Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections: December 4/December 7, 2014, Miami Beach, Florida, February 10–12, 2015, Los Angeles, California)   2014–  Polished copper  11 x 60 x 60 inches each, 5 parts   Surrogates (Modular, Art Handling), 2014–    Walid AlBeshti, 2015    

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections: December 4/December 7, 2014, Miami Beach, Florida, February 10–12, 2015, Los Angeles, California)

2014–

Polished copper

11 x 60 x 60 inches each, 5 parts

Surrogates (Modular, Art Handling), 2014–

Walid AlBeshti, 2015

 

  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom)   2014–  Polished copper  11 x 60 x 60 inches   Surrogates (Modular, Art Handling), 2014–    Marginalia, 2014    

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom)

2014–

Polished copper

11 x 60 x 60 inches

Surrogates (Modular, Art Handling), 2014–

Marginalia, 2014

 

  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 4: November 25/January 26–27, 2014, London, United Kingdom)   2014  Polished copper  11 x 60 x 60 inches   Surrogates (Modular, Art Handling), 2014–    Marginalia, 2014    

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 4: November 25/January 26–27, 2014, London, United Kingdom)

2014

Polished copper

11 x 60 x 60 inches

Surrogates (Modular, Art Handling), 2014–

Marginalia, 2014

 

  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom)   2014  Polished copper  11 x 60 x 60 inches   Surrogates (Modular, Art Handling), 2014–    Marginalia, 2014    

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom)

2014

Polished copper

11 x 60 x 60 inches

Surrogates (Modular, Art Handling), 2014–

Marginalia, 2014

 

  Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 6, 2011)   2011  Polished copper  120 x 60 inches   Remnants, 2011–    Marginalia, 2014    

Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 6, 2011)

2011

Polished copper

120 x 60 inches

Remnants, 2011–

Marginalia, 2014

 

  Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 8, 2011)   2011  Polished copper  36 x 96 x 1/8 inches   Remnants, 2011–    Marginalia, 2014    

Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 8, 2011)

2011

Polished copper

36 x 96 x 1/8 inches

Remnants, 2011–

Marginalia, 2014

 

  Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011)   2011  Polished copper  96 x 48 inches   Remnants, 2011–    Marginalia, 2014    

Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011)

2011

Polished copper

96 x 48 inches

Remnants, 2011–

Marginalia, 2014

 

  Copper Remnant (Reception [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director; Jason Murison, Director; Theodora Gilman, Assistant to the Directors; Nick Bennett, Gallery Assistant), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26 –August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Directors [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner; Kat Parker, Artist Liaison; Samantha Tsao, Partner; Laura Higgins, Gallery Manager; Marco Palumbo and Alexis Diop, Interns), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 201 3/8 x 355 3/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Bookkeeping [Source: wood, laminate, and particleboard bookkeeping desk designed by Project-Space/Jonathan Caplan from the bookkeeping office at Friedrich Petzel Gallery, New York. Surrogate: WB72614A (produced in conjunction with Beverly Banks and Cecilia Roberts, Bookkeepers), Copper Surrogate (designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 68 5/8 x 125 1/8 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $21,080.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Project-Space/Jonathan Caplan desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014.])   2014  Polished copper  21 x 26 inches   Remnants, 2011–    Marginalia, 2014    

Copper Remnant (Reception [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director; Jason Murison, Director; Theodora Gilman, Assistant to the Directors; Nick Bennett, Gallery Assistant), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26 –August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Directors [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner; Kat Parker, Artist Liaison; Samantha Tsao, Partner; Laura Higgins, Gallery Manager; Marco Palumbo and Alexis Diop, Interns), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 201 3/8 x 355 3/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Bookkeeping [Source: wood, laminate, and particleboard bookkeeping desk designed by Project-Space/Jonathan Caplan from the bookkeeping office at Friedrich Petzel Gallery, New York. Surrogate: WB72614A (produced in conjunction with Beverly Banks and Cecilia Roberts, Bookkeepers), Copper Surrogate (designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 68 5/8 x 125 1/8 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $21,080.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Project-Space/Jonathan Caplan desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014.])

2014

Polished copper

21 x 26 inches

Remnants, 2011–

Marginalia, 2014

 

  Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections)   2014  Polished copper  Dimensions variable, 7 parts   Remnants, 2011–    Marginalia, 2014    

Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections)

2014

Polished copper

Dimensions variable, 7 parts

Remnants, 2011–

Marginalia, 2014

 

  Transparency, 2011 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX;Negative (Kodak Portra 400NC Em. No. 2051) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 2051) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) May 26–30, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 2031) May 26–30, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 8–10, 2011 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 8–10, 2011 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 21–24, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 21–24, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX]   2014  Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper  14 x 11 inches, each (26 parts)   Transparencies, 2014–    Marginalia, 2014    

Transparency, 2011 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX;Negative (Kodak Portra 400NC Em. No. 2051) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 2051) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) May 26–30, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 2031) May 26–30, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 8–10, 2011 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 8–10, 2011 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 21–24, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 21–24, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX]

2014

Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper

14 x 11 inches, each (26 parts)

Transparencies, 2014–

Marginalia, 2014

 

  Transparency, 2012 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 1–2, 2012 LAX/SLC/SLC/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 1–2, 2012 LAX/SLC/SLC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 15–19, 2012 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 15–19, 2012 LAX/MIA/MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 2–5, 2012 LAX/PVD/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 2–5, 2012 LAX/PVD/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 20–23, 2012 LAX/JFK/JKF/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 20–23, 2012 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 3–8, 2012 LAX/JFK/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 3–8, 2012 LAX/JFK/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 11–14, 2012 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 11–14, 2012 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX]   2014  Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper  14 x 11 inches, each (26 parts)   Transparencies, 2014–    Marginalia, 2014    

Transparency, 2012 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 1–2, 2012 LAX/SLC/SLC/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 1–2, 2012 LAX/SLC/SLC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 15–19, 2012 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 15–19, 2012 LAX/MIA/MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 2–5, 2012 LAX/PVD/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 2–5, 2012 LAX/PVD/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 20–23, 2012 LAX/JFK/JKF/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 20–23, 2012 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 3–8, 2012 LAX/JFK/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 3–8, 2012 LAX/JFK/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 11–14, 2012 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 11–14, 2012 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX]

2014

Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper

14 x 11 inches, each (26 parts)

Transparencies, 2014–

Marginalia, 2014

 

  Transparency, 2013 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1021) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Postive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Negative (Kodak Portra 400 Em. No. 1022 November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) December 2–3, 2013 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1022) December 2–3, 2013 LAX/MIA/MIA/LAX]   2014  Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper  14 x 11 inches, each (30 parts)   Transparencies, 2014–    Marginalia, 2014    

Transparency, 2013 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1021) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Postive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Negative (Kodak Portra 400 Em. No. 1022 November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) December 2–3, 2013 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1022) December 2–3, 2013 LAX/MIA/MIA/LAX]

2014

Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper

14 x 11 inches, each (30 parts)

Transparencies, 2014–

Marginalia, 2014

 

  Transparency, 2014 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 29–May 8, 2014 LGA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 1022) April 29–May 8, 2014 LGA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Negative (Kodak Portra 400NC Em. No. 1022) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX]   2014  Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper  14 x 11 inches, each (30 parts)   Transparencies, 2014–    Marginalia, 2014    

Transparency, 2014 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 29–May 8, 2014 LGA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 1022) April 29–May 8, 2014 LGA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Negative (Kodak Portra 400NC Em. No. 1022) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX]

2014

Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper

14 x 11 inches, each (30 parts)

Transparencies, 2014–

Marginalia, 2014

 

  Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)   2014  Cyanotype chemistry on canvas  96 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    

Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)

2014

Cyanotype chemistry on canvas

96 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

  Marginalis (Los Angeles, California, February 1–April 30, 2014)   2014  Cyanotype chemistry on canvas  127 3/4 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    

Marginalis (Los Angeles, California, February 1–April 30, 2014)

2014

Cyanotype chemistry on canvas

127 3/4 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

  Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)   2014  Cyanotype chemistry on canvas  104 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    

Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)

2014

Cyanotype chemistry on canvas

104 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

  Marginalis (Los Angeles, California, February 1–April 30, 2014)   2014  Cyanotype chemistry on canvas  98 1/2 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    

Marginalis (Los Angeles, California, February 1–April 30, 2014)

2014

Cyanotype chemistry on canvas

98 1/2 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

  Marginalis (Los Angeles, California, May 1–August 1, 2014)   2014  Cyanotype chemistry on canvas  89 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    

Marginalis (Los Angeles, California, May 1–August 1, 2014)

2014

Cyanotype chemistry on canvas

89 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

WB99314.jpg
  Marginalis (Los Angeles, California, February 1–April 30, 2014)   2014  Cyanotype chemistry on canvas  80 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    

Marginalis (Los Angeles, California, February 1–April 30, 2014)

2014

Cyanotype chemistry on canvas

80 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

  Marginalis (Los Angeles, California, August 1–October 20, 2013)   2014  Cyanotype chemistry on canvas  57 x 69 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    

Marginalis (Los Angeles, California, August 1–October 20, 2013)

2014

Cyanotype chemistry on canvas

57 x 69 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

  Marginalis (Los Angeles, California, August 1–October 20, 2013)   2013  Cyanotype chemistry on canvas  57 x 74 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    

Marginalis (Los Angeles, California, August 1–October 20, 2013)

2013

Cyanotype chemistry on canvas

57 x 74 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

WB118114.jpg
WB118314.jpg
  Walead Beshty – Marginalia "I think of my work as a kind of ecology in the sense that everything that comes out of it is part of the practice and needs to be accounted for. My practice is really a proposition about a possible arrangement of productive forces, a kind of system of relations. The more well-conceived the system, the more it can fully account for all that it produces, and that includes what might seem like by-products." W. Beshty. In describing the making of his monumental commission at the Barbican Centre in London - thousands of cyanotypes, created over a year, cover the walls of the Curve there -, Walead Beshty virtually revealed the nature of his next show at Thomas Dane Gallery, staged to coincide with his project at the Curve. ‘Marginalia’, taking its name from the comments, scribbles or illuminations in the margins of a book, includes the remnants, props, byproducts, ‘vestiges’ – generally speaking, the works - created through/while/after making other works. Even though this idea is at the very core of his practice: in essence, Beshty always makes art while making art while making art… And even though he often triggers the production of art through infiltrating pre-existing systems, structures, networks and apparatuses (such as X-ray machines at airports, courier companies…etc…), he had never staged an exhibition that illustrated so concisely the virtuous, recycling circle that his artistic production so uniquely embodies. The notion of Hierarchies – whether artistic or economical - is what is fascinatingly at stake here: traditionally, ‘marginalia(s)’ will add or detract the value of a book, according to the author of the notes. Here, the artist himself reveals, as well as upsets, the established values and systems of art-making, with a series of arresting, facetted new paintings realized as a support or background for the multitude of cyanotypes at the Barbican, which cohabit with aluminum and bronze relics, part negative-space, part leftovers, of his metal surrogates and tables, and a series of 104 X-Ray photographs, realized, literally, while traveling over four years (for shows, events…) and displayed for the first time in their original 5x4in. format.   2014  Letterpress  14 x 8 1/2 inches   Multiples    Marginalia, 2014    

Walead Beshty – Marginalia "I think of my work as a kind of ecology in the sense that everything that comes out of it is part of the practice and needs to be accounted for. My practice is really a proposition about a possible arrangement of productive forces, a kind of system of relations. The more well-conceived the system, the more it can fully account for all that it produces, and that includes what might seem like by-products." W. Beshty. In describing the making of his monumental commission at the Barbican Centre in London - thousands of cyanotypes, created over a year, cover the walls of the Curve there -, Walead Beshty virtually revealed the nature of his next show at Thomas Dane Gallery, staged to coincide with his project at the Curve. ‘Marginalia’, taking its name from the comments, scribbles or illuminations in the margins of a book, includes the remnants, props, byproducts, ‘vestiges’ – generally speaking, the works - created through/while/after making other works. Even though this idea is at the very core of his practice: in essence, Beshty always makes art while making art while making art… And even though he often triggers the production of art through infiltrating pre-existing systems, structures, networks and apparatuses (such as X-ray machines at airports, courier companies…etc…), he had never staged an exhibition that illustrated so concisely the virtuous, recycling circle that his artistic production so uniquely embodies. The notion of Hierarchies – whether artistic or economical - is what is fascinatingly at stake here: traditionally, ‘marginalia(s)’ will add or detract the value of a book, according to the author of the notes. Here, the artist himself reveals, as well as upsets, the established values and systems of art-making, with a series of arresting, facetted new paintings realized as a support or background for the multitude of cyanotypes at the Barbican, which cohabit with aluminum and bronze relics, part negative-space, part leftovers, of his metal surrogates and tables, and a series of 104 X-Ray photographs, realized, literally, while traveling over four years (for shows, events…) and displayed for the first time in their original 5x4in. format.

