Solo Exhibitions
Aggregato, Thomas Dane Gallery Naples, 2018
Equivalents, Regen Projects, 2018
Open Source, Petzel, 2017
Transparencies, Rat Hole Gallery, 2017
Automat, Galerie Eva Presenhuber, 2016
Great Hall Exhibition, Institute of Fine Arts, New York University, 2015
Disponibles, Travesía Cuatro, 2015
Walid AlBeshti, Regen Projects, 2015
Marginalia, Thomas Dane Gallery, 2014
Gastarbeiten, Capitain Petzel, 2014
A Partial Disassembling of an Invention without a Future ... , Barbican Centre, 2014
Performances Under Working Conditions, Petzel, 2014
Selected Bodies of Work, Regen Projects, 2014
8 rue Saint-Bon, 2013
Fair Use, Power Station, 2013
Travel Pictures
, Thomas Dane Gallery, 2012
PROCESSCOLORFIELD, Regen Projects, 2011
A Diagram of Forces, Malmö Konsthall and Centro de Arte Dos de Mayo, 2011
Securities and Exchanges, Ullens Center for Contemporary Art, 2011
Diapositives, Galerie Rodolphe Janssen, 2011
Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009
Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009
Popular Mechanics, Wallspace, 2009
Passages, LAXART, 2009
Production Stills, Thomas Dane Gallery, 2009
Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008
Industrial Pictures, Galerie Rodolphe Janssen, 2008
Selected Group Exhibitions
Progressive Praxis, de la Cruz Collection, 2016
All the World’s Futures, La Biennale di Venezia, 2015
Atopolis, Wiels at Mons, 2015
Repetition and Difference, The Jewish Museum, 2015
The Endless Renaissance, Bass Museum of Art, 2012
FIVE, Baibakov Projects, 2009
Altermodern: The Tate Triennial, The Tate Britain, 2009
Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009
Biennial Exhibition, Whitney Museum, 2008
Collaborations
Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014
Hardbody Software with Kelley Walker, Redling Fine Art, 2014
Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010
Plug n Play with Karl Haendel, Redling Fine Art, 2009
Curatorial Projects
Picture Industry: A Provisional History of the Technical Image, 1844–2018, Luma Arles, 2018
Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College
Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016
A Machinery for Living, Petzel, 2014
Again, Once Again, Many Times More, Martos Gallery, 2014
On the Matter of Abstraction (figs. A & B) ... , Rose Art Museum, Brandeis University, 2013
Blind Spot Magazine, No. 46, 2013
Sunless, Thomas Dane Gallery, 2010
Picture Industry (Goodbye to All That), Regen Projects, 2010
There is Always a Background / CMYK, Cabinet Magazine, 2010
The Gold Standard, P.S.1 Contemporary Art Center, 2006
Invisible Hands and The Common Good, Champion Fine Art, 2005
Multiples
NEW YORK, STATE OF OPPORTUNITY | Department of Labor, Attention Miscellaneous Industry Employees ...
[...] 001
Shanzhai Times
Marginalia “I think of my work ...
Post Conspicuously ...
Weastern Archive One
Walead Beshty ·NRR。，，，， NN。2001 ...
