBYFGFX5DH/2022_WB_TDG_Duke_Street_40.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788446617-25EDWAI1OIMRL8YQ0S1W/2022_WB_TDG_Duke_Street_41.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788443821-9MTXONDY7RI6WLYZ3XR7/2022_WB_TDG_Duke_Street_37.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788441963-B3UWWUYAC89SOLHW8WMK/2022_WB_TDG_Duke_Street_36.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788450323-H5IL7RPI40SQRG2V7WIM/2022_WB_TDG_Duke_Street_44.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788448080-QGMLNW4LUZVVPTY2C7RA/2022_WB_TDG_Duke_Street_42.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Addendum Thomas Dane Gallery, London 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788423736-M2D7MHC3RSUWC9PIYG9W/2022_WB_TDA14043_Copper_Surrogate_%2848_x_120_48_ounce_C11000_Copper_Alloy_Convex_Curve_DATE_London_United_Kingdom%29_01_EDIT.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: April 6/June 1, 2022, London, United Kingdom) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: April 6/June 1, 2022, London, United Kingdom) 2022– polished copper 48 x 33 x 9 inches (121.9 x 83.8 x 22.9 cm) 48 x 33 x 17 inches (121.9 x 83.8 x 43.2 cm) Curved Copper Surrogates, 2019–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1651788425704-7D7KWOEE2I9AETPS4C1N/2022_WB_TDA14043_Copper_Surrogate_%2848_x_120_48_ounce_C11000_Copper_Alloy_Convex_Curve_DATE_London_United_Kingdom%29_03.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: April 6/June 1, 2022, London, United Kingdom) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: April 6/June 1, 2022, London, United Kingdom) 2022– polished copper 48 x 33 x 9 inches (121.9 x 83.8 x 22.9 cm) 48 x 33 x 17 inches (121.9 x 83.8 x 43.2 cm) Curved Copper Surrogates, 2019–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1663887549630-R7ALUWW2WACFRDDXR7X8/04122-04222.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Screen Test A &amp; B (Walead Beshty/Kelley Walker, Hardbody Software [February 26/May 14, 2014, Los Angeles, California], 48 ounce C11000 Copper Alloy) 2022 ink jet print on polished copper 31 x 16 1/2 inches (78.7 x 41.9 cm ) each Screen Tests, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212689763-QVH2G3Q8BQOO28YLBS5T/00322.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 11, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00322 2022 color photographic paper 19 x 21 1/2 inches (48.3 x 54.6 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212760008-9A2O3EO076BMLFBW7EWO/00522.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 11, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00522 2022 color photographic paper 20 1/2 x 23 1/4 inches (52.1 x 59.1 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212766542-2K3UQG9627F6HCBL5F9P/00822.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 12, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00822 2022 color photographic paper 20 3/4 x 20 1/2 inches (52.7 x 52.1 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212775634-E0MTAHBWCHMTZ2F8R7RB/00922.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 12, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00922 2022 color photographic paper 21 1/2 x 20 1/2 inches (54.6 x 52.1 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212786017-VUIQQRLI5XYOU9AVRMJJ/01122.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 12, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 01122 2022 color photographic paper 21 x 24 1/4 inches (53.3 x 61.6 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212794241-H9MW2ZCETEAWO1H6LHFD/01722.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 13, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 01722 2022 color photographic paper 24 x 15 1/2 inches (61 x 39.4 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212801789-6YH23JBM2TUN3XUHGMSK/01922.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 13, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 01922 2022 color photographic paper 24 1/4 x 15 3/4 inches (61.6 x 40 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212807259-IVRQN16YY3C9L0JTMGFB/02522.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Three-Sided RA4 Process Color Relief (RGB), Los Angeles, California, January 6, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 02522 2022 color photographic paper 19 1/2 x 20 inches (49.5 x 50.8 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212813922-I1BJJHH7501S4KENDSAA/02622.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Three-Sided RA4 Process Color Relief (RGB), Los Angeles, California, January 6, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 02622 2022 color photographic paper 18 1/4 x 20 inches (45.4 x 50.8 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212822042-H8M8CMJHGH8J3IAU7CSN/03222.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 19, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 03222 2022 color photographic paper 24 x 17 1/2 inches (61 x 44.5 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212834180-WOHO1ORFVIP6ZEPNZDA5/05922.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, February 7, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 05922 2022 color photographic paper 24 x 17 1/2 inches (61 x 44.5 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212840874-RWRU7XF5EUXAVADAOEIZ/06022.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, February 7, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 06022 2022 color photographic paper 20 1/4 x 26 1/2 inches (51.4 x 67.3 cm) RA4 Color Reliefs, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212850543-C8Y39IF5IUFJMGLKTUP9/04522.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04522) 2022 polished copper 14 1/8 x 9 1/8 x 9 1/4 inches (35.9 x 23.2 x 23.5 cm) Composites, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212955058-RRL6LCQ6YJMGSYI5ZEU5/04522+h.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04522) 2022 polished copper 14 1/8 x 9 1/8 x 9 1/4 inches (35.9 x 23.2 x 23.5 cm) Composites, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212865498-1BS2NI72YF4PUB82GLNZ/04722.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Composite (8 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04722) 2022 polished copper 24 7/8 x 16 1/8 x 10 1/8 inches (63.2 x 41 x 25.7 cm) Composites, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664214485313-I1DTQ790SGLP1D32S10Q/04722h.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Composite (8 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04722) 2022 polished copper 24 7/8 x 16 1/8 x 10 1/8 inches (63.2 x 41 x 25.7 cm) Composites, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212876835-HMN0DVS3XNX0RQUIBIL4/04822.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04822) 2022 polished copper 23 5/8 x 7 3/4 x 9 inches (60 x 19.7 x 22.9 cm) Composites, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664214936841-GD15FOLT17QOA57CSR5T/04822h.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04822) 2022 polished copper 23 5/8 x 7 3/4 x 9 inches (60 x 19.7 x 22.9 cm) Composites, 2022–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664212857612-LWIMTW9813EMSWLMBGGF/04622.jpg</image:loc>
      <image:title>Addendum, Thomas Dane Gallery, 2022</image:title>
      <image:caption>Composite (2 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04622) 2022 polished copper 48 1/8 x 7 1/4 x 4 inches (122.2 x 18.4 x 10.2 cm) Composites, 2022–</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/ra4-color-reliefs-2022</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227286759-2W2CP3ZDYN9ZFEUQT2WW/00322.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 11, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00322 2022 color photographic paper 19 x 21 1/2 inches (48.3 x 54.6 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227286759-2W2CP3ZDYN9ZFEUQT2WW/00322.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 11, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00322 2022 color photographic paper 19 x 21 1/2 inches (48.3 x 54.6 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227297776-IPOAE07IHVRA2PU9HQ9T/00522.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 11, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00522 2022 color photographic paper 20 1/2 x 23 1/4 inches (52.1 x 59.1 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227302453-6GFHA5HCKW25EVIK16PS/00822.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 12, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00822 2022 color photographic paper 20 3/4 x 20 1/2 inches (52.7 x 52.1 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227309314-CXQ5SQLXWUX6FNMNED30/00922.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 12, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00922 2022 color photographic paper 21 1/2 x 20 1/2 inches (54.6 x 52.1 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227318733-ALKKG045ADMP5GI6208M/01122.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 12, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 01122 2022 color photographic paper 21 x 24 1/4 inches (53.3 x 61.6 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227324066-K2WR5ELE7BCNBAKUYL9S/01722.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 13, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 01722 2022 color photographic paper 24 x 15 1/2 inches (61 x 39.4 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227332591-YOJRYVZC0K9GUELRV6HN/01922.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 13, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 01922 2022 color photographic paper 24 1/4 x 15 3/4 inches (61.6 x 40 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227338411-W0KXWF6WXCYPJ91D2CMQ/02522.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Three-Sided RA4 Process Color Relief (RGB), Los Angeles, California, January 6, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 02522 2022 color photographic paper 19 1/2 x 20 inches (49.5 x 50.8 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227345120-2BCWCW9LUCF7HAUAVLMX/02622.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Three-Sided RA4 Process Color Relief (RGB), Los Angeles, California, January 6, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 02622 2022 color photographic paper 18 1/4 x 20 inches (45.4 x 50.8 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227355850-RR8P02GF78UAWIG00FGF/03222.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 19, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 03222 2022 color photographic paper 24 x 17 1/2 inches (61 x 44.5 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227363150-1ER2ETOQ6C4RSSTM2Q31/05922.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, February 7, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 05922 2022 color photographic paper 24 x 17 1/2 inches (61 x 44.5 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664227372044-PQB9SVFCQ72T7FOMC69E/06022.jpg</image:loc>