2014

Letterpress

14 x 8 1/2 inches

Multiples

Marginalia, 2014

 

  Desk [Source: chrome-plated steel and wood desk designed by Egon Eiermann from the office of Michael Wiesehöfer at Galerie Capitain Petzel, Berlin. Surrogate: WB97814 (produced in conjunction with Michael Wiesehöfer, Director), Copper Surrogate (Desk: designed by Egon Eiermann, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 78 7/8 x 39 1⁄16 x 29 1/16 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $20,611.99 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Egon Eiermann desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 56 3⁄16 x 32 7⁄16 x 27 9⁄16 inches.]   2014  Polished copper table top and powder-coated steel  78 3/4 x 39 1/4 x 30 inches (1 3/8 inch top)   Surrogates (Tabletop and Desktop), 2008–    Gastarbeiten, 2014    

Desk [Source: chrome-plated steel and wood desk designed by Egon Eiermann from the office of Michael Wiesehöfer at Galerie Capitain Petzel, Berlin. Surrogate: WB97814 (produced in conjunction with Michael Wiesehöfer, Director), Copper Surrogate (Desk: designed by Egon Eiermann, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 78 7/8 x 39 1⁄16 x 29 1/16 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $20,611.99 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Egon Eiermann desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 56 3⁄16 x 32 7⁄16 x 27 9⁄16 inches.]

2014

Polished copper table top and powder-coated steel

78 3/4 x 39 1/4 x 30 inches (1 3/8 inch top)

Surrogates (Tabletop and Desktop), 2008–

Gastarbeiten, 2014

 

  Desk [Source: aluminum, steel, and wood desk after a design by Jørgen Kastholm and Preben Fabricius from the office of Gisela Capitain at Galerie Capitain Petzel, Berlin. Surrogate: WB97914 (produced in conjunction with Gisela Capitain, Owner), Copper Surrogate (Desk: designed by Jørgen Kastholm and Preben Fabricius, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 72 23⁄32 x 38 5⁄16 x 28 55/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $34,269.62 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Jørgen Kastholm and Preben Fabricius desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 71 17/64 x 36 13/16 x 27 23/64 inches.]   2014  Polished copper table top and powder-coated steel  72 5/8 x 38 3/8 x 27 inches (3 7/8 inch top)   Surrogates (Tabletop and Desktop), 2008–    Gastarbeiten, 2014    

Desk [Source: aluminum, steel, and wood desk after a design by Jørgen Kastholm and Preben Fabricius from the office of Gisela Capitain at Galerie Capitain Petzel, Berlin. Surrogate: WB97914 (produced in conjunction with Gisela Capitain, Owner), Copper Surrogate (Desk: designed by Jørgen Kastholm and Preben Fabricius, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 72 23⁄32 x 38 5⁄16 x 28 55/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $34,269.62 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Jørgen Kastholm and Preben Fabricius desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 71 17/64 x 36 13/16 x 27 23/64 inches.]

2014

Polished copper table top and powder-coated steel

72 5/8 x 38 3/8 x 27 inches (3 7/8 inch top)

Surrogates (Tabletop and Desktop), 2008–

Gastarbeiten, 2014

 

  Table [Source: embossed lacquered medium density fiberboard and chrome finish steel conference room desk designed by Lievore Altherr Molina from the TK room at Galerie Capitain Petzel, Berlin. Surrogate: WB98014 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director), Copper Surrogate (Table: designed by Lievore Altherr Molina, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 71 37⁄64 x 39 13⁄32 x 29 31/32 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $26,733.35 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Lievore Altherr Molina desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 27 9⁄16 x 19 7⁄8 x 28 15⁄32 inches.]   2014  Polished copper table top and powder-coated steel  71 1/2 x 39 1/4 x 29 inches (1 3/8 inch top)   Surrogates (Tabletop and Desktop), 2008–    Gastarbeiten, 2014    

Table [Source: embossed lacquered medium density fiberboard and chrome finish steel conference room desk designed by Lievore Altherr Molina from the TK room at Galerie Capitain Petzel, Berlin. Surrogate: WB98014 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director), Copper Surrogate (Table: designed by Lievore Altherr Molina, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 71 37⁄64 x 39 13⁄32 x 29 31/32 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $26,733.35 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Lievore Altherr Molina desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 27 9⁄16 x 19 7⁄8 x 28 15⁄32 inches.]

2014

Polished copper table top and powder-coated steel

71 1/2 x 39 1/4 x 29 inches (1 3/8 inch top)

Surrogates (Tabletop and Desktop), 2008–

Gastarbeiten, 2014

 

  Table [Source: carrara glass and brass conference room desk designed by Paul McCobb for Calvin Furniture Company from the presentation room at Galerie Capitain Petzel, Berlin. Surrogate: WB98114 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director; Kathleen Knitter, Gallery Manager; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician), Copper Surrogate (Table: designed by Paul McCobb for Calvin Furniture Company, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 32 31⁄64 x 32 31⁄64 x 16 7/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $9,447.41 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Paul McCobb table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 31 37/64 x 31 29/64 x 14 39/64 inches.]   2014  Polished copper table top and powder-coated steel  32 1/2 x 32 1/2 x 15 3/4 inches (1 3/8 inch top)   Surrogates (Tabletop and Desktop), 2008–    Gastarbeiten, 2014    

Table [Source: carrara glass and brass conference room desk designed by Paul McCobb for Calvin Furniture Company from the presentation room at Galerie Capitain Petzel, Berlin. Surrogate: WB98114 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director; Kathleen Knitter, Gallery Manager; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician), Copper Surrogate (Table: designed by Paul McCobb for Calvin Furniture Company, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 32 31⁄64 x 32 31⁄64 x 16 7/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $9,447.41 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Paul McCobb table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 31 37/64 x 31 29/64 x 14 39/64 inches.]

2014

Polished copper table top and powder-coated steel

32 1/2 x 32 1/2 x 15 3/4 inches (1 3/8 inch top)

Surrogates (Tabletop and Desktop), 2008–

Gastarbeiten, 2014

 

  Table [Source: steel, pigmented epoxy, powder coating, particleboard, melamine foil, foil, and acrylonitrile butadiene styrene plastic work surface table designed by Olle Lundberg for IKEA from the storage room at Galerie Capitain Petzel, Berlin. Surrogate: WB98214 (produced in conjunction with Elisabeth Pallentin, Gallery Assistant/Media Archivist; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician; Adrian Lohmüller, Preparator; Claus Philip Lehmann; Preparator), Copper Surrogate (Table: designed by Olle Lundberg for IKEA, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 62 29⁄32 x 31 29⁄64 x 28 63/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $17,842.86 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Olle Lundberg table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 59 23⁄32 x 28 11⁄32 x 27 31⁄64 inches.]   2014  Polished copper table top and powder-coated steel  63 x 31 1/2 x 27 1/2 inches (1 3/8 inch top)   Surrogates (Tabletop and Desktop), 2008–    Gastarbeiten, 2014    

Table [Source: steel, pigmented epoxy, powder coating, particleboard, melamine foil, foil, and acrylonitrile butadiene styrene plastic work surface table designed by Olle Lundberg for IKEA from the storage room at Galerie Capitain Petzel, Berlin. Surrogate: WB98214 (produced in conjunction with Elisabeth Pallentin, Gallery Assistant/Media Archivist; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician; Adrian Lohmüller, Preparator; Claus Philip Lehmann; Preparator), Copper Surrogate (Table: designed by Olle Lundberg for IKEA, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 62 29⁄32 x 31 29⁄64 x 28 63/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $17,842.86 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Olle Lundberg table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 59 23⁄32 x 28 11⁄32 x 27 31⁄64 inches.]

2014

Polished copper table top and powder-coated steel

63 x 31 1/2 x 27 1/2 inches (1 3/8 inch top)

Surrogates (Tabletop and Desktop), 2008–

Gastarbeiten, 2014

 

  Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, April 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 61214), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  124 1/2 x 50 inches   RA4 Contact Print Curls, 2014–    Gastarbeiten, 2014    

Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, April 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 61214), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

124 1/2 x 50 inches

RA4 Contact Print Curls, 2014–

Gastarbeiten, 2014

 

  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CMY/Six Magnet: Los Angeles, California, May 6, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, 64614), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  131 3/4 x 50 inches   RA4 Contact Print Curls, 2014–    Gastarbeiten, 2014    

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CMY/Six Magnet: Los Angeles, California, May 6, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, 64614), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

131 3/4 x 50 inches

RA4 Contact Print Curls, 2014–

Gastarbeiten, 2014

 

  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/YMC/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 81414), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  116 1/4 x 50 inches   RA4 Contact Print Curls, 2014–    Gastarbeiten, 2014    

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/YMC/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 81414), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

116 1/4 x 50 inches

RA4 Contact Print Curls, 2014–

Gastarbeiten, 2014

 

  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CYM/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 81514), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  120 1/2 x 50 inches   RA4 Contact Print Curls, 2014–    Gastarbeiten, 2014    

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CYM/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 81514), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

120 1/2 x 50 inches

RA4 Contact Print Curls, 2014–

Gastarbeiten, 2014

 

  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, August 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 95514), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  119 1/2 x 50 inches   RA4 Contact Print Curls, 2014–    Gastarbeiten, 2014    

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, August 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 95514), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

119 1/2 x 50 inches

RA4 Contact Print Curls, 2014–

Gastarbeiten, 2014

 

<del>TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV</del>
TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

<del>TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV</del>
TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

<del>TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV</del>
TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

<del>TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV</del>
TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

<del>TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV</del>
TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

<del>TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV</del>
TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

<del>HP ScanJet G4050</del>
HP ScanJet G4050

2014

HP ScanJet G4050

Dimensions variable

Machines, 2014–

Gastarbeiten, 2014

 

<del>​​​​​​​HP Photo Smart C6280 ALL-IN-ONE</del>
​​​​​​​HP Photo Smart C6280 ALL-IN-ONE

2014

HP Photo Smart C6280 ALL-IN-ONE

Dimensions variable

Machines, 2014–

Gastarbeiten, 2014

 

<del>Epson Stylus NX420</del>
Epson Stylus NX420

2014

Epson Stylus NX420

Dimensions variable

Machines, 2014–

Gastarbeiten, 2014

 

<del>Power Mac G4 M8493</del>
Power Mac G4 M8493

2014

Power Mac G4 M8493

Dimensions variable

Machines, 2014–

Gastarbeiten, 2014

 

  Picasso and Truth: From Cubism to Guernica I   2014  Ink on paper, receipt, dried flower, newspaper  11 3/4 x 17 3/8 inches   Drawings, 2014–    Gastarbeiten, 2014    

Picasso and Truth: From Cubism to Guernica I

2014

Ink on paper, receipt, dried flower, newspaper

11 3/4 x 17 3/8 inches

Drawings, 2014–

Gastarbeiten, 2014

 

  Corn Hustlers Nabbed; Ad Agency Blues: Pay Play in binge lawsuit, 86º, 2:45pm, 22-4-14   2014  Ink on paper, envelope, dried flower, newspaper  12 x 22 inches   Drawings, 2014–    Gastarbeiten, 2014    

Corn Hustlers Nabbed; Ad Agency Blues: Pay Play in binge lawsuit, 86º, 2:45pm, 22-4-14

2014

Ink on paper, envelope, dried flower, newspaper

12 x 22 inches

Drawings, 2014–

Gastarbeiten, 2014

 

  Picasso and Truth: From Cubism to Guernica II   2014  Ink on paper, dried flower, paper  12 x 18 inches   Drawings, 2014–    Gastarbeiten, 2014    

