Aggregato press release   Thomas Dane Gallery  Naples  Italy  2018

Aggregato press release

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato press release   Thomas Dane Gallery  Naples  Italy  2018

Aggregato press release

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

  Aggregato   Thomas Dane Gallery  Naples  Italy  2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Office Work (Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo)
Office Work (Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo)

2018

Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo

Dimensions variable

Machines, 2014–

  Copper Table (PK 55 designed by Poul Kjœrholm: Miami Beach Convention Center, Miami Beach, Florida, December 3–6, 2009)    2009   Polished copper  26 3/4 x 55 1/2 x 33 1/2 inches (13/16 inch top)   Surrogates (Tabletop and Desktop), 2008–

Copper Table (PK 55 designed by Poul Kjœrholm: Miami Beach Convention Center, Miami Beach, Florida, December 3–6, 2009)

2009

Polished copper

26 3/4 x 55 1/2 x 33 1/2 inches (13/16 inch top)

Surrogates (Tabletop and Desktop), 2008–

  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)    Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)    2014–   Polished copper  11 x 60 x 60 inches   Surrogates (Modular, Art Handling), 2014–

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)

2014–

Polished copper

11 x 60 x 60 inches

Surrogates (Modular, Art Handling), 2014–

  1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)    2014 –  Polished copper, 6 parts   Surrogates (Full Sheet, Art Handling), 2011–

1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)

2014

Polished copper, 6 parts

Surrogates (Full Sheet, Art Handling), 2011–

  1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)    2014 –  Polished copper, 6 parts   Surrogates (Full Sheet, Art Handling), 2011–

1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)

2014

Polished copper, 6 parts

Surrogates (Full Sheet, Art Handling), 2011–

  Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)   2013–2018  Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain  20 1/2 x 19 1/2 x 29 inches   Ceramics, 2013–

Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)

2013–2018

Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain

20 1/2 x 19 1/2 x 29 inches

Ceramics, 2013–

 Detail of  Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)   2013–2018  Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain  20 1/2 x 19 1/2 x 29 inches   Ceramics, 2013–

Detail of Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)

2013–2018

Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain

20 1/2 x 19 1/2 x 29 inches

Ceramics, 2013–

  Lo Desconocido (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico)   2015  Ceramica Suro slip cast remnants, glaze, and firing plate  26 1/2 x 42 x 31 inches   Ceramics, 2013–

Lo Desconocido (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico)

2015

Ceramica Suro slip cast remnants, glaze, and firing plate

26 1/2 x 42 x 31 inches

Ceramics, 2013–

  Three Color Curl (CMY/Six Magnet: Irvine, California, September 6, 2009, Fuji Crystal Archive Type C, Em. No. 165-021, 07109)   2011  Color photographic paper  51 1/2 x 109 3/4 inches   Three-Color Curls, 2008–2013

Three Color Curl (CMY/Six Magnet: Irvine, California, September 6, 2009, Fuji Crystal Archive Type C, Em. No. 165-021, 07109)

2011

Color photographic paper

51 1/2 x 109 3/4 inches

Three-Color Curls, 2008–2013

  Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06410)   2018  Color photographic paper  106 x 51 1/2 inches   Black Curls, 2010–2013

Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06410)

2018

Color photographic paper

106 x 51 1/2 inches

Black Curls, 2010–2013

  Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections)    2014   Polished copper  Dimensions variable, 7 parts   Remnants, 2011–

Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections)

2014

Polished copper

Dimensions variable, 7 parts

Remnants, 2011–

  Il Mattino, Martedi 11 Settembre 2018    2018   Newspaper, tape, and 22 karat gold leaf  39 3/8 x 31 1/2 inches   Blind Collages, 2017–

Il Mattino, Martedi 11 Settembre 2018

2018

Newspaper, tape, and 22 karat gold leaf

39 3/8 x 31 1/2 inches

Blind Collages, 2017–

  Il Mattino, Mercoledi 12 Settembre 2018    2018   Newspaper, tape, and 22 karat gold leaf  39 3/8 x 31 1/2 inches   Blind Collages, 2017–

Il Mattino, Mercoledi 12 Settembre 2018

2018

Newspaper, tape, and 22 karat gold leaf

39 3/8 x 31 1/2 inches

Blind Collages, 2017–

  Il Mattino, Govedi 13 Settembre 2018    2018   Newspaper, tape, and 22 karat gold leaf  39 3/8 x 31 1/2 inches   Blind Collages, 2017–

Il Mattino, Govedi 13 Settembre 2018

2018

Newspaper, tape, and 22 karat gold leaf

39 3/8 x 31 1/2 inches

Blind Collages, 2017–

  Il Mattino, Venerdi 14 Settembre 2018    2018   Newspaper, tape, and 22 karat gold leaf  39 3/8 x 31 1/2 inches   Blind Collages, 2017–