      <image:title>RA4 Color Reliefs, 2022–</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, February 7, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 06022 2022 color photographic paper 20 1/4 x 26 1/2 inches (51.4 x 67.3 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/2022</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664228546664-8Y98O31KBI1RSMDUJX04/2022_WB_TDA14043_Copper_Surrogate_%2848_x_120_48_ounce_C11000_Copper_Alloy_Convex_Curve_DATE_London_United_Kingdom%29_03.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: April 6/June 1, 2022, London, United Kingdom) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: April 6/June 1, 2022, London, United Kingdom) 2022– polished copper 48 x 33 x 9 inches (121.9 x 83.8 x 22.9 cm) 48 x 33 x 17 inches (121.9 x 83.8 x 43.2 cm) Curved Copper Surrogates, 2019– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664228546664-8Y98O31KBI1RSMDUJX04/2022_WB_TDA14043_Copper_Surrogate_%2848_x_120_48_ounce_C11000_Copper_Alloy_Convex_Curve_DATE_London_United_Kingdom%29_03.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Concave Curve: April 6/June 1, 2022, London, United Kingdom) Copper Surrogate (48” x 120” 48 ounce C11000 Copper Alloy, Convex Curve: April 6/June 1, 2022, London, United Kingdom) 2022– polished copper 48 x 33 x 9 inches (121.9 x 83.8 x 22.9 cm) 48 x 33 x 17 inches (121.9 x 83.8 x 43.2 cm) Curved Copper Surrogates, 2019– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664228674512-HCW3L2RUY3RHLW6ZBJWQ/04122-04222.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Screen Test A &amp; B (Walead Beshty/Kelley Walker, Hardbody Software [February 26/May 14, 2014, Los Angeles, California], 48 ounce C11000 Copper Alloy) 2022 ink jet print on polished copper 31 x 16 1/2 inches (78.7 x 41.9 cm ) each Screen Tests, 2022 Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664228725621-65VN9A22VVEG1ZC26ABZ/00322.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 11, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00322 2022 color photographic paper 19 x 21 1/2 inches (48.3 x 54.6 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664228794920-VQJVTQE2HSDSFGSU6ZFX/00522.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 11, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00522 2022 color photographic paper 20 1/2 x 23 1/4 inches (52.1 x 59.1 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664229250300-0W438GP4ELT344QQCOAM/00822.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 12, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00822 2022 color photographic paper 20 3/4 x 20 1/2 inches (52.7 x 52.1 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664229322401-5FQR60X3F0E5GTLM6W0I/00922.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 12, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 00922 2022 color photographic paper 21 1/2 x 20 1/2 inches (54.6 x 52.1 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664229387543-REX9QQWGIMNWWH2U92QL/01122.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 12, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 01122 2022 color photographic paper 21 x 24 1/4 inches (53.3 x 61.6 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664230083148-A90FK8AXXA1L502LSBV0/01722.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 13, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 01722 2022 color photographic paper 24 x 15 1/2 inches (61 x 39.4 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664230140077-O10INBNDX8B29QIMA507/01922.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 13, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 01922 2022 color photographic paper 24 1/4 x 15 3/4 inches (61.6 x 40 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664230212055-HPJJ7XUR4VHKXO4OX7CY/02522.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Three-Sided RA4 Process Color Relief (RGB), Los Angeles, California, January 6, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 02522 2022 color photographic paper 19 1/2 x 20 inches (49.5 x 50.8 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664230273987-MPLAZKFWQOR47XS2TKQB/02622.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Three-Sided RA4 Process Color Relief (RGB), Los Angeles, California, January 6, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 02622 2022 color photographic paper 18 1/4 x 20 inches (45.4 x 50.8 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664230344126-11BAIRKUN0VKJRXBMPH1/03222.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, January 19, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 03222 2022 color photographic paper 24 x 17 1/2 inches (61 x 44.5 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664230431979-KDAFEX189HWM23R4QNRO/05922.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, February 7, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 05922 2022 color photographic paper 24 x 17 1/2 inches (61 x 44.5 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664230489818-QGDPP9V08Q4FKSBZ2L30/06022.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Single-Sided RA4 Full-Spectrum Color Relief (D-Max), Los Angeles, California, February 7, 2022, Fujicolor Crystal Archive Type II, Em. No. 859809B217, 06022 2022 color photographic paper 20 1/4 x 26 1/2 inches (51.4 x 67.3 cm) RA4 Color Reliefs, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664230578641-XAOT8J1Z0W30XGQYTIZ9/04522.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04522) 2022 polished copper 14 1/8 x 9 1/8 x 9 1/4 inches (35.9 x 23.2 x 23.5 cm) Composites, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664230928054-U4LO947GRO5YYV96FDKB/04522+h.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04522) 2022 polished copper 14 1/8 x 9 1/8 x 9 1/4 inches (35.9 x 23.2 x 23.5 cm) Composites, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664231019883-OH7O5IVCY7TM1Z9FHT21/04622.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Composite (2 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04622) 2022 polished copper 48 1/8 x 7 1/4 x 4 inches (122.2 x 18.4 x 10.2 cm) Composites, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664231092435-B9FQMXCL8Y2JWV4AIKUR/04722.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Composite (8 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04722) 2022 polished copper 24 7/8 x 16 1/8 x 10 1/8 inches (63.2 x 41 x 25.7 cm) Composites, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664231187021-H2FCQBRSVBVS7I2X1QQ3/04722h.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Composite (8 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04722) 2022 polished copper 24 7/8 x 16 1/8 x 10 1/8 inches (63.2 x 41 x 25.7 cm) Composites, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664231358934-VKZS9A2ZDA0MOSN28DOZ/04822.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04822) 2022 polished copper 23 5/8 x 7 3/4 x 9 inches (60 x 19.7 x 22.9 cm) Composites, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664231370630-5OSQTAJOZSLSJBI2SZZH/04822h.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04822) 2022 polished copper 23 5/8 x 7 3/4 x 9 inches (60 x 19.7 x 22.9 cm) Composites, 2022– Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664232189923-WEVXMBLAWFJGZOOWHM77/04922.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Bank of England Five-Pound Note: Series G, Issued September 13, 2016, Printed by De La Rue, Debden, Essex, Serial No. AJ54022688, #1) 2022 Bank of England five-pound note, tape, and 24 karat gold leaf 9 3/8 x 11 7/8 x 1 1/2 inches (23.8 x 30.2 x 3.8 cm) Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664232199007-Z6P0QQGR7TDH2QGHYD6Z/05022.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Bank of England Ten-Pound Note: Series G, Issued September 14, 2017, Printed by De La Rue, Debden, Essex, Serial No. CC37034489, #1) 2022 Bank of England ten-pound note, tape, and 24 karat gold leaf 9 3/8 x 11 7/8 x 1 1/2 inches (23.8 x 30.2 x 3.8 cm) Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664232205683-EGR6ZHS4ANJX31OWZI01/05122.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Bank of England Twenty-Pound Note: Series G, Issued February 20, 2020, Printed by De La Rue, Debden, Essex, Serial No. CC88356866, #1) 2022 Bank of England twenty-pound note, tape, and 24 karat gold leaf 9 3/8 x 11 7/8 x 1 1/2 inches (23.8 x 30.2 x 3.8 cm) Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664232214582-9P76A57T9XMCWHYHNDWK/05222.jpg</image:loc>
      <image:title>2022</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, Bank of England Fifty-Pound Note: Series G, Issued June 23, 2021, Printed by De La Rue, Debden, Essex, Serial No. AC61175382, #1) 2022 Bank of England fifty-pound note, tape, and 24 karat gold leaf 9 3/8 x 11 7/8 x 1 1/2 inches (23.8 x 30.2 x 3.8 cm) Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664235279543-C2T1NZM9ZS018F803ZA8/22b7133e7e9b4ac819d1163da8df55b9.jpeg</image:loc>
      <image:title>2022</image:title>
      <image:caption>00.00.00 2022 Swiss Federal Railways split-flap display clock, GPS receiver 19 3/8 x 6 3/4 x 8 1/4 inches (49.2 x 17.1 x 20.9 cm)</image:caption>
    </image:image>
  </url>
  <url>
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    <changefreq>daily</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1733167520630-ESYV4WCQM7VI6OP6LPEY/image-asset.jpeg</image:loc>
      <image:title>Video - Walead Beshty in conversation with Hamza Walker, 9 November 2024</image:title>
      <image:caption>In conversation with Hamza Walker Walead Beshty: Profit &amp; Loss Regen Projects, Los Angeles, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1733167520630-ESYV4WCQM7VI6OP6LPEY/image-asset.jpeg</image:loc>
      <image:title>Video - Walead Beshty in conversation with Hamza Walker, 9 November 2024</image:title>
      <image:caption>In conversation with Hamza Walker Walead Beshty: Profit &amp; Loss Regen Projects, Los Angeles, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664385790302-Y5ZH9R4OTIIS3D8UN0QO/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Exhibition walkthrough with Dieter Schwarz Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664385850919-GY4LZ5SK0KNHGS1N7QFN/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>In conversation with Lynn Kost Foreign Correspondence (October 1, 2012 – January 14, 2021) Galerie Eva Presenhuber, Zurich, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664385939721-CZINKT2PQ7L4DILI53QQ/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Walead Beshty: Standard Deviations Kunst Museum Winterthur, 2020 video walkthrough</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664385964185-SCGXX9QX9TX36LFI9VTP/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Walead Beshty: Standard Deviations Kunst Museum Winterthur, 2020 video walkthrough (subtitled)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664385661750-XEDGYA1OWF60PMH06CVL/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>In conversation with Marrikka Trotter On Track series SCI-Arc, Los Angeles, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664326605950-P3BH31LMXAZQJRU2XK6R/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Picture Industry with Walead Beshty, David Campany, Noam Elcott, LaToya Ruby Frazier, Cameron Rowland, and Christopher Williams Forums on Contemporary Photography Museum of Modern Art, New York, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664385724991-NECIVSQP5AIE98CUIQVX/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Artist lecture Southern California Institute of Architecture Los Angeles, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664385506619-CVWMF2WQIAY0BGET1JXU/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Walead Beshty: Equivalents Regen Projects, Los Angeles, 2018 SCI-Arc Channel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664385311124-S858M58NDNL19K9QJN6N/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>In conversation with Hamza Walker Walead Beshty: Equivalents Regen Projects, Los Angeles, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664403859644-L02Z9SZZUBLKRXXYTGBP/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Picture Industry curated by Walead Beshty LUMA Foundation, Arles, 2018 exhibition walkthrough</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664385447994-OZ9FFFMFBQH7SL2GMG67/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Artist Lecture Progressive Praxis De La Cruz Collection, Miami, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664403321263-NZ9QI7TERWD1AFL567R8/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Discussion with George Baker, Johanna Burton, and Liam Gillick Walead Beshty 33 Texts: 93,614 Words: 581,035 Characters book launch Printed Matter, New York, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664385385358-XFPN0MM79Q2X9YGBNR0Q/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>In conversation with Johanna Burton Walead Beshty: Great Hall Exhibition NYU Institute of Fine Arts, New York, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664326725217-IS8L2JUJJYWOX7XY717D/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>In conversation with Rachel Heidenry &amp; Eloise Maxwell Walead Beshty: Great Hall Exhibition NYU Institute of Fine Arts, New York, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664410288558-Y244333OJTT6YJR50419/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Walead Beshty: A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (9 October 2013–8 October 2014) Barbican Centre, London, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664326672948-4VOQ3RT1DLVKA6O0PUP6/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Walead Beshty: A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (9 October 2013–8 October 2014) Barbican Centre, London, 2014 VernissageTV</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664385570055-054FI9SN23PW4Y2C0SSZ/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Is Photography Over? Symposium with Vince Aletti, George Baker, Walead Beshty, Jennifer Blessing, Charlotte Cotton, Geoff Dyer, Philip-Lorca diCorcia, Okwui Enwezor, Peter Galassi, Corey Keller, Douglas Nickel, Trevor Paglen, Kathy Ryan, Blake Stimson, and Joel Snyder San Francisco Museum of Modern Art, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664386657057-U9K0OWJ68EXT9XAZI2NX/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Artist Lecture Hammer Museum Los Angeles, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664387060818-QMTZFDECSRRDF9X2TRG5/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Artist Lecture Elaine Terner Cooper Education Fund Conversations with Contemporary Artists Guggenheim Museum, New York, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664404213401-C3HYQ1SEL65IYJJ6P6TK/image-asset.jpeg</image:loc>