Picasso and Truth: From Cubism to Guernica II

2014

Ink on paper, dried flower, paper

12 x 18 inches

Drawings, 2014–

Gastarbeiten, 2014

 

  Picasso and Truth: From Cubism to Guernica III   2014  Ink on paper, dried flower, paper  13 7/8 x 18 inches   Drawings, 2014–    Gastarbeiten, 2014    

Picasso and Truth: From Cubism to Guernica III

2014

Ink on paper, dried flower, paper

13 7/8 x 18 inches

Drawings, 2014–

Gastarbeiten, 2014

 

WB101214.jpg
  Ativan, Lorazepam 1 mg, V 4008, Round, Scored, Qualitest Pharmaceuticals; Polychromos, Faber Castell, White, 9201 - 101 (November 4–5, 2014) /&nbsp; Xanax, Alprazolam 0.5 mg, GG257, Elliptical/Oval, Scored, Sandoz Pharmaceuticals, Inc.; Polychromos, Faber Castell, Light Flesh, 9201 - 132 (November 4–5, 2014) /&nbsp; Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.; Polychromos, Faber Castell, Sky Blue, 9201 - 146 (November 4–5, 2014) /&nbsp; Aderall, Amphetamine and Dextroamphetamine 10 mg, b 972 1 0, Elliptical/Oval, Scored, Teva Pharmaceuticals USA; Polychromos, Faber Castell, Light Phitalo Blue, 9201 - 145 (November 4–5, 2014) /&nbsp; Propecia, Finasteride 1 mg, H 36, Round, Camber Pharmaceuticals, Inc.; Polychromos, Faber Castell, Pompeian Red, 9201 - 191 (November 4–5, 2014) /&nbsp; Diovan, Valsartan 160 mg, RX 125, Elliptical/Oval, Ohm Laboratories, Inc.; Polychromos, Faber Castell, Cinnamon, 9201 - 189 (November 4–5, 2014) /&nbsp; Celexa, Citalopram 20 mg, I G 207, Round, Scored, InvaGen Pharmaceuticals, Inc.; Polychromos, Faber Castell, Medium Flesh, 9201 - 131 (November 4–5, 2014) /&nbsp; Wellbutrin SR, Bupropion Extended Release 150 mg, 681, Elliptical/Oval, Global Pharmaceuticals; Polychromos, Faber Castell, Cream, 9201 - 102 (November 4–5, 2014) /&nbsp; Extra Strength Vitamin D3 2000 I.U., Elliptical, Transparent, Kirkland Signature; Polychromos, Faber Castell, Ivory, 9201 - 103 (November 4–5, 2014) /&nbsp; Formula Multinutrient System VM-2000 Tablets, Elliptical, Senape with Brown Spots, Solgar; Polychromos, Faber Castell, Naples Yellow, 9201 - 185, Brown Ochre, 9201 - 182, Yellow Ochre, 9201 - 183 (November 4–5, 2014)   2014  Ink and oil pastel on letterhead  12 3/4 x 9 1/2 inches each   Drawings, 2014–    Gastarbeiten, 2014    

Ativan, Lorazepam 1 mg, V 4008, Round, Scored, Qualitest Pharmaceuticals; Polychromos, Faber Castell, White, 9201 - 101 (November 4–5, 2014) /  Xanax, Alprazolam 0.5 mg, GG257, Elliptical/Oval, Scored, Sandoz Pharmaceuticals, Inc.; Polychromos, Faber Castell, Light Flesh, 9201 - 132 (November 4–5, 2014) /  Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.; Polychromos, Faber Castell, Sky Blue, 9201 - 146 (November 4–5, 2014) /  Aderall, Amphetamine and Dextroamphetamine 10 mg, b 972 1 0, Elliptical/Oval, Scored, Teva Pharmaceuticals USA; Polychromos, Faber Castell, Light Phitalo Blue, 9201 - 145 (November 4–5, 2014) /  Propecia, Finasteride 1 mg, H 36, Round, Camber Pharmaceuticals, Inc.; Polychromos, Faber Castell, Pompeian Red, 9201 - 191 (November 4–5, 2014) /  Diovan, Valsartan 160 mg, RX 125, Elliptical/Oval, Ohm Laboratories, Inc.; Polychromos, Faber Castell, Cinnamon, 9201 - 189 (November 4–5, 2014) /  Celexa, Citalopram 20 mg, I G 207, Round, Scored, InvaGen Pharmaceuticals, Inc.; Polychromos, Faber Castell, Medium Flesh, 9201 - 131 (November 4–5, 2014) /  Wellbutrin SR, Bupropion Extended Release 150 mg, 681, Elliptical/Oval, Global Pharmaceuticals; Polychromos, Faber Castell, Cream, 9201 - 102 (November 4–5, 2014) /  Extra Strength Vitamin D3 2000 I.U., Elliptical, Transparent, Kirkland Signature; Polychromos, Faber Castell, Ivory, 9201 - 103 (November 4–5, 2014) /  Formula Multinutrient System VM-2000 Tablets, Elliptical, Senape with Brown Spots, Solgar; Polychromos, Faber Castell, Naples Yellow, 9201 - 185, Brown Ochre, 9201 - 182, Yellow Ochre, 9201 - 183 (November 4–5, 2014)

2014

Ink and oil pastel on letterhead

12 3/4 x 9 1/2 inches each

Drawings, 2014–

Gastarbeiten, 2014

 

  Directors 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions145 3/16 x226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 33 1/2 x 97 7/8 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]   2014  Polished copper table top and powder-coated steel  97 7/8 x 33 1/2 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    

Directors 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions145 3/16 x226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 33 1/2 x 97 7/8 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]

2014

Polished copper table top and powder-coated steel

97 7/8 x 33 1/2 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

  Directors 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814B (produced in conjunction with Kat Parker, Artist Liaison), titled Copper Surrogate (Desk, section 2:&nbsp;designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 145 3/16 x 226 1/8 x 30 .&nbsp; inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 5/8 x 95 x 1 1/2 inches. Section 2 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]   2014  Polished copper table top and powder-coated steel  95 x 33 5/8 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    

Directors 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814B (produced in conjunction with Kat Parker, Artist Liaison), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 145 3/16 x 226 1/8 x 30 .  inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 5/8 x 95 x 1 1/2 inches. Section 2 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]

2014

Polished copper table top and powder-coated steel

95 x 33 5/8 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

  Directors 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814C (produced in conjunction with Samantha Tsao, Partner), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet,&nbsp;with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 33 5/8 x 94 7/8 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]   2014  Polished copper table top and powder-coated steel  94 7/8 x 33 5/8 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    

Directors 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814C (produced in conjunction with Samantha Tsao, Partner), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 33 5/8 x 94 7/8 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]

2014

Polished copper table top and powder-coated steel

94 7/8 x 33 5/8 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

  Directors 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814D, titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014 made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 33 5/8 x 67 3/4 x 1 1/2 inches. Section 4 has tone cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and one large drawer surrogate, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]   2014  Polished copper table top and powder-coated steel  67 3/4 x 33 5/8 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    

Directors 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814D, titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014 made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 33 5/8 x 67 3/4 x 1 1/2 inches. Section 4 has tone cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and one large drawer surrogate, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]

2014

Polished copper table top and powder-coated steel

67 3/4 x 33 5/8 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

  Directors 5 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814E(produced in conjunction with Laura Higgins, Gallery Manager), titled Copper Surrogate (Desk, section 5: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet,&nbsp;with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 5 is 37 3/8 x 84 x 1 1/2 inches. Section 5 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  84 x 37 3/8 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    

Directors 5 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814E(produced in conjunction with Laura Higgins, Gallery Manager), titled Copper Surrogate (Desk, section 5: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 5 is 37 3/8 x 84 x 1 1/2 inches. Section 5 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

84 x 37 3/8 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

  Directors 6 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814F (produced in conjunction with Marco Palumbo and Alexis Diop,Interns), titled Copper Surrogate (Desk, section 6: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 6 is 37 3/8 x 83 1/2 x 1 1/2 inches. Section 6 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  83 1/2 x 37 3/8 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    

Directors 6 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814F (produced in conjunction with Marco Palumbo and Alexis Diop,Interns), titled Copper Surrogate (Desk, section 6: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 6 is 37 3/8 x 83 1/2 x 1 1/2 inches. Section 6 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

83 1/2 x 37 3/8 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

  Reception 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 31 x 62 3/4 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  62 3/4 x 31 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    

Reception 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 31 x 62 3/4 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

62 3/4 x 31 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

  Reception 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York.Surrogate: WB72714B (produced in conjunction with Jason Murison, Director), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 x 81 7/8 x 1 1/2 inches. Section 2 has two cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  81 7/8 x 31 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    

Reception 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York.Surrogate: WB72714B (produced in conjunction with Jason Murison, Director), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 x 81 7/8 x 1 1/2 inches. Section 2 has two cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

81 7/8 x 31 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

  Reception 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714C (produced in conjunction with Theodora Gilman, Assistant to the Directors), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 31 x 81 1/4 x 1 1/2 inches. Section 3 has three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  81 1/4 x 31 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    

Reception 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714C (produced in conjunction with Theodora Gilman, Assistant to the Directors), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 31 x 81 1/4 x 1 1/2 inches. Section 3 has three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

81 1/4 x 31 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

  Reception 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714D (produced in conjunction with Nick Bennett, Gallery Assistant), titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 31 x 62 3/4 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  114 1/8 x 31 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    

Reception 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714D (produced in conjunction with Nick Bennett, Gallery Assistant), titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 31 x 62 3/4 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

114 1/8 x 31 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

  Aggregate VIII (August 19th—21st, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2014  Ceramica Suro slip cast remnants, glaze, and firing plate  31 1/2 x 20 1/2 x 13 1/2 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    

Aggregate VIII (August 19th—21st, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2014

Ceramica Suro slip cast remnants, glaze, and firing plate

31 1/2 x 20 1/2 x 13 1/2 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

  Aggregate XIII (August 20–22, 2013, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  31 1/2 x 24 1/2 x 17 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    

Aggregate XIII (August 20–22, 2013, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

31 1/2 x 24 1/2 x 17 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

  Aggregate XVIII (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  23 1/2 x 20 1/2 x11 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    

Aggregate XVIII (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

23 1/2 x 20 1/2 x11 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

  Aggregate XXX (August 19th–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2014  Ceramica Suro slip cast remnants, glaze, and firing plate  45 x 91 x 43 1/2 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    

Aggregate XXX (August 19th–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2014

Ceramica Suro slip cast remnants, glaze, and firing plate

45 x 91 x 43 1/2 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

  Aggregate XIX (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  38 x 20 1/2x 20 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    

Aggregate XIX (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

38 x 20 1/2x 20 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

  Aggregate XXI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  31 1/2 x 24 1/2 x 19 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    

Aggregate XXI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

31 1/2 x 24 1/2 x 19 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

  Aggregate XXVIII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  67 1/2 x 22 1/2 x 21 1/4 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    

Aggregate XXVIII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

67 1/2 x 22 1/2 x 21 1/4 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

  Aggregate XXVI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  102 x 33 1/4 x 23 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    

Aggregate XXVI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

102 x 33 1/4 x 23 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

  Aggregate XXVII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  77 3/4 x 35 1/2 x 22 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    

Aggregate XXVII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

77 3/4 x 35 1/2 x 22 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

  Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/MYC/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02714), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 120 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    

Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/MYC/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02714), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 120 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CMY/Six Magnet: Los Angeles, California, January 8th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02814), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 105 7/8 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CMY/Six Magnet: Los Angeles, California, January 8th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02814), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 105 7/8 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/YCM/Six Magnet: Los Angeles, California, January 8th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02914), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 107 3/8 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/YCM/Six Magnet: Los Angeles, California, January 8th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02914), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 107 3/8 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, January 14th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 03914), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 116 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, January 14th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 03914), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 116 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

  RA4 Contact Print [Black Curl (YMC/Six Magnet: Los Angeles, California, August 14th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 20813), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174   2014  Color photographic paper  50 x 107 7/8 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    

RA4 Contact Print [Black Curl (YMC/Six Magnet: Los Angeles, California, August 14th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 20813), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174

2014

Color photographic paper

50 x 107 7/8 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

  RA4 Contact Print [Black Curl (YMC/Six Magnet: Los Angeles, California, August 22nd 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21013), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 111 1/8 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    