Il Mattino, Venerdi 14 Settembre 2018

2018

Newspaper, tape, and 22 karat gold leaf

39 3/8 x 31 1/2 inches

Blind Collages, 2017–

  Il Mattino, Martedi 18 Settembre 2018    2018   Newspaper, tape, and 22 karat gold leaf  39 3/8 x 31 1/2 inches   Blind Collages, 2017–

Il Mattino, Martedi 18 Settembre 2018

2018

Newspaper, tape, and 22 karat gold leaf

39 3/8 x 31 1/2 inches

Blind Collages, 2017–

  New York, New York, July 1, 2014, Frame No. 34    2014   Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper  20 x 13 1/2 inches   Art Handling, 2011–

New York, New York, July 1, 2014, Frame No. 34

2014

Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper

20 x 13 1/2 inches

Art Handling, 2011–

  Los Angeles, California, April 4, 2014, Frame No. 7    2017   Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper  20 x 13 1/2 inches   Art Handling, 2011–

Los Angeles, California, April 4, 2014, Frame No. 7

2017

Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper

20 x 13 1/2 inches

Art Handling, 2011–

  Turin, Italy, November 3, 2011, Frame No. 4    2017   Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper  20 x 13 1/2 inches   Art Handling, 2011–

Turin, Italy, November 3, 2011, Frame No. 4

2017

Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper

20 x 13 1/2 inches

Art Handling, 2011–

  Turin, Italy, November 3, 2011, Frame No. 33    2017   Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper  20 x 13 1/2 inches   Art Handling, 2011–

Turin, Italy, November 3, 2011, Frame No. 33

2017

Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper

20 x 13 1/2 inches

Art Handling, 2011–

  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

  Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 17, 2014   2014  Ink on paper  10 x 12 1/2 inches

Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 17, 2014

2014

Ink on paper

10 x 12 1/2 inches

  Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 18, 2014   2014  Ink on paper  10 x 12 1/2 inches

Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 18, 2014

2014

Ink on paper

10 x 12 1/2 inches

  Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 16, 2014   2014  Ink on paper  10 x 12 1/2 inches

Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 16, 2014

2014

Ink on paper

10 x 12 1/2 inches

  Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 15, 2014   2014  Ink on paper  10 x 12 1/2 inches

Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 15, 2014

2014

Ink on paper

10 x 12 1/2 inches

  Aggregato press release   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato press release   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
  Aggregato   Thomas Dane Gallery  Naples  Italy  2018
Office Work (Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo)
  Copper Table (PK 55 designed by Poul Kjœrholm: Miami Beach Convention Center, Miami Beach, Florida, December 3–6, 2009)    2009   Polished copper  26 3/4 x 55 1/2 x 33 1/2 inches (13/16 inch top)   Surrogates (Tabletop and Desktop), 2008–
  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)    Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)    2014–   Polished copper  11 x 60 x 60 inches   Surrogates (Modular, Art Handling), 2014–
  1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)    2014 –  Polished copper, 6 parts   Surrogates (Full Sheet, Art Handling), 2011–
  1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)    2014 –  Polished copper, 6 parts   Surrogates (Full Sheet, Art Handling), 2011–
  Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)   2013–2018  Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain  20 1/2 x 19 1/2 x 29 inches   Ceramics, 2013–
 Detail of  Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)   2013–2018  Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain  20 1/2 x 19 1/2 x 29 inches   Ceramics, 2013–
  Lo Desconocido (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico)   2015  Ceramica Suro slip cast remnants, glaze, and firing plate  26 1/2 x 42 x 31 inches   Ceramics, 2013–
  Three Color Curl (CMY/Six Magnet: Irvine, California, September 6, 2009, Fuji Crystal Archive Type C, Em. No. 165-021, 07109)   2011  Color photographic paper  51 1/2 x 109 3/4 inches   Three-Color Curls, 2008–2013
  Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06410)   2018  Color photographic paper  106 x 51 1/2 inches   Black Curls, 2010–2013
  Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections)    2014   Polished copper  Dimensions variable, 7 parts   Remnants, 2011–
  Il Mattino, Martedi 11 Settembre 2018    2018   Newspaper, tape, and 22 karat gold leaf  39 3/8 x 31 1/2 inches   Blind Collages, 2017–
  Il Mattino, Mercoledi 12 Settembre 2018    2018   Newspaper, tape, and 22 karat gold leaf  39 3/8 x 31 1/2 inches   Blind Collages, 2017–
  Il Mattino, Govedi 13 Settembre 2018    2018   Newspaper, tape, and 22 karat gold leaf  39 3/8 x 31 1/2 inches   Blind Collages, 2017–
  Il Mattino, Venerdi 14 Settembre 2018    2018   Newspaper, tape, and 22 karat gold leaf  39 3/8 x 31 1/2 inches   Blind Collages, 2017–
  Il Mattino, Martedi 18 Settembre 2018    2018   Newspaper, tape, and 22 karat gold leaf  39 3/8 x 31 1/2 inches   Blind Collages, 2017–
  New York, New York, July 1, 2014, Frame No. 34    2014   Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper  20 x 13 1/2 inches   Art Handling, 2011–
  Los Angeles, California, April 4, 2014, Frame No. 7    2017   Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper  20 x 13 1/2 inches   Art Handling, 2011–
  Turin, Italy, November 3, 2011, Frame No. 4    2017   Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper  20 x 13 1/2 inches   Art Handling, 2011–
  Turin, Italy, November 3, 2011, Frame No. 33    2017   Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper  20 x 13 1/2 inches   Art Handling, 2011–
  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each
  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each
  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each
  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each
  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each
  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each
  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each
  A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)   2014  Bound letterpress and digital offset print volumes  27 11/16 x 19 5/8 inches, each
  Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 17, 2014   2014  Ink on paper  10 x 12 1/2 inches
  Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 18, 2014   2014  Ink on paper  10 x 12 1/2 inches
  Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 16, 2014   2014  Ink on paper  10 x 12 1/2 inches
  Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 15, 2014   2014  Ink on paper  10 x 12 1/2 inches