      <image:title>Video</image:title>
      <image:caption>Biennial Exhibition Whitney Museum of American Art New York, 2008</image:caption>
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      <image:title>Screen Tests, 2022</image:title>
      <image:caption>Screen Test A (Walead Beshty/Kelley Walker, Hardbody Software [February 26/May 14, 2014, Los Angeles, California], 48 ounce C11000 Copper Alloy) 2022 Inkjet print on polished copper 31 x 16 1/2 inches (78.7 x 41.9 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664565473478-FB1L3MDEW9H4SIGP1CU9/B.jpg</image:loc>
      <image:title>Screen Tests, 2022</image:title>
      <image:caption>Screen Test B (Walead Beshty/Kelley Walker, Hardbody Software [February 26/May 14, 2014, Los Angeles, California], 48 ounce C11000 Copper Alloy) 2022 Inkjet print on polished copper 31 x 16 1/2 inches (78.7 x 41.9 cm) Exhibition: Addendum, 2022</image:caption>
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    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/composites</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664565785852-H8UAIADMOAOMFFJLTXDU/04522.jpg</image:loc>
      <image:title>Composites, 2022–</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04522) 2022 polished copper 14 1/8 x 9 1/8 x 9 1/4 inches (35.9 x 23.2 x 23.5 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664565785852-H8UAIADMOAOMFFJLTXDU/04522.jpg</image:loc>
      <image:title>Composites, 2022–</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04522) 2022 polished copper 14 1/8 x 9 1/8 x 9 1/4 inches (35.9 x 23.2 x 23.5 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664565785852-GXCO4AJXFLNJR9DUXC7J/04522+h.jpg</image:loc>
      <image:title>Composites, 2022–</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04522) 2022 polished copper 14 1/8 x 9 1/8 x 9 1/4 inches (35.9 x 23.2 x 23.5 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664565798354-WM5BO9QYWF6B84OCQA30/04722.jpg</image:loc>
      <image:title>Composites, 2022–</image:title>
      <image:caption>Composite (8 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04722) 2022 polished copper 24 7/8 x 16 1/8 x 10 1/8 inches (63.2 x 41 x 25.7 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664565832902-VWIFKW89B95QNUE125ZS/04722h.jpg</image:loc>
      <image:title>Composites, 2022–</image:title>
      <image:caption>Composite (8 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04722) 2022 polished copper 24 7/8 x 16 1/8 x 10 1/8 inches (63.2 x 41 x 25.7 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664565798853-2P4FSAW6B560W5NECP7A/04822.jpg</image:loc>
      <image:title>Composites, 2022–</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04822) 2022 polished copper 23 5/8 x 7 3/4 x 9 inches (60 x 19.7 x 22.9 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664565842701-ZER1S8P5XYPDWZB6ABJ0/04822h.jpg</image:loc>
      <image:title>Composites, 2022–</image:title>
      <image:caption>Composite (5 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04822) 2022 polished copper 23 5/8 x 7 3/4 x 9 inches (60 x 19.7 x 22.9 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664565798074-910F9R2ZPJ6P627IOP6T/04622.jpg</image:loc>
      <image:title>Composites, 2022–</image:title>
      <image:caption>Composite (2 Component Remnant, 48 ounce C11000 Copper Alloy: February 24, 2022, Glendale, California, 04622) 2022 polished copper 48 1/8 x 7 1/4 x 4 inches (122.2 x 18.4 x 10.2 cm) Exhibition: Addendum, 2022</image:caption>
    </image:image>
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      <image:title>Screen Boxes, 2021–</image:title>
      <image:caption>[I BUY HOUSES FAST EASY CASH ANY CONDITION BANKRUPTCY DIVORCE FORCLOSURE MAJOR REPAIRS ABANDONED INHERITANCE (323) 834-2891; NEED TO SELL YOUR HOUSE? WE BUY HOUSES FAST. CASH. NOW. 714-397-8620; IMMIGRATION Services 323.582-9871 2407 Randolph St., HP; $ $$ COMPRO CASAS 310-803-5360; DIVORCE CUSTODY 818-277-4006 Hablamos Español; WE BUY HOUSES 4 CA$H (323) 314-0403] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Exhibition: Foreign Correspondence, 2021</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664579538594-9TU4S7CR5E1VPSKB9734/BESHT48001_view1.jpg</image:loc>
      <image:title>Screen Boxes, 2021–</image:title>
      <image:caption>[I BUY HOUSES FAST EASY CASH ANY CONDITION BANKRUPTCY DIVORCE FORCLOSURE MAJOR REPAIRS ABANDONED INHERITANCE (323) 834-2891; NEED TO SELL YOUR HOUSE? WE BUY HOUSES FAST. CASH. NOW. 714-397-8620; IMMIGRATION Services 323.582-9871 2407 Randolph St., HP; $ $$ COMPRO CASAS 310-803-5360; DIVORCE CUSTODY 818-277-4006 Hablamos Español; WE BUY HOUSES 4 CA$H (323) 314-0403] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Exhibition: Foreign Correspondence, 2021</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664579538671-LYKJQBFBPX7XZ8V74O9J/BESHT48001_view2.jpg</image:loc>
      <image:title>Screen Boxes, 2021–</image:title>
      <image:caption>[I BUY HOUSES FAST EASY CASH ANY CONDITION BANKRUPTCY DIVORCE FORCLOSURE MAJOR REPAIRS ABANDONED INHERITANCE (323) 834-2891; NEED TO SELL YOUR HOUSE? WE BUY HOUSES FAST. CASH. NOW. 714-397-8620; IMMIGRATION Services 323.582-9871 2407 Randolph St., HP; $ $$ COMPRO CASAS 310-803-5360; DIVORCE CUSTODY 818-277-4006 Hablamos Español; WE BUY HOUSES 4 CA$H (323) 314-0403] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Exhibition: Foreign Correspondence, 2021</image:caption>
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    <image:image>
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      <image:title>Screen Boxes, 2021–</image:title>
      <image:caption>[BANKRUPTCY $349.00 DIVORCE $225.00 (562) 920-4280; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; Liquidacion De SEGUNDA HIPOTECA EVITA LA BANCARROTA (323) 206-3939; DIVORCE CUSTODY 818-277-4006; I BUY HOUSES &amp; UNITS FAST CASH ANY PRICE - ANY AREA - ANY CONDITION 310-490-6633] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Exhibition: Foreign Correspondence, 2021</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664579677310-XD9VMTGEOZDSVSM38Z5W/BESHT48002_view2.jpg</image:loc>
      <image:title>Screen Boxes, 2021–</image:title>
      <image:caption>[BANKRUPTCY $349.00 DIVORCE $225.00 (562) 920-4280; JESUS THE WAY THE TRUTH THE LIFE JOHN 14:6; CAR ACCIDENT ACCIDENTE DE AUTOMOVIL 877-317-4646 FREE LEGAL CONSULTATION; Liquidacion De SEGUNDA HIPOTECA EVITA LA BANCARROTA (323) 206-3939; DIVORCE CUSTODY 818-277-4006; I BUY HOUSES &amp; UNITS FAST CASH ANY PRICE - ANY AREA - ANY CONDITION 310-490-6633] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Exhibition: Foreign Correspondence, 2021</image:caption>
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      <image:title>Screen Boxes, 2021–</image:title>
      <image:caption>[K5 FIX YOUR CREDIT (800) 791-6365; PARAMOS LA VENTA de Su CASA en 24 HORAS! No es bancarota o modificación 562-443-7300; PINK SLIPLOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAŃOL WWW.LOAN4TITLE.COM; TAX ADVANCE $2,500 MONEY WITHIN 24HRS 323-481-0787; I BUY HOUSES FAST CA$H ANY AREA, PRICE, CONDITION 818-574-3999; ELIMINE 2DA HIPOTECA (LINEA DE CREDITO) PORGRAMA DEL GOBIERNO *GRATIS* (323) 804-9910] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Exhibition: Foreign Correspondence, 2021</image:caption>
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      <image:title>Screen Boxes, 2021–</image:title>
      <image:caption>[K5 FIX YOUR CREDIT (800) 791-6365; PARAMOS LA VENTA de Su CASA en 24 HORAS! No es bancarota o modificación 562-443-7300; PINK SLIPLOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAŃOL WWW.LOAN4TITLE.COM; TAX ADVANCE $2,500 MONEY WITHIN 24HRS 323-481-0787; I BUY HOUSES FAST CA$H ANY AREA, PRICE, CONDITION 818-574-3999; ELIMINE 2DA HIPOTECA (LINEA DE CREDITO) PORGRAMA DEL GOBIERNO *GRATIS* (323) 804-9910] 2021 Silkscreen, aluminum, vinyl screen ink, tape 34 x 26 x 31 inches Exhibition: Foreign Correspondence, 2021</image:caption>
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      <image:title>00.00.00</image:title>
      <image:caption>00.00.00 2022 Swiss Federal Railways split-flap display clock, GPS receiver 19 3/8 x 6 3/4 x 8 1/4 inches (49.2 x 17.1 x 20.9 cm)</image:caption>
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      <image:title>00.00.00</image:title>
      <image:caption>00.00.00 2022 Swiss Federal Railways split-flap display clock, GPS receiver 19 3/8 x 6 3/4 x 8 1/4 inches (49.2 x 17.1 x 20.9 cm)</image:caption>
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      <image:caption>00.00.00 2022 Swiss Federal Railways split-flap display clock, GPS receiver 19 3/8 x 6 3/4 x 8 1/4 inches (49.2 x 17.1 x 20.9 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731435737908-4Y557NW4C9QE40OQP44J/01024+WB+2140.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Bandit Sign Painting [I BUY DIABETIC TEST STRIPS $CASH$ 424-443-1402 (Los Angeles Times, Sunday 25 February 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, and tape on newspaper 112 ½ x 109 ½ inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731435915437-0W1V262BIMZLF189CIPE/01124+WB+2141.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Bandit Sign Painting [PINK SLIP LOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAÑOL WWW.LOAN4TITLE.COM (Los Angeles Times, Sunday 10 March 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, and tape on newspaper 90 ¾ x 131 ¼ inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731436024572-P6HD8JX3KABPZC9ED898/04824+WB+2142.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Bandit Sign Painting [WE SAVE HOMES $$$$ 323 310.9999 (Los Angeles Times, Sunday 12 May 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, laser prints on paper, and tape on newspaper 110 ½ x 115 5/8 inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731436183048-GPBZE1EAX4WBYPO8CCNR/04924+WB+2143.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Bandit Sign Painting [DIVORCE &amp; CUSTODY 909-485-9282 (Los Angeles Times, Sunday 23 June 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, vinyl billboard, laser prints on paper, and tape on newspaper 88 ½ x 125 inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731436367563-JOQJ7N8TV25BMRVPX5R1/06924+WB+2144.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Bandit Sign Painting [SELL YOUR HOME FAST $$ CASH $$ (323) 316-9801 (Los Angeles Times, Saturday 13 July 2024/Sunday 14 July 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, laser prints on paper, oil painting on paper, and tape on newspaper 110 ½ x 122 ¾ inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731439179453-YI4BSKAGXRC63AEHHT2V/05624+WB+2138.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>What Goes Around Comes Around [I BUY HOUSES FAST CA$H ANY AREA, PRICE, CONDITION 818-574-3999] 2024 vinyl billboard, staples, aluminum, and steel 151 ½ x 84 ¼ x 39 inches (variable) Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731439150088-HJTCCL2KT3SQT045E6YT/05524+WB+2134.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>What Goes Around Comes Around [CREDIT REPAIR (323) 535.7289] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, ink and tape 85 ½ x 207 × 16 inches (variable) Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731439167348-NYC53VJH0291GY88RTVO/06724+WB+2136.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>What Goes Around Comes Around [PINK SLIP LOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAÑOL WWW.LOAN4TITLE.COM] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, ink, zip tie, and tape 95 × 208 ½ × 12 ½ inches (variable) Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731439158752-B6EY6LEZ15NHR53MGPYH/06624+WB+2135.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>What Goes Around Comes Around [DIVORCE &amp; CUSTODY 909-485-9282] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, and tape 94 ½ x 202 ½ x 15 inches (variable) Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731439189979-9O5N1FY5SFOR1BTMR5ZH/06824+WB+2137.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>What Goes Around Comes Around [I BUY DIABETIC TEST STRIPS $CASH$ 424-443-1402] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, and tape 90 ½ x 214 ½ x 14 ¼ inches (variable) Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441401497-O5H5F2E7EJPAFQRK78R9/11223+WB+2036.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Il Sole 24 Ore, Domenica 20 Agosto 2023; Palaia, Italy 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441411619-K0TJL7PLGEAZ53Q37UNW/11323+WB+2035.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Il Sole 24 Ore, Giovedì 28 Settembre 2023; Palaia, Italy 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441422476-3WF3W8BLPSWVEQD3DYYL/11523+WB+2037.