Shanzhai Times, 山寨时报, Village Mountain Era
Publications
Picture Industry: A Provisional History of the Technical Image, 1844–2018
Walead Beshty: Procedurals, Petzel 2014–2017
Industrial Portraits: Volume One, 2008–2012
Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015)
Ethics
Walead Beshty: Natural Histories
Walead Beshty: Selected Correspondences 2001–2010
Later Layer: Johnston Marklee and Walead Beshty
Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows
Procedural Texts
On The Conditions Of Production Of The Mirrored Floor Works (2009–)
On the Conditions of Production of the Copper Surrogates (2008–)
On the Conditions of Production of the Color Curl Works (2008–)
On the Conditions of Production of the Black and White Fold Works (2007–)
On the Conditions of Handling, Process, and Display of FedEx Works (2007–)
On the Conditions of Production of Pictures Made by My Hand with The Assistance of Light (2005–)
Bodies of Work
Asymmetrical Inverted RA4 Contact Prints, 2018–
Blind Collages, 2017–
Body Prints, 2017–
Inverted RA4 Contact Prints, 2016–
Drawings, 2014–
Machines
, 2014–
RA4 Contact Prints, 2014–
Surrogates (Modular, Art Handling), 2014–
Televisions
, 2014–
Transparencies, 2014–
Ceramics, 2013–
Newspapers, 2013–
Cyanotype Paintings, 2013–2015
Oil Paintings, 2013–2015
White Curls, 2013–2014
The Continuous Presents of Futures Past, 2012–2013
Soft Pictures, 2012
Unmaskings, 2012–2013
Travel Pictures
, 2006/2008/2012
Art Handling, 2011–
Decoys, 2011–
Remnants, 2011–
Surrogates (Full Sheet, Art Handling), 2011–
Black Curls, 2010–2013
Make Readies, 2010–
American Passages, 2009–
Cyanotypes, 2009–
FedEx Copper Works, 2009–
Mirrored Floor Work, 2009–
Six-Color Curls, 2009–2010
Industrial Portraits, 2008–
Selected Works, 2008–
Surrogates (Tabletop and Desktop), 2008–
Transparencies, 2008–2014
Three-Color Curls, 2008–2013
Color Loops, 2008–2011
Color Pulls, 2008
Multi-Sided Folds, 2007–
FedEx Glass Works, 2007–
Travel Pictures, 2006/2008
Black and White Directional Folds, 2006–2014
Pictures Made by My Hand with the Assistance of Light, 2005–2014
Dust, 2005–2009
Island Flora, 2005
Eight Young Men ... , 2002
American Passages, 2001–2011
Excursionist Views, 2001/2005
The Phenomenology of Shopping, 2001–2003
Works by Year
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
Selected Essays
How Important is Art as a Form of Protest
Bodies in Space: Some notes on the work of Nairy Baghramian
The Story of O: Gesture in the Work of Laura Owens
Lesson: Notes for an Introductory Lecture
Introduction: Toward an Aesthetics of Ethics
In Medias Res (On the Work of Sharon Lockhart)
Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech
Interviews
Brooklyn Rail: In Conversation Walead Beshty with Amy Ontiveros
Bomb Magazine: Walead Beshty & Eileen Quinlan
Open Source: Walead Beshty in Conversation with Bob Nickas
Info
Bio
CV
Video
Contact
Bonus
Shanzhai Times
Private
Guest Login
Menu
Solo Exhibitions
Aggregato, Thomas Dane Gallery Naples, 2018
Equivalents, Regen Projects, 2018
Open Source, Petzel, 2017
Transparencies, Rat Hole Gallery, 2017
Automat, Galerie Eva Presenhuber, 2016
Great Hall Exhibition, Institute of Fine Arts, New York University, 2015
Disponibles, Travesía Cuatro, 2015
Walid AlBeshti, Regen Projects, 2015
Marginalia, Thomas Dane Gallery, 2014
Gastarbeiten, Capitain Petzel, 2014
A Partial Disassembling of an Invention without a Future ... , Barbican Centre, 2014
Performances Under Working Conditions, Petzel, 2014
Selected Bodies of Work, Regen Projects, 2014
8 rue Saint-Bon, 2013
Fair Use, Power Station, 2013
Travel Pictures
, Thomas Dane Gallery, 2012
PROCESSCOLORFIELD, Regen Projects, 2011
A Diagram of Forces, Malmö Konsthall and Centro de Arte Dos de Mayo, 2011
Securities and Exchanges, Ullens Center for Contemporary Art, 2011
Diapositives, Galerie Rodolphe Janssen, 2011
Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009
Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009
Popular Mechanics, Wallspace, 2009
Passages, LAXART, 2009
Production Stills, Thomas Dane Gallery, 2009
Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008
Industrial Pictures, Galerie Rodolphe Janssen, 2008
Selected Group Exhibitions
Progressive Praxis, de la Cruz Collection, 2016
All the World’s Futures, La Biennale di Venezia, 2015
Atopolis, Wiels at Mons, 2015
Repetition and Difference, The Jewish Museum, 2015
The Endless Renaissance, Bass Museum of Art, 2012
FIVE, Baibakov Projects, 2009
Altermodern: The Tate Triennial, The Tate Britain, 2009
Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009
Biennial Exhibition, Whitney Museum, 2008
Collaborations
Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014
Hardbody Software with Kelley Walker, Redling Fine Art, 2014
Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010
Plug n Play with Karl Haendel, Redling Fine Art, 2009
Curatorial Projects
Picture Industry: A Provisional History of the Technical Image, 1844–2018, Luma Arles, 2018
Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College
Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016
A Machinery for Living, Petzel, 2014
Again, Once Again, Many Times More, Martos Gallery, 2014
On the Matter of Abstraction (figs. A & B) ... , Rose Art Museum, Brandeis University, 2013
Blind Spot Magazine, No. 46, 2013
Sunless, Thomas Dane Gallery, 2010
Picture Industry (Goodbye to All That), Regen Projects, 2010
There is Always a Background / CMYK, Cabinet Magazine, 2010
The Gold Standard, P.S.1 Contemporary Art Center, 2006
Invisible Hands and The Common Good, Champion Fine Art, 2005
Multiples
NEW YORK, STATE OF OPPORTUNITY | Department of Labor, Attention Miscellaneous Industry Employees ...