RA4 Contact Print [Black Curl (YMC/Six Magnet: Los Angeles, California, August 22nd 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21013), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 111 1/8 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

  RA4 Contact Print [Black Curl (CYM/Six Magnet: Los Angeles, California, August 29th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21513), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 107 3/4 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    

RA4 Contact Print [Black Curl (CYM/Six Magnet: Los Angeles, California, August 29th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21513), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 107 3/4 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

  RA4 Contact Print [Black Curl (MCY/Six Magnet: Los Angeles, California, August 29th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21613), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 113 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    

RA4 Contact Print [Black Curl (MCY/Six Magnet: Los Angeles, California, August 29th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21613), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 113 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

  RA4 Contact Print [Black Curl (CYM: Los Angeles, California, November 20th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 101-007, 40013), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 109 5/8 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    

RA4 Contact Print [Black Curl (CYM: Los Angeles, California, November 20th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 101-007, 40013), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 109 5/8 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60”&nbsp;Bisection: February 20/April 5, 2014, Los Angeles, California)   2014–  Polished copper  60 x 60 x 60 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection: February 20/April 5, 2014, Los Angeles, California)

2014–

Polished copper

60 x 60 x 60 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120”&nbsp;Bisection: February 19-24/April 5, 2014, Los Angeles, California)   2014  Polished copper  120 x 30 x 30 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection: February 19-24/April 5, 2014, Los Angeles, California)

2014

Polished copper

120 x 30 x 30 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

  Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2”&nbsp;30º Diagonal / 150º Antidiagonal Bisection:&nbsp;February 20/April 5, 2014, Los Angeles, California)   2014  Polished copper  120 x 60 x 50 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    

Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2” 30º Diagonal / 150º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California)

2014

Polished copper

120 x 60 x 50 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

  Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2”&nbsp;30º Diagonal / 150º Antidiagonal Bisection:&nbsp;February 20/April 5, 2014, Los Angeles, California)   2014  Polished copper  120 x 60 x 50 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    

Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2” 30º Diagonal / 150º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California)

2014

Polished copper

120 x 60 x 50 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

  Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4”&nbsp;45º Diagonal / 135º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California)   2014  Polished copper  110 x 60 x 50 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    

Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 45º Diagonal / 135º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California)

2014

Polished copper

110 x 60 x 50 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 135º Antidiagonal / 45º Diagonal Bisection: February 19-21/April 5, 2014, Los Angeles, California)   2014  Polished copper  110 x 60 x 50 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 135º Antidiagonal / 45º Diagonal Bisection: February 19-21/April 5, 2014, Los Angeles, California)

2014

Polished copper

110 x 60 x 50 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

Schreibmachine (<del>Canon MX310 Multifunction Printer</del>)
Schreibmachine (Canon MX310 Multifunction Printer)

2014

Aluminum, steel, Canon MX310 Multifunction Printer, and timer

Dimensions variable

Machines, 2014–

Selected Bodies of Work, 2014

 

Royal (<del>Apple Power Mac G5 A1047<del>)
Royal (Apple Power Mac G5 A1047)

2014

Aluminum, steel, and Apple Power Mac G5 A1047

Dimensions variable

Machines, 2014–

Selected Bodies of Work, 2014

 

Die gekränkte Braut (<del>Epson Perfection 4990 Pro J131B</del>)
Die gekränkte Braut (Epson Perfection 4990 Pro J131B)

2014

Aluminum, steel, and Epson Perfection 4990

Dimensions variable

Machines, 2014–

Selected Bodies of Work, 2014

 

Meine vier kleinen Untugenden (<del>Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector</del>)
Meine vier kleinen Untugenden (Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector)

2014

Aluminum, steel, Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector, and timer

Dimensions variable

Machines, 2014–

Selected Bodies of Work, 2014

 

Der Wille zur Macht (<del>Apple MacBook Pro</del>)
Der Wille zur Macht (Apple MacBook Pro)

2014

Macbook Pro

Dimensions variable

Machines, 2014–

Selected Bodies of Work, 2014

 

  Das Gesicht des Terrors (Los Angeles, California, February 20, 2014)   2014  Chromogenic print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    

Das Gesicht des Terrors (Los Angeles, California, February 20, 2014)

2014

Chromogenic print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

  Die Technik der Eroberung (Los Angeles, California, January 14, 2014)   2014  Chromogenic print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    

Die Technik der Eroberung (Los Angeles, California, January 14, 2014)

2014

Chromogenic print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

  Liberté, Amour, Art (Vienna, Austria, November 22, 2012)   2014  Black and white digital fiber print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    

Liberté, Amour, Art (Vienna, Austria, November 22, 2012)

2014

Black and white digital fiber print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

  Die Erotische (Vienna, Austria, November 22, 2012)&nbsp;   2014  Black and white digital fiber print  13 1/2 x 20 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    

Die Erotische (Vienna, Austria, November 22, 2012) 

2014

Black and white digital fiber print

13 1/2 x 20 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

  Die Mütter (Waltham, Massachusetts, February 4, 2013)   2014  Black and white digital fiber print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    

Die Mütter (Waltham, Massachusetts, February 4, 2013)

2014

Black and white digital fiber print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

  Der Hausdrachen (Waltham, Massachusetts, February 4, 2013)   2014  Black and white digital fiber print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    

Der Hausdrachen (Waltham, Massachusetts, February 4, 2013)

2014

Black and white digital fiber print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

  Der Herrscher (Paris, France, March 12, 2013)   2014  Chromogenic print  13 1/2 x 20 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    

Der Herrscher (Paris, France, March 12, 2013)

2014

Chromogenic print

13 1/2 x 20 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

  Die Ideale der Väter (Paris, France, March 12, 2013)   2014  Chromogenic print  13 1/2 x 20 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    

Die Ideale der Väter (Paris, France, March 12, 2013)

2014

Chromogenic print

13 1/2 x 20 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

  Alphabet der Leidenschaft (Beirut, Lebanon, June 1, 2013)   2014  Chromogenic print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    

Alphabet der Leidenschaft (Beirut, Lebanon, June 1, 2013)

2014

Chromogenic print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

  Die Qual der Lust (Los Angeles, California, August 15, 2013), Frame No. 14   2014  Black and white digital fiber print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    

Die Qual der Lust (Los Angeles, California, August 15, 2013), Frame No. 14

2014

Black and white digital fiber print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

  Die Qual der Lust (Los Angeles, California, August 15, 2013)   2014  Black and white digital fiber print  13 1/2 x 20 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    

Die Qual der Lust (Los Angeles, California, August 15, 2013)

2014

Black and white digital fiber print

13 1/2 x 20 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

 Walead Beshty and Kelley Walker   Crystal Voyagers [October 28/December 7, 2014, New York, New York: 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (International Surfing Photo Annual, 1973)]   2014–  Four color process silkscreen with acrylic on canvas; Surfer, September 1973, Surfer, September 1973, International Surfing Photo Annual, 1973, polished copper  96 x 5 x 1 inches each   Crystal Voyager, 2014    

Walead Beshty and Kelley Walker

Crystal Voyagers [October 28/December 7, 2014, New York, New York: 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (International Surfing Photo Annual, 1973)]

2014–

Four color process silkscreen with acrylic on canvas; Surfer, September 1973, Surfer, September 1973, International Surfing Photo Annual, 1973, polished copper

96 x 5 x 1 inches each

Crystal Voyager, 2014

 

 Walead Beshty and Kelley Walker   Hardbody Software (February 26/May 14, 2014, Los Angeles, California)   2014–  Acrylic and ink on canvas, polished copper  96 x 5 inches each   Hardbody Software, 2014    

Walead Beshty and Kelley Walker

Hardbody Software (February 26/May 14, 2014, Los Angeles, California)

2014–

Acrylic and ink on canvas, polished copper

96 x 5 inches each

Hardbody Software, 2014

 

  Marginalis (Los Angeles, California, August 1–30, 2014)   2014  Cyanotype chemistry on canvas  55 x 84 1/2 inches   Cyanotype paintings, 2013–2015    Progressive Praxis, 2016    

Marginalis (Los Angeles, California, August 1–30, 2014)

2014

Cyanotype chemistry on canvas

55 x 84 1/2 inches

Cyanotype paintings, 2013–2015

Progressive Praxis, 2016

 