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Il Sole 24 Ore, Sabato 2 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, staple, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441429838-LJXN8LLTX4TED477SQXH/11623+WB+2038.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Il Sole 24 Ore, Martedì 12 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, staple, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441439429-QGO87EWK4OEBHQ5I3RG3/11723+WB+2039.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Il Sole 24 Ore, Mercoledì 4 Ottobre 2023; Palaia, Italy 2024 oil pastel, oil, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441450324-UHPG91TF44SLUJZBWGDU/11823+WB+2040.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Il Sole 24 Ore, Domenica 10 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441456538-DDVPNW74SM5OC37A3PDE/11923+WB+2041.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Il Sole 24 Ore, Sabato 7 Ottobre 2023; Palaia, Italy 2024 oil pastel, oil, bandage, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441487739-Q24Y0JETT6QXDHQ3QHTX/12023+WB+2042.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Il Sole 24 Ore, Mercoledì 27 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, tape, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441503359-0AK1ZFNFZ89JT3Y9EHMG/16423+WB+2044.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Ralphs, Week of 20 December 2023; Los Angeles, California 2024 oil pastel and oil on newsprint mailer 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441495734-PIJGXEZBMPWHETWN36GE/12423+WB+2043.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Financial Times, Tuesday 4 April 2017; Los Angeles, California 2024 oil pastel, oil, tape, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441516614-D6T39EDC67RV5D2IKK7P/16523+WB+2112.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Ralphs, Week of 20 December 2023; Los Angeles, California 2024 oil pastel and oil on newsprint mailer 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441523626-RX47VG04XTB1DEQ052RE/18823+WB+2113.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>The New York Times, Thursday 11 February 2021; Los Angeles, California 2024 oil pastel, oil, tape, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441531456-AEMOPIPA7YL8AEEK2PHU/00324+WB+2114.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Los Angeles Times, Wednesday 15 June 2022; Los Angeles, California 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441537782-R50FFU7NCAQN6AXMPFLL/04524+WB+2115.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Los Angeles Times, Tuesday 24 April 2018; Los Angeles, California 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441546645-JG455OWUS50NLT7QID3S/04624+WB+2116.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Los Angeles Times, Wednesday 17 February 2021; Los Angeles, California 2024 oil pastel, oil, and staple on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731441556315-JR7NIR2TJEQD7XNQPK5R/05124+WB+2117.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>The New York Times, Thursday 17 October 2019; Los Angeles, California 2024 oil pastel, oil, and staples on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451430871-QB1CWJHVIIMC9SY9EQ63/05924+WB+2147.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Base Station): 7776 Firenze Avenue, Los Angeles, California 2024 concrete, mortar, brick, ceramic tile, and radio antennas 26 x 14 ½ x 5 ½ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451524430-8Z99D57VVOILD0PWZKBT/07324+WB+2157.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Radio): 2160 Laurel Canyon Boulevard, Los Angeles, California 2024 brick, mortar, and radio antenna 15 ¾ x 11 ½ x 5 ½ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451536266-WWDVFK08HTSJSKGWYY9G/07524+WB+2159.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7453 Mulholland Drive, Los Angeles, California 2024 tile, mortar, concrete, and radio antenna 13 x 1 ½ x 5 ½ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451444502-NHA8E5MR6DNHTS59Q7NL/06124+WB+2149.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Relay): 7776 Firenze Avenue, Los Angeles, California 2024 concrete, mortar, brick, ceramic tile, and radio antenna 10 ¾ x 11 x 5 inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451669680-19M3834VAAO49IV4OA4T/06524+WB+2153.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Cell Device (Pager): 7932 Mulholland Drive, Los Angeles, California 2024 concrete, pager belt clip, and screws 3 ½ x 2 ½ x 2 ¼ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451400257-AU3M17RT7ICU9TAZ0I2Z/05724+WB+2145.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7701 Mulholland Drive, Los Angeles, California 2024 brick, mortar, and radio antenna 16 ½ x 3 ¾ x 4 ½ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451416808-W5383FN9G02AVPS908I0/05824+WB+2146.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7843 Woodrow Wilson Drive, Los Angeles, California 2024 cinder block, mortar, and radio antenna 13 ¾ x 4 x 6 ½ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451775350-10S0Y6APBJ0Y9G04VW6B/06424+WB+2152.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Cell Device (Pager): 7815 Mulholland Drive, Los Angeles, California 2024 concrete, pager belt clip, and screws 3 ½ x 2 ½ x 2 ¼ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451783041-SOXRIYBWU2ME94Q496G8/06324+WB+2151.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Cell Device (Pager): 7693 Mulholland Drive, Los Angeles, California 2024 concrete, pager belt clip, and screws 2 ¾ x 4 ½ x 4 ¼ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451564368-Q3PQ962ABB64868H7WL2/08024+WB+2164.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7974 Woodrow Wilson Drive, Los Angeles, California 2024 brick, mortar, and radio antenna 8 ½ x 4 ¼ x 3 inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451572753-BS0RX31E3XU0A6303A69/08124+WB+2165.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7932 Woodrow Wilson Drive, Los Angeles, California 2024 brick, mortar, and radio antenna 7 ¾ x 3 x 3 ¾ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451456381-ZKGQQ8WMO7UDY5SW0Q1C/06224+WB+2150.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Router): 7610 Woodrow Wilson Drive, Los Angeles, California 2024 concrete and radio antenna 6 x 5 ½ x 4 ½ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451478496-BACI4HQLR4FXNOOTE538/07024+WB+2154.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Cell Device (Pager): 8017 Mulholland Drive, Los Angeles, California 2024 brick, pager belt clip, and screws 3 x 4 ½ x 3 ½ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731451438410-6O6947POVTJ5JSELB609/06024+WB+2148.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Router): 7776 Firenze Avenue, Los Angeles, California 2024 concrete, mortar, brick, ceramic tile, and radio antenna 18 ½ x 12 x 5 ¾ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731453141657-0JZKIKZDUV8057JYOXYV/07624+WB+2160.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Radio): 2035 Achilles Drive, Los Angeles, California 2024 concrete and radio antenna 5 ½ x 7 x 8 inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731453235438-83QFJWLA6PIYNG4HQL87/08224+WB+2166.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7823 Woodrow Wilson Drive, Los Angeles, California 2024 concrete and radio antenna 4 ¾ x 7 x 5 ½ inches Smart Objects, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731693968070-IVSQ4HNG2JG0SGJQENJA/03521.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731693969397-GVO4Z1200T5S86PENPU3/03621.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731693969762-A1D07Q9FJ6A8D4M0UVIK/03721.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
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      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
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    <image:image>
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      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731693971323-4YFAT0BXLODPGENVQ255/04021.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731693971973-GRR1YS4XBM4EL2CUZZX6/04121.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731693972624-BHPI2CK0RTO2LJJ91VJ1/04221.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731693973231-F1M5FDADQD7D8PFJWUB2/04321.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731693974015-KIVK0XJ4L7MB78K77LYX/04421.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731693974513-H3UHE6PDGSWQNIPUHBP8/04521.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731693975248-9OB5J6U225WM8E0VPZJL/04621.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731693975745-I7J2MJ9A8M9A1DIYH01E/04921.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Union Pacific Avenue, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731696122780-AO98Y15XH4IFY0MRKW7U/WB+2131+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve One-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position A5, Front Plate No. 89, Back Plate No. 69, Serial No. L71680075F, #28) 2024 United States Federal Reserve one-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731696112576-KZ3HY2667187R7H38UYQ/WB+2132+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Two-Dollar Note: Series 1976, Issued by Federal Reserve Bank of Boston, Massachusetts, Printed in Washington, District of Columbia, Plate Position G3, Front Plate No. 20, Back Plate No. 27, Serial No. A00447428A, #4) 2024 United States Federal Reserve two-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021–</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731696134538-7D23A5Z6GPW7E9CAPALP/WB+2133+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Five-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Washington, District of Columbia, Plate Position C3, Front Plate No. 261, Back Plate No. 303, Serial No. ML54966020L, #5) 2024 United States Federal Reserve five-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021–</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731696065662-NHNETHE5J31JT9T4BK1R/WB+1924+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Ten-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Kansas City, Missouri, Printed in Washington, District of Columbia, Plate Position E2, Front Plate No. 20, Back Plate No. 39, Serial No. PJ02541111A, #1) 2024 United States Federal Reserve ten-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731696077468-XRIM7L5PEOWT5GQR8V2O/WB+1925+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Twenty-Dollar Note: Series 2017, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position G3, Front Plate No. 3, Back Plate No. 1, Serial No. NL87770868A, #1) 2024 United States Federal Reserve twenty-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731696089683-2ZY9HPYLRMTL8J3EFA6D/WB+1926+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Fifty-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Dallas, Texas, Printed in Fort Worth, Texas, Plate Position B2, Front Plate No. 11, Back Plate No. 10, Serial No. PK10583665A, #1) 2024 United States Federal Reserve fifty-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731696101727-LS4ZR6IQJYV5C8E3XE0N/WB+1927+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Bank One-Hundred-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Dallas, Texas, Printed in Fort Worth, Texas, Plate Position C2, Front Plate No. 106, Back Plate No. 69, Serial No. PK71438026A, #1) 2024 United States Federal Reserve one-hundred-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973024631-QHVYUZH5AALBRF2HXOSB/WB+2029+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>WE BUY HOUSES 626-765-5726 [The New York Times, Friday 14 April 2017; Los Angeles, California] 2024 oil pastel, ink, prescription label and staples on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973066702-HPNBIHD5S8WMMB6WR9TP/WB+2028+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>CREDIT REPAIR (323) 535.7289 [The New York Times, Wednesday 15 November 2017; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973133634-PAKQ0ZYQS3LR4H2P0WEQ/WB+2024+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>FATHERS WE CAN HELP... CHILD SUPPORT VISITATION - CUSTODY 866-72-DADDY [The Wall Street Journal, Thursday 24 February 2022; Los Angeles, California] 2024 oil pastel and staples on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973148123-KWBOFVMMBGOYC18LM22H/WB+2026+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>FIX YOUR CREDIT (800) 791-6365 [Los Angeles Times, Monday 28 March 2022; Los Angeles, California] 2024 oil pastel and staple on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973163796-W8N89X9Z7IM3FULY1QG8/WB+2025+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>FAST CASH FOR DIABETIC TEST STRIPS (323) 990-4699 [Financial Times, Wednesday 23 February 2022; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973179860-NYUWRA1KVTGJI8HOZLD3/WB+2022+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>PINK SLIP LOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAÑOL WWW.LOAN4TITLE.COM [The New York Times, Thursday 26 October 2017; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973195561-XAXDDOICVJCVJ7AD4GVH/WB+2023+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>TERMITES? ROACHES? Call Me: 818-212-0990 [The New York Times, Friday 10 November 2017; Los Angeles, California] 2024 oil pastel and staples on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973211363-JB9WVI2EEJTR1HB7JEOL/WB+2027+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>DIVORCE &amp; CUSTODY 909-485-9282 [Los Angeles Times, Sunday 12 June 2022; Los Angeles, California] 2024 oil pastel, oil, and staples on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973320477-1PCROST691VQDT16B0HH/WB+2021+1.jpg</image:loc>