Aggregato press release

Thomas Dane Gallery

Naples

Italy

2018

Aggregato press release

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Aggregato

Thomas Dane Gallery

Naples

Italy

2018

Office Work (Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo)

2018

Apple iMac A1224 20-inch 2.4 GHz Intel Core 2 Duo

Dimensions variable

Machines, 2014–

Copper Table (PK 55 designed by Poul Kjœrholm: Miami Beach Convention Center, Miami Beach, Florida, December 3–6, 2009)

2009

Polished copper

26 3/4 x 55 1/2 x 33 1/2 inches (13/16 inch top)

Surrogates (Tabletop and Desktop), 2008–

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)

2014–

Polished copper

11 x 60 x 60 inches

Surrogates (Modular, Art Handling), 2014–

1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)

2014

Polished copper, 6 parts

Surrogates (Full Sheet, Art Handling), 2011–

1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)

2014

Polished copper, 6 parts

Surrogates (Full Sheet, Art Handling), 2011–

Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)

2013–2018

Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain

20 1/2 x 19 1/2 x 29 inches

Ceramics, 2013–

Detail of Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)

2013–2018

Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain

20 1/2 x 19 1/2 x 29 inches

Ceramics, 2013–

Lo Desconocido (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico)

2015

Ceramica Suro slip cast remnants, glaze, and firing plate

26 1/2 x 42 x 31 inches

Ceramics, 2013–

Three Color Curl (CMY/Six Magnet: Irvine, California, September 6, 2009, Fuji Crystal Archive Type C, Em. No. 165-021, 07109)

2011

Color photographic paper

51 1/2 x 109 3/4 inches

Three-Color Curls, 2008–2013

Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06410)

2018

Color photographic paper

106 x 51 1/2 inches

Black Curls, 2010–2013

Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections)

2014

Polished copper

Dimensions variable, 7 parts

Remnants, 2011–

Il Mattino, Martedi 11 Settembre 2018

2018

Newspaper, tape, and 22 karat gold leaf

39 3/8 x 31 1/2 inches

Blind Collages, 2017–

Il Mattino, Mercoledi 12 Settembre 2018

2018

Newspaper, tape, and 22 karat gold leaf

39 3/8 x 31 1/2 inches

Blind Collages, 2017–

Il Mattino, Govedi 13 Settembre 2018

2018

Newspaper, tape, and 22 karat gold leaf

39 3/8 x 31 1/2 inches

Blind Collages, 2017–

Il Mattino, Venerdi 14 Settembre 2018

2018

Newspaper, tape, and 22 karat gold leaf

39 3/8 x 31 1/2 inches

Blind Collages, 2017–

Il Mattino, Martedi 18 Settembre 2018

2018

Newspaper, tape, and 22 karat gold leaf

39 3/8 x 31 1/2 inches

Blind Collages, 2017–

New York, New York, July 1, 2014, Frame No. 34

2014

Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper

20 x 13 1/2 inches

Art Handling, 2011–

Los Angeles, California, April 4, 2014, Frame No. 7

2017

Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper

20 x 13 1/2 inches

Art Handling, 2011–

Turin, Italy, November 3, 2011, Frame No. 4

2017

Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper

20 x 13 1/2 inches

Art Handling, 2011–

Turin, Italy, November 3, 2011, Frame No. 33

2017

Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper

20 x 13 1/2 inches

Art Handling, 2011–

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)

2014

Bound letterpress and digital offset print volumes

27 11/16 x 19 5/8 inches, each

Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 17, 2014

2014

Ink on paper

10 x 12 1/2 inches

Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 18, 2014

2014

Ink on paper

10 x 12 1/2 inches

Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 16, 2014

2014

Ink on paper

10 x 12 1/2 inches

Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 15, 2014

2014

Ink on paper

10 x 12 1/2 inches

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