  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60”&nbsp;Bisection/5 Sections: December 4/December 7, 2014, Miami Beach, Florida, February 10–12, 2015, Los Angeles, California)   2014–  Polished copper  11 x 60 x 60 inches each, 5 parts   Surrogates (Modular, Art Handling), 2014–    Walid AlBeshti, 2015    
  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom)   2014–  Polished copper  11 x 60 x 60 inches   Surrogates (Modular, Art Handling), 2014–    Marginalia, 2014    
  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 4: November 25/January 26–27, 2014, London, United Kingdom)   2014  Polished copper  11 x 60 x 60 inches   Surrogates (Modular, Art Handling), 2014–    Marginalia, 2014    
  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom)   2014  Polished copper  11 x 60 x 60 inches   Surrogates (Modular, Art Handling), 2014–    Marginalia, 2014    
  Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 6, 2011)   2011  Polished copper  120 x 60 inches   Remnants, 2011–    Marginalia, 2014    
  Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 8, 2011)   2011  Polished copper  36 x 96 x 1/8 inches   Remnants, 2011–    Marginalia, 2014    
  Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011)   2011  Polished copper  96 x 48 inches   Remnants, 2011–    Marginalia, 2014    
  Copper Remnant (Reception [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director; Jason Murison, Director; Theodora Gilman, Assistant to the Directors; Nick Bennett, Gallery Assistant), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26 –August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Directors [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner; Kat Parker, Artist Liaison; Samantha Tsao, Partner; Laura Higgins, Gallery Manager; Marco Palumbo and Alexis Diop, Interns), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 201 3/8 x 355 3/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Bookkeeping [Source: wood, laminate, and particleboard bookkeeping desk designed by Project-Space/Jonathan Caplan from the bookkeeping office at Friedrich Petzel Gallery, New York. Surrogate: WB72614A (produced in conjunction with Beverly Banks and Cecilia Roberts, Bookkeepers), Copper Surrogate (designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 68 5/8 x 125 1/8 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $21,080.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Project-Space/Jonathan Caplan desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014.])   2014  Polished copper  21 x 26 inches   Remnants, 2011–    Marginalia, 2014    
  Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60”&nbsp;Bisection/5 Sections)   2014  Polished copper  Dimensions variable, 7 parts   Remnants, 2011–    Marginalia, 2014    
  Transparency, 2011 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX;Negative (Kodak Portra 400NC Em. No. 2051) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 2051) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) May 26–30, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 2031) May 26–30, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 8–10, 2011 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 8–10, 2011 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 21–24, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 21–24, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX]   2014  Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper  14 x 11 inches, each (26 parts)   Transparencies, 2014–    Marginalia, 2014    
  Transparency, 2012 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 1–2, 2012 LAX/SLC/SLC/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 1–2, 2012 LAX/SLC/SLC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 15–19, 2012 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 15–19, 2012 LAX/MIA/MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 2–5, 2012 LAX/PVD/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 2–5, 2012 LAX/PVD/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 20–23, 2012 LAX/JFK/JKF/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 20–23, 2012 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 3–8, 2012 LAX/JFK/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 3–8, 2012 LAX/JFK/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 11–14, 2012 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 11–14, 2012 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX]   2014  Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper  14 x 11 inches, each (26 parts)   Transparencies, 2014–    Marginalia, 2014    
  Transparency, 2013 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1021) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Postive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Negative (Kodak Portra 400 Em. No. 1022 November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) December 2–3, 2013 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1022) December 2–3, 2013 LAX/MIA/MIA/LAX]   2014  Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper  14 x 11 inches, each (30 parts)   Transparencies, 2014–    Marginalia, 2014    
  Transparency, 2014 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 29–May 8, 2014 LGA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 1022) April 29–May 8, 2014 LGA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Negative (Kodak Portra 400NC Em. No. 1022) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX]   2014  Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper  14 x 11 inches, each (30 parts)   Transparencies, 2014–    Marginalia, 2014    
  Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)   2014  Cyanotype chemistry on canvas  96 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    
  Marginalis (Los Angeles, California, February 1–April 30, 2014)   2014  Cyanotype chemistry on canvas  127 3/4 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    
  Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)   2014  Cyanotype chemistry on canvas  104 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    
  Marginalis (Los Angeles, California, February 1–April 30, 2014)   2014  Cyanotype chemistry on canvas  98 1/2 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    
  Marginalis (Los Angeles, California, May 1–August 1, 2014)   2014  Cyanotype chemistry on canvas  89 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    
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  Marginalis (Los Angeles, California, February 1–April 30, 2014)   2014  Cyanotype chemistry on canvas  80 x 55 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    
  Marginalis (Los Angeles, California, August 1–October 20, 2013)   2014  Cyanotype chemistry on canvas  57 x 69 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    
  Marginalis (Los Angeles, California, August 1–October 20, 2013)   2013  Cyanotype chemistry on canvas  57 x 74 inches   Cyanotype Paintings, 2013–2015    Marginalia, 2014    
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  Walead Beshty – Marginalia "I think of my work as a kind of ecology in the sense that everything that comes out of it is part of the practice and needs to be accounted for. My practice is really a proposition about a possible arrangement of productive forces, a kind of system of relations. The more well-conceived the system, the more it can fully account for all that it produces, and that includes what might seem like by-products." W. Beshty. In describing the making of his monumental commission at the Barbican Centre in London -&nbsp;thousands of cyanotypes, created over a year, cover the walls of the Curve there -, Walead Beshty virtually revealed the nature of his next show at Thomas Dane Gallery, staged to coincide with his project at the Curve. ‘Marginalia’, taking its name from the comments,&nbsp;scribbles or illuminations in the margins of a book, includes the remnants, props, byproducts,&nbsp;‘vestiges’ – generally speaking, the works - created through/while/after making other works. Even though this idea is at the very core of his practice: in essence, Beshty always makes art while making art while making art… And even though he often triggers the production of art through infiltrating pre-existing systems, structures,&nbsp;networks and apparatuses (such as X-ray machines at airports, courier companies…etc…), he had never staged an exhibition that illustrated so concisely the virtuous, recycling circle that his artistic production so uniquely embodies. The notion of Hierarchies – whether artistic or economical - is what is fascinatingly at stake here:&nbsp;traditionally, ‘marginalia(s)’ will add or detract the value of a book, according to the author of the notes. Here, the artist himself reveals, as well as upsets, the established values and systems of art-making, with a series of arresting, facetted new paintings realized as a support or background for the multitude of cyanotypes at the Barbican, which cohabit with aluminum and bronze relics, part negative-space, part leftovers, of his metal surrogates and tables, and a series of 104 X-Ray photographs, realized, literally, while traveling over four years (for shows, events…) and displayed for the first time in their original 5x4in. format.   2014  Letterpress  14 x 8 1/2 inches   Multiples    Marginalia, 2014    
  Desk [Source: chrome-plated steel and wood desk designed by Egon Eiermann from the office of Michael Wiesehöfer at Galerie Capitain Petzel, Berlin. Surrogate: WB97814 (produced in conjunction with Michael Wiesehöfer, Director), Copper Surrogate (Desk: designed by Egon Eiermann, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 78 7/8 x 39 1⁄16 x 29 1/16 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $20,611.99 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Egon Eiermann desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 56 3⁄16 x 32 7⁄16 x 27 9⁄16 inches.]   2014  Polished copper table top and powder-coated steel  78 3/4 x 39 1/4 x 30 inches (1 3/8 inch top)   Surrogates (Tabletop and Desktop), 2008–    Gastarbeiten, 2014    
  Desk [Source: aluminum, steel, and wood desk after a design by Jørgen Kastholm and Preben Fabricius from the office of Gisela Capitain at Galerie Capitain Petzel, Berlin. Surrogate: WB97914 (produced in conjunction with Gisela Capitain, Owner), Copper Surrogate (Desk: designed by Jørgen Kastholm and Preben Fabricius, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 72 23⁄32 x 38 5⁄16 x 28 55/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $34,269.62 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Jørgen Kastholm and Preben Fabricius desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 71 17/64 x 36 13/16 x 27 23/64 inches.]   2014  Polished copper table top and powder-coated steel  72 5/8 x 38 3/8 x 27 inches (3 7/8 inch top)   Surrogates (Tabletop and Desktop), 2008–    Gastarbeiten, 2014    
  Table [Source: embossed lacquered medium density fiberboard and chrome finish steel conference room desk designed by Lievore Altherr Molina from the TK room at Galerie Capitain Petzel, Berlin. Surrogate: WB98014 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director), Copper Surrogate (Table: designed by Lievore Altherr Molina, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 71 37⁄64 x 39 13⁄32 x 29 31/32 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $26,733.35 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Lievore Altherr Molina desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 27 9⁄16 x 19 7⁄8 x 28 15⁄32 inches.]   2014  Polished copper table top and powder-coated steel  71 1/2 x 39 1/4 x 29 inches (1 3/8 inch top)   Surrogates (Tabletop and Desktop), 2008–    Gastarbeiten, 2014    
  Table [Source: carrara glass and brass conference room desk designed by Paul McCobb for Calvin Furniture Company from the presentation room at Galerie Capitain Petzel, Berlin. Surrogate: WB98114 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director; Kathleen Knitter, Gallery Manager; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician), Copper Surrogate (Table: designed by Paul McCobb for Calvin Furniture Company, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 32 31⁄64 x 32 31⁄64 x 16 7/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $9,447.41 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Paul McCobb table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 31 37/64 x 31 29/64 x 14 39/64 inches.]   2014  Polished copper table top and powder-coated steel  32 1/2 x 32 1/2 x 15 3/4 inches (1 3/8 inch top)   Surrogates (Tabletop and Desktop), 2008–    Gastarbeiten, 2014    
  Table [Source: steel, pigmented epoxy, powder coating, particleboard, melamine foil, foil, and acrylonitrile butadiene styrene plastic work surface table designed by Olle Lundberg for IKEA from the storage room at Galerie Capitain Petzel, Berlin. Surrogate: WB98214 (produced in conjunction with Elisabeth Pallentin, Gallery Assistant/Media Archivist; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician; Adrian Lohmüller, Preparator; Claus Philip Lehmann; Preparator), Copper Surrogate (Table: designed by Olle Lundberg for IKEA, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 62 29⁄32 x 31 29⁄64 x 28 63/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $17,842.86 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Olle Lundberg table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 59 23⁄32 x 28 11⁄32 x 27 31⁄64 inches.]   2014  Polished copper table top and powder-coated steel  63 x 31 1/2 x 27 1/2 inches (1 3/8 inch top)   Surrogates (Tabletop and Desktop), 2008–    Gastarbeiten, 2014    
  Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, April 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 61214), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  124 1/2 x 50 inches   RA4 Contact Print Curls, 2014–    Gastarbeiten, 2014    
  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CMY/Six Magnet: Los Angeles, California, May 6, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, 64614), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  131 3/4 x 50 inches   RA4 Contact Print Curls, 2014–    Gastarbeiten, 2014    
  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/YMC/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 81414), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  116 1/4 x 50 inches   RA4 Contact Print Curls, 2014–    Gastarbeiten, 2014    
  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CYM/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 81514), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  120 1/2 x 50 inches   RA4 Contact Print Curls, 2014–    Gastarbeiten, 2014    
  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, August 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 95514), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  119 1/2 x 50 inches   RA4 Contact Print Curls, 2014–    Gastarbeiten, 2014    
<del>TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV</del>
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  Picasso and Truth: From Cubism to Guernica I   2014  Ink on paper, receipt, dried flower, newspaper  11 3/4 x 17 3/8 inches   Drawings, 2014–    Gastarbeiten, 2014    
  Corn Hustlers Nabbed; Ad Agency Blues: Pay Play in binge lawsuit, 86º, 2:45pm, 22-4-14   2014  Ink on paper, envelope, dried flower, newspaper  12 x 22 inches   Drawings, 2014–    Gastarbeiten, 2014    
  Picasso and Truth: From Cubism to Guernica II   2014  Ink on paper, dried flower, paper  12 x 18 inches   Drawings, 2014–    Gastarbeiten, 2014    
  Picasso and Truth: From Cubism to Guernica III   2014  Ink on paper, dried flower, paper  13 7/8 x 18 inches   Drawings, 2014–    Gastarbeiten, 2014    
WB101214.jpg
  Ativan, Lorazepam 1 mg, V 4008, Round, Scored, Qualitest Pharmaceuticals; Polychromos, Faber Castell, White, 9201 - 101 (November 4–5, 2014) /&nbsp; Xanax, Alprazolam 0.5 mg, GG257, Elliptical/Oval, Scored, Sandoz Pharmaceuticals, Inc.; Polychromos, Faber Castell, Light Flesh, 9201 - 132 (November 4–5, 2014) /&nbsp; Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.; Polychromos, Faber Castell, Sky Blue, 9201 - 146 (November 4–5, 2014) /&nbsp; Aderall, Amphetamine and Dextroamphetamine 10 mg, b 972 1 0, Elliptical/Oval, Scored, Teva Pharmaceuticals USA; Polychromos, Faber Castell, Light Phitalo Blue, 9201 - 145 (November 4–5, 2014) /&nbsp; Propecia, Finasteride 1 mg, H 36, Round, Camber Pharmaceuticals, Inc.; Polychromos, Faber Castell, Pompeian Red, 9201 - 191 (November 4–5, 2014) /&nbsp; Diovan, Valsartan 160 mg, RX 125, Elliptical/Oval, Ohm Laboratories, Inc.; Polychromos, Faber Castell, Cinnamon, 9201 - 189 (November 4–5, 2014) /&nbsp; Celexa, Citalopram 20 mg, I G 207, Round, Scored, InvaGen Pharmaceuticals, Inc.; Polychromos, Faber Castell, Medium Flesh, 9201 - 131 (November 4–5, 2014) /&nbsp; Wellbutrin SR, Bupropion Extended Release 150 mg, 681, Elliptical/Oval, Global Pharmaceuticals; Polychromos, Faber Castell, Cream, 9201 - 102 (November 4–5, 2014) /&nbsp; Extra Strength Vitamin D3 2000 I.U., Elliptical, Transparent, Kirkland Signature; Polychromos, Faber Castell, Ivory, 9201 - 103 (November 4–5, 2014) /&nbsp; Formula Multinutrient System VM-2000 Tablets, Elliptical, Senape with Brown Spots, Solgar; Polychromos, Faber Castell, Naples Yellow, 9201 - 185, Brown Ochre, 9201 - 182, Yellow Ochre, 9201 - 183 (November 4–5, 2014)   2014  Ink and oil pastel on letterhead  12 3/4 x 9 1/2 inches each   Drawings, 2014–    Gastarbeiten, 2014    
  Directors 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions145 3/16 x226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 33 1/2 x 97 7/8 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]   2014  Polished copper table top and powder-coated steel  97 7/8 x 33 1/2 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    
  Directors 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814B (produced in conjunction with Kat Parker, Artist Liaison), titled Copper Surrogate (Desk, section 2:&nbsp;designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 145 3/16 x 226 1/8 x 30 .&nbsp; inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 5/8 x 95 x 1 1/2 inches. Section 2 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]   2014  Polished copper table top and powder-coated steel  95 x 33 5/8 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    
  Directors 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814C (produced in conjunction with Samantha Tsao, Partner), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet,&nbsp;with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 33 5/8 x 94 7/8 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]   2014  Polished copper table top and powder-coated steel  94 7/8 x 33 5/8 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    
  Directors 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814D, titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014 made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 33 5/8 x 67 3/4 x 1 1/2 inches. Section 4 has tone cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and one large drawer surrogate, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]   2014  Polished copper table top and powder-coated steel  67 3/4 x 33 5/8 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    
  Directors 5 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814E(produced in conjunction with Laura Higgins, Gallery Manager), titled Copper Surrogate (Desk, section 5: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet,&nbsp;with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 5 is 37 3/8 x 84 x 1 1/2 inches. Section 5 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  84 x 37 3/8 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    
  Directors 6 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814F (produced in conjunction with Marco Palumbo and Alexis Diop,Interns), titled Copper Surrogate (Desk, section 6: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 6 is 37 3/8 x 83 1/2 x 1 1/2 inches. Section 6 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  83 1/2 x 37 3/8 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    
  Reception 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 31 x 62 3/4 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  62 3/4 x 31 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    
  Reception 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York.Surrogate: WB72714B (produced in conjunction with Jason Murison, Director), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 x 81 7/8 x 1 1/2 inches. Section 2 has two cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  81 7/8 x 31 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    
  Reception 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714C (produced in conjunction with Theodora Gilman, Assistant to the Directors), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 31 x 81 1/4 x 1 1/2 inches. Section 3 has three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  81 1/4 x 31 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    
  Reception 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714D (produced in conjunction with Nick Bennett, Gallery Assistant), titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 31 x 62 3/4 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]   2014  Polished copper table top and powder-coated steel  114 1/8 x 31 x 1 1/2 inches   Surrogates (Tabletop and Desktop), 2008–    Performances Under Working Conditions, 2014    
  Aggregate VIII (August 19th—21st, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2014  Ceramica Suro slip cast remnants, glaze, and firing plate  31 1/2 x 20 1/2 x 13 1/2 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    
  Aggregate XIII (August 20–22, 2013, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  31 1/2 x 24 1/2 x 17 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    
  Aggregate XVIII (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  23 1/2 x 20 1/2 x11 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    
  Aggregate XXX (August 19th–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2014  Ceramica Suro slip cast remnants, glaze, and firing plate  45 x 91 x 43 1/2 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    
  Aggregate XIX (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  38 x 20 1/2x 20 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    
  Aggregate XXI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  31 1/2 x 24 1/2 x 19 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    
  Aggregate XXVIII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  67 1/2 x 22 1/2 x 21 1/4 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    
  Aggregate XXVI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  102 x 33 1/4 x 23 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    
  Aggregate XXVII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)   2013  Ceramica Suro slip cast remnants, glaze, and firing plate  77 3/4 x 35 1/2 x 22 inches   Ceramics, 2013–    Selected Bodies of Work, 2014    
  Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/MYC/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02714), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 120 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    
  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CMY/Six Magnet: Los Angeles, California, January 8th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02814), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 105 7/8 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    
  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/YCM/Six Magnet: Los Angeles, California, January 8th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02914), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 107 3/8 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    
  Cross-Contaminated RA4 Contact Print [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, January 14th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 03914), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 116 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    
  RA4 Contact Print [Black Curl (YMC/Six Magnet: Los Angeles, California, August 14th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 20813), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174   2014  Color photographic paper  50 x 107 7/8 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    
  RA4 Contact Print [Black Curl (YMC/Six Magnet: Los Angeles, California, August 22nd 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21013), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 111 1/8 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    
  RA4 Contact Print [Black Curl (CYM/Six Magnet: Los Angeles, California, August 29th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21513), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 107 3/4 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    
  RA4 Contact Print [Black Curl (MCY/Six Magnet: Los Angeles, California, August 29th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21613), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 113 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    
  RA4 Contact Print [Black Curl (CYM: Los Angeles, California, November 20th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 101-007, 40013), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]   2014  Color photographic paper  50 x 109 5/8 inches   RA4 Contact Print Curls, 2014–    Selected Bodies of Work, 2014    
  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60”&nbsp;Bisection: February 20/April 5, 2014, Los Angeles, California)   2014–  Polished copper  60 x 60 x 60 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    
  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120”&nbsp;Bisection: February 19-24/April 5, 2014, Los Angeles, California)   2014  Polished copper  120 x 30 x 30 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    
  Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2”&nbsp;30º Diagonal / 150º Antidiagonal Bisection:&nbsp;February 20/April 5, 2014, Los Angeles, California)   2014  Polished copper  120 x 60 x 50 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    
  Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2”&nbsp;30º Diagonal / 150º Antidiagonal Bisection:&nbsp;February 20/April 5, 2014, Los Angeles, California)   2014  Polished copper  120 x 60 x 50 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    
  Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4”&nbsp;45º Diagonal / 135º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California)   2014  Polished copper  110 x 60 x 50 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    
  Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 135º Antidiagonal / 45º Diagonal Bisection: February 19-21/April 5, 2014, Los Angeles, California)   2014  Polished copper  110 x 60 x 50 inches   Surrogates (Full Sheet, Art Handling), 2011–    Selected Bodies of Work, 2014    
Schreibmachine (<del>Canon MX310 Multifunction Printer</del>)
Royal (<del>Apple Power Mac G5 A1047<del>)
Die gekränkte Braut (<del>Epson Perfection 4990 Pro J131B</del>)
Meine vier kleinen Untugenden (<del>Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector</del>)
Der Wille zur Macht (<del>Apple MacBook Pro</del>)
  Das Gesicht des Terrors (Los Angeles, California, February 20, 2014)   2014  Chromogenic print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    
  Die Technik der Eroberung (Los Angeles, California, January 14, 2014)   2014  Chromogenic print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    
  Liberté, Amour, Art (Vienna, Austria, November 22, 2012)   2014  Black and white digital fiber print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    
  Die Erotische (Vienna, Austria, November 22, 2012)&nbsp;   2014  Black and white digital fiber print  13 1/2 x 20 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    
  Die Mütter (Waltham, Massachusetts, February 4, 2013)   2014  Black and white digital fiber print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    
  Der Hausdrachen (Waltham, Massachusetts, February 4, 2013)   2014  Black and white digital fiber print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    
  Der Herrscher (Paris, France, March 12, 2013)   2014  Chromogenic print  13 1/2 x 20 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    
  Die Ideale der Väter (Paris, France, March 12, 2013)   2014  Chromogenic print  13 1/2 x 20 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    
  Alphabet der Leidenschaft (Beirut, Lebanon, June 1, 2013)   2014  Chromogenic print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    
  Die Qual der Lust (Los Angeles, California, August 15, 2013), Frame No. 14   2014  Black and white digital fiber print  20 x 13 1/2 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    
  Die Qual der Lust (Los Angeles, California, August 15, 2013)   2014  Black and white digital fiber print  13 1/2 x 20 inches   Art Handling, 2011–    Selected Bodies of Work, 2014    
 Walead Beshty and Kelley Walker   Crystal Voyagers [October 28/December 7, 2014, New York, New York: 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (International Surfing Photo Annual, 1973)]   2014–  Four color process silkscreen with acrylic on canvas; Surfer, September 1973, Surfer, September 1973, International Surfing Photo Annual, 1973, polished copper  96 x 5 x 1 inches each   Crystal Voyager, 2014    
 Walead Beshty and Kelley Walker   Hardbody Software (February 26/May 14, 2014, Los Angeles, California)   2014–  Acrylic and ink on canvas, polished copper  96 x 5 inches each   Hardbody Software, 2014    
  Marginalis (Los Angeles, California, August 1–30, 2014)   2014  Cyanotype chemistry on canvas  55 x 84 1/2 inches   Cyanotype paintings, 2013–2015    Progressive Praxis, 2016    