      <image:title>Profit &amp; Loss, Regen Projects, 2024</image:title>
      <image:caption>IMMIGRATION Services 323.582.9871 2407 Randolph st., HP [The New York Times, Sunday 16 April 2017; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024–</image:caption>
    </image:image>
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      <image:title>2024</image:title>
      <image:caption>Bandit Sign Painting [I BUY DIABETIC TEST STRIPS $CASH$ 424-443-1402 (Los Angeles Times, Sunday 25 February 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, and tape on newspaper 112 ½ x 109 ½ inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731437541045-JGML0EDXFEJD9HEIZC6J/01024+WB+2140.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Bandit Sign Painting [I BUY DIABETIC TEST STRIPS $CASH$ 424-443-1402 (Los Angeles Times, Sunday 25 February 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, and tape on newspaper 112 ½ x 109 ½ inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731437555730-V8PVG9A1COFMFD8J133T/04824+WB+2142.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Bandit Sign Painting [WE SAVE HOMES $$$$ 323 310.9999 (Los Angeles Times, Sunday 12 May 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, laser prints on paper, and tape on newspaper 110 ½ x 115 5/8 inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731437548973-0YI9P9XE1XOGAMKIBN3R/01124+WB+2141.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Bandit Sign Painting [PINK SLIP LOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAÑOL WWW.LOAN4TITLE.COM (Los Angeles Times, Sunday 10 March 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, and tape on newspaper 90 ¾ x 131 ¼ inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731437570506-Q59ZJKA3MKQREWJHD48L/06924+WB+2144.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Bandit Sign Painting [SELL YOUR HOME FAST $$ CASH $$ (323) 316-9801 (Los Angeles Times, Saturday 13 July 2024/Sunday 14 July 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, laser prints on paper, oil painting on paper, and tape on newspaper 110 ½ x 122 ¾ inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731437562531-HY30W6NJS7D1511875V3/04924+WB+2143.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Bandit Sign Painting [DIVORCE &amp; CUSTODY 909-485-9282 (Los Angeles Times, Sunday 23 June 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, vinyl billboard, laser prints on paper, and tape on newspaper 88 ½ x 125 inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731440943477-UVY5HPKFSKT7JDOASSOH/05524+WB+2134.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>What Goes Around Comes Around [CREDIT REPAIR (323) 535.7289] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, ink and tape 85 ½ x 207 × 16 inches (variable) Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731440952348-0MXA48QJ2ZHUXLNQUOZ6/06624+WB+2135.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>What Goes Around Comes Around [DIVORCE &amp; CUSTODY 909-485-9282] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, and tape 94 ½ x 202 ½ x 15 inches (variable) Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731440960517-XZZIUVAO6ZSX1JGJSYY0/06724+WB+2136.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>What Goes Around Comes Around [PINK SLIP LOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAÑOL WWW.LOAN4TITLE.COM] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, ink, zip tie, and tape 95 × 208 ½ × 12 ½ inches (variable) Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731440986507-1AVLJCYYCP715WS3VWTO/06824+WB+2137.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>What Goes Around Comes Around [I BUY DIABETIC TEST STRIPS $CASH$ 424-443-1402] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, and tape 90 ½ x 214 ½ x 14 ¼ inches (variable) Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731440973741-TVUVPSE5FTURRZ43U2L8/05624+WB+2138.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>What Goes Around Comes Around [I BUY HOUSES FAST CA$H ANY AREA, PRICE, CONDITION 818-574-3999] 2024 vinyl billboard, staples, aluminum, and steel 151 ½ x 84 ¼ x 39 inches (variable) Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444957373-XES1VKI3HBPQSDD8DBFK/11223+WB+2036.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Il Sole 24 Ore, Domenica 20 Agosto 2023; Palaia, Italy 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444961456-Y2FCPHQU2TR6UH2QPB6H/11323+WB+2035.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Il Sole 24 Ore, Giovedì 28 Settembre 2023; Palaia, Italy 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731445249625-SUC320DFWAVG8YHVM3KG/11523+WB+2037.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Il Sole 24 Ore, Sabato 2 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, staple, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444969851-7GCM3EBX1AIE1MBHS9FI/11623+WB+2038.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Il Sole 24 Ore, Martedì 12 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, staple, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444974101-EA5LDIR12T0SCB5V7HGD/11723+WB+2039.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Il Sole 24 Ore, Mercoledì 4 Ottobre 2023; Palaia, Italy 2024 oil pastel, oil, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444978413-4S79VU9DWWM8DDTDVK1I/11823+WB+2040.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Il Sole 24 Ore, Domenica 10 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444987696-SWRO0IQV2CMG91WR8IJT/12023+WB+2042.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Il Sole 24 Ore, Mercoledì 27 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, tape, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444982764-PRN947U9K9JUB7650UKL/11923+WB+2041.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>4Il Sole 24 Ore, Sabato 7 Ottobre 2023; Palaia, Italy 2024 oil pastel, oil, bandage, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444992356-6BLGXDIOGKVWDVCDHNN1/12423+WB+2043.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Financial Times, Tuesday 4 April 2017; Los Angeles, California 2024 oil pastel, oil, tape, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444998144-UPTE0BL021LW0BB1VI98/16423+WB+2044.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Ralphs, Week of 20 December 2023; Los Angeles, California 2024 oil pastel and oil on newsprint mailer 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731445011536-H82F2WRSSFKKF9XTKRIF/18823+WB+2113.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>The New York Times, Thursday 11 February 2021; Los Angeles, California 2024 oil pastel, oil, tape, staples, and tape on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731445003801-ETZ0GDE9NHVDZPIBADXF/16523+WB+2112.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Ralphs, Week of 20 December 2023; Los Angeles, California 2024 oil pastel and oil on newsprint mailer 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731445016252-D2QPJWFZ2175D583LDMH/00324+WB+2114.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Los Angeles Times, Wednesday 15 June 2022; Los Angeles, California 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731445020738-JJFZWXE66MJ8JUJNRGMB/04524+WB+2115.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Los Angeles Times, Tuesday 24 April 2018; Los Angeles, California 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731445024965-8NAH8838ZXL47D1LY1MZ/04624+WB+2116.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Los Angeles Times, Wednesday 17 February 2021; Los Angeles, California 2024 oil pastel, oil, and staple on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731445030367-C7GECJ415YRD2R7KEF1Q/05124+WB+2117.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>The New York Times, Thursday 17 October 2019; Los Angeles, California 2024 oil pastel, oil, and staples on newspaper 39 ½ x 31 5/8 inches Cigarette paintings, 2018– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527224183-MJ3H451SNDIQQFXZPL2M/05924+WB+2147.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Base Station): 7776 Firenze Avenue, Los Angeles, California 2024 concrete, mortar, brick, ceramic tile, and radio antennas 26 x 14 ½ x 5 ½ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527263070-N6F0S4KSU264UL7QSZKU/07324+WB+2157.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Radio): 2160 Laurel Canyon Boulevard, Los Angeles, California 2024 brick, mortar, and radio antenna 15 ¾ x 11 ½ x 5 ½ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527307428-IBWAMWW53HKBX5NPQVH7/07524+WB+2159.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Radio): 7453 Mulholland Drive, Los Angeles, California 2024 tile, mortar, concrete, and radio antenna 13 x 1 ½ x 5 ½ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527349240-8ZUDYMWS556I85GR3FQ7/06124+WB+2149.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Relay): 7776 Firenze Avenue, Los Angeles, California 2024 concrete, mortar, brick, ceramic tile, and radio antenna 10 ¾ x 11 x 5 inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527391649-1D0K92GQ9F5CJLN94WZT/06524+WB+2153.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Cell Device (Pager): 7932 Mulholland Drive, Los Angeles, California 2024 concrete, pager belt clip, and screws 3 ½ x 2 ½ x 2 ¼ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527441211-1LET1JYY83QERJMAKX30/05724+WB+2145.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Radio): 7701 Mulholland Drive, Los Angeles, California 2024 brick, mortar, and radio antenna 16 ½ x 3 ¾ x 4 ½ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527449234-MU6DE1RV6U5SMQ08K52H/05824+WB+2146.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Radio): 7843 Woodrow Wilson Drive, Los Angeles, California 2024 cinder block, mortar, and radio antenna 13 ¾ x 4 x 6 ½ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527463399-TC378GVN6P1EGE5A5UUG/06424+WB+2152.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Cell Device (Pager): 7815 Mulholland Drive, Los Angeles, California 2024 concrete, pager belt clip, and screws 3 ½ x 2 ½ x 2 ¼ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527530026-9EGT1G62MH7Y88BP74FU/06324+WB+2151.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Cell Device (Pager): 7693 Mulholland Drive, Los Angeles, California 2024 concrete, pager belt clip, and screws 2 ¾ x 4 ½ x 4 ¼ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527557400-AVS18TSOKJ3EZE2A7OO8/08024+WB+2164.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Radio): 7974 Woodrow Wilson Drive, Los Angeles, California 2024 brick, mortar, and radio antenna 8 ½ x 4 ¼ x 3 inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527567791-G10RFZZQJDDY9TOP6IZM/08124+WB+2165.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Radio): 7932 Woodrow Wilson Drive, Los Angeles, California 2024 brick, mortar, and radio antenna 7 ¾ x 3 x 3 ¾ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527633003-CQMHUKR0XQ44RKZEC9PW/06224+WB+2150.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Router): 7610 Woodrow Wilson Drive, Los Angeles, California 2024 concrete and radio antenna 6 x 5 ½ x 4 ½ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527641288-I904UG2NDX31M1O812A1/07024+WB+2154.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Cell Device (Pager): 8017 Mulholland Drive, Los Angeles, California 2024 brick, pager belt clip, and screws 3 x 4 ½ x 3 ½ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527678714-BHPPF1NGSLE5A66ABF5U/06024+WB+2148.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Router): 7776 Firenze Avenue, Los Angeles, California 2024 concrete, mortar, brick, ceramic tile, and radio antenna 18 ½ x 12 x 5 ¾ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527706325-N6LEONM5ICEYOO82Y1DW/07624+WB+2160.