[...] 001
Shanzhai Times
Marginalia “I think of my work ...
Post Conspicuously ...
Weastern Archive One
Walead Beshty ·NRR。，，，， NN。2001 ...
Shanzhai Times, 山寨时报, Village Mountain Era
Publications
Picture Industry: A Provisional History of the Technical Image, 1844–2018
Walead Beshty: Procedurals, Petzel 2014–2017
Industrial Portraits: Volume One, 2008–2012
Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015)
Ethics
Walead Beshty: Natural Histories
Walead Beshty: Selected Correspondences 2001–2010
Later Layer: Johnston Marklee and Walead Beshty
Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows
Procedural Texts
On The Conditions Of Production Of The Mirrored Floor Works (2009–)
On the Conditions of Production of the Copper Surrogates (2008–)
On the Conditions of Production of the Color Curl Works (2008–)
On the Conditions of Production of the Black and White Fold Works (2007–)
On the Conditions of Handling, Process, and Display of FedEx Works (2007–)
On the Conditions of Production of Pictures Made by My Hand with The Assistance of Light (2005–)
Bodies of Work
Asymmetrical Inverted RA4 Contact Prints, 2018–
Blind Collages, 2017–
Body Prints, 2017–
Inverted RA4 Contact Prints, 2016–
Drawings, 2014–
Machines
, 2014–
RA4 Contact Prints, 2014–
Surrogates (Modular, Art Handling), 2014–
Televisions
, 2014–
Transparencies, 2014–
Ceramics, 2013–
Newspapers, 2013–
Cyanotype Paintings, 2013–2015
Oil Paintings, 2013–2015
White Curls, 2013–2014
The Continuous Presents of Futures Past, 2012–2013
Soft Pictures, 2012
Unmaskings, 2012–2013
Travel Pictures
, 2006/2008/2012
Art Handling, 2011–
Decoys, 2011–
Remnants, 2011–
Surrogates (Full Sheet, Art Handling), 2011–
Black Curls, 2010–2013
Make Readies, 2010–
American Passages, 2009–
Cyanotypes, 2009–
FedEx Copper Works, 2009–
Mirrored Floor Work, 2009–
Six-Color Curls, 2009–2010
Industrial Portraits, 2008–
Selected Works, 2008–
Surrogates (Tabletop and Desktop), 2008–
Transparencies, 2008–2014
Three-Color Curls, 2008–2013
Color Loops, 2008–2011
Color Pulls, 2008
Multi-Sided Folds, 2007–
FedEx Glass Works, 2007–
Travel Pictures, 2006/2008
Black and White Directional Folds, 2006–2014
Pictures Made by My Hand with the Assistance of Light, 2005–2014
Dust, 2005–2009
Island Flora, 2005
Eight Young Men ... , 2002
American Passages, 2001–2011
Excursionist Views, 2001/2005
The Phenomenology of Shopping, 2001–2003
Works by Year
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
Selected Essays
How Important is Art as a Form of Protest
Bodies in Space: Some notes on the work of Nairy Baghramian
The Story of O: Gesture in the Work of Laura Owens
Lesson: Notes for an Introductory Lecture
Introduction: Toward an Aesthetics of Ethics
In Medias Res (On the Work of Sharon Lockhart)
Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech
Interviews
Brooklyn Rail: In Conversation Walead Beshty with Amy Ontiveros
Bomb Magazine: Walead Beshty & Eileen Quinlan
Open Source: Walead Beshty in Conversation with Bob Nickas
Info
Bio
CV
Video
Contact
Bonus
Shanzhai Times
Private
Guest Login
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