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections: December 4/December 7, 2014, Miami Beach, Florida, February 10–12, 2015, Los Angeles, California)

2014–

Polished copper

11 x 60 x 60 inches each, 5 parts

Surrogates (Modular, Art Handling), 2014–

Walid AlBeshti, 2015

 

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom)

2014–

Polished copper

11 x 60 x 60 inches

Surrogates (Modular, Art Handling), 2014–

Marginalia, 2014

 

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 4: November 25/January 26–27, 2014, London, United Kingdom)

2014

Polished copper

11 x 60 x 60 inches

Surrogates (Modular, Art Handling), 2014–

Marginalia, 2014

 

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom)

2014

Polished copper

11 x 60 x 60 inches

Surrogates (Modular, Art Handling), 2014–

Marginalia, 2014

 

Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 6, 2011)

2011

Polished copper

120 x 60 inches

Remnants, 2011–

Marginalia, 2014

 

Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 8, 2011)

2011

Polished copper

36 x 96 x 1/8 inches

Remnants, 2011–

Marginalia, 2014

 

Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011)

2011

Polished copper

96 x 48 inches

Remnants, 2011–

Marginalia, 2014

 

Copper Remnant (Reception [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director; Jason Murison, Director; Theodora Gilman, Assistant to the Directors; Nick Bennett, Gallery Assistant), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26 –August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Directors [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner; Kat Parker, Artist Liaison; Samantha Tsao, Partner; Laura Higgins, Gallery Manager; Marco Palumbo and Alexis Diop, Interns), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 201 3/8 x 355 3/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Bookkeeping [Source: wood, laminate, and particleboard bookkeeping desk designed by Project-Space/Jonathan Caplan from the bookkeeping office at Friedrich Petzel Gallery, New York. Surrogate: WB72614A (produced in conjunction with Beverly Banks and Cecilia Roberts, Bookkeepers), Copper Surrogate (designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 68 5/8 x 125 1/8 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $21,080.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Project-Space/Jonathan Caplan desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014.])

2014

Polished copper

21 x 26 inches

Remnants, 2011–

Marginalia, 2014

 

Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections)

2014

Polished copper

Dimensions variable, 7 parts

Remnants, 2011–

Marginalia, 2014

 

Transparency, 2011 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) January 11–15, 2011 LAX/IAD/ZRH/ZRH/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX;Negative (Kodak Portra 400NC Em. No. 2051) January 30–February 19, 2011 LAX/LHR/CPH/CPH/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 2051) April 25–29, 2011 LAX/SFO/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) May 26–30, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 2031) May 26–30, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) June 12–23, 2011 LAX/IAD/MAD/MAD/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 6–10, 2011 LAX/ORD/PWM/PWM/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05182) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Negative (Kodak Portra 400NC Em. No. 2031) July 30–August 2, 2011 LAX/DEN/RAP/RAP/DEN/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 2051) August 20–24, 2011 LAX/ORD/MIA/MIA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 1–11, 2011 LAX/IAD/BRU/BRU/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 19–28, 2011 LAX/PEK/PEK/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 8–10, 2011 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 8–10, 2011 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 21–24, 2011 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 21–24, 2011 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX; Negative (Kodak Portra 400 Em. No. 1021) December 15–17, 2011 LAX/SFO/SEA/SEA/SFO/LAX]

2014

Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper

14 x 11 inches, each (26 parts)

Transparencies, 2014–

Marginalia, 2014

 

Transparency, 2012 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) February 16–20, 2012 LAX/ORD/ORD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 1–2, 2012 LAX/SLC/SLC/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 1–2, 2012 LAX/SLC/SLC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 15–19, 2012 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 15–19, 2012 LAX/MIA/MIA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 2–5, 2012 LAX/PVD/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 2–5, 2012 LAX/PVD/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 13–23, 2012 LAX/SFO/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 5–12, 2012 LAX/SFO/FRA/ZHR/FRA/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) July 20–23, 2012 LAX/JFK/JKF/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 20–23, 2012 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 2–6, 2012 LAX/SFO/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 24–October 2, 2012 LAX/PVG/PVG/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 3–8, 2012 LAX/JFK/IAD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 3–8, 2012 LAX/JFK/IAD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) October 11–14, 2012 LAX/ORD/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) October 11–14, 2012 LAX/ORD/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 15–November 18, 2012 LAX/SFO/BOS/BOS/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1021) November 20–December 7, 2012 LAX/IAD/VIE/VIE/CDG/CDG/DUS/MIA/MIA/LAX]

2014

Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper

14 x 11 inches, each (26 parts)

Transparencies, 2014–

Marginalia, 2014

 

Transparency, 2013 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 8–May 13, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400 Em. No. 1021) March 3–March 5, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) April 12–April 25, 2013 LAX/ORD/CDG/CDG/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400 Em. No. 1021) January 31–February 17, 2013 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Negative (Kodak Portra 400 Em. No. 1021) May 31–June 11, 2013 LAX/SFO/FRA/BEY/CDG/AMS/ZRH/FRA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05281) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 14–June 18, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Negative (Kodak Portra 400 Em. No. 1021) June 27–July 2, 2013 LAX/ORD/LHR/LHR/IAH/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) July 28–August 10, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Negative (Kodak Portra 400 Em. No. 1021) August 18–August 24, 2013 LAX/GDL/GDL/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Negative (Kodak Portra 400 Em. No. 1021) September 26–September 29, 2013 LAX/ELP/ELP/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1021) October 13–October 17, 2013 LAX/DFW/DFW/LAX; Postive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 18–October 22, 2013 LAX/SFO/CDG/SFO/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Negative (Kodak Portra 400NC Em. No. 1022) October 24–October 27, 2013 LAX/DFW/DFW/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Negative (Kodak Portra 400 Em. No. 1022 November 21–December 1, 2013 LAX/EWR/TLV/TLV/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) December 2–3, 2013 LAX/MIA/MIA/LAX; Negative (Kodak Portra 400 Em. No. 1022) December 2–3, 2013 LAX/MIA/MIA/LAX]