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Radio): 2035 Achilles Drive, Los Angeles, California 2024 concrete and radio antenna 5 ½ x 7 x 8 inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527755929-9FZ7MJMY9RGYNICNNW6Z/08224+WB+2166.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Smart Object (Radio): 7823 Woodrow Wilson Drive, Los Angeles, California 2024 concrete and radio antenna 4 ¾ x 7 x 5 ½ inches Smart Objects, 2024 Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731699557186-4BWVA7OXUL1AUETCV8ND/WB+2131+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve One-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position A5, Front Plate No. 89, Back Plate No. 69, Serial No. L71680075F, #28) 2024 United States Federal Reserve one-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731699571292-G472JDRCMO120SMZN0GC/WB+2132+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Two-Dollar Note: Series 1976, Issued by Federal Reserve Bank of Boston, Massachusetts, Printed in Washington, District of Columbia, Plate Position G3, Front Plate No. 20, Back Plate No. 27, Serial No. A00447428A, #4) 2024 United States Federal Reserve two-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731699583132-4CUWB89CWBJ91O8UW7IA/WB+2133+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Five-Dollar Note: Series 2013, Issued by Federal Reserve Bank of San Francisco, California, Printed in Washington, District of Columbia, Plate Position C3, Front Plate No. 261, Back Plate No. 303, Serial No. ML54966020L, #5) 2024 United States Federal Reserve five-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731699594800-Q7U8K2A67M4Z08Q7EG97/WB+1924+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Ten-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Kansas City, Missouri, Printed in Washington, District of Columbia, Plate Position E2, Front Plate No. 20, Back Plate No. 39, Serial No. PJ02541111A, #1) 2024 United States Federal Reserve ten-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731699606636-IDROA7GQKAAC5KUIYPIF/WB+1925+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Twenty-Dollar Note: Series 2017, Issued by Federal Reserve Bank of San Francisco, California, Printed in Fort Worth, Texas, Plate Position G3, Front Plate No. 3, Back Plate No. 1, Serial No. NL87770868A, #1) 2024 United States Federal Reserve twenty-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731699618607-DCNOSX4E9G4914XYWNZS/WB+1926+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Fifty-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Dallas, Texas, Printed in Fort Worth, Texas, Plate Position B2, Front Plate No. 11, Back Plate No. 10, Serial No. PK10583665A, #1) 2024 United States Federal Reserve fifty-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731699630609-DKNJ9TWSZ8AKUO8JHFFQ/WB+1927+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>Blind Collage (Three 180º Rotations, United States Federal Reserve Bank One-Hundred-Dollar Note: Series 2017, Issued by Federal Reserve Bank of Dallas, Texas, Printed in Fort Worth, Texas, Plate Position C2, Front Plate No. 106, Back Plate No. 69, Serial No. PK71438026A, #1) 2024 United States Federal Reserve one-hundred-dollar note, tape, and 22 karat gold leaf 9 3/8 × 12 7/8 inches Banknotes, 2021– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1732230499031-KJCT0R3WYVWGYGXJSUJI/WB+2029+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>WE BUY HOUSES 626-765-5726 [The New York Times, Friday 14 April 2017; Los Angeles, California] 2024 oil pastel, ink, prescription label and staples on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1732230528831-E7L48PG15EUZZMBR1KDC/WB+2028+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>CREDIT REPAIR (323) 535.7289 [The New York Times, Wednesday 15 November 2017; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1732230557560-6PKU3STWJ2Y7DCO8BDEO/WB+2024+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>FATHERS WE CAN HELP... CHILD SUPPORT VISITATION - CUSTODY 866-72-DADDY [The Wall Street Journal, Thursday 24 February 2022; Los Angeles, California] 2024 oil pastel and staples on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1732230584939-8N1OJDN7NGCTP72E5N3L/WB+2026+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>FIX YOUR CREDIT (800) 791-6365 [Los Angeles Times, Monday 28 March 2022; Los Angeles, California] 2024 oil pastel and staple on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1732230704434-6T0PSJU8Z2TLISW0SWBW/WB+2025+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>FAST CASH FOR DIABETIC TEST STRIPS (323) 990-4699 [Financial Times, Wednesday 23 February 2022; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1732230764120-YJQ0ML16IYOFFD6ZQMZU/WB+2022+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>PINK SLIP LOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAÑOL WWW.LOAN4TITLE.COM [The New York Times, Thursday 26 October 2017; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1732230819670-7PQZNFPV5N6BVC6B40M1/WB+2023+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>TERMITES? ROACHES? Call Me: 818-212-0990 [The New York Times, Friday 10 November 2017; Los Angeles, California] 2024 oil pastel and staples on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1732230849914-IJHAC3LRNPM5M1U03Y85/WB+2027+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>DIVORCE &amp; CUSTODY 909-485-9282 [Los Angeles Times, Sunday 12 June 2022; Los Angeles, California] 2024 oil pastel, oil, and staples on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1732230878333-YJ3Z0TDVWUWBS61TJZM3/WB+2021+1.jpg</image:loc>
      <image:title>2024</image:title>
      <image:caption>IMMIGRATION Services 323.582.9871 2407 Randolph st., HP [The New York Times, Sunday 16 April 2017; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Bandit Sign Paintings, 2024– Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/bandit-sign-paintings-2024</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731436926362-VL1Q3VU79J2X1RGZ5GPM/01024+WB+2140.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>Bandit Sign Painting [I BUY DIABETIC TEST STRIPS $CASH$ 424-443-1402 (Los Angeles Times, Sunday 25 February 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, and tape on newspaper 112 ½ x 109 ½ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731436926362-VL1Q3VU79J2X1RGZ5GPM/01024+WB+2140.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>Bandit Sign Painting [I BUY DIABETIC TEST STRIPS $CASH$ 424-443-1402 (Los Angeles Times, Sunday 25 February 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, and tape on newspaper 112 ½ x 109 ½ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731437079574-OQ7NLPU1PWAJW91QBUMN/01124+WB+2141.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>Bandit Sign Painting [PINK SLIP LOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAÑOL WWW.LOAN4TITLE.COM (Los Angeles Times, Sunday 10 March 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, and tape on newspaper 90 ¾ x 131 ¼ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731437234294-M5VWVKH5M97VQTTFUHKV/04824+WB+2142.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>Bandit Sign Painting [WE SAVE HOMES $$$$ 323 310.9999 (Los Angeles Times, Sunday 12 May 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, laser prints on paper, and tape on newspaper 110 ½ x 115 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731437308932-DKPNJKPGTO79JE6U1JJY/04924+WB+2143.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>Bandit Sign Painting [DIVORCE &amp; CUSTODY 909-485-9282 (Los Angeles Times, Sunday 23 June 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, vinyl billboard, laser prints on paper, and tape on newspaper 88 ½ x 125 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731437378770-J8X7U2XJRAPG8D55WDGA/06924+WB+2144.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>Bandit Sign Painting [SELL YOUR HOME FAST $$ CASH $$ (323) 316-9801 (Los Angeles Times, Saturday 13 July 2024/Sunday 14 July 2024; Los Angeles, California)] 2024 oil pastel, oil paint, staples, glue, paper, receipts, cards, envelopes, grommets, ink, plastic sheeting, laser prints on paper, oil painting on paper, and tape on newspaper 110 ½ x 122 ¾ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731440483725-T4DULQY1LZ9TCHJVRFOP/05524+WB+2134.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>What Goes Around Comes Around [CREDIT REPAIR (323) 535.7289] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, ink and tape 85 ½ x 207 × 16 inches (variable) Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731440493096-J8K3BQPAMLAZ88EE3GHU/06624+WB+2135.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>What Goes Around Comes Around [DIVORCE &amp; CUSTODY 909-485-9282] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, and tape 94 ½ x 202 ½ x 15 inches (variable) Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731440505143-F44PQFVVJTOZXXRNPX5L/06724+WB+2136.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>What Goes Around Comes Around [PINK SLIP LOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAÑOL WWW.LOAN4TITLE.COM] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, ink, zip tie, and tape 95 × 208 ½ × 12 ½ inches (variable) Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731440512771-NM91DJIXLO54E9L6ZTKZ/06824+WB+2137.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>What Goes Around Comes Around [I BUY DIABETIC TEST STRIPS $CASH$ 424-443-1402] 2024 vinyl billboard, canvas, oil,  plastic sheeting, glassine, paper, staples, aluminum, steel, and tape 90 ½ x 214 ½ x 14 ¼ inches (variable) Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731440519188-WM7T47Z7YYVKAN6MT5MJ/05624+WB+2138.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>What Goes Around Comes Around [I BUY HOUSES FAST CA$H ANY AREA, PRICE, CONDITION 818-574-3999] 2024 vinyl billboard, staples, aluminum, and steel 151 ½ x 84 ¼ x 39 inches (variable) Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973925092-P56K5S58C8UP9AEV6425/WB+2029+1.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>WE BUY HOUSES 626-765-5726 [The New York Times, Friday 14 April 2017; Los Angeles, California] 2024 oil pastel, ink, prescription label and staples on newspaper 25 5/8 × 25 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973960667-5NV7ZFT9U2CV56FMFLTN/WB+2028+1.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>CREDIT REPAIR (323) 535.7289 [The New York Times, Wednesday 15 November 2017; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731973988820-D4G5M34X4LKRMDR36L7A/WB+2024+1.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>FATHERS WE CAN HELP... CHILD SUPPORT VISITATION - CUSTODY 866-72-DADDY [The Wall Street Journal, Thursday 24 February 2022; Los Angeles, California] 2024 oil pastel and staples on newspaper 25 5/8 × 25 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731974015545-BFCSEIJN32BPBJYJALQB/WB+2026+1.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>FIX YOUR CREDIT (800) 791-6365 [Los Angeles Times, Monday 28 March 2022; Los Angeles, California] 2024 oil pastel and staple on newspaper 25 5/8 × 25 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731974045334-UWNPX3XAC1DH3QII09ZC/WB+2025+1.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>FAST CASH FOR DIABETIC TEST STRIPS (323) 990-4699 [Financial Times, Wednesday 23 February 2022; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731974075950-ZKXKKSLTE00YY7Y3Y2A8/WB+2022+1.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>PINK SLIP LOANS CASH IN 1 HOUR 800.910.6901 SE HABLA ESPAÑOL WWW.LOAN4TITLE.COM [The New York Times, Thursday 26 October 2017; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731974105461-RHDD3Z5HZ0D5OA1O1ZYN/WB+2023+1.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>TERMITES? ROACHES? Call Me: 818-212-0990 [The New York Times, Friday 10 November 2017; Los Angeles, California] 2024 oil pastel and staples on newspaper 25 5/8 × 25 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731974135809-DLL1FTYMTJ0LOCD20196/WB+2027+1.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>DIVORCE &amp; CUSTODY 909-485-9282 [Los Angeles Times, Sunday 12 June 2022; Los Angeles, California] 2024 oil pastel, oil, and staples on newspaper 25 5/8 × 25 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731974164155-XPCRVFE3FZ8JRHWFEZFK/WB+2021+1.jpg</image:loc>
      <image:title>Bandit Sign Paintings, 2024–</image:title>
      <image:caption>IMMIGRATION Services 323.582.9871 2407 Randolph st., HP [The New York Times, Sunday 16 April 2017; Los Angeles, California] 2024 oil pastel on newspaper 25 5/8 × 25 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/cigarette-paintings-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731443997178-T9MWPYOXKA6HRSATEPG6/11223+WB+2036.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Il Sole 24 Ore, Domenica 20 Agosto 2023; Palaia, Italy 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731443997178-T9MWPYOXKA6HRSATEPG6/11223+WB+2036.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Il Sole 24 Ore, Domenica 20 Agosto 2023; Palaia, Italy 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444007241-3REEO2ZTE4OTASU41XL0/11323+WB+2035.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Il Sole 24 Ore, Giovedì 28 Settembre 2023; Palaia, Italy 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444026398-QJCK0TBB687CLBYICX2W/11523+WB+2037.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Il Sole 24 Ore, Sabato 2 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, staple, and tape on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444031433-CSOUJ5J9YNLG7150EOPR/11623+WB+2038.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Il Sole 24 Ore, Martedì 12 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, staple, and tape on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444036190-LBUVCAU7SIAZXHP0PZSV/11723+WB+2039.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Il Sole 24 Ore, Mercoledì 4 Ottobre 2023; Palaia, Italy 2024 oil pastel, oil, staples, and tape on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444040457-DOFQLW712TRKRX1FSOA8/11823+WB+2040.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Il Sole 24 Ore, Domenica 10 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, staples, and tape on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444045573-GMLBW660G3R9R1BO7NV0/11923+WB+2041.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Il Sole 24 Ore, Sabato 7 Ottobre 2023; Palaia, Italy 2024 oil pastel, oil, bandage, staples, and tape on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444050118-V70IPWUPYVLHR17CFT90/12023+WB+2042.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Il Sole 24 Ore, Mercoledì 27 Settembre 2023; Palaia, Italy 2024 oil pastel, oil, tape, staples, and tape on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444061186-DNLHNXH25T8OJ0OWF2YA/16423+WB+2044.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Ralphs, Week of 20 December 2023; Los Angeles, California 2024 oil pastel and oil on newsprint mailer 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444056179-TOTLTAPJKE9XRBIKHMKD/12423+WB+2043.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Financial Times, Tuesday 4 April 2017; Los Angeles, California 2024 oil pastel, oil, tape, staples, and tape on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444065660-0TZW7WJJNH3SFLPQE1AH/16523+WB+2112.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Ralphs, Week of 20 December 2023; Los Angeles, California 2024 oil pastel and oil on newsprint mailer 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444070504-56X6QCFTPXW0ORUDTCVA/18823+WB+2113.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>The New York Times, Thursday 11 February 2021; Los Angeles, California 2024 oil pastel, oil, tape, staples, and tape on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444082108-SNV3T7LSAH5AAY5JAV2W/04524+WB+2115.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Los Angeles Times, Tuesday 24 April 2018; Los Angeles, California 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444074317-2RXPNDOBCD9VIUTJEDLB/00324+WB+2114.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Los Angeles Times, Wednesday 15 June 2022; Los Angeles, California 2024 oil pastel and oil on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444086677-F3UX2YBL81GFULK6YI6A/04624+WB+2116.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>Los Angeles Times, Wednesday 17 February 2021; Los Angeles, California 2024 oil pastel, oil, and staple on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731444091106-XZQ1M732WBELECDYZB53/05124+WB+2117.jpg</image:loc>
      <image:title>Cigarette paintings, 2018–</image:title>
      <image:caption>The New York Times, Thursday 17 October 2019; Los Angeles, California 2024 oil pastel, oil, and staples on newspaper 39 ½ x 31 5/8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/smart-objects-2024</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527206715-LXEOI0P3W3DN791P0ZE5/05924+WB+2147.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Base Station): 7776 Firenze Avenue, Los Angeles, California 2024 concrete, mortar, brick, ceramic tile, and radio antennas 26 x 14 ½ x 5 ½ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527206715-LXEOI0P3W3DN791P0ZE5/05924+WB+2147.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Base Station): 7776 Firenze Avenue, Los Angeles, California 2024 concrete, mortar, brick, ceramic tile, and radio antennas 26 x 14 ½ x 5 ½ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527281137-REO62JOFNRKL57YTH1AP/07324+WB+2157.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Radio): 2160 Laurel Canyon Boulevard, Los Angeles, California 2024 brick, mortar, and radio antenna 15 ¾ x 11 ½ x 5 ½ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527296902-BE60O6TEXF9FA3LX0O54/07524+WB+2159.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7453 Mulholland Drive, Los Angeles, California 2024 tile, mortar, concrete, and radio antenna 13 x 1 ½ x 5 ½ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527334083-VVN9ZV368QS2WHVJVFDB/06124+WB+2149.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Relay): 7776 Firenze Avenue, Los Angeles, California 2024 concrete, mortar, brick, ceramic tile, and radio antenna 10 ¾ x 11 x 5 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527412855-MPJV2CPNZHCFSQTMGVU5/06524+WB+2153.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Cell Device (Pager): 7932 Mulholland Drive, Los Angeles, California 2024 concrete, pager belt clip, and screws 3 ½ x 2 ½ x 2 ¼ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527423279-URVX6EWF7I5F5ZPNCNMI/05724+WB+2145.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7701 Mulholland Drive, Los Angeles, California 2024 brick, mortar, and radio antenna 16 ½ x 3 ¾ x 4 ½ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527427732-ISETOR47DDUF9HIRA5KQ/05824+WB+2146.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7843 Woodrow Wilson Drive, Los Angeles, California 2024 cinder block, mortar, and radio antenna 13 ¾ x 4 x 6 ½ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527491121-S2X6UVK9JF04WB5QR6O2/06424+WB+2152.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Cell Device (Pager): 7815 Mulholland Drive, Los Angeles, California 2024 concrete, pager belt clip, and screws 3 ½ x 2 ½ x 2 ¼ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527513169-I6WQTCJ3WHQ3IQU06Z0M/06324+WB+2151.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Cell Device (Pager): 7693 Mulholland Drive, Los Angeles, California 2024 concrete, pager belt clip, and screws 2 ¾ x 4 ½ x 4 ¼ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527581868-Q6GISZBSYY2OCIRJXI7R/08024+WB+2164.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7974 Woodrow Wilson Drive, Los Angeles, California 2024 brick, mortar, and radio antenna 8 ½ x 4 ¼ x 3 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527587865-J8IVZMS1KNFQOKSLEE11/08124+WB+2165.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7932 Woodrow Wilson Drive, Los Angeles, California 2024 brick, mortar, and radio antenna 7 ¾ x 3 x 3 ¾ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527622087-J1SEQFRUYKM09NCSS5TQ/06224+WB+2150.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Router): 7610 Woodrow Wilson Drive, Los Angeles, California 2024 concrete and radio antenna 6 x 5 ½ x 4 ½ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527652020-99X4DMOM0DK5BTPJJR9X/07024+WB+2154.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Cell Device (Pager): 8017 Mulholland Drive, Los Angeles, California 2024 brick, pager belt clip, and screws 3 x 4 ½ x 3 ½ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527663482-2MZJ7TMA6XMZ4LFC05KG/06024+WB+2148.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Router): 7776 Firenze Avenue, Los Angeles, California 2024 concrete, mortar, brick, ceramic tile, and radio antenna 18 ½ x 12 x 5 ¾ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527719037-MVKS90MZTYKASMQCS069/07624+WB+2160.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Radio): 2035 Achilles Drive, Los Angeles, California 2024 concrete and radio antenna 5 ½ x 7 x 8 inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731527745963-OBKI9D4ZTUNI63PNI7TQ/08224+WB+2166.jpg</image:loc>
      <image:title>Smart Objects, 2024</image:title>
      <image:caption>Smart Object (Radio): 7823 Woodrow Wilson Drive, Los Angeles, California 2024 concrete and radio antenna 4 ¾ x 7 x 5 ½ inches Exhibition: Profit &amp; Loss, 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/union-pacific-avenue-2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694737963-73ZU358TJ4TWHHL4T3E2/03521.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694737963-73ZU358TJ4TWHHL4T3E2/03521.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694739290-ORIHU0XB7QF2L8PHUSMI/03621.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694739589-4V4ZEO0XJAX54QGQH7NS/03721.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694737724-FFS9NIPX4XRU19TKYN86/03821.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694740505-OAPFMBQ73WSMV6RG0PFA/03921.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694741041-P5CIQ4X9ATCOR3VOUVRK/04021.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694741753-UTJ7HM3VTX9J6K52Y0LL/04121.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694742392-O66YKL38Q9NIG7M2KJVR/04221.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694743049-4IEDXA30RER1QJEE5AID/04321.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694743745-FTBPNYTW4I5L2DD00LQI/04421.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694744242-IP4LT9BSW3OSO7EZV1DJ/04521.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694745245-9SX5LX0CEAC1F2CD8J7M/04621.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694860547-UL562JJHIGJI1905IGQF/04721.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 chromogenic print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694860425-HJNMQ6IYGZ5OITKEL0YQ/04821.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 chromogenic print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1731694745765-83XVOSUUO3Y3CGH4UHTM/04921.jpg</image:loc>
      <image:title>Union Pacific Avenue, 2021–</image:title>
      <image:caption>3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 2021 black and white fiber print 14 1/8 × 18 1/8 inches Edition of 1 Exhibitions: Foreign Correspondence, 2021 Profit &amp; Loss, 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/walead-beshty-studios-inc</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2023-04-19</lastmod>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/walead-beshty-bio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-02</lastmod>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/walead-beshty-cv</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-28</lastmod>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/walead-beshty-video</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-01</lastmod>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/walead-beshty-contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-09</lastmod>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/in-medias-res-on-the-work-of-sharon-lockhart</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1505756927023-U8NACC80WQWGCVMAA38E/33Texts_HE7A1203_edit.jpg</image:loc>
      <image:title>In Medias Res (On the Work of Sharon Lockhart)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/brooklyn-rail-in-conversation-walead-beshty-with-amy-ontiveros</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1505509792167-3F08CGPJ1HQQU9ZRYY8K/BR.png</image:loc>