2014

Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper

14 x 11 inches, each (30 parts)

Transparencies, 2014–

Marginalia, 2014

 

Transparency, 2014 [Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) March 12–March 17, 2014 LAX/LHR/TXL/TXL/MUC/MUC/TXL/TXL/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) April 29–May 8, 2014 LGA/ORD/LAX; Negative (Kodak Portra 400NC Em. No. 1022) April 29–May 8, 2014 LGA/ORD/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) May 25–June 8, 2014 LAX/LHR/TXL/TXL/FRA/BEY/BEY/FRA/TXL/TXL/EWR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) June 26–July 15, 2014 LAX/EWR/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) August 6–August 12, 2014 LAX/MCO/EYW/EYW/FLL/SFO/LAX; Negative (Kodak Portra 400NC Em. No. 1022) February 12–February 18, 2014 LAX/IAD/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–September 21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 6–October 16, 2014 LAX/LHR/LHR/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Negative (Kodak Portra 400NC Em. No. 1022) September 1–September 5, 2014 LAX/JFK/JFK/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Negative (Kodak Portra 400NC Em. No. 1022) September 17–September 18, 2014 LHR/TXL/TXL/LHR; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Negative (Kodak Portra 400NC Em. No. 1022) September 20–21, 2014 LCY/ZRH/ZRH/LCY; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 1–9, 2014 LAX/EWR/EWR/MUC/TXL/TXL/MUC/LAX; Positive (Fujichrome RDPIII Provia 100F Em. No. 05481) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX; Negative (Kodak Portra 400 NC Em. No. 1051) November 20–27, 2014 LAX/LHR/LHR/IAD/LAX]

2014

Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper

14 x 11 inches, each (30 parts)

Transparencies, 2014–

Marginalia, 2014

 

Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)

2014

Cyanotype chemistry on canvas

96 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

Marginalis (Los Angeles, California, February 1–April 30, 2014)

2014

Cyanotype chemistry on canvas

127 3/4 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)

2014

Cyanotype chemistry on canvas

104 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

Marginalis (Los Angeles, California, February 1–April 30, 2014)

2014

Cyanotype chemistry on canvas

98 1/2 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

Marginalis (Los Angeles, California, May 1–August 1, 2014)

2014

Cyanotype chemistry on canvas

89 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

Marginalis (Los Angeles, California, February 1–April 30, 2014)

2014

Cyanotype chemistry on canvas

80 x 55 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

Marginalis (Los Angeles, California, August 1–October 20, 2013)

2014

Cyanotype chemistry on canvas

57 x 69 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

Marginalis (Los Angeles, California, August 1–October 20, 2013)

2013

Cyanotype chemistry on canvas

57 x 74 inches

Cyanotype Paintings, 2013–2015

Marginalia, 2014

 

Walead Beshty – Marginalia "I think of my work as a kind of ecology in the sense that everything that comes out of it is part of the practice and needs to be accounted for. My practice is really a proposition about a possible arrangement of productive forces, a kind of system of relations. The more well-conceived the system, the more it can fully account for all that it produces, and that includes what might seem like by-products." W. Beshty. In describing the making of his monumental commission at the Barbican Centre in London - thousands of cyanotypes, created over a year, cover the walls of the Curve there -, Walead Beshty virtually revealed the nature of his next show at Thomas Dane Gallery, staged to coincide with his project at the Curve. ‘Marginalia’, taking its name from the comments, scribbles or illuminations in the margins of a book, includes the remnants, props, byproducts, ‘vestiges’ – generally speaking, the works - created through/while/after making other works. Even though this idea is at the very core of his practice: in essence, Beshty always makes art while making art while making art… And even though he often triggers the production of art through infiltrating pre-existing systems, structures, networks and apparatuses (such as X-ray machines at airports, courier companies…etc…), he had never staged an exhibition that illustrated so concisely the virtuous, recycling circle that his artistic production so uniquely embodies. The notion of Hierarchies – whether artistic or economical - is what is fascinatingly at stake here: traditionally, ‘marginalia(s)’ will add or detract the value of a book, according to the author of the notes. Here, the artist himself reveals, as well as upsets, the established values and systems of art-making, with a series of arresting, facetted new paintings realized as a support or background for the multitude of cyanotypes at the Barbican, which cohabit with aluminum and bronze relics, part negative-space, part leftovers, of his metal surrogates and tables, and a series of 104 X-Ray photographs, realized, literally, while traveling over four years (for shows, events…) and displayed for the first time in their original 5x4in. format.

2014

Letterpress

14 x 8 1/2 inches

Multiples

Marginalia, 2014

 

Desk [Source: chrome-plated steel and wood desk designed by Egon Eiermann from the office of Michael Wiesehöfer at Galerie Capitain Petzel, Berlin. Surrogate: WB97814 (produced in conjunction with Michael Wiesehöfer, Director), Copper Surrogate (Desk: designed by Egon Eiermann, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 78 7/8 x 39 1⁄16 x 29 1/16 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $20,611.99 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Egon Eiermann desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 56 3⁄16 x 32 7⁄16 x 27 9⁄16 inches.]

2014

Polished copper table top and powder-coated steel

78 3/4 x 39 1/4 x 30 inches (1 3/8 inch top)

Surrogates (Tabletop and Desktop), 2008–

Gastarbeiten, 2014

 

Desk [Source: aluminum, steel, and wood desk after a design by Jørgen Kastholm and Preben Fabricius from the office of Gisela Capitain at Galerie Capitain Petzel, Berlin. Surrogate: WB97914 (produced in conjunction with Gisela Capitain, Owner), Copper Surrogate (Desk: designed by Jørgen Kastholm and Preben Fabricius, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 72 23⁄32 x 38 5⁄16 x 28 55/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $34,269.62 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Jørgen Kastholm and Preben Fabricius desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Desk has one base surrogate with the dimensions 71 17/64 x 36 13/16 x 27 23/64 inches.]

2014

Polished copper table top and powder-coated steel

72 5/8 x 38 3/8 x 27 inches (3 7/8 inch top)

Surrogates (Tabletop and Desktop), 2008–

Gastarbeiten, 2014

 

Table [Source: embossed lacquered medium density fiberboard and chrome finish steel conference room desk designed by Lievore Altherr Molina from the TK room at Galerie Capitain Petzel, Berlin. Surrogate: WB98014 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director), Copper Surrogate (Table: designed by Lievore Altherr Molina, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 71 37⁄64 x 39 13⁄32 x 29 31/32 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $26,733.35 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Lievore Altherr Molina desk at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 27 9⁄16 x 19 7⁄8 x 28 15⁄32 inches.]

2014

Polished copper table top and powder-coated steel

71 1/2 x 39 1/4 x 29 inches (1 3/8 inch top)

Surrogates (Tabletop and Desktop), 2008–

Gastarbeiten, 2014

 

Table [Source: carrara glass and brass conference room desk designed by Paul McCobb for Calvin Furniture Company from the presentation room at Galerie Capitain Petzel, Berlin. Surrogate: WB98114 (produced in conjunction with Friedrich Petzel, Owner; Gisela Capitain, Owner; Michael Wiesehöfer, Director; Svenja Schuhbauer, Associate Director; Kathleen Knitter, Gallery Manager; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician), Copper Surrogate (Table: designed by Paul McCobb for Calvin Furniture Company, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 32 31⁄64 x 32 31⁄64 x 16 7/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $9,447.41 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Paul McCobb table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 31 37/64 x 31 29/64 x 14 39/64 inches.]

2014

Polished copper table top and powder-coated steel

32 1/2 x 32 1/2 x 15 3/4 inches (1 3/8 inch top)

Surrogates (Tabletop and Desktop), 2008–

Gastarbeiten, 2014

 

Table [Source: steel, pigmented epoxy, powder coating, particleboard, melamine foil, foil, and acrylonitrile butadiene styrene plastic work surface table designed by Olle Lundberg for IKEA from the storage room at Galerie Capitain Petzel, Berlin. Surrogate: WB98214 (produced in conjunction with Elisabeth Pallentin, Gallery Assistant/Media Archivist; Eloisa Travaglini, Intern; Dylan Peirce, Technician; Hervé Humbert, Technician; Adrian Lohmüller, Preparator; Claus Philip Lehmann; Preparator), Copper Surrogate (Table: designed by Olle Lundberg for IKEA, Karl-Marx-Allee 45, Berlin, Germany, September 11–November 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 62 29⁄32 x 31 29⁄64 x 28 63/64 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $17,842.86 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Los Angeles Packing, Crating and Transport, Incorporated from Los Angeles to Berlin, August 28 through September 10, 2014. Installed in place of Olle Lundberg table at Karl-Marx-Allee 45, Berlin, Germany, on September 11, 2014, exposure through the duration of Martin Kippenberger: Window Shopping at Galerie Capitain Petzel until November 4, 2014. Table has one base surrogate with the dimensions 59 23⁄32 x 28 11⁄32 x 27 31⁄64 inches.]

2014

Polished copper table top and powder-coated steel

63 x 31 1/2 x 27 1/2 inches (1 3/8 inch top)

Surrogates (Tabletop and Desktop), 2008–

Gastarbeiten, 2014

 

Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, April 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 61214), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

124 1/2 x 50 inches

RA4 Contact Print Curls, 2014–

Gastarbeiten, 2014

 

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CMY/Six Magnet: Los Angeles, California, May 6, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 107-016, 64614), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

131 3/4 x 50 inches

RA4 Contact Print Curls, 2014–

Gastarbeiten, 2014

 

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/YMC/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 81414), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

116 1/4 x 50 inches

RA4 Contact Print Curls, 2014–

Gastarbeiten, 2014

 

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CYM/Six Magnet: Los Angeles, California, August 13, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 81514), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

120 1/2 x 50 inches

RA4 Contact Print Curls, 2014–

Gastarbeiten, 2014

 

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, August 14, 2014, Fujicolor Crystal Archive Super Type C, Em. No. 112-012, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 95514), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

119 1/2 x 50 inches

RA4 Contact Print Curls, 2014–

Gastarbeiten, 2014

 

TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

TCL LE40FHDE2010 40-Inch 1080p 60Hz LED HDTV

2014

Television

36 7/8 x 22 1/4 x 3 3/4 inches

Televisions, 2014–

Gastarbeiten, 2014

 

HP ScanJet G4050

2014

HP ScanJet G4050

Dimensions variable

Machines, 2014–

Gastarbeiten, 2014

 

​​​​​​​HP Photo Smart C6280 ALL-IN-ONE

2014

HP Photo Smart C6280 ALL-IN-ONE

Dimensions variable

Machines, 2014–

Gastarbeiten, 2014

 

Epson Stylus NX420

2014

Epson Stylus NX420

Dimensions variable

Machines, 2014–

Gastarbeiten, 2014

 

Power Mac G4 M8493

2014

Power Mac G4 M8493

Dimensions variable

Machines, 2014–

Gastarbeiten, 2014

 

Picasso and Truth: From Cubism to Guernica I

2014

Ink on paper, receipt, dried flower, newspaper

11 3/4 x 17 3/8 inches

Drawings, 2014–

Gastarbeiten, 2014

 

Corn Hustlers Nabbed; Ad Agency Blues: Pay Play in binge lawsuit, 86º, 2:45pm, 22-4-14

2014

Ink on paper, envelope, dried flower, newspaper

12 x 22 inches

Drawings, 2014–

Gastarbeiten, 2014

 

Picasso and Truth: From Cubism to Guernica II

2014

Ink on paper, dried flower, paper

12 x 18 inches

Drawings, 2014–

Gastarbeiten, 2014

 

Picasso and Truth: From Cubism to Guernica III

2014

Ink on paper, dried flower, paper

13 7/8 x 18 inches

Drawings, 2014–

Gastarbeiten, 2014

 