      <image:title>Brooklyn Rail: In Conversation Walead Beshty with Amy Ontiveros</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/open-source-walead-beshty-in-conversation-with-bob-nickas</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-15</lastmod>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/improvisation-and-the-agency-of-the-commons-notes-on-counterfeiting-as-a-form-of-radical-speech</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575335806646-RBOKIJC5VBBZZNS9C6RR/00Frontis_MaDonal.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>MaDonal restaurant in Sulaymaniyah, Iraq</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575337121837-FH3XQ91JIWZ0503204DN/Figure+01.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575337198316-MFPUA5WX41FKIBF3Q0HA/Figure+02.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575337321339-O6Q62QX5NM2PES5FPGL4/Figure+03.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575396752265-70C3A9ZTZ0N8NLILJBB4/Figure+04.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575396793925-530O4MIB73HAOJMFCDY7/Figure+05.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575396846386-ZBVL3C8P2ZGNGN9N3MOL/Figure+06.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 6</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575396871055-00X65JFNYBZRSCO0EMK9/image-asset.jpeg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575396960464-56DI5F9QH1AQK16OL6CQ/image-asset.jpeg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 8</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575396978224-TY7KBSBH54M0K94QZJ3I/Figure+09.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 9</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575397123502-MACYQ75Q52ZQF7LMAHHC/Figure+10.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 10</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575398233576-K6XKZS876ATIB3KVMPIF/image-asset.jpeg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 11</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575398268126-67VUF6RQH0Y4N2MG8WII/Figure+12.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 12</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575398311452-IYOQZ4K13NZP03UDGH5U/Figure+13.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 13</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1575398360878-1X8LVNK7YKC36YBPBGMT/Figure+14.jpg</image:loc>
      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 14</image:caption>
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      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
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    <image:image>
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      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
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      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
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    <image:image>
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      <image:title>Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech</image:title>
      <image:caption>Fig. 16</image:caption>
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  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/ra4-contact-print-works-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584402316768-LQ56E7T4WQXXTRH2JQCL/21613.jpg</image:loc>
      <image:title>RA4 Contact Print Works 2014–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/three-color-curl-works-20082013-and-six-color-curl-works-20092010</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584400294893-0ALM4C1HTNVOTOX8YEGK/07109.jpg</image:loc>
      <image:title>Three Color Curl Works 2008–2013 and Six Color Curl Works 2009–2010</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/white-curl-works-20132014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584399849264-F3VUMF1MNQMVHR2N58NQ/05213.jpg</image:loc>
      <image:title>White Curl Works 2013–2014</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/crosscontaminated-ra4-contact-print-works-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584403447454-POGIY335FAL0QF97S741/75914.jpg</image:loc>
      <image:title>Cross-Contaminated RA4 Contact Print Works 2014–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/black-and-white-fold-works-20062012</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584401903326-UVUFUH1OFKTSE2D66LSB/23408.jpg</image:loc>
      <image:title>Black and White Fold Works 2006–2012</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/multisided-picture-works-20062012</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584488144162-P5P3JT4NUWBZSJMRUGZ7/24007.jpg</image:loc>
      <image:title>Multi-Sided Picture Works 2006–2012</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/travel-picture-works-2006/2008-2012</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584475124348-BR53OQW0GZQH6LMB7HWU/BESHTY+TPinstall_crop.jpg</image:loc>
      <image:title>Travel Picture Works 2006/2008, 2012</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584483511649-0CMRLUML96DRTOB8A9LO/TP_HP_install_crop2.jpg</image:loc>
      <image:title>Travel Picture Works 2006/2008, 2012</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/crosscontaminated-inverted-ra4-contact-print-works-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584470331427-X19W9PZMNPGOZ6J698OG/21917.jpg</image:loc>
      <image:title>Cross-Contaminated Inverted RA4 Contact Print Works 2016–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/nonpictorial-photographic-works-2005</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585255097553-9NLOPNZVCK4NDQOILYQ8/15806.jpg</image:loc>
      <image:title>Non-Pictorial Photographic Works 2005–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585255107007-6ADBCY5VZ54JXOE0OFOQ/23408.jpg</image:loc>
      <image:title>Non-Pictorial Photographic Works 2005–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585255110496-AZ3S5KHVWXH32COSLZVX/24007.jpg</image:loc>
      <image:title>Non-Pictorial Photographic Works 2005–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585255084287-IYQ1F7255ROHGJK4R0TX/07109.jpg</image:loc>
      <image:title>Non-Pictorial Photographic Works 2005–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585254954859-I3C1Z2FKYX2BJDVVB3FP/05110.jpg</image:loc>
      <image:title>Non-Pictorial Photographic Works 2005–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585254959290-LXH6LIVSP6CQMFIEYRPG/05213.jpg</image:loc>
      <image:title>Non-Pictorial Photographic Works 2005–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585255101102-JQ8FSD128S5KQK381XC3/21613.jpg</image:loc>
      <image:title>Non-Pictorial Photographic Works 2005–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585254948348-OHEZJWXKF1Q1DHELXHGD/75914.jpg</image:loc>
      <image:title>Non-Pictorial Photographic Works 2005–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585255116334-7SDGXAQWUAJAFY2FD3II/41717.jpg</image:loc>
      <image:title>Non-Pictorial Photographic Works 2005–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585255104042-WNAQEKKPR7DJ73PHONUK/21917.jpg</image:loc>
      <image:title>Non-Pictorial Photographic Works 2005–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1664560524696-RO6LLDC4HGRR3B1SDAC3/06022.jpg</image:loc>
      <image:title>Non-Pictorial Photographic Works 2005–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/industrial-portrait-works-2008</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584487151306-PD4WJ5JMU1KOW9FTZ440/06318.jpg</image:loc>
      <image:title>Industrial Portrait Works 2008–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/mirrored-floor-works-2009</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584655439740-SLLAU3NB24P0APOSY920/00113.jpg</image:loc>
      <image:title>Mirrored Floor Works 2009–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585256863379-3H0J2FW8GST9KTV5Q04E/20090331_lax_beshty_035b.jpg</image:loc>
      <image:title>Mirrored Floor Works 2009–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585256848220-4B7W001PQHRJND0ZIRXW/image-asset.jpeg</image:loc>
      <image:title>Mirrored Floor Works 2009–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/makeready-works-2010</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/fb0a8bf0-af28-4964-a405-1a9672fc620a/75211.jpg</image:loc>
      <image:title>Make-Ready Works 2010–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584656101775-TXMMP1GK332K2HSUVST4/92010.jpg</image:loc>
      <image:title>Make-Ready Works 2010–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/inverted-ra4-contact-print-works-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584469921401-NRV3Z0FGBLYZPONI53AQ/41717.jpg</image:loc>
      <image:title>Inverted RA4 Contact Print Works 2016–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/marginalia-works-20132015</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584663291243-A4J2URV6UAD1K8L04RIN/99414.jpg</image:loc>
      <image:title>Marginalia Works 2013–2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/fedex-works-2007</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/b286c993-6636-4d94-a672-da1b57166fdc/IMG_3982.jpg</image:loc>
      <image:title>FedEx Works 2007– - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584484307155-ZY2UXCMPAD6ID96APCZC/34109.jpg</image:loc>
      <image:title>FedEx Works 2007–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/2e142f90-ec7a-40fd-bade-9f5b41a80bdb/WB+1719+post+ABKH+3.jpg</image:loc>
      <image:title>FedEx Works 2007–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/selected-works-2008-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584573411696-HBTSE1KM453U3AADJ8FK/02511.jpg</image:loc>
      <image:title>Selected Works 2008–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/remnant-works-2011</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584658439732-1Z4ULFBWRKNJ0PD5ZD8P/Screen+Shot+2020-03-19+at+3.51.47+PM+copy.jpg</image:loc>
      <image:title>Remnant Works 2011–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/ceramic-works-20132015</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584726000491-3CZYOS8HSATO7HJUHSB1/29113.jpg</image:loc>
      <image:title>Ceramic Works 2013–2015</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584726037261-GG4BABDJLNMTCHNMHQVI/30613.jpg</image:loc>
      <image:title>Ceramic Works 2013–2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/art-handling-works-2011</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584656593204-NCVOES9QYADSPHUFWWX1/WB_51613.jpg</image:loc>
      <image:title>Art Handling Works 2011–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/canceled-television-works-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584730139095-GLZDGBMBMJ5GTFMP7QZ2/04917.jpg</image:loc>
      <image:title>Canceled Television Works 2014–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/surrogate-works-2008</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584574219385-XXJH4PBXVED181W0D2PN/98014.jpg</image:loc>
      <image:title>Surrogate Works 2008–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585255720295-LLKMYYYBD51OYQ9VP90C/00214.jpg</image:loc>
      <image:title>Surrogate Works 2008–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585255708278-0ZZAH4ZOEIYQPVRCHVNL/MAMCO-2019-Walead-Beshty-Annik-Wetter-019-HD.jpg</image:loc>
      <image:title>Surrogate Works 2008–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584578349149-FC2AYXIVZG0CAR4ZJ1P1/04519-04719.jpg</image:loc>
      <image:title>Surrogate Works 2008–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584647127820-X8JOFJ1NZKBRI8Y8WHQM/steel+curve+crop.jpg</image:loc>
      <image:title>Surrogate Works 2008–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/a-partial-disassembling-20132014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584661080589-YUZ49QKWIYBM9SN156F2/102814.jpg</image:loc>
      <image:title>A Partial Disassembling ... 2013–2014</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584661442468-D3OHSXU6ERPSQASPU032/WB+19_032a.jpg</image:loc>
      <image:title>A Partial Disassembling ... 2013–2014</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/body-print-works-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584742327928-KIZQK235XMQWL2J82YWX/05117.jpg</image:loc>
      <image:title>Body Print Works 2017–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/blind-collage-works-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584741445151-EEPFK5XGT692KE04042C/06019.jpg</image:loc>
      <image:title>Blind Collage Works 2017–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/office-works-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584740140899-RXLVFK2ST7M5RNQ2YK0Y/08916.jpg</image:loc>
      <image:title>Office Works 2014–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/travel-drawing-works-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584740822648-1YMZBFPTER1EWXN2MG0H/50915.jpg</image:loc>
      <image:title>Travel Drawing Works 2014–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/transparency-works-2008</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1584743095520-EV3YIARFO9ONN1R2HLBQ/04919.jpg</image:loc>
      <image:title>Transparency Works 2008–</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5614520ce4b0241f53ed4809/1585256284487-3DMF6IIBX59Z2O3EK4U8/Beshty+20+Raum+16-2A.jpg</image:loc>
      <image:title>Transparency Works 2008–</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.actionstakenunderthefictitiousnamewaleadbeshtystudiosinc.com/sign-box-works-2020</loc>
    <changefreq>daily</changefreq>
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