Ativan, Lorazepam 1 mg, V 4008, Round, Scored, Qualitest Pharmaceuticals; Polychromos, Faber Castell, White, 9201 - 101 (November 4–5, 2014) /  Xanax, Alprazolam 0.5 mg, GG257, Elliptical/Oval, Scored, Sandoz Pharmaceuticals, Inc.; Polychromos, Faber Castell, Light Flesh, 9201 - 132 (November 4–5, 2014) /  Adderall, Amphetamine and Dextroamphetamine 10 mg, cor 132, Round, Multi-Segmented, Core Pharmaceuticals, Inc.; Polychromos, Faber Castell, Sky Blue, 9201 - 146 (November 4–5, 2014) /  Aderall, Amphetamine and Dextroamphetamine 10 mg, b 972 1 0, Elliptical/Oval, Scored, Teva Pharmaceuticals USA; Polychromos, Faber Castell, Light Phitalo Blue, 9201 - 145 (November 4–5, 2014) /  Propecia, Finasteride 1 mg, H 36, Round, Camber Pharmaceuticals, Inc.; Polychromos, Faber Castell, Pompeian Red, 9201 - 191 (November 4–5, 2014) /  Diovan, Valsartan 160 mg, RX 125, Elliptical/Oval, Ohm Laboratories, Inc.; Polychromos, Faber Castell, Cinnamon, 9201 - 189 (November 4–5, 2014) /  Celexa, Citalopram 20 mg, I G 207, Round, Scored, InvaGen Pharmaceuticals, Inc.; Polychromos, Faber Castell, Medium Flesh, 9201 - 131 (November 4–5, 2014) /  Wellbutrin SR, Bupropion Extended Release 150 mg, 681, Elliptical/Oval, Global Pharmaceuticals; Polychromos, Faber Castell, Cream, 9201 - 102 (November 4–5, 2014) /  Extra Strength Vitamin D3 2000 I.U., Elliptical, Transparent, Kirkland Signature; Polychromos, Faber Castell, Ivory, 9201 - 103 (November 4–5, 2014) /  Formula Multinutrient System VM-2000 Tablets, Elliptical, Senape with Brown Spots, Solgar; Polychromos, Faber Castell, Naples Yellow, 9201 - 185, Brown Ochre, 9201 - 182, Yellow Ochre, 9201 - 183 (November 4–5, 2014)

2014

Ink and oil pastel on letterhead

12 3/4 x 9 1/2 inches each

Drawings, 2014–

Gastarbeiten, 2014

 

Directors 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions145 3/16 x226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 33 1/2 x 97 7/8 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]

2014

Polished copper table top and powder-coated steel

97 7/8 x 33 1/2 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

Directors 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814B (produced in conjunction with Kat Parker, Artist Liaison), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 145 3/16 x 226 1/8 x 30 .  inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 5/8 x 95 x 1 1/2 inches. Section 2 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]

2014

Polished copper table top and powder-coated steel

95 x 33 5/8 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

Directors 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814C (produced in conjunction with Samantha Tsao, Partner), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 33 5/8 x 94 7/8 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two large drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]

2014

Polished copper table top and powder-coated steel

94 7/8 x 33 5/8 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

Directors 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814D, titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014 made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 33 5/8 x 67 3/4 x 1 1/2 inches. Section 4 has tone cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and one large drawer surrogate, each with the dimensions 3 1/8 x 21 3/4 x 28 inches.]

2014

Polished copper table top and powder-coated steel

67 3/4 x 33 5/8 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

Directors 5 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814E(produced in conjunction with Laura Higgins, Gallery Manager), titled Copper Surrogate (Desk, section 5: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 5 is 37 3/8 x 84 x 1 1/2 inches. Section 5 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

84 x 37 3/8 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

Directors 6 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814F (produced in conjunction with Marco Palumbo and Alexis Diop,Interns), titled Copper Surrogate (Desk, section 6: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 6 is 37 3/8 x 83 1/2 x 1 1/2 inches. Section 6 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

83 1/2 x 37 3/8 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

Reception 1 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 1 is 31 x 62 3/4 x 1 1/2 inches. Section 1 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

62 3/4 x 31 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

Reception 2 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York.Surrogate: WB72714B (produced in conjunction with Jason Murison, Director), titled Copper Surrogate (Desk, section 2: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 2 is 31 x 81 7/8 x 1 1/2 inches. Section 2 has two cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and two small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

81 7/8 x 31 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

Reception 3 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714C (produced in conjunction with Theodora Gilman, Assistant to the Directors), titled Copper Surrogate (Desk, section 3: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 3 is 31 x 81 1/4 x 1 1/2 inches. Section 3 has three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

81 1/4 x 31 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

Reception 4 [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714D (produced in conjunction with Nick Bennett, Gallery Assistant), titled Copper Surrogate (Desk, section 4: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014 ), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 30 3/4 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014. Due to the length and shape of the surface, copper surrogate portion produced in four sections, section 4 is 31 x 62 3/4 x 1 1/2 inches. Section 4 has one cabinet surrogate with the dimensions 29 1/4 x 15 1/4 x 21 3/4 inches and three small drawer surrogates, each with the dimensions 3 1/8 x 21 3/4 x 21 3/4 inches.]

2014

Polished copper table top and powder-coated steel

114 1/8 x 31 x 1 1/2 inches

Surrogates (Tabletop and Desktop), 2008–

Performances Under Working Conditions, 2014

 

Aggregate VIII (August 19th—21st, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2014

Ceramica Suro slip cast remnants, glaze, and firing plate

31 1/2 x 20 1/2 x 13 1/2 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

Aggregate XIII (August 20–22, 2013, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

31 1/2 x 24 1/2 x 17 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

Aggregate XVIII (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

23 1/2 x 20 1/2 x11 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

Aggregate XXX (August 19th–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2014

Ceramica Suro slip cast remnants, glaze, and firing plate

45 x 91 x 43 1/2 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

Aggregate XIX (August 20th–22nd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

38 x 20 1/2x 20 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

Aggregate XXI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

31 1/2 x 24 1/2 x 19 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

Aggregate XXVIII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

67 1/2 x 22 1/2 x 21 1/4 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

Aggregate XXVI (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

102 x 33 1/4 x 23 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

Aggregate XXVII (August 21st–23rd, Cerámica Suro, Guadalajara, Jalisco, Mexico)

2013

Ceramica Suro slip cast remnants, glaze, and firing plate

77 3/4 x 35 1/2 x 22 inches

Ceramics, 2013–

Selected Bodies of Work, 2014

 

Cross-Contaminated RA4 Contact Print / Processor Stall [Black Curl (9:6/MYC/Six Magnet: Los Angeles, California, January 8, 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02714), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 120 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/CMY/Six Magnet: Los Angeles, California, January 8th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02814), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 105 7/8 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/YCM/Six Magnet: Los Angeles, California, January 8th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 02914), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 107 3/8 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/MCY/Six Magnet: Los Angeles, California, January 14th 2014, Fuji Color Crystal Archive Super Type C, Em. No. 199-014, Kodak Ektacolor RA Bleach-Fix and Replenisher, Cat. No. 847 1484, 03914), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 116 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

RA4 Contact Print [Black Curl (YMC/Six Magnet: Los Angeles, California, August 14th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 20813), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174

2014

Color photographic paper

50 x 107 7/8 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

RA4 Contact Print [Black Curl (YMC/Six Magnet: Los Angeles, California, August 22nd 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21013), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 111 1/8 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

RA4 Contact Print [Black Curl (CYM/Six Magnet: Los Angeles, California, August 29th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21513), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 107 3/4 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

RA4 Contact Print [Black Curl (MCY/Six Magnet: Los Angeles, California, August 29th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21613), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 113 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

RA4 Contact Print [Black Curl (CYM: Los Angeles, California, November 20th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 101-007, 40013), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

50 x 109 5/8 inches

RA4 Contact Print Curls, 2014–

Selected Bodies of Work, 2014

 

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection: February 20/April 5, 2014, Los Angeles, California)

2014–

Polished copper

60 x 60 x 60 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 120” Bisection: February 19-24/April 5, 2014, Los Angeles, California)

2014

Polished copper

120 x 30 x 30 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2” 30º Diagonal / 150º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California)

2014

Polished copper

120 x 60 x 50 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 127 1/2” 30º Diagonal / 150º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California)

2014

Polished copper

120 x 60 x 50 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

Copper Surrogate (60" x 120" 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 45º Diagonal / 135º Antidiagonal Bisection: February 20/April 5, 2014, Los Angeles, California)

2014

Polished copper

110 x 60 x 50 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 77 3/4” 135º Antidiagonal / 45º Diagonal Bisection: February 19-21/April 5, 2014, Los Angeles, California)

2014

Polished copper

110 x 60 x 50 inches

Surrogates (Full Sheet, Art Handling), 2011–

Selected Bodies of Work, 2014

 

Schreibmachine (Canon MX310 Multifunction Printer)

2014

Aluminum, steel, Canon MX310 Multifunction Printer, and timer

Dimensions variable

Machines, 2014–

Selected Bodies of Work, 2014

 

Royal (Apple Power Mac G5 A1047)

2014

Aluminum, steel, and Apple Power Mac G5 A1047

Dimensions variable

Machines, 2014–

Selected Bodies of Work, 2014

 

Die gekränkte Braut (Epson Perfection 4990 Pro J131B)

2014

Aluminum, steel, and Epson Perfection 4990

Dimensions variable

Machines, 2014–

Selected Bodies of Work, 2014

 

Meine vier kleinen Untugenden (Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector)

2014

Aluminum, steel, Sony CRX160E CD-R/RW Drive Unit, Brother MFC-440CN Facsimile Transceiver, InFocus IN24 W240 Digital Projector, and timer

Dimensions variable

Machines, 2014–

Selected Bodies of Work, 2014

 

Der Wille zur Macht (Apple MacBook Pro)

2014

Macbook Pro

Dimensions variable

Machines, 2014–

Selected Bodies of Work, 2014

 

Das Gesicht des Terrors (Los Angeles, California, February 20, 2014)

2014

Chromogenic print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

Die Technik der Eroberung (Los Angeles, California, January 14, 2014)

2014

Chromogenic print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

Liberté, Amour, Art (Vienna, Austria, November 22, 2012)

2014

Black and white digital fiber print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

Die Erotische (Vienna, Austria, November 22, 2012) 

2014

Black and white digital fiber print

13 1/2 x 20 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

Die Mütter (Waltham, Massachusetts, February 4, 2013)

2014

Black and white digital fiber print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

Der Hausdrachen (Waltham, Massachusetts, February 4, 2013)

2014

Black and white digital fiber print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

Der Herrscher (Paris, France, March 12, 2013)

2014

Chromogenic print

13 1/2 x 20 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

Die Ideale der Väter (Paris, France, March 12, 2013)

2014

Chromogenic print

13 1/2 x 20 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

Alphabet der Leidenschaft (Beirut, Lebanon, June 1, 2013)

2014

Chromogenic print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

Die Qual der Lust (Los Angeles, California, August 15, 2013), Frame No. 14

2014

Black and white digital fiber print

20 x 13 1/2 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

Die Qual der Lust (Los Angeles, California, August 15, 2013)

2014

Black and white digital fiber print

13 1/2 x 20 inches

Art Handling, 2011–

Selected Bodies of Work, 2014

 

Walead Beshty and Kelley Walker

Crystal Voyagers [October 28/December 7, 2014, New York, New York: 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (Surfer, September 1973) 48 ounce Electrolytic Tough-Pitch C11000 Copper Alloy (International Surfing Photo Annual, 1973)]

2014–

Four color process silkscreen with acrylic on canvas; Surfer, September 1973, Surfer, September 1973, International Surfing Photo Annual, 1973, polished copper

96 x 5 x 1 inches each

Crystal Voyager, 2014

 

Walead Beshty and Kelley Walker

Hardbody Software (February 26/May 14, 2014, Los Angeles, California)

2014–

Acrylic and ink on canvas, polished copper

96 x 5 inches each

Hardbody Software, 2014

 

Marginalis (Los Angeles, California, August 1–30, 2014)

2014

Cyanotype chemistry on canvas

55 x 84 1/2 inches

Cyanotype paintings, 2013–2015

Progressive Praxis, 2